Pennsylvania - Art

This piece titled "S&S&S&S 17 in Sage Green on Ivy" is an original piece by Matt Shlian and is made from hand-folded archival paper. This piece measures 9”h x 25”w x 1”d unframed. ...

This one-of-a-kind Mixed media and collage on textured, sturdy, paper is in excellent condition and comes framed in a frame of your choosing. It is Certified by the Estate of Keith ...

This piece, titled "The Meeting 29" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of ink transfer, charcoal, pastel, acrylic, an...

This is a two-part wall mounted painting / sculpture this integrates found objects and photographs into an acrylic painting on the top, and a wooden shelf with bullet casings and coins below. This is a conceptual, abstract work of art that is a powerful homage to lives lost through calculated gun violence in American cites. signed by the artist. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements...

Mark Morrison (1895-1964) Rattlesnake , ca. 1950 Carved pink Texas granite 13.5" wide, 13" deep, height is 7" Repair and conservation to uppermost part of snake's body. Provena...

"Unfolding #3" is an original piece by Yoonmi Nam made from pressure printed monotypes featuring layers of unfolded package outlines, creating dimension and abstraction. This piece m...

This piece titled DALL·E 2023-04-23 11.28.12 is a crafted original piece by Tuft the World as part of the inaugural collection of TTW Editions. This piece measures 57"h x 57"w and is...

Mark Morrison (1895-1964) Sleeping Bobcat, 1943. Carved stone 9.5" by 8", height is 4.25" Signed and dated 1943. Provenance: Estate of Mrs. Mark Morrison. Born: Kingfisher,...

(After) Henri Matisse Woman with a Hat Plate Signed Original offset lithograph on paper Portraits Suite

"Candy Urchin Egg" is an original piece by PJ Linden made from acrylic, dimensional paint on wood. This piece measures measures 8"h x 4.5"w x 4.5"d. Sculpture comes with complimenta...

The painting "AUTOMATON BACKDROP" by Libby Rosa blurs the distinction between abstraction and representation. And that rational/irrational alignment is only...

"Fall to Grace" is an original ink and watercolor painting on paper mounted to wood by artist Robert Kraiza measuring 19in height x 9in width. Artist Statement // In my work I invoke a whimsical world inspired by Victorian and Edwardian eras. To me they represent a romantic time period that has roots that extend directly into the modern world, both good and bad. The customs and aesthetics of the period are both fascinating and breathtaking but a vast portion of the population was victim to subjugation. It has since been eradicated on paper but still permeates to this day. I am exploring an imagined supernatural world hidden just out of sight where these woman could escape. This is an evolution from my earlier work set in the same time period with a continuous thread of humans and their animal companions. Through witchcraft these women find strength in their abilities and each other to leave the oppressive world they inhabit behind and escape to the woods to their Covendom, the boundary that defines the territory of their coven. They shed their customs, their corsets, and their concerns at the edge of the forest and gather among the trees to explore their magical potential with their familiars at the side. This body of work is exploring multiple media with a consistent theme and setting; combining watercolor painting, pen and ink illustrations, and graphite drawings. All pieces are created in monochrome on hot press watercolor paper mounted on wood with a gold painted border reminiscent of daguerreotype frames. Watercolor allows me to achieve results ranging from soft ethereal layered washes similar to oil glazes to precise minute details I include in all of my works. Bio // ROBERT KRAIZA (pronounced: cry-zuh) is an illustrator and fine artist who lives and works in Philadelphia, Pennsylvania. He studied Media Arts and Animation at the Art Institute of Philadelphia. Interested in many media, he often paints in monochrome watercolor on a small scale, inspired by the Victorian era and whimsical dreams in both his art and personal aesthetic. Depicting fantasy worlds from the hidden life of nineteenth century witches to miniature children...

"Hunting Dogs with Geese" is a 26 x 21.5 inches, oil on canvas landscape of two dogs on the trail by the river. The canvas is signed "B Lanoux" in the lower left. B. Lanoux is a lis...

This piece titled "MJ-b61a71b56ed1" is a crafted original piece by Tuft the World as part of the inaugural collection of TTW Editions. This piece measur...

