Stamford / Westport - Art

Framed: 21 1/4 x 17 1/2 inches Azaleas is a graceful and subdued composition featuring soft pink, yellow, and green tones. Framed in a custom designed modernist frame 23 karat silve...

This mid-sized abstract sculpture by artist Joe Sorge is made with stainless steep, orange dye, and a clear coat. It features a thin strip of steel that appears to curl upwards, looping around itself in loose knots. This flowing form creates unique shadows in its environment. Please note that the white pedestal base pictured is not included. Connecticut-based sculptor Joe Sorge studied at the School of Visual Art (SVA) in New York City. While Joe's body of work is most often made with stainless steel which he sometimes dyes to give the forms bold, solid colors, he also experiments with stone carving, genesa crystals, tiger eye alabaster and others. He works with a variety of colors, finishes, and textures, to create the final piece. Joe's sculptures express the fluidity and tension inherent in the material he uses. His work draws on a modernist vocabulary to create abstract, often whimsical objects...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

This abstract painting by Kelly Rossetti is made with acrylic paint on gallery wrapped canvas. It features light gestural brush strokes in deep blue, green, and grey tones on a white...

This original abstracted landscape statement oil painting by artist Bri Custer features a warm, earth-toned palette and thick, loose paint strokes over the surface of the canvas, cre...

Archival Pigment Print The Windsor Hotel in Americus, GA All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 5 + 2 Artist Proofs 50" X 40"- Edit...

Dualidad Oil On Canvas 43 x 37 My work is mainly abstract, I would say abstract expressionism. I love painting with oils, they give me many possibilities I do not find in other medi...

From his most desirable period, this restrained in color palette Fonseca is for a collector and room where sophistication is key. Long held that his works on heavy paper are the mos...

Archival Pigment Print The Windsor Hotel in Americus, GA All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 5 + 2 Artist Proofs 50" X 40"- Edit...

Series: The Western Collection Archival Pigment Print Unframed Sizes: 32" x 40" - $6,250.00 48" x 60" - $9,500.00 60" x 75" - $12,250.00 Framed Sizes: 39" x 47" - $7,750.00 55" x 6...

"Clifford’s winding feather patterns reminded me of a geometric maze. I imagined myself walking through it for days, twisting and turning down various paths, until finally reaching t...

"I created two portraits of Duke during my short time with him. The first was an unusual composition with his emerald tail feathers toward my camera and his ruby head looking back ov...

"Carmela was a character. With their wild fluff and laughable likeness to a fluttering Muppet from the 1970s, silkies naturally exude charisma and charm. When in motion, their feathe...

Medium: Sapele Wood Jim Perry’s sculpture has been included in the Whitney Biennial as well as solo exhibitions at Calloway Fine Art & Consulting, Washington, DC (2018); The Center ...

In this Modern abstract painting by Stanley Bate, a bold palette is married with imperfect shapes and large brush strokes. Sandy beige rectangles blend with yellow and deep blue, on ...

Rail Station Overpass on foggy morning Size & Edition: 40" x 50” - Edition of 5 + 2 Artist Proofs This photograph will be printed once payment has been received and will ship direc...

Isadore stands as one of the greatest animaliers of all time and this is a playful and endearing example of his work! Especially going forward, these bronzes make a distinctive and...

This abstract painting by Roger Mudre is made with acrylic paint over metal leaf on panel. It features a cool blue and metallic silver palette and is part of Mudre's Venezia series, ...

This LED light box by Mads Christensen creates mood oriented and color changing variations that brings a subtle and enhancing sensory experience to a room. Easily installed as it ha...

Central to Phillips's artistic ethos is the pursuit of simplicity and purity, a quest manifest in his meticulous engineering and unwavering dedication to craftsmanship. His sculpture...

Marilyn Monroe on the set of ‘The Misfits’, Reno, Nevada, 1960. All available sizes and editions: 24" x 20", Edition of 25 + 3 Artist Proofs 34" x 24", Edition of 25 + 3 Artist Proo...

A most popular drawing master, Lesourd-Beauregard exhibited extensively at the Paris Salons, and was awarded a medal in 1842. He is famous for his in depth botanical studies done in...

Untitled Flower # 116 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" ...

A retired woman, China, 1979. All available sizes and editions: 24" x 20", Edition of 25 + 3 Artist Proofs 34" x 24", Edition of 25 + 3 Artist Proofs "Eve Arnold, born in 1912 to R...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint on board and features an earth-toned palette. The artist layers paint on the canvas, creating texture among softly blended muted green and umber colors in a highly abstract composition. The painting itself is 43.5" x 24" and measures 44" x 24.5" x 2" framed. It is signed by the artist in the lower right-hand corner of the painting and is framed in a very thin, off-white floater frame. It is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School...

A very unique bronze that touches upon the classic, female strength in form and the details beaux arts style in America. A work that really is for a collector and to be put in a spo...

This abstract geometric painting by Ned Martin is made with oil on gallery wrapped canvas and features a cool charcoal grey and metallic silver palette. It is signed by the artist on...

