Missouri - Art

Whether as a statement piece in an offbeat living space, or a quirky bedroom addition, this piece is sure to be a sultry, sensitive talking piece! Working with a collection of vintage Barbies to create timely, sensitive portraits that evoke the interior lives of the dolls, photographer Larry Torno...

Nancy Newman Rice was born in New York City and was educated at Cornell University and at Washington University, where she earned a BFA with honors and an MFA. She has received award...

Fahamu Pecou Bag of Tricks, 2015 Lithograph 28 x 22 inches (71.1 x 55.9 cm) Edition 113/150

Peter Max (German, b. 1937) Asia on Blends Signed Lower Right 18 x 14 inches 32.5 x 28.5 inches with frame Peter Max, born Peter Max Finkelstein, is a...

Signed card and COA

MCKENNEY, Thomas L. (1785-1859) and James HALL (1793-1868) Qua-Ta-Wa-Pea or Col. Lewis. A Shawnnee Chief. Philadelphia: E.C. Biddle, 1836. Hand-coloured lithograph. Image size (including text): 14 3/8 x 10 inches. Sheet size: 20 x 14 1/8 inches. Framed size: 24 x 20 3/8 A fine image from McKenney and Hall's 'Indian Tribes of North America': `One of the most important [works] ever published on the American Indians' (Field),` a landmark in American culture' (Horan) and an invaluable contemporary record...

Four Quartets Third Quartet, 1990 Mel Bochner (American, b. 1940) Signed and Numbered Verso Lithograph in Four Panels 42 x 34.5 inches 52.25 x 44 inches with frame Mel Bochner, a po...

James Hoff Social Media Remorse Syndrome, 2012 Oil on canvas 18 x 12 inches (45.7 x 30.5 cm)

Luanne Rimel is an artist, curator, instructor, and currently the Director of Education Programs at Craft Alliance Art Center in St. Louis, Missouri. Her work is layered with histori...

Signed in Pencil Lower Right "Marc Chagall" Numbered Lower Left 77/275 Image Size: approx. 11 3/4 x 9 1/4 inches Framed Size: approx. 24 x 21 inches

Carol Shinn is a studio artist who lives in Fort Collins, Colorado. She is known internationally for photo-based machine-stitched images. She has taught many classes and workshops ac...

Angel, 1952 Ferol K. Sibley Warthen (American, 1890-1986) Color Woodblock Print 6.5 x 5 inches 16 x 13.75 inches with frame Signed Lower Right Titled Lower Left Born 1890, Died 1986...

Fog Bound Tod Lindenmuth (American, 1885-1976) Woodblock Print 14 x 11 inches 26 x 20.25 inches with frame Signed Lower Right Titled Lower Left A founder of the Provincetown Art Association and one of the original Provincetown Printers, Tod Lindenmuth was a semi-abstract painter and graphic artist who did much to promote modernist styles. Although he was much influenced by Abstract Expressionism, his subject matter was realistic enough to be recognizable. He did linoleum cuts and was one of the first to work with that medium, and towards the end of his life, he experimented with collage. In the 1930s, he had commissions for the Public Works of Art Project and the Works Progress Administration. Lindenmuth was born in Allentown, Pennsylvania. He studied with Robert Henri at the New York School of Art in Manhattan, and in Provincetown with E. Ambrose Webster and George Elmer Browne. He first exhibited in Provincetown in 1915, and between 1917 and 1928 served on the jury for the Provincetown Art Association's 'First Modernistic Exhibition". He exhibited regularly with the Society of Independent Artists in New York. He married artist and illustrator Elizabeth Boardman Warren...

Tree and Dove Ferol K. Sibley Warthen (American, 1890-1986) Color Woodblock Print Edition of 3 6.25 x 4.75 inches 13 x 11.5 inches with frame Signed Lower Right Titled Lower Left Born 1890, Died 1986...

Channeling the Midwest and Western landscapes as sources for his mood-rich paintings, Bogosian has developed an extensive and breathtaking body of work. According to Bogosian, “My wo...

In Houska's Hide and Seek, you see his pop art style and use of an ombre of green colors to create a unique scene with a variety of his different iconic ...