"Mustard Wall Phone" is an original piece by Ulla-Stina Wikander that can be wall-mounted or be free standing. This piece is made from sourced vintage needlepoint embroidery and expe...

This black, red, and beige abstract painting titled "breathe out" is an original artwork by 108 made of paint on paper. This piece measures 12"h x 12"w. 108 is an Italian artist in ...

"EXAMINATION" is an original piece by Shawn Theodore made from found/family photos, polaroid lift, acrylic on wood panel. Theodore delves into the specific experiences of African American families, capturing a longing for lost photographs, missing heirlooms, and vanished archives. Using a blend of traditional portraiture, found photographs, paint, paper, pencils, and digital manipulation, Theodore creates archetypes representing hypothetical family members, spiritual guardians, and ancestors. These boldly crafted archetypes inhabit an imagined macro-family album, offering a unique perspective on portraiture, connection, and community. Theodore's work aims to deepen spiritual connections and encourage personal introspection. This pieces measures 16.75"h x 16.75"w framed and comes with a gallery-issued Certificate of Authenticity. Shawn Theodore (b. 1970) was born in Germany to American parents from Philadelphia, and currently lives and works in Philadelphia. Theodore was awarded the prestigious PDN’s 30 New & Emerging Photographers to Watch (2019), the Getty Images / ARRAY ‘Where We Stand’ grant, and a grant from the Knight Foundation for ‘A Dream Deferred’. Theodore was a two-time nominee for the Pew Center for Arts & Heritage Fellowship and a nominee for the Magnum Foundation Fund. He is an Associate Adjunct Professor at the University of the Arts, a trustee of The Print Center, a trustee of the Rush Philanthropic Arts Foundation, and a former trustee of the Philadelphia Photo Arts Center. Theodore was announced as a two-time nominee of The Pew Center for Arts & Heritage Fellowship and a nominee of the Magnum Foundation Fund in 2018. In the following years 2019 and 2020, he was awarded the PDN's 30 New & Emerging Photographers to Watch and AI-AP American Photography 35. He has had several solo exhibitions and is included in several group exhibitions. His work is held in the permanent collections of the Philadelphia Museum of Art, Philadelphia; the collection of the Philadelphia Library, Drexel University's Center for Black Culture, the Mennello Museum of American Art, Orlando; the Whitney Museum of American Art, New York; the Museum of Contemporary Art, Chicago; the Walker Center, Minneapolis; the National Museum of African American History and Culture, Washington D.C.; the Dallas Museum of Art, Dallas; and the Legacy Museum, Montgomery, among others. Artist photo...

This piece titled "Potluck" is an original artwork made from collage, hand embroidery, and latex paint on canvas by Kelly Kozma. This piece is shipped in the pictured white frame and measures 6"h x 6"w framed. The catalyst for this new body of work was a jar of leftover magazine cutouts from a collage I made in 2010. Reusing leftover materials as well repurposing items that might end up thrown away, has become a very important part of my process the past decade. Stumbling across this jar of coin sized images that had waited patiently on a shelf for 12 years, ignited my creative process and drove me to explore collage in a new way. Unlike the piece from 2010 in which I assembled the images by piecing them together, I decided to examine each individual cut out on its on. By removing the image from any other context it allows you to focus solely on its meaning, purpose or feelings that it may evoke. Each image is embedded in a field of French knots which felt like a way of creating a time capsule of sorts for the object. Another inspiration behind this collection is my six year old son and his endless piles of sticks, stones, leaves, etc in our home. Only to him they aren’t sticks and stones, they are treasures. His ability to find a tiny twig or scrap of paper and not only cherish it but give it a backstory of why it is so special, is a beautiful thing and one I have tried to tap into with my new work. By placing a picture of a rubberband ball or a set of Dracula teeth or a banana in this embroidered box...

"Pink Ranger" is an original piece by Jeff Rubio made from stoneware, glaze, epoxy clay, 22k gold. This pieces measures 6"h x 8.5"w x 11"d and comes with a signed Certificate of Auth...