Barrett is a large scale and well known American sculptor. Point Out is a superb small scale maquette and it a great piece on many levels. These works have movement, delicacy and s...

Untitled Flower # 29 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

This large horizontal abstract landscape statement painting by Kelly Rossetti features a cool blue palette with deep charcoal and ...

Lures Digital C-Print / Archival Pigment Print Edition of 5 per size Available sizes: 32” x 64" 36” x 72” This photograph will be printed once payment has been received and will shi...

Laura Hills is an American treasure in terms of the body of work that she produced in pastel. She is a master of this medium of pastel and she had been a celebrated miniaturist arti...

These two small framed abstract paintings by Julia Contacessi feature a cool blue-grey palette with a wash of a white accent that flows horizontally through the center of each compos...

Archival Pigment Print Classic cubano style from 19th century All available sizes & editions for each size of this photograph: 60" X 50"- Edition of 5 + 2 Artist Proofs 90" X 70"- ...

This abstract fine art mirror by Alina B is made with dichroic film on mirror, and is framed in a champagne-toned frame. The film on the mirror allows for it, and the space it reflec...

This ceramic vessel sculpture by Jon Puzzuoli is made with glazed porcelain and 18K gold luster. The bottom portion is a deep, earthy purple color, which ...

Since this item will be shipped directly from the publisher, the seller can only provide specific information to buyers at the actual point of sale. Please message the seller to requ...

An exquisite and technically superb floral work depicting flowers just laden on a table. By French Academic artist P. FRANC LAMY, it's In nice condition an...

"Form and function are tightly knit across the animal kingdom. And if ever there were a being built for the deep, it would be this one. The sperm whale is the largest predator on th...

Taste Sweet Revenge Ryan Cronin Oil Paint on Board 48" x 48" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The ...

This abstracted landscape painting by Molly Doe Wensberg features a cool blue, green, and yellow palette and captures a landscape scene with lush fo...

"THE MOONSHOT COLLECTION Emerging from a long evolution stretching back nearly 50 million years comes the horse, a wild beauty, grazing peacefully on the plains, and then suddenly br...

This 1960s painting by Modernist artist Stanley Bate is an energetic abstract composition with a warm red and orange palette with small pops of bright blue throughout. The painting i...

Archival Pigment Print All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Edition of 5 + 2 Artist Proofs 50" X 60"...

Since this item will be shipped directly from the publisher, the seller can only provide specific information to buyers at the actual point of sale. Please message the seller to requ...

Archival Pigment Print All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Edition of 5 + 2 Artist Proofs 50" X 60"...

"These three brothers were knuckleheads on set and a welcomed source of entertainment. Watching them waddle around, bump into one another, fall off surfaces, and get lost was hilario...

"Albert Einstein once said that mystery is the source of all true art and science. As I found myself looking into the eyes of this incredible animal, I realized I was seeing both. My...

This glazed porcelain vase by Jon Puzzuoli features a burnt umber and white body and a wide neck finished with 18K gold luster. The artist's stamp is located at the base of the sculp...

Series: Hydrangea Collection C Print Mounted on Dibond Perspex Face Edition of 6 + 2 AP "In my work I am fascinated to reshape existing forms, to reinvent new shapes. Underneath the...

Pink Lips, Blue Nails Series: Greenwich Oil Enamel Paint on Canvas 40" x 59" I consider each colored dot to be like a person. You and me and everyone. Together we all make up tha...

Untitled Flower # 48 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

"S stands for Suzie, but on this day, it also stood for skittish. While it’s common for horses to be a bit jumpy, we knew this black beauty was high energy and extra prone to excitem...

Untitled Flower #15 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x ...

Series: The Western Collection Archival Pigment Print Unframed Sizes: 40" x 32" - $6,250.00 60" x 48" - $9,500.00 75" x 60" - $12,250.00 Framed Sizes: 47" x 39" - $7,750.00 67" x 5...

This Modern Abstract Expressionist painting by Stanley Bate is made with gouache on paper. It features a dark palette, with dark charcoal black tones contrasted by yellow and red accents throughout, and large brush strokes. The painting itself is 16" x 54" and measures 17" x 56" x 2" framed. The paper is mounted on board, framed in a black frame under glass. It is not signed by the artist, but has been authenticated by his estate, and is stamped with the estate seal on the back of the painting, and on the back of the frame. It is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

Archival Pigment Print All available sizes & editions for each size of this photograph: 50" X 40"- Edition of 5 + 2 Artist Proofs 60" X 50"- Edition of 5 + 2 Artist Proofs 90" X 70"-...

Paul Manes was born May 4, 1948, in Austin, Texas. He began his professional career in New York City in the early 1980s. His art has been widely exhibited in America and Europe and h...

Archival Pigment Print A herd of brood mares, used to raise bucking horses for Native American rodeos, traverses open ground on the Pine Ridge Reservation. “The horse, and the horse...

This marvelous, colorful and light filled work is a desirable work by the painter. It is in an impressionist style carved and leafed frame. Illustrated in the book by the artist "A...