Ohio - Prints and Multiples

Shoe Box (C) From: Shoe Box-Exotic (Sculpture and seven original lithographs) Signed, dated, titled and numbered in pencil (see photos) Lithograph printed on ...

Fleet Street, London Soft ground etching & aquatint, c. 1936 Signed in pencil by the artist (see photo) Condition: Very good condition with brown paper tape along the edges of the la...

Signed, titled, and dated in pencil by the artist; The Print Club of Cleveland stamp lower left Edition: 260 The Print Club of Cleveland Publication No. 69, 1991 Printer: Am...

Richard Wagner Etching, c. 1880 Signed in the plate (see photo) Edition: c. 200 impressions Condition: mint Image/Plate size: 6 5/8 x 4 3/4 inches Sheet size: 14 3/8 x 10 7/8 inches ...

Three to Compare From: Twelve Progressions Signed and numbered in pencil Commissioned by Martha Jackson Graphics Printer: Domberger, Stuttgart, Germany Their drystamp lower right cor...

Ontario St. Grading and Temporary Ramps Drypoint, August 1929 Signed in pencil lower right (see photo) From: The Cleveland Set (23 plates), this being No. 13 Edition: Small A brilliant example of American industrial art. A wonderful, rich impression, with lots of burr and contrasts. Louis Conrad Rosenberg 1890-1983 An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology. He then enrolled at the Royal College of Art, London, to study etching techniques under Malcolm Osborne...

Trees (Trees in Circle) Etching & drypoint with monotype inking, 1953-1955 Signed in pencil An unrecorded trial proof, printed on heavy wove proofing paper at Atelier 17, before the ...

After Edward Henry Potthast The Century Magazine Chromolithograph, July 7, 1896 Printed by W.B. Orcutt Co., NY Note: This image won an honorable mention in a poster contest sponsored...

The Dutiful Youth of Mino Province Collecting Wood to Warm His Old Father Color woodcut, c. 1842-43 Signed and sealed lower right (see photo) From the Series: "Honcho nijushi-ko" (Tw...

Unsigned as is usual for this publication From: XXe Siecle, Volume 44, 1975 Published by G. di San Lazzaro for A. Maeght, Paris Printed by Mourlot, Paris...

Cleveland Center for Contemporary Art 1968/ 1983 Off-set lithographic poster, 1983 Signed in ink by the artist in the bottom margin (see photo) Poster celebrating the 15 year anniver...

La Fête Nationale du Boulevard Clichy Etching, drypoint, and aquatint, 1878 Signed lower left in the plate (see photo) Printed chine collee, mounted on white wove paper Upper plate m...

From: Happy Pentagone (6 plates) Signed and numbered in pencil Edition: 100 (37/100) Printer: Lacouriere et Frelaut Imprimeur, Paris Paper: BFK RIVES watermark on some sheets from th...

Affiche pour la Hune II Lithograph in colors, 1970 Signed in pencil lower right Numbered 13/99 lower left This impression from the edition before the addition of lettering and the pu...