Woodland Interior Oil on canvas 21 7/8 x 14 3/4 inches (55.6 x 37.5 cm) Framed dimensions: 32 7/8 x 26 inches Signed lower left: Wm. T. Richards Provenance The artist; James Bayard ...

"Triple Elvis" (Denied) Silkscreen Painting by Charles Lutz Silkscreen and silver enamel paint on canvas with Artist's Denied stamp of the Andy Warhol Art Authentication Board. 82 x 72" inches 2010 This important example was shown alongside works by Warhol in a two-person show "Warhol Revisited (Charles Lutz / Andy Warhol)" at UAB Abroms-Engel Institute for the Visual Arts in 2024. Lutz's 2007 ''Warhol Denied'' series gained international attention by calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz. Based on the full-length Elvis Presley paintings by Pop Artist Andy Warhol in 1964, this is likely one of his most iconic images, next to Campbell's Soup Cans and portraits of Jackie Kennedy, Marilyn Monroe, Liz Taylor, and Marlon Brando. This is the rarest of the Elvis works from the series, as Lutz sourced a vintage roll of 1960's primed artist linen which was used for this one Elvis. The silkscreen, like Warhol's embraced imperfections, like the slight double image printing of the Elvis image. Lutz received his BFA in Painting and Art History from Pratt Institute and studied Human Dissection and Anatomy at Columbia University, New York. Lutz's work deals with perceptions and value structures, specifically the idea of the transference of values. Lutz's most recently presented an installation of new sculptures dealing with consumerism at Frank Lloyd Wright's Fallingwater House in 2022. Lutz's 2007 Warhol Denied series received international attention calling into question the importance of originality in a work of art. The valuation process (authentication or denial) of the Andy Warhol Art Authentication Board was used by the artist to create value by submitting recreations of Warhol works for judgment, with the full intention for the works to be formally marked "DENIED" of their authenticity. The final product of this conceptual project is "Officially DENIED" "Warhol" paintings authored by Lutz. Later in 2013, Lutz went on to do one of his largest public installations to date. At the 100th Anniversary of Marcel Duchamp's groundbreaking and controversial Armory Show, Lutz was asked by the curator of Armory Focus: USA and former Director of The Andy Warhol Museum, Eric Shiner to create a site-specific installation representing the US. The installation "Babel" (based on Pieter Bruegel's famous painting) consisted of 1500 cardboard replicas of Warhol's Brillo Box (Stockholm Type) stacked 20 ft tall. All 1500 boxes were then given to the public freely, debasing the Brillo Box as an art commodity by removing its value, in addition to debasing its willing consumers. Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." Leonard Bernstein in: Exh. Cat., Boston, The Institute of Contemporary Art and traveling, Elvis + Marilyn 2 x Immortal, 1994-97, p. 9. Andy Warhol "quite simply changed how we all see the world around us." Kynaston McShine in: Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13. In the summer of 1963 Elvis Presley was just twenty-eight years old but already a legend of his time. During the preceding seven years - since Heartbreak Hotel became the biggest-selling record of 1956 - he had recorded seventeen number-one singles and seven number-one albums; starred in eleven films, countless national TV appearances, tours, and live performances; earned tens of millions of dollars; and was instantly recognized across the globe. The undisputed King of Rock and Roll, Elvis was the biggest star alive: a cultural phenomenon of mythic proportions apparently no longer confined to the man alone. As the eminent composer Leonard Bernstein put it, Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." (Exh. Cat., Boston, The Institute of Contemporary Art (and traveling), Elvis + Marilyn 2 x Immortal, 1994, p. 9). In the summer of 1963 Andy Warhol was thirty-four years old and transforming the parameters of visual culture in America. The focus of his signature silkscreen was leveled at subjects he brilliantly perceived as the most important concerns of day to day contemporary life. By appropriating the visual vernacular of consumer culture and multiplying readymade images gleaned from newspapers, magazines and advertising, he turned a mirror onto the contradictions behind quotidian existence. Above all else he was obsessed with themes of celebrity and death, executing intensely multifaceted and complex works in series that continue to resound with universal relevance. His unprecedented practice re-presented how society viewed itself, simultaneously reinforcing and radically undermining the collective psychology of popular culture. He epitomized the tide of change that swept through the 1960s and, as Kynaston McShine has concisely stated, "He quite simply changed how we all see the world around us." (Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13). Thus in the summer of 1963 there could not have been a more perfect alignment of artist and subject than Warhol and Elvis. Perhaps the most famous depiction of the biggest superstar by the original superstar artist, Double Elvis is a historic paradigm of Pop Art from