Missouri - Art

Nick Vedros Ducati Girl Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 2012 Size: 16x10in Edition: 15 Signed, dated and number...

(MADE TO ORDER) (Sabbath, Kiddush, Unique, Gold Luster) *Lead Time may vary between 1-3 weeks Melanie Sherman "Just A Little Tipsy" Year: 2021 Porcelai...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Herman Richir Detail of the Young Horsewoman c. 1980s Fine color facsimile 28 x 22 inches, 32 x 26 (framed)

Jay Patel Betta Fish Acrylic on Board Year: 2022 Size: 12x10x1.5in Signed verso COA provided Ready to hang Ref.: 924802-1124 "A golden Betta meanders throu...

Lord Fauntleroy Chewbacca - Affenpinscher (Puppy, Dog, Portrait, Staged, Iconic, Funny, Whimsical, Heartwarming) 2023 Archival Pigment Print on Hahnem...

Brandon Schnur Green Turtle Flask Materials : Porcelain, Cork, Steel Dimensions : 7.5 x 5 x 2 inches Functional 10oz Flask, Slipcast and Handbuilt Cone 10 porcelain, Oxide and Slip d...

Jill Opelka Lily Pond Oil on Canvas Year: 2023 Size: 11.5 x 15.75 inches Framed: 18 x 22 x 1.5 inches Signed COA provided Tags: Lily, Pond, Flowers, Waterscape, Pastell, Warm *Framed in a black wooden frame - ready to hang ----------------- Upon entering Jill Opelka's home, her creative essence is unmistakable. Adorned with New Yorker Magazine covers, her dining room exudes a vibrant charm, complemented by quirky giant tortoises in the living room. The space is a reflection of Opelka's lively personality, evident in her central studio nestled within the bright breakfast nook. Embraced by natural light and captivating outdoor vistas, it's where her artistry thrives, even evident in intricate details like a practical denim quilt on her sofa, crafted from old jeans – a testament to her work and creativity. Descending to her lower-level gallery, her larger original pieces, each with personal anecdotes, take center stage. From a nostalgic converse painting symbolizing childhood choices to a rescued roadside goat immortalized on canvas, her stories are as captivating as her art. Jill Opelka's creations, drawing inspiration from her life's moments, offer a personal touch that adds warmth to any home. From customized shoe and teacup paintings perfect for gifts to commissioned portraits...

Ella Fort Flower Field (Champ Fleuri) Color Lithograph Signed, numbered or inscribed Edition: 390 + 250 Size: 7.8 × 11.7 on 11.7 × 15.6 inches Framed: 16.25x20 inches COA provided *Framing Options Available - Please Inquire **edition number might vary from shown in listing image Tags: Provence landscapes, French countryside art...

Jeffrey Tamblyn Carts Archival Pigment Print on Hahnemuehle Baryta Rag Year: 2021 Size: 16x20 inches Edition: 50 Signed, dated and numbered by hand on label COA provided Ref.: 924802...

Jennifer Belair Sakarian holds a BFA (2010) from Siena Heights University (Michigan) with concentration in printmaking and art history. Her MFA is from Wayne State University (2013)....

Stella Jae Royalties 2023 Oil on Canvas Size: 23.62 x 34.49 inches (60 x 80cm) Signed by hand COA provided Ref.: 924802-2114 ---------- Tags: #StellaJRich...

Zarah Leander (after) GABRIELA Woman with a past - Queen of the Night Clubs - Toast of Cafe Society! Offset Lithograph 1950 22.04 x 27.55 inches (56 x 70 cm) Unsigned as issued COA p...

Jay Patel MINIATURE STYLE Acrylic on Board Year: 2022 Size: 12x10x1.5in Signed verso COA provided Ready to hang Ref.: 924802-1106 Drawing its cultural cues from the glorious corners...

Hand Built & Painted Plate Materials: Porcelain, Glaze, China Paint, Gold Luster, Flock, Decals Fired: Electric Kiln, Cone 6 Decorative purpose only - Not for use, not dishwasher saf...

Jeffrey Tamblyn Waves of Stone Medium: Digital Photography Year: 2021 Size: 16x20 in Edition: 50 Signed, dated and numbered by hand on label COA provided Ref.: 924802-943 Landscape ...

Katherine Bello Title: Vessel Oil on canvas Year: 2021 Dimensions: 30"x24"x1.5" Signed by hand Canvas on stretcher frame - ready to hang COA provided --------------------------...

John Marak 12x12-06-24-2021 Plaster, Acrylic Year: 2021 Size: 12x12 in Signed by hand COA provided ------------------------------------- John Marak is a second-generation artist b...

Impressionist Style Landscape Painting, Swamp, Water, Oil on Panel, Jill Hackney "A native of New Orleans, Jill Hackney studied painting at The Cleveland Institute of Art and Louisi...

