Missouri - Art

Robert Indiana New Glory Banner Silkscreen on heavy woven paper Year: 1997 Unsigned as issued Size: 10.4 × 16.8 on 16.6 × 21.7 inches Framed: 29 x 21.25 inches COA provided *W...

“Animals carry strong associations that make them ideal in portraying, sometimes humorously, our basic disposition or nature. Some animals have a long cultural history while others d...

Title: Japanese Lanterns Medium: Custom Archival Pigment Print on Archival Paper Date: 2019 Dimensions: 8 x 10 in. Signed, dated and inscribed on lab...

Joseph Piccillo’s meticulous charcoal and graphite drawings and paintings reveal an exquisite draftsmanship tempered by emotional sensitivity. Piccillo presents an action-based assem...

Bele Bachem Sanft bis zur letzten Rasur (I. Fassung - B/W) Lithograph on Velum Year: 1968 Size: 30x25.1 inches Signed, dated and inscribed by hand Dry Stam...

Contemporary Oil Painting on Canvas, Mounted on Panel, Framed, Architecture Nancy Newman Rice was born in New York City and was educated at Cornell University and at Washington Univ...

Jill Opelka Cypress Oil on Canvas Year: 2023 Size: 36x48 Framed: 37x49x2.5in Signed by hand COA provided Ref.: 924802-2051 Tags: Landscape, Pebble Beach, California, Golf Course, Monterey Peninsula, Iconic, Bunker, Green, Fairway *Framed in a black wooden frame ----------------- About the Painting: In the realm of golf, Cypress Point stands as an unparalleled gem. Crafted in 1928 by the esteemed designer Alister Mackenzie, this masterpiece remains a timeless testament to his genius. Continuously hailed among the top 3 golf courses worldwide by leading publications, its allure is undeniable. What sets Mackenzie's work apart is his adeptness in harmonizing with nature, allowing Cypress Point to unfold organically, preserving its unmatched natural beauty and integrity. About the Artist: Upon entering Jill Opelka's home, her creative essence is unmistakable. Adorned with New Yorker Magazine covers, her dining room exudes a vibrant charm, complemented by quirky giant tortoises in the living room. The space is a reflection of Opelka's lively personality, evident in her central studio nestled within the bright breakfast nook. Embraced by natural light and captivating outdoor vistas, it's where her artistry thrives, even evident in intricate details like a practical denim quilt on her sofa, crafted from old jeans – a testament to her work and creativity. Descending to her lower-level gallery, her larger original pieces, each with personal anecdotes, take center stage. From a nostalgic converse painting symbolizing childhood choices to a rescued roadside goat immortalized on canvas, her stories are as captivating as her art. Jill Opelka's creations, drawing inspiration from her life's moments, offer a personal touch that adds warmth to any home. From customized shoe and teacup paintings...

Contemporary Abstract Painting Acrylic on Canvas, Psychedelic Patterns, Colorful Groot Foundation Grant Honorable Mention Recipient 2025 "My work, both in painting and sculpture, i...

Joan Miró One plate from DLM "Peintures Murales de Miró" Medium: Color lithograph Publisher: Maeght, Paris Signature: Unsigned Edition: Unnumbered from an edition of unknown, but pre...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Contemporary Abstract Painting, Acrylic on Canvas, Framed, Psychedelic Patterns Groot Foundation Grant Honorable Mention Recipient 2025 "My work, both in painting and sculpture, in...

Contemporary Abstract Painting, Acrylic on Canvas, Framed, Psychedelic Patterns Groot Foundation Grant Honorable Mention Recipient 2025 "My work, both in painting and sculpture, in...

To Be Or Not To Be IV Mixed Media on Board 2023 Size: 12x12x1in Framed: 13x13x1.25in Signed, dated and titled by hand COA provided *framed in a black wooden floater frame ---------...

David Morris Golden Hour Digital Painting on Archival Paper Year: 2024 17.25 x 14.25 inches Edition: 15 Signed, numbered and dated by hand COA provided *Different Sizes available up...

Lord Fauntleroy Ahmedabad 151209-14 Pigment Print Year: 2015 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with s...

Lord Fauntleroy House Labels in Yellow 241206-02 High Gloss Metal Print with Float Mount Hanger Year: 2024 Size: 12 inches diameter Signed: On Label Edition: 7 COA provided Lord Fau...

Joan Miró La Mélodie Acide - 5 Color lithograph Year: 1980 Edition: 1500 Signed in the stone - lower right Numbered in pencil - lower left Size: 8.2 × 6.6 on 12.9 × 9.9 inches Catalo...