a breath-taking moment in Art History. With devastating immediacy and efficiency, Warhol's canvas seduces our view with a stunning aesthetic and confronts our experience with a sophisticated array of thematic content. Not only is there all of Elvis, man and legend, but we are also presented with the specter of death, staring at us down the barrel of a gun; and the lone cowboy, confronting the great frontier and the American dream. The spray painted silver screen denotes the glamour and glory of cinema, the artificiality of fantasy, and the idea of a mirror that reveals our own reality back to us. At the same time, Warhol's replication of Elvis' image as a double stands as metaphor for the means and effects of mass-media and its inherent potential to manipulate and condition. These thematic strata function in simultaneous concert to deliver a work of phenomenal conceptual brilliance. The portrait of a man, the portrait of a country, and the portrait of a time, Double Elvis is an indisputable icon for our age. The source image was a publicity still for the movie Flaming Star, starring Presley as the character Pacer Burton and directed by Don Siegel in 1960. The film was originally intended as a vehicle for Marlon Brando and produced by David Weisbart, who had made James Dean's Rebel Without a Cause in 1955. It was the first of two Twentieth Century Fox productions Presley was contracted to by his manager Colonel Tom Parker, determined to make the singer a movie star. For the compulsive movie-fan Warhol, the sheer power of Elvis wielding a revolver as the reluctant gunslinger presented the zenith of subject matter: ultimate celebrity invested with the ultimate power to issue death. Warhol's Elvis is physically larger than life and wears the expression that catapulted him into a million hearts: inexplicably and all at once fearful and resolute; vulnerable and predatory; innocent and explicit. It is the look of David Halberstam's observation that "Elvis Presley was an American original, the rebel as mother's boy, alternately sweet and sullen, ready on demand to be either respectable or rebellious." (Exh. Cat., Boston, Op. Cit.). Indeed, amidst Warhol's art there is only one other subject whose character so ethereally defies categorization and who so acutely conflated total fame with the inevitability of mortality. In Warhol's work, only Elvis and Marilyn harness a pictorial magnetism of mythic proportions. With Marilyn Monroe, whom Warhol depicted immediately after her premature death in August 1962, he discovered a memento mori to unite the obsessions driving his career: glamour, beauty, fame, and death. As a star of the silver screen and the definitive international sex symbol, Marilyn epitomized the unattainable essence of superstardom that Warhol craved. Just as there was no question in 1963, there remains still none today that the male equivalent to Marilyn is Elvis. However, despite his famous 1968 adage, "If you want to know all about Andy Warhol, just look at the surface of my paintings" Warhol's fascination held purpose far beyond mere idolization. As Rainer Crone explained in 1970, Warhol was interested in movie stars above all else because they were "people who could justifiably be seen as the nearest thing to representatives of mass culture." (Rainer Crone, Andy Warhol, New York, 1970, p. 22). Warhol was singularly drawn to the idols of Elvis and Marilyn, as he was to Marlon Brando and Liz Taylor, because he implicitly understood the concurrence between the projection of their image and the projection of their brand. Some years after the present work he wrote, "In the early days of film, fans used to idolize a whole star - they would take one star and love everything about that star...So you should always have a product that's not just 'you.' An actress should count up her plays and movies and a model should count up her photographs and a writer should count up his words and an artist should count up his pictures so you always know exactly what you're worth, and you don't get stuck thinking your product is you and your fame, and your aura." (Andy Warhol, The Philosophy of Andy Warhol (From A to B and Back Again), San Diego, New York and London, 1977, p. 86). The film stars of the late 1950s and early 1960s that most obsessed Warhol embodied tectonic shifts in wider cultural and societal values. In 1971 John Coplans argued that Warhol was transfixed by the subject of Elvis, and to a lesser degree by Marlon Brando and James Dean, because they were "authentically creative, and not merely products of Hollywood's fantasy or commercialism. All three had originative lives, and therefore are strong personalities; all three raised - at one level or another - important questions as to the quality of life in America and the nature of its freedoms. Implicit in their attitude is a condemnation of society and its ways; they project an image of the necessity for the individual to search for his own future, not passively, but aggressively, with commitment and passion." (John Coplans, "Andy Warhol and Elvis Presley," Studio International, vol. 181, no. 930, February 1971, pp. 51-52). However, while Warhol unquestionably adored these idols as transformative heralds, the suggestion that his paintings of Elvis...