Fred Conway “Two Golfers and a Caddy” c. 1965 Pen, Ink & Watercolor on Paper 13 x 17 inches Signed A member of the faculty of the Washington University Art School from 1929 to 1970, Frederick Conway...

Jackie Case Ballerina Bunny, 2015 Pencil on paper Framed Dimensions: 10 5/8 x 8 3/4 inches (27 x 22.2 cm) JCa.004

Marilyn Minter Nail Biter, 2010 Color photograph 20 x 24 inches (50.8 x 61 cm) Edition 12/20

Gavin Bond Untitled 6, 2009 Chromogenic print 60 x 40 inches (152.4 x 101.6 cm) 1 AP

Kate Anderson transitioned her painting background into a full career in craft and textile after a knotting workshop at Craft Alliance in St. Louis. Now ...

Flamingo sculpture in Tiffany Box Blue with Hot Pink and Gold Leaf Detail meticulously created by Artist Justin King from individually cut and folded piece...

Carol Shinn is a studio artist who lives in Fort Collins, Colorado. She is known internationally for photo-based machine-stitched images. She has taught many classes and workshops ac...

Griselda Comacho de Silveria "Pot with Red & Black Motif Earthenware 4.5 x 6.5 inches Signed on Bottom

Artist Commentary: The colors in this work reflects a satellite image of the Mezen River in northwest Russia, where the fresh water of the river meets the saltwater of the Arctic Sea. The current of the river so strong that the sediment carried by the river pours out into the sea - not forming the typical land delta around it. Keywords: abstract, waves, black and white Artist Biography: Kerry Hirth was born in the Midwest and currently lives and works near Columbia, Missouri. Her work translates music to visual art. She uses her synesthetic experience of musical harmony as color to create drawings of music in vibrant linear patterns. Her work uses both color and text to capture the complexity and richness of music and explore the source of music in life experiences. She often collaborates with musicians, with some noteworthy past projects including: Live demonstration with an orchestra A curated program on the relationship between improvisational jazz and the visual arts Creating artwork for the first Mugellini Festival in Macerata, Italy Collaborating on the composition of new music Creating backgrounds for live performance Her approach to music and visual art has been shaped by her unique background. She received an MA in Philosophy with a minor in music performance. She has done archaeological illustrations of Mayan artifacts...

Artist Commentary: ​This work reflects a satellite image of one of the largest salt pans in the world, located in Namibia, the origin of modern humans. Keywords: Abstract, Conceptual & Allegorical, Landscape & Nature, colorful, rainbow, dark, red, orange, blue Artist Biography: Kerry Hirth was born in the Midwest and currently lives and works near Columbia, Missouri. Her work translates music to visual art. She uses her synesthetic experience of musical harmony as color to create drawings of music in vibrant linear patterns. Her work uses both color and text to capture the complexity and richness of music and explore the source of music in life experiences. She often collaborates with musicians, with some noteworthy past projects including: Live demonstration with an orchestra A curated program on the relationship between improvisational jazz and the visual arts Creating artwork for the first Mugellini Festival in Macerata, Italy Collaborating on the composition of new music Creating backgrounds for live performance Her approach to music and visual art has been shaped by her unique background. She received an MA in Philosophy with a minor in music performance. She has done archaeological illustrations of Mayan...

Carol Shinn is a studio artist who lives in Fort Collins, Colorado. She is known internationally for photo-based machine-stitched images. She has taught many classes and workshops ac...

Joan Parker (20th C.) "Straw Fields" Oil on Canvas Canvas Size: 10 x 20 inches Framed Size: 21 x 31 inches Joan Parker, is a Plein Air landscape painter and a native of California....

Carol Shinn is a studio artist who lives in Fort Collins, Colorado. She is known internationally for photo-based machine-stitched images. She has taught many classes and workshops ac...

Dressed to the nines! This wonderful portrait of Ken treats the doll with the same sensitivity as a human subject - and in doing so, sheds light on the interior lives of the doll. As...

Antoine Bofill "Little Red Riding Hood" Bronze Inkwell 6H x 10W x 6D Signed Inscribed: 25 Septembre 1920 Antoine Bofill was born in Barcelona i...

Christopher Ruess large scale painting, spatial environs, blue rising, encapsulated polymer & acrylic on canvas. A Pennsylvania-born artist, Chris Ruess later studied at the Memphis ...