Lord Fauntleroy Ahmedabad 150306-101 2015 Archival Pigment Print on Matte Paper Size: 24 x 24 inches (60.96 x 60.96cm) Edition: 9 Signed, titled and dated on label COA provided Lord...

Friedrich Geiler Geometric Composition in Green (Konkrete Kunst, Constructivsm, Geometric Abstract, Op-Art) Giclee on heavy cotton paper 2021 Size: 18.89 x 24.01 inches (48 x 61 cm) ...

To Be Or Not To Be I Mixed Media on Board 2023 Size: 12x12x1in Framed: 13x13x1.25in Signed, dated and titled by hand COA provided Ref.: 924802-1886 *framed in a black wooden floater...

Monotype Dimensions : 42 x 29 1/16 inches image and paper Peter Voulkos (popular name of Panagiotis Voulkos; January 29, 1924 – February 16, 2002) was an American artist of Greek descent. He is known for his abstract expressionist ceramic sculptures, which crossed the traditional divide between ceramic crafts and fine art. While his early work was fired in electric and gas kilns, later in his career he primarily fired in the anagama kiln of Peter Callas, who had helped to introduce Japanese wood firing aesthetics in the United States. After serving in the United States Army during the Second World War, Voulkos studied painting and printmaking at Montana State College, in Bozeman (now Montana State University), where he was also introduced to ceramics; Frances Senska...

David Pugh Disco Concrete Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform / museum quality for highest age r...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Susan Kiefer Untitled Yellow 02 (Geometric, Abstract, Gestural, Vibrant) Oil on Canvas 2023 Size: 16 x 16 x 1.25 in (40.64 x 64.64 x 3.17 cm) COA provided *On stretcher frame, galle...

Joseph Broghammer The Long Stay (Hummingbird, Portrait, Storytelling, Oil Painting) Oil on Canvas Year: 2023 Size: 21x17in Signed by hand COA provided Ref.: 924802-1895 *on stretch...

Tom Huck Goat Roper Rodeo Year: 2003 1 Color Lithograph Edition: 41 Paper: Arches Cover, White Paper Size: 33.5 x 23 inches Image Size: 29 x 21 inches Signed and numbered by hand COA...

Claudia Keller Untitled Landscape II Color Silkscreen Year: 1985 Signed, dated, numbered or inscribed Edition: 180 Size: 19.5 × 18.5 on 27.3 × 23.4 in...

Martha Wahlert Hand-signed and titled in pencil

Nick Vedros Indian Motorcycle Yippee Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 8x12in Edition: 12 Signed, dated and ...

Friedrich Geiler Geometric Column in Blue (Konkrete Kunst, Constructivsm, Geometric Abstract, Op-Art) Giclee on heavy cotton paper 2021 Size: 28.54 x 12 in (72.5 x 30.5 cm) Edition: ...

Martel Wiegand Untitled (Abstract, Modern, Beige, Brown, Linocut) Linoleum Cut on light paper with centerfold as issued 1996 19.48 x 25.36 inches (49.5 x 69.5 cm) Edition: Unique Mon...

Signed by the artist, Edition 16/75 COA provided Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual artist, performance artist, earth artist, sculpto...

Wall Mounting Mixed Media Sculpture, Iron on Wood Panel, Populace by Mary Giles Mary Giles (1944-2018) received her BS in Art Education from Mankato State University in Minnesota. ...

Melanie Sherman Zierkarpfen (Koi) Year: 2016 Porcelain, China Paint, 24K German Gold Luster, Flocking Fired multiple times, Cone 6, Cone 018 Size: 1.25 x 16 x 7.75 inches Signed Exhi...

Lord Fauntleroy Wisc 1709-02-24 Pigment Print Year: 2017 Visible Size: 13 x 13 inches Framed: 20.5 x 20.5 inches Signed: On Label Edition: 9 COA provided *Natural wood frame with st...

Aster da Fonseca Stormy Weather II Acrylic on Wood 2019 6.25 x 7.3125 inches Signed on verso, lower right COA provided #abstract #geometric # minimal #acrylic # nature #painting #wo...

Bruno Bruni Prego, s'accomodi Year: 1969 Serigraph Size: 29.5x24 inches Signed, numbered and dated by hand Edition: 99 Annotated verso Publisher: Il Torcoliere, Rome, Italy Printer: ...

Jeffrey Tamblyn Red Hat Club Medium: Digital Photography Year: 2020 Size: 12x12 in Edition: 25 Signed, dated and numbered by hand on label COA provided Ref.: 924802-941 Motion-blur ...