Looking Back Etching with hand coloring by the artist, 1994 Signed, dated, and numbered in pencil lower left (see photo) Edition: 67 (49/67) (see photo) References And Exhibitions: Franco & Verne, Quiet Elegance: Japan Through the Eyes of Nine American Artists, 1997. Illustrated pg. 61. Cited as a “great print” by Stewart pg. 53. Note: An important print by the artist Joel Stewart Biography Museum Collections: • Los Angeles County Museum of Art, Los Angeles, California, USA Cleveland Museum of Art, Cleveland, Ohio, USA. Portland Art Museum, Portland, Oregon, USA Library of Congress, Washington D.C., USA Allen Memorial Art Museum, Oberlin, Ohio, USA Hoehn Family Galleries, University of San Diego, USA Group Exhibitions: 2020 The Terminal, Kyoto, “Kyoen” 2019 Rijksmuseum, Amsterdam, “Long Live Rembrandt” Alt Space POST Gallery, Kyoto, “The Echo Of Songs” 2018 Hakuhou-Doh Gallery, Kyoto, Japan – “Ki Ni Naru” CWAJ Print Show, Tokyo, Japan 2017 Kyoto Municipal Museum Of Art – “Kyoten 2017” CWAJ Print Show, Tokyo, Japan 2016 CWAJ Print Show, Tokyo, Japan 2015 CWAJ Print Show, Tokyo, Japan – 60th Annual Exhibition 2014 Kyoto Municipal Museum Of Art – “Kyoten 2014” The Kura, Kyoto, Japan – Collaborative Paintings With The Mangold Collection 2012 CWAJ Print Show, Tokyo, Japan – 56th Annual Exhibition 2011 CWAJ Print Show, Tokyo, Japan – 55th Annual Exhibition 2008 Phoenix Art Museum, Arizona, USA, “Making Waves – Contemporary Japanese Prints” 2007 Library Of Congress, Washington D.C., USA – “On The Cutting Edge: Contemporary Japanese Prints” 2006 Portland Art Museum, Oregon, USA – “Mahaffey Fine Art: 14 Years, 14 Artists” LA County Museum Of Art, California, USA – “Modern Japanese Prints: Etchings” CWAJ Print Show, Tokyo, Japan – 50th Annual Exhibition 2005 CWAJ Print Show, Tokyo, Japan – 49th Annual Exhibition 2004 CWAJ Print Show, Tokyo, Japan – 48th Annual Exhibition 2003 CWAJ Print Show, Tokyo, Japan – 47th Annual Exhibition 2002 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 2001 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 2000 Cleveland Museum Of Art, Ohio, USA, “East Meets West: Modern Japanese Prints” CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1999 Tolman Collection Gallery, Tokyo, Japan – “Miyabi” CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1998 Anne Reed Gallery, Ketchum, Indiana, USA, “One Common Denominator” CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1997 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1996 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1995 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1994 Kawaguchi Bijutsu Gallery, Kyoto, Japan – “Prints By Painters” 1993 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1992 Kato Gallery, Tokyo, Japan – Spring Show 1990 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1987 Cydney Payton Gallery, Denver, Colorado, USA – Group Exhibition Osaka Modern Art Center, Osaka, Japan – Biennale 1986 Voice Gallery, Kyoto, Japan – 3 Man Show 1983 Tacoma Art Museum, Tacoma, Washington, USA, Biennial Show 1983 Bellevue Art Museum, Bellevue, Washington, USA, Biennial Show One Person Exhibitions: 2020 Alt Space POST, Kyoto, Japan, “Floating Screens”, Pop-Up Installation 2019 Hasu Projects, Kyoto, Japan, “Gojo Rakuen”, Pop-Up Installation 2017 Hakuhou-Doh Gallery Hakuhou-Doh Gallery, Kyoto, Japan, “Fractured Fairy Tales, A New Print Series” 2015 Hakuhou-Doh Gallery 2013 Nishi Bijutsu Gallery 2011 Azuma Gallery, Seattle, Washington, USA ,“Recent Works” 2010 Fushimi Souko, Kyoto, Japan , “Crossroads: A Folding Screen Installation” 2005 Azuma Gallery, Seattle, Washington, USA , “Recent Works” 2004 Kato Gallery, Tokyo, Japan 2002 Kato Gallery, Tokyo, Japan Azuma Gallery Seattle, Washington, USA 2001 Keihan Art Salon, Osaka, Japan 2000 Azuma Gallery, Seattle Washington, USA, “New Works” Ren Brown...

Watering Jug and Brush Color mezzotint, c. 1973 Signed and editioned in pencil by the artist (see photos) Titled in pencil verso Edition: 150 (126/150) Published by John Szoke Graphi...

Walruses Engraving, 1952 Signed, dated, titled and numbered (see photos) Edition: 100, this from the second printing with the artist's initials in an edition of 25 (16/25) Condition:...

Light Struck Etching & Drypoint, 1984 Signed, dated and numbered in red pencil (see photos0 The artist's chop stamp (CS) lower right corner Edition: 25 (18/25), 5 artist's proofs, B....

"Homo"Verne, (Still Life with wine bottle, wine glass, glass of beer and dice) Pochoir printed on black textured colored paper, c. 1930 Signed and numbered in white pencil by the art...