A wonderful piece for a contemporary living space, this painting is the result of a years long refinement of artist Nick Schleicher's process. Combining his love of color theory, mas...

Carl Holty (1900-1973) "Mountain Wall" 1962 Unframed: 12" x 9" Framed: 19.5" x 16.5" Signed Lower Left Known for his floating, luminous, highly-colorful forms, Carl Holty belongs to...

Harley Lafarrah Eaves Thematic Plot Points In The Wizard Of Oz From Childhood Memories, 2018 Acrylic and gouache on canvas 46 x 62 inches (116.8 x 157.5 cm)

Peter Max (German, b. 1937) Woodstock Series, Profile on B Signed Lower Right 9 x 7 inches 25.5 x 23.5 inches with frame Peter Max, born Peter Max Finkelstein, is a multi-dimension...

Since 1977, Larry Torno has worked in the graphic design business as a designer, art director, and creative director for companies large and small, from Fortune 500 to Not-for-Profit...

Cornell Capa Marilyn Monroe on the set of 'The Misfits', 1960 Gelatin silver print Framed Dimensions: 16.5 x 20.25 inches (41.9 x 51.4 cm) Image Dimensions: 12.25 x 8.25 inches (31...

Carlos Quintana Pingoro. the Indian Agent, 2019 Oil on canvas 41 x 29 inches (104.1 x 73.7 cm)

Born in Detroit, Steven Montgomery’s work revels in a history of industry and aging as the artist uses porcelain to produce intricate mechanical forms with the appearance of metal. H...

Born in Detroit, Steven Montgomery’s work revels in a history of industry and aging as the artist uses porcelain to produce intricate mechanical forms with the appearance of metal. H...

Christopher Ruess large scale painting entitled "Spatial Environs: Deep Blue", encapsulated polymer with acrylic on canvas. A Pennsylvania-born artist, Chris Ruess later studied at t...

In 1899, when Artus Van Briggle stepped off the train in Colorado Springs he must have felt worlds away from the studios of Paris and the landscapes of Italy where his extraordinary ...

Gerard Malanga Mick Jagger, 1970 Gelatin silver print 19.8 x 15.8 inches (50.2 x 40 cm) Edition 7/10

Signed and Numbered Ed. 125 The following is excerpted from The New York Times, August 6, 2001 by Daniel Watkin: "Shedding 7 Coats, a Beauty Emerges on a Hospital Wall" By DANIEL J...

Nancy Newman Rice was born in New York City and was educated at Cornell University and at Washington University, where she earned a BFA with honors and an MFA. She has received award...

In Houska's Night Watch, his Pop Art style and use of gray colors create a unique variety of his different iconic characters in the festive and gregarious ...

Edition of 60

This is a vintage museum exhibition poster from the Max Beckmann Retrospective at the Saint Louis Art Museum, 1984. Max Beckmann was...

Considered by many the greatest living Welsh painter, Shani Rhys James has developed over a long and distinguished career a unique and highly personal style of intense psychological ...

Mary Ann Strandell Kranz, 2009 Oil on canvas 24 x 24 inches (61 x 61 cm)

Wareham Bridge Medium Drypoint Year of Work 1877-1877 Image Size: approx. 6 in.; Width 8.9 in. / Height 15.2 cm.; Width 22.7 cm. Sir Francis Seymour Haden (16 September 1818 - 1 June 1910), was an English surgeon, best known as an etcher. He was born in London, his father, Charles Thomas Haden, being a well-known doctor and lover of music. He was educated at Derby School, Christ's Hospital, and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842. In 1843-1844, with his friends Duval, Le Cannes and Colonel Guibout, he travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but between 1845 and 1848 he studied portfolios of prints belonging to a second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. Arranging the prints in chronological order, he studied the works of the great original engravers, Albrecht Dürer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he tried to give a true reflection of Rembrandt's work, giving a nobler idea of the master's mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons were founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895). Haden's printmaking was invigorated by his much younger brother-in-law, James Whistler, at the Haden home in Sloane Street in 1855. A press was installed there and for a while Haden and Whistler collaborated on a series of etchings of the Thames. The relationship and project did not last. Haden followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but brought about its revival in England. His strenuous efforts and perseverance, aided by the secretarial ability of Sir WR Drake, resulted in the foundation of the Royal Society of Painter-Etchers and Engravers. As president he ruled the society with a strong hand from its first beginnings in 1880. Notwithstanding his study of the old masters of his art, Haden's own plates were very individual, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J.M.W. Turner's "Calais Pier," which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large "Breaking up of the Agamemnon." An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning--Richmond", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), "Sunset in Ireland," "Penton Hook," "Grim Spain" and "Evening Fishing, Longparish," are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years Haden began to practise the sister art...