Joel Sager (1980) was born in Saint Joseph, Missouri, the son of a minister and a stay-at-home mother who fostered from an early age his love of drawing and painting. It was under the mentorship of prominent American illustrator Mark English...

Klaus Basset Title: Geometric Composition Year: 1970 Medium: Color lithograph Signed, numbered and dated by hand Edition: 120 Size: 11.9 × 12.5 on 23.8 × 16.8 inches COA provided

Untitled (Flower hats) 1976 Serigraph Ed. Edition of 175 25.75 x 20.5 inches

Honey Thief, 2016 Medium: 5 Color Lithograph Edition: 27 Paper: Handmade HMP Waterleaf Paper Size: 24.5″ x 20.5″ (irregular) Image Size: 21.75″ x 13″ (irregular) COA provided On the...

Bele Bachem Romantische Reisende III Lithograph on Velum Year: 1967 Size: 19.25x25.5in Signed, dated and inscribed by hand Edition: 150 Publisher: Edition ...

Oil & acrylic on canvas

Paul Klee (after) The Yellow Donkey (Der Gelbe Esel) Year: 1939 Lithograph Size: 14.125x19.6 on 20.6x26 inches Esther Gentle, Reproduction, 1952 Edition: 300 Inscribed in pencil stam...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Lithograph on washi paper Exemplaire B/165 Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, i...

Jennifer Pate Title: Finger Lickin' Good Year: 2018 Medium: Print Edition: 17 Size: 7 x 5 inches Signed, numbered and inscribed by the artist Pate's inspiration lies in the mundane ...

Andrzej Zielinski Laptop Accessing Web Year: 2015 5 Color Lithograph Edition: 18 Paper: Somerset Antique Paper Size: 20 x 19.5 inches Image Size: Same Signed and numbered by hand COA provided Andrzej Zieliński (born 1976, Kansas City, Missouri, USA) is an American painter. Zieliński received his BFA from The School of the Art Institute of Chicago in 2002. In 2004 he earned his MFA from Yale University in New Haven, CT. Zieliński's main body of work reflects on electronic devices that saturate our lives: cell phones, ATMs, computers, and paper shredders...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Annieo Klaas Sifting the Sky into Layers 2024 Oil on Canvas 40 x 30 inches (101.6 x 30.48 cm) Signed lower right COA provided *On stretcher frame - gallery wrapped - ready to hang ...

Lord Fauntleroy Wisc 1709-02-03 Pigment Print Year: 2017 Visible Size: 13 x 13 inches Framed: 20.5 x 20.5 inches Signed: On Label Edition: 9 COA provided *Natural wood frame with st...

Lord Fauntleroy Cali 180722-87 Pigment Print Year: 2018 Visible Size: 13 x 13 inches Framed: 20.5 x 20.5 inches Signed: On Label Edition: 7 COA provided Lord Fauntleroy is a season...

Jack Hayhow Title: Moulton at Midnight Photographic Print on fine Paper Year: 2020 Size: 32x54 inches Signed by hand COA provided Ref.: 924802-889 ---------------------------------...

Lord Fauntleroy ILL 1408-08-143 Pigment Print Year: 2014 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with stand...

Lord Fauntleroy Oldsmobile (Americana, Rusty, Classic Car, Timeless Ride) 2024 Archival Pigment Print on Hahnemuehle Baryta Rag 315gsm Size: 24 x 24 in...

James Rizzi Octopus Garden Color lithograph Year: 2002 Titled and dated in the print Publisher: John Szoke Editions, New York Size: 3.3 × 4.6 on 6.9 × 7.5 ...

Kerry Smith Ella Fitzgerald Sings Duke Ellington Mixed Media on Crescent board Year: 2022 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1636 *Black frame with a mirr...

Aster da Fonseca Tree Branches Acrylic on Wood 2019 6.25 x 7.3125 inches Signed on verso, lower right COA provided #abstract #geometric # minimal #acrylic # nature #painting #wood ...

Fred Alfred Theophil Fathwinter Untitled Gestural Composition Monotype Year: 1971 Signed, numbered and dated by hand Edition: 3 Size:11.75x8in.1 on 17x12in COA provided Ref.: 924802-1196 Fathwinter, artist name for Franz Alfred Theophil Winter (May 23, 1906 in Mainz, † June 27, 1974 in Düsseldorf), was an artist of the Informel. From 1924 to 1927 he studied at the State School for Arts and Crafts in Mainz and in 1929/30 in evening classes at the Städelschule in Frankfurt am Main. During the National Socialist period he was banned from exhibiting. His evacuation to Murnau in 1942 led to a closer acquaintance with Gabriele Münter...