Jean-Marie Guiny "Les Printemps D'Uranus Cheval" Lithograph Signed and numbered by the artist Edition: H.C. Size: 19.5 x 25.75 inches COA provided *Condition: Good; no foxing, stain...

Pigment & acrylic on rice paper

Pigment & acrylic on paper

Dean Denney Cold Blooded 2023 Archival Pigment Print on High Quality Watercolor Paper 20 x 16 inches Edition: 40 Signed, numbered and dated by hand, lower ...

GIULIO TURCATO "Fragments" from Portfolio "Grafica '69" Year: 1969 Medium: Lithograph in three colors Edition: 100 Size: 17.6 x 23.6 in. Publisher: Il Torcoliere, Rome - Italy Signe...

Lord Fauntleroy Cool vs. Warm White 2019 Archival Pigment Print on Hahnemuehle Baryta Rag 315gsm Size: 18 x 10 inches (45.72 x 25.4cm) Edition: 9 Signe...

Lord Fauntleroy Interior Still 22-528 2022 Archival Pigment Print on Hahnemuehle Baryta Rag 315gsm Size: 18 x 10 inches (45.72 x 25.4cm) Edition: 17 Si...

Ronald King Trooper II Year: 1970 Color Lithograph Size: 27.5x20.5in Edition: 50 Signed, inscribed and numbered by hand COA provided Ref.: 924802-1359 Bor...

David Morris Medieval Overture Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided R...

Hand-colored lithograph 1st ed. Royal Octavo Master printer: J.T. Bowen John James Audubon was born in Haiti in 1785. Most of his childhood was spent in ...

David Morris Chicken Lickin' Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref...

Louise Marler Tulip and Bees Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-1694 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

(MADE TO ORDER) (Sabbath, Kiddush, Unique, Gold Luster) *Lead Time may vary between 1-3 weeks Melanie Sherman "Just A Little Tipsy" Year: 2021 Porcelai...

Kerry Smith AC/DC - Hells Bells (Record Label, Ticket Stubs, Setlists, Contemporary Pop Art, Music-based, Grammy) Mixed Media on Crescent board Year: 2018 Size: 12x12in Signed, dated...

Kerry Smith Jimi Hendrix - Band Of Gypsys Mixed Media on Crescent board Year: 2022 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1640 *Black frame with a mirror-glos...

Miriam Schapiro Flash and Annie Year: 1992 8 Color Lithograph Edition: 38 Paper: Rives, Waterleaf Paper Size: 46 x 32.25 inches Image Size: Same Signed and numbered by hand COA provi...

The central Missouri, river-view studio of painter Gloria Gaus offers her contemplative solitude and direct access to the Midwestern landscapes featured throughout her body of work. ...

Nick Vedros Carhenge Horizontal Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 8x12in Edition: 15 Signed, dated and numbered by hand on label Stamped COA ...

Nick Vedros Cat in Lamp Shop Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 11x8in Edition: 15 Signed, dated and numbered by hand on label Stamped COA pro...

Warren Rosser Passing Over Year: 2014 Lithograph Edition: 38 Paper: Arches Cover, White Paper Size: 22 x 17.5 inches Image Size: 19 x 13.5 inches (irregular) Signed and numbered by h...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Edward Henderson Fiddling Desire Year: 1997 10 Color Lithograph with hand coloring Edition: 25 Paper: Somerset, Satin White Paper Size: 32 x 26 inches Image Size: 23.5 x 18.5 inches...

Joe Kelly Untitled Portrait I Black and White Photograph Year: circa late 70s Image Size: 7x5.5in Sheet Size: 10x8in Unsigned Ref.: 924802-1710 Tags: B&W, Black and White, Photogra...

Jill Opelka Abstract III Oil on Canvas Year: 2023 Size: 20x20in Framed: 21x21x1.5in Signed by hand COA provided Ref.: 924802-2050 Tags: Abstract, Vibrant, Deep, Blue, Navy, Green, Orange, Pink *Framed in a black wooden frame ----------------- Upon entering Jill Opelka's home, her creative essence is unmistakable. Adorned with New Yorker Magazine covers, her dining room exudes a vibrant charm, complemented by quirky giant tortoises in the living room. The space is a reflection of Opelka's lively personality, evident in her central studio nestled within the bright breakfast nook. Embraced by natural light and captivating outdoor vistas, it's where her artistry thrives, even evident in intricate details like a practical denim quilt...

Metra Mitchell holds a BFA in Painting and minor in Art History from Western Kentucky University and an MFA in Painting from Fontbonne University. She has taught studio and art histo...

Joan Miro Lithographier Originale (Les Peintures Sur Carton De Miro) Original Color Lithograph Year: 1965 Size: 14.5x10.5in Edition: 150 Portfolio: DLM 151-152 Publisher: Maeght Ed...