Tony Cragg Fruit Juice Bottles II, State 2, 1990 Color aquatint with spit bite aquatint 13 x 15 inches (33 x 38.1 cm) Edition of 25

Contemporary Ceramic Trompe l'oeil Sculpture, Glazed Porcelain, "Oyster Vase" Dirk Staschke is best known for his exploration of Dutch Vanitas still life themes in the medium of ceramics. His current body of work explores the space in between sculpture and painting. His work often uses meticulous representation as foil for examining skill and craft. He received his BFA from the University of Montevallo followed by an MFA from Alfred University and has maintained an ongoing studio practice and extensive exhibition record for twenty-three years. During this time, he has taught at many notable universities, including Emily Carr University, Alfred University and New York University. His work has been shown internationally and resides in the permanent collections of several museums including the Smithsonian Museum in Washington (DC), Icheon Museum, World Ceramic Center (Gwango-dong) South Korea, Crocker Museum (CA) and the Portland Art Museum (OR). He has received various artist’s grants including grants from The Virginia Groot Foundation and the Canada Council on the Arts. Education 1998 Alfred University, Alfred, NY, Master of Fine Arts Degree 1995 University of Montevallo, Montevallo, AL, Bachelor of Fine Arts Degree Solo Exhibitions 2024 Impressions, Ferrara Showman Gallery, New Orleans, LA 2021 Wallflowers, Mark Moore Fine Art, Orange Park, CA 2019 Matter of Perspective, Jonathan Ferrara Gallery, New Orleans, LA 2018 In-Between, Mark Moore Fine Art, Orange Park, CA 2017 Perfection of Happenstance, Winston Wachter Fine Art, Seattle,WA 2016 Nature Morte, (AMOCA) American Museum of Ceramic Art, Pomona, CA 2015 Executing Merit, Winston Wachter Fine Art, Seattle, WA 2014 Bounty, Clark Collage, Vancouver, WA 2013 Sated, Winston Wachter Fine Art, Seattle, WA 2012 Falling Feels A Lot Like Flying, Bellevue Arts Museum, Bellevue, WA 2009 Making Arrangements, Wexler Gallery, Philadelphia, PA 2006 Ornament, Wexler Gallery, Philadelphia, PA 2004 Politics of Clay, Clay Art Center, Port Chester, NY New Works, Wexler Gallery, Philadelphia, PA 2003 John Elder Gallery, New York, NY Selected Exhibitions 2023 Art Miami, Ferrara Showman Gallery, Miami, FL 2022 Momento Mori, Northern Clay Center, Minneapolis, MN Earth Oracles, Mayten’s Gallery, Toronto, ON Collect Art Fair (Online), London, England 2021 Salon Art Fair, Culture Object, NY, NY Dead Reconning, Pensacola Museum of Art, FL Counterparts, The Museum of Glass, Tacoma, WA Contemporary Clay, Western Carolina University Museum, Cullowhee, NC Looking West: A Survey of Art on the Left Coast, Mark Moore Fine Art, CA 2020 Art Miami, Jonathan Ferrara Gallery, Miami, FL Rare Earth, Mark Moore Fine Art, Orange Park, CA Culture Object, New York, NY 2019 Art Miami, Cynthia, Corbett Gallery, Miami, FL Our Shared Heritage, Huntsville Museum of Art, Huntsville, AL State of the Art, Giertz Gallery, Champaign, IL 2018 Collect, London Art Fair, w/ Cynthia, Corbett Gallery, London, England Vasa Vasorum, Curated by Garth Clark at Peters Projects, Santa Fe, NM Revive, Remix, Respond, The Frick Museum, Pittsburgh, PA New York Ceramics and Glass Fair, w/ Ferrin Contemporary, New York, NY Sugar, Eutectic Gallery, Portland, OR 2017 C'est le bouquet, Fondation d’entreprise Bernardaud, Limoges, France The Evocative Garden, NCECA invitational exhibition, Portland, OR Selections from the PAM permanent Collection, Portland Art Museum, OR Sweet Tooth: The Art of Dessert, Shelburne Museum, Shelburne, VT BC to BC, San Diego Art Institute, San Diego, CA LH Project, Trifecta: Future Forward on the Ceramic Highway, Portland, OR Form Over Function, Winston Wachter Fine Art, Seattle, WA 2015 Crafting a Collection, Fuller Craft Museum, Brockton, MA 2014 Ceramic Top 40, Red Star Studios, Kansas City, MO Dark Matter, Boehm Gallery, Palomar College, San Marcos, CA 2013 Bunting Biennial Ceramics Symposium, Birmingham Museum of Art, Birmingham, AL 2012 Shifting Paradigms, Museum of Fine Arts, Houston, Houston, TX Enough is as Good as a Feast, Gallery Jones, Vancouver, BC 2010 BAM Biennial, Bellevue Arts Museum, Bellevue, WA, Hermaphrodite, Ferrin Gallery/Wexler Gallery, Philadelphia, PA Portraiture Beyond Likeness, Ethel Sergeant Clark Gallery, Wayne, PA 2009 5th World Ceramic Exposition Biennial, Gwango-dong, South Korea, New works, Two-person show, Gallery Jones, Vancouver, BC, Canada SOFA Chicago, Chicago, Il with Wexler Gallery 2008 A Human Impulse, Arizona State University Museum, Tempe, AZ, (In) Between, Wexler Gallery, Philadelphia, PA Confrontational Ceramics, Westchester Arts Council, White Plains, NY 2006 Body and Mind, Garth Clark Gallery, New York, NY Edges of Grace, The Fuller Craft Museum, Brockton, MA 2005 Politics as Usual, The Yager Museum of Art and Culture, Hartwick College, Oneonta, NY. Vanitas, Lacost Gallery, Concord...