En passant (Passing by) Drypoint, 1909 Unsigned (as issued in the deluxe portfolio) From the album "Les Bars" (8 plates plus cover illustration) Edition: 30, this state with remarque Published by Gustav Pellet, Paris A very rich impression wwith burr Condition: Excellent Image/Plate size: 9 7/8 x 6 3/8 inches Reference: Arwas 391a (remarque) Exteens 277 i/II IFF 148 (portfolio) Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906. Life Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops. Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all." Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine. Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891. In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes). Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his first artist; he also published Toulouse-Lautrec and Félicien Rops among others. He did not only work in graphics; he exhibited paintings at the Paris salon of the Société Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Légion d'honneur. Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion. Books illustrated de Maupassant, Guy: Cinq Contes Parisiens, 1905. Poe, Edgar Alan: Quinze Histoires d'Edgar Poe...

Western Hills Viaduct Under Construction Drypoint, June 1931 Signed in pencil lower right (see photo) Initialed and dated in the plate lower right above pencil signature (see photo) From: Cincinnati Series, 1930-1931, 8 plates, this No. 5 Small edition, not specified From Greenfield Hill Condition: Excellent Image/Plate size: 8 1/2 x 15 1/4 inches Sheet size: 11 1/4 x 18 1/2 inches Louis Conrad Rosenberg 1890-1983 An American architectural etcher...

Moon Rays Graphic Construction (three sheets layered in a shadow box presentation), 1967 Signed lower right. Editioned lower left. (see photos) Edition: 60 f...

Woods Etching and aquatint printed in colors, 1985 Signed, titled & numbered in pencil Edition: 15 (12/15) Printed on BFK RIVES paper Provenance: GE Art Program, (label included), se...

Things are not Right! Silk screen, c. 1970 Signed, editioned, and inscribed "To V.V." in pencil by the artist Image size: 2 x 2 inches Sheet size: 5 x 4 1/8 inches One of an unnumbe...

Dona Ascensione Off set lithograph, 1932/published 1950 Signed in pencil by the artist lower right (see photo) Titled in the stone, lower left From: New Mexico Artist...

Signed lower right Edition: Undetermined, plus an artist's edition of 10 Edition: Undetermined, plus an artist's edition of 10 Published by the Associated American Artist ...

Unsigned Edition: Large edition as published and bound into the catalog raisonne of the artist's lithographs From: Minaux Lithographe Published by Leon Amiel, Paris Printed by Fe...

Burst of Sound Lithograph printed in colors Signed and titled in pencil in Japanese (see photos) Edition: 30 (5/30) Provenance: Ralph Drake, Cleveland, OH, noted collector of decorat...

WO RO SI IA ZIN Russian Soldier with His Family Color woodcut, 1861 2nd month Signed upper left (see photo) Titled upper right in black cartouche (see photo) Format: oban Style: Yokohama-e Publisherr: Sagamiya Tokichi (Marks #435) active 1955-1866 Metropolitan Museum of Art in New York, has an impression of this image RARE Condition: with usual aging Image size: 13 7/8 x 9 3/8 inches Rebecca Salter in her Japanese Popular Prints... on page 18 gives a different take on the situation that Yoshifuji found himself in. "A giant of the period, however, was Utagawa Kuniyoshi (1797-861). Although best known for warrior prints which reflected the militaristic undercurrents of the time, he was also responsible for some of the most light-heartend and humorous works in this book. His followers in the Utagawa school, Utagawa Yoshitsuya...

Signed, titled and dated verso. Created at Zygote Press, Cleveland Edition: Unique (1/1) On her creation "I am interested in the possibilities and potentials of communication thro...

Untitled Color woodcut, 1939 Unsigned as issued Signed and dedicated by the artist on the justification page (see photo) From: Abstractions By Charles Smith Forward by Carl O. Schnie...

Signed and dated in pencil lower right From: New Jersey Volunteers for McCarthy Portfolio (14 lithographs by various artists) Signed in pencil lower right and dated ‘68 Printed by Pearl Seligman on Rives Heavyweight paper Edition 250 Features a broadside of Lowell's poem "Fall 1961," and 14 lithographs Signed in pencil by the following artists: Richard Anuskiewicz, Carmen Cicero, Leo Dee, Joseph Demarais...

Signed in the plate lower left Note: Printed on September 26, 1980 in an edition of 4 restrikes. Reference: Paul McCarron, The Prints of Martin Lewis: A Catalogue Raisonne (Bro...