"The Walk" is an original painting by Tom Haugomat, made as part of his traveling artist residency with The Jaunt. Traveling from France to Philadelphia, Haugomat was inspired by his...

This piece titled "Fault Lines: Bantam #B10" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2”h x 1.5”w x 1.5”d and ships with t...

"MY BAD" is an original wall-hanging sculpture by Charles Clary as part of the artist's popular "Text-i-monial" series. To create the artwork, Clary hand cuts a series of individual ...

Devon Farm Oil on canvas, 40 x 48 inches (101.6 x 121.9 cm) Framed dimensions 52 1/2 x 44 3/4 inches Signed lower right: Schofield Provenance Private collection, New York, until 202...

This piece titled "MJ-af66128ff0c0" is an original artwork by Tuft the World and is made tufted 100% New Zealand wool, and part of the inaugural launch of TTW Editions. The artists t...

This piece, titled "Neighborling Maquette 23" is an original free-standing sculpture by Seth Clark as part of his newest solo exhibition, "Passing Through". Clark's deteriorating st...

Andy Warhol 1928–1987 Santa Claus (from the Myths series) 1981 screenprint in colors with diamond dust on Lenox Museum Board 37⅞ h × 37⅞ w in (96 × 96 cm) Signed and numbered to low...

Cover of The Saturday Evening Post, October 27, 1906 Edward Penfield, widely recognized as the father of American poster design, revolutionized visual communication with his minima...

This work presents a striking interplay of deep cobalt blue and vibrant orange, layered with lighter blue and off white passages that suggest fluid movement across the surface. The b...

This piece titled "Junk Drawer" is an original artwork made from collage, hand embroidery, and latex paint on canvas by Kelly Kozma. This piece is shipped in the pictured white frame and measures 6"h x 6"w framed. The catalyst for this new body of work was a jar of leftover magazine cutouts from a collage I made in 2010. Reusing leftover materials as well repurposing items that might end up thrown away, has become a very important part of my process the past decade. Stumbling across this jar of coin sized images that had waited patiently on a shelf for 12 years, ignited my creative process and drove me to explore collage in a new way. Unlike the piece from 2010 in which I assembled the images by piecing them together, I decided to examine each individual cut out on its on. By removing the image from any other context it allows you to focus solely on its meaning, purpose or feelings that it may evoke. Each image is embedded in a field of French knots which felt like a way of creating a time capsule of sorts for the object. Another inspiration behind this collection is my six year old son and his endless piles of sticks, stones, leaves, etc in our home. Only to him they aren’t sticks and stones, they are treasures. His ability to find a tiny twig or scrap of paper and not only cherish it but give it a backstory of why it is so special, is a beautiful thing and one I have tried to tap into with my new work. By placing a picture of a rubberband ball or a set of Dracula teeth or a banana in this embroidered box...

This piece, titled "The Meeting 30" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of ink transfer, charcoal, pastel, acrylic, a...

Exquisite and brilliantly colored oil painting on canvass laid to board by Richard Horace Bassett (1900-1995). This is a Fauvist rendition of lands...

This abstract mixed media artwork titled "Rhapsody" is an original artwork by Kelly Kozma made of hand embroidery & mixed media on recycled rag paper. This piece measures 12.5”h x 12...

"After the Rain" is an original painting by Tom Haugomat, made as part of his traveling artist residency with The Jaunt. Traveling from France to Philadelphia, Haugomat was inspired ...

ARTIST: Erté. (Romain De Tirtoff) TITLE: Letter “L” YEAR: 1976. SIZE: ...