Dirk Staschke is best known for his exploration of Dutch Vanitas still life themes in the medium of ceramics. His current body of work explores the space in between sculpture and painting. His work often uses meticulous representation as foil for examining skill and craft. He received his BFA from the University of Montevallo followed by an MFA from Alfred University and has maintained an ongoing studio practice and extensive exhibition record for twenty-three years. During this time, he has taught at many notable universities, including Emily Carr University, Alfred University and New York University. His work has been shown internationally and resides in the permanent collections of several museums including the Smithsonian Museum in Washington (DC), Icheon Museum, World Ceramic Center (Gwango-dong) South Korea, Crocker Museum (CA) and the Portland Art Museum (OR). He has received various artist’s grants including grants from The Virginia Groot Foundation and the Canada Council on the Arts. Education 1998 Alfred University, Alfred, NY, Master of Fine Arts Degree 1995 University of Montevallo, Montevallo, AL, Bachelor of Fine Arts Degree Solo Exhibitions 2024 Impressions, Ferrara Showman Gallery, New Orleans, LA 2021 Wallflowers, Mark Moore Fine Art, Orange Park, CA 2019 Matter of Perspective, Jonathan Ferrara Gallery, New Orleans, LA 2018 In-Between, Mark Moore Fine Art, Orange Park, CA 2017 Perfection of Happenstance, Winston Wachter Fine Art, Seattle,WA 2016 Nature Morte, (AMOCA) American Museum of Ceramic Art, Pomona, CA 2015 Executing Merit, Winston Wachter Fine Art, Seattle, WA 2014 Bounty, Clark Collage, Vancouver, WA 2013 Sated, Winston Wachter Fine Art, Seattle, WA 2012 Falling Feels A Lot Like Flying, Bellevue Arts Museum, Bellevue, WA 2009 Making Arrangements, Wexler Gallery, Philadelphia, PA 2006 Ornament, Wexler Gallery, Philadelphia, PA 2004 Politics of Clay, Clay Art Center, Port Chester, NY New Works, Wexler Gallery, Philadelphia, PA 2003 John Elder Gallery, New York, NY Selected Exhibitions 2023 Art Miami, Ferrara Showman Gallery, Miami, FL 2022 Momento Mori, Northern Clay Center, Minneapolis, MN Earth Oracles, Mayten’s Gallery, Toronto, ON Collect Art Fair (Online), London, England 2021 Salon Art Fair, Culture Object, NY, NY Dead Reconning, Pensacola Museum of Art, FL Counterparts, The Museum of Glass, Tacoma, WA Contemporary Clay, Western Carolina University Museum, Cullowhee, NC Looking West: A Survey of Art on the Left Coast, Mark Moore Fine Art, CA 2020 Art Miami, Jonathan Ferrara Gallery, Miami, FL Rare Earth, Mark Moore Fine Art, Orange Park, CA Culture Object, New York, NY 2019 Art Miami, Cynthia, Corbett Gallery, Miami, FL Our Shared Heritage, Huntsville Museum of