Combination-Cross No. 3 Mezzotint, 1979 Signed, titled and numbered in pencil Edition: 30 (9/30) Provenance: Ninion and Sheldon Landy, Chicago The Landy's donated a large collection of Hamanishi to the Art Institute of Chicago in 2013, which formed the core of the exhibitions of his works at AIC in 2014 and again in 2019. Condition: Excellent Image size: 13 5/8 x 14 1/8 inches HAMANISHI Katsunori...

The Columns of Herakles Lithograph in Grey printed Zerkall-Vellum paper, 1960 Signed in pencil by the artist 'O. Zadkine' at the lower right corner (see photo) Numbered in pencil 102...

Signed, dated, titled and numbered in pencil Edition: 150 (80/150) 15 color silk screen 12" round Provenance: Estate of the Artist By decent

Female Nude - Standing Female Nude (Havard) Drypoint, 1920 Unsigned, as issued in the portfolio No signed impression are known to exist From: The Drypoint...

Signed and numbered by the artist Edition: 25 Printed on Hahnemuhle paper Published by Neptune Fine Arts Condition: excellent Plate/Image size: Sheet size: "Stone Roberts’ luminous still lifes, private interiors, and large-scale panoramas of figures in motion invite us to look—and then look some more—and relish in the sensuality of the three-dimensional world. While Roberts’ varied influences include Greek Mythology and Roman Classicism, Dutch and Spanish Old Masters, Fantin-Latour, Ingres, and Balthus, his subjects are decidedly of today. From Grand Central Terminal to his wife gardening in Stonington, Connecticut, Roberts paints people and places from his personal surroundings into formal compositions that often appear to have mythical, literary, or psychological elements. Roberts received his B.A. from Yale University, New Haven, CT, where he studied painting with William Bailey, and his M.F.A. from the Tyler School of Art, Philadelphia, and Rome. Roberts' work can be found in numerous public and private collections throughout the United States and Europe, including the collection of The Metropolitan Museum of Art and the Louis-Dreyfus Family Collection, New York. A solo exhibition of Stone Roberts’ work was held at the Museum of the City of New York in 2012 entitled Stone Roberts: New York City Paintings." Courtesy of Hirschl & Adler Modern PUBLIC COLLECTIONS Asheville Art Museum, Asheville, NC Sydney and Walda Besthoff Biltmore Estate, Asheville, NC Mrs. Robert Carroll Mr. and Mrs. Willam Cecil Chase Manhattan Bank, New York, NY Evansville Museum of Arts and Sciences, Evansville, IN Jerald Dillon Fessenden Flint Institute of Arts, Flint, MI Ms. Barbara Goldsmith Mrs. Paul Gottlieb Mr. and Mrs. Graham Gund Mr. and Mrs. Arie L. Kopelman Alex S. Jones William Louis-Dreyfus Mr. and Mrs. James C. Marlas J.D. McClatchy and Chip Kidd Mr. and Mrs. Richard L. Menschel The Metropolitan Museum of Art, New York, NY Mrs. Stephen Paine Mr. and Mrs. W.J.W.J. van Roijen Mrs. Julius Rosenwald II Mark Singer Carl Spielvogel and Barbaralee Diamonstein-Spielvogel Bruce Springsteen and Patti Scialfa Stephens Inc., Little Rock, Arkansas Woodberry Forest...

Toro and Horse Lithograph, 1957 Signed and numbered in pencil by the artist. Titled in pencil lower left. Edition: 25 (24/25) Printer: Ravel, Paris Reference: Freeman L57.11 'Toro and Horse' was inspired by Spanish bullfighting...

Game Work No. 20 Mezzotint, c. 1984 Signed, titled and numbered in pencil (see photos) Edition 100: (7/100) Provenance: Ninion and Sheldon Landy Collection, Donors to Art Inst. of Chicago Hamanishi Exhibition, Oct. 12, 2013-January 5, 2014 Reference: Katsunori Hamanishi's Work Price List-Small 22 Condition: Excellent Image: 13 1/4 x 8 3/4" Sheet: 17 1/2 x 13 1/8" Ninion and Sheldon Landy were major collectors of Hamanishi's works. They donated a large group of his mezzotints to Art Institute of Chicago, which formed the core of the exhibitions of his works at AIC in 2014 and again in 2019. HAMANISHI Katsunori...