"I Worry About My Kids" is an original piece byJedediah Morfit made from fiberglass reinforced plaster, mixed media, and paint.This piece measures 62"h x 40"w x 5"d and comes with a ...

from the smoke and ash - Abstract tantric stain painting, acrylic on raw canvas by contemporary artist Elisa Niva33 inches x 29 inches. One of the main i...

Here is a fine, early American Impressionist painting of a Venetian Canal. The painting is oil on canvass measuring 36" x 28". Overall framed dimensions are 44" x 35". The painting i...

"Lunar Encounter with Child" by Philadelphia born modernist painter Leon Kelly, is a large, brightly colored surrealist portrait of two figures. The 40" x 30" oil on canvas was paint...

Story illustration for the book In the Closed Room by Frances Hodgson Burnett, published by McClure, Phillips & Co., New York, 1904. The published caption reads: "I'm going to play ...

is an original free-standing sculpture by Seth Clark as part of his newest solo exhibition, "Passing Through". Clark's deteriorating structures have evolved into imaginative composit...

This piece, titled "Neighborling Maquette 28" s an original free-standing sculpture by Seth Clark as part of his newest solo exhibition, "Passing Through". Clark's deteriorating stru...

Paula Cahill's linear abstract compositions are often comprised of a single, luminous line that meanders, changes color, and seamlessly connects back to i...

"Lumberville in Winter" is a 14 x 20 inches winter landscape by American Impressionist painter, Laurence A. Campbell. This regional, Pennsylvania scene is an excellent example of the...

This piece titled "This Bouquet" is an original artwork made from collage, hand embroidery, and latex paint on canvas by Kelly Kozma. This piece is shipped in the pictured white fram...

"Fawn" is an original ink, colored pencil, and gouache on paper artwork by Henry Hablak measuring 30"h x 22"w. Henry Hablak is a tattoo artist and illustrator based out of Philadel...

This pink, blue and green artwork titled "Wedding Boar" is an original sculpture on found object (taxidermy wild boar head) by PJ Linden measuring 20”h x 27”...

LeRoy Neiman's art style is a blend of impressionism, expressionism, and realism, with elements of Pop Art is a great addition to any art collection.

"Looking Glass" is an original oil painting on canvas by American painter Lauren Rinaldi. The piece measures 36in x 36in. Lauren Rinaldi works using un...

This layered artwork titled "Navigator" is an original hand-crafted artwork by Alex Eckman-Lawn, as part of his recent solo exhibition, "BODY". This piece is digitally designed by E...

"Yellow Kobra" is an original piece by Ulla-Stina Wikander as a free standing sculpture. This piece is made from sourced forest landscape vintage needlepoint embroidery and expertly ...

Lauren Rinaldi works using unbiased portraits of women’s bodies as a vehicle to explore ideas about body image, sexuality and self-identity and is often informed by her own personal ...

Medium: Oil on Board Signature: Signed Center Left Study for Saturday Evening Post Cover 'Who, Me Work?' January 23, 1926

"Pink Kobra" is an original piece by Ulla-Stina Wikander as a free standing sculpture. This piece is made from sourced cherry blossom tree vintage needlepoint embroidery and expertly...

John White Alexander's graceful depictions of beautiful women earned him critical acclaim both in Europe and America. However, his career did not get off to an easy start—Alexander b...

Denied Warhol Brillo Box, Contemporary Pop Art Sculpture by Charles Lutz. Silkscreen and latex paint on wood, stamped Denied with the Andy Warhol Art Authentication Board's mark. 17...

A wonderful example of Roseland’s beloved genre scenes from the turn of the 20th century. This painting depicts an elderly man seated at a cluttered table, gently interacting with a ...

Robert Bliss (1925-1981). Man in Thought, 1964. Graphite on canvas, 11.5 x 46 inches. Signed and dated lower left. Right piece of basic wood strip frame i...

"Dries Van Notegg" is an original piece by PJ Linden made from acrylic, dimensional paint on wood. This piece measures measures 8"h x 4.5"w x 4.5"d and is signed by the artist. Scul...