Art, Huntsville, AL State of the Art, Giertz Gallery, Champaign, IL 2018 Collect, London Art Fair, w/ Cynthia, Corbett Gallery, London, England Vasa Vasorum, Curated by Garth Clark at Peters Projects, Santa Fe, NM Revive, Remix, Respond, The Frick Museum, Pittsburgh, PA New York Ceramics and Glass Fair, w/ Ferrin Contemporary, New York, NY Sugar, Eutectic Gallery, Portland, OR 2017 C'est le bouquet, Fondation d’entreprise Bernardaud, Limoges, France The Evocative Garden, NCECA invitational exhibition, Portland, OR Selections from the PAM permanent Collection, Portland Art Museum, OR Sweet Tooth: The Art of Dessert, Shelburne Museum, Shelburne, VT BC to BC, San Diego Art Institute, San Diego, CA LH Project, Trifecta: Future Forward on the Ceramic Highway, Portland, OR Form Over Function, Winston Wachter Fine Art, Seattle, WA 2015 Crafting a Collection, Fuller Craft Museum, Brockton, MA 2014 Ceramic Top 40, Red Star Studios, Kansas City, MO Dark Matter, Boehm Gallery, Palomar College, San Marcos, CA 2013 Bunting Biennial Ceramics Symposium, Birmingham Museum of Art, Birmingham, AL 2012 Shifting Paradigms, Museum of Fine Arts, Houston, Houston, TX Enough is as Good as a Feast, Gallery Jones, Vancouver, BC 2010 BAM Biennial, Bellevue Arts Museum, Bellevue, WA, Hermaphrodite, Ferrin Gallery/Wexler Gallery, Philadelphia, PA Portraiture Beyond Likeness, Ethel Sergeant Clark Gallery, Wayne, PA 2009 5th World Ceramic Exposition Biennial, Gwango-dong, South Korea, New works, Two-person show, Gallery Jones, Vancouver, BC, Canada SOFA Chicago, Chicago, Il with Wexler Gallery 2008 A Human Impulse, Arizona State University Museum, Tempe, AZ, (In) Between, Wexler Gallery, Philadelphia, PA Confrontational Ceramics, Westchester Arts Council, White Plains, NY 2006 Body and Mind, Garth Clark Gallery, New York, NY Edges of Grace, The Fuller Craft Museum, Brockton, MA 2005 Politics as Usual, The Yager Museum of Art and Culture, Hartwick College, Oneonta, NY. Vanitas, Lacost Gallery, Concord...

Justin Solomon "Wrestling Under the Sunset," sounds very romantic, 2018 Archival pigment print 26 1/2 x 40 inches (67.3 x 101.6 cm) Edition 1/5

Marilyn Minter Loop-de-Loop, 2013 Chromogenic print (c-print) on Kodak matte paper 14 x 11 inches (35.6 x 27.9 cm)

Charles Martin Handsome, Sao Paulo, 1992 Gelatin silver print 20 x 16 inches (50.8 x 40.6 cm) Edition 2/5

All Systems Go was developed through an intuitive process of layering and expressive mark-making. Marksbury’s paintings explore ideas of time and space, the fantastic and mystical, s...

With his multimedia portraits, Moroccan artist Hassan Hajjaj thrives in a space between cultures, traditions, mediums, and artistic movements. The subjects of his photography range f...