Arch of the Pont Neuf, Paris Etching on heavy wove paper, 1923 Signed in pencil lower right (see photo) From: Brangwyn Portfolio (12 original etchings and thr...

From: Les Bucoliques De Virgile (25 plates) Published by Andre et Pierre Gonin, Lausanne Printed by Andre Kundig, Geneve on Velin de Rives paper. Regular edition: 200; plus ...

From: Happy Pentagone (6 plates) Signed and numbered in pencil Edition: 100 (37/100) Printer: Lacouriere et Frelaut Imprimeur, Paris Paper: BFK RIVES watermark on some sheets from th...

Linocut, printed on yellow wove paper Unsigned as is usual From: XXe Siecle, Volume 13, 1959 Published by G. San Lazzaro for A. Maeght, Paris Printed by...

From: Dresden Suite created at Grafikwerkstatt Through the process of censorship and journaling, artist Rebekah Wilhelm composes masterful images of thought. On her practice the a...

Signed in pencil lower right Published by Eugene Schuster, London Art Printer: Vistec, Rochester, New York Regular edition unrealized per Stanczak web site This annotated "H.C." ...

11 color screen print Signed, dated, titled and numberedin pencil Edition: 150 (9/150) Provenance: Estate of the Artist By Decent

Signed in pencil and annotated "imp" lower right; Dedicated lower left: "To Bob Nisbet from…" Note: Desgined by William M. Kendall of McKim, Mead and White, this classical skyscra...

From: The Cleveland Set (23 plates), No. 1 Edition: Small Signed in pencil Image: 7 3/4 x 11 1/2"

Color woodcut with pochoir embellishments on fine silver mica ground By Kano Shuho, or Yamakawa Shuho, 20th century Japanese Artist

Signed, dated, annotated "epreuve d'artiste"; Annotated on titled "B.B." Edition: 5 (5/5) Part of a set of 4 prints commissioned for a book Childs did with the German writer Bazon ...

Signed, dated, annotated "epreuve d'artiste"; Annotated on titled "B.B." Edition: 5 References And Exhibitions: One of the three impressions printed on ARCHES watermark paper Int...

Signed, dated, titled in pencil by the artist; Annotated "To Jon from Ray" Reproduced in the artists Retrospective Exhibition catalogue. In the collection of the Wichita Art...

Signed, dated, titled, and annotated 'Printers Proof' in pencil References And Exhibitions: Printed by the master printer John Clemmens. Exhibited by the Brooklyn Museum in ...

Signed, titled and numbered recto Edition: Unique (1/1) Image: 2 11/16 x 4 3/16"

Signed, titled and dated, verso. Silk Screen Monotype (Unique) Created at Zygote Press, Cleveland, OH.

Signed , dated and titled in pencil by the artist Artist proof from the second printing by Jon Clemens Annotated "To Jon from Ray"

Signed in pencil Edition 100 Printer: Styria Studio, Inc., NY, with their blindstamp This earlier (1966) sculpture of the same title is the inspiration of the portfolio. The sculpture is in the collection of the Albright Knox Museum. The screenprints follow the neon of the sculpture. Greek-born American sculptor Chryssa—who went by her first name professionally—died on December 23, 2013, reports Margalit Fox of the New York Times. Born in 1933 in Athens, Chryssa Vardea-Mavromichali grew up during the Nazi occupation of Greece. After studying at the Académie de la Grande Chaumière, Paris, and the California School of Fine Arts, San Francisco, she began incorporating neon into her fragmentary, text-based work. Her first solo exhibition in New York was held at the Betty Parsons Gallery in 1961, which was quickly followed by shows at the Guggenheim, New York; Leo Castelli Gallery, New York; and the Walker Art Center, Minneapolis. Her work is part of collections of major museums, including the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; and the Corcoran Gallery of Art, Washington, DC. Note: A set of Gates...

Signed, titled and numbered in pencil Edition: Epreuve d'Artiste viii/X Reference: Passeron 359 "Mario Avati was both an etcher and a painter born in Monaco in 1921. In 1947, afte...

Signed, dated, titled and numbered in pencil. Edition 150: (73/150) Sheet: 15 x 20" Image: 10 1/2 x 13 1/2" Provenance: Estate of the Artist By decent