David Pugh View from Empire State Building I Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform / museum qualit...

Jill Opelka Abstract II Oil on Canvas Year: 2023 Size: 12x12in Framed: 13x13x1.5in Signed COA provided Ref.: 924802-2049 Tags: Abstract, Vibrant, Deep, Blue, Navy, Green, Orange, Yellow *Framed in a black wooden frame ----------------- Upon entering Jill Opelka's home, her creative essence is unmistakable. Adorned with New Yorker Magazine covers, her dining room exudes a vibrant charm, complemented by quirky giant tortoises in the living room. The space is a reflection of Opelka's lively personality, evident in her central studio nestled within the bright breakfast nook. Embraced by natural light and captivating outdoor vistas, it's where her artistry thrives, even evident in intricate details like a practical denim quilt...

Melanie Sherman Vintage Moth I (Wall Piece/Dish (handpainted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 2023 (and following years) Size: 4.25x6.25x0.5in Signed by hand COA provided Ref.: 924802-1326 *Made to Order Every piece is unique, design might differ slightly Customization possible **Lead time approx. 2 weeks for qty 1-3 ------------------------ My ceramics are handmade and painted with the finest overglazes from Europe. The gold luster used is 24k liquid Gold from Germany. Every piece is unique. My imagery is inspired by vintage Meissen dinnerware, William Morris wallpaper and other historical sources. Porcelain, Ceramics, Pottery, Ornament Vintage Moth Wall Piece Ornament Small Dish Candy Sugar Tea handpainted handmade butterfly peacock 24k German gold luster ceramics porcelain charm, jewelry, personalized, family, tree, retro, heart, mother, moon, baby, feet, gemstone, flower, mom, birth, year, art, chinapaint, luster, lustre, contemporary ceramics, futility of pleasure, herend, meissen, sevre, pattern, arita, arita ware, imari, imari ware, dresden, germany, japan, jingdezhen, china, photography, momento mori, flowers, flower motif, drawing, illustration, peacock, cherry blossom, chrysanthemum, kiku, 菊, kikka, 菊花, Ōka, 黄花, Kiku no hana...

Paul Wunderlich From Portfolio "Twilight" with Karin Szekessy Year: 1971 Medium: Color Lithograph Edition: 125 Size: 33 x 25 in. Publisher: A.A.A., New ...

Erica Iman received her BFA in Ceramics and BSE in Art from the University of Missouri Columbia in 2005 and obtained her MFA in Ceramics from Southern Illinois University Edwardsvill...

James Rizzi Four Seasons (Illustrated Book, Pop Art, 3D Art, Urban Art, New York Artist, Contemporary Art) Handsigned and numbered illustrated book Year: 1988 Size: 12×11.6×0.6in Edition: 965 Signed, numbered by hand Publisher: John Szoke Graphics, Inc. - NYC, USA Printed by: Arnoldo Mondadori Editori, Italy COA provided Ref.: 924802-1932 *the "Four Seasons: Spring" print is missing and not included Tags: James Rizzi, Pop art, 3D art, Urban art, New York artist, Contemporary art, Colorful art, Whimsical art, Cityscape art, Silkscreen prints, 20th-century artist, Three-dimensional paintings, Graphic art, American artist, Happy Rizzi House, 3D constructions, Animated art, Street art, Manhattan art, Graphic artist, International artist, Iconic pop artist, Playful art, Pop culture art, Childlike art...

Nikolaus von Georgi Untitled (Geometric Composition, Vasarely, Op-Art) Color Offset Lithograph Year: 1978 Size: 19.7×23.6 on 23.6×27.6in Edition: 180 Signed, numbered and dated by ...

Kerry Smith Pearl Jam - No Code Mixed media on Crescent board Year: 2017 Size: 21x22in Framed Signed, dated by hand COA provided Ref.: 92-0470 *Black frame with a mirror-gloss finis...

The Esquimaux Dog 1887 Etching

David Pugh Pink City I Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform / museum quality for highest age resi...

Born in Jefferson City Missouri in 1976 Justin Allen attended Webster University in St. Louis, Missouri where he studied filmmaking before studying painting at the Art Students Leagu...

Thomas Pfannerstill has worked as a full-time studio artist since 1986, following his education at Western Kentucky University (BFA 1975). He currently resides and works in Louisvill...

A native of Kansas City, Josh George completed his BFA at the Kansas City Art Institute (1997), followed by an influential session at The Illustration Academy. His exhibitions and pu...

A native of Kansas City, Josh George completed his BFA at the Kansas City Art Institute (1997), followed by an influential session at The Illustration Academy. His exhibitions and pu...

Joel D. Sager (b. 1980) is a contemporary American painter of landscapes, still-life and portraiture. Often drawing on such standard subject matter with economy and singularity— a so...