Stamford / Westport - Art

This pair of male and female brass masks are emblematic of Hagenauer’s highly stylized Art Deco design. The artist’s reductionist approach together with a nod to African tribal shiel...

This abstract statement painting by Kelly Rossetti features a cool palette. Tones of muted blue are layered and washed together in large, expressive strokes, with accents of black, w...

This original architectural illustration by Laerta Premto is made with watercolor and ink on paper. It captures a building structure with warm orange and yellow hues, inspired by the artist's time in Nice, France. The painting itself is 10" x 8" and measures 15.25" x 12" x 1" framed. It is professionally matted and framed in a white frame, and is embossed with a stamp and signed by the artist in the lower right-hand corner of the painting. It is wired and ready to hang. Laerta Premto is a multidisciplinary artist who inspires others to push their boundaries by embarking on travel adventures and self development through her whimsical illustrations...

This abstract, contemporary painting by Ned Martin features a light, metallic gold palette. Light rectangles are assembled side-by-side in a grid-like pattern, with textured metallic...

Archival Pigment Print Ranch adjacent to Yellowstone All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Edition ...

DUTCH MASTERPIECE These Self-portraits remind us of historic female archetypes and bring to mind a mysterious beauty that we would typically associate with the classical age of portr...

"FLOWER EVOLUTION The most highly coveted of ornamental plants, the delicate, and graceful orchid represents love, feminity, beauty and strength. The orchids have a magical quality. ...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

This abstract painting features cool grey background and layers of metallic gold throughout. The central abstract form is composed of imperfect shapes placed side by side. The painti...

This contemporary abstract painting by Teodora Guererra features a light, coastal palette of blue, light grey and off-white. The artist applies thick layers of oil paint in sweeping, horizontal gestures to create a thick, textured surface. The painting is made on gallery wrapped canvas and is wired and ready to hang. Signed by the artist on the back of the canvas. Teodora Guererra’s abstract artistic vision has evolved throughout her years spent painting and teaching in Fairfield County, Connecticut; Tucson, Arizona, and upstate New York. Arizona’s naturally radiant landscape and arid climate led her to experiment with rich under-painting and vivid color; while the shifting seasons of the East Coast inspired Guererra to pursue dripping and staining techniques. Her focus has always been pushing the limits through experimentation with new materials. “As an artist, painting can be tormenting and sublime at the same time," the artist says of her work. "I'm a big risk taker, experimenting with different materials to layer, stain and saturate color on large canvases. My most successful work looks as if it happened all at once. It sometimes takes 7 or more paintings to produce a successful one and then it's a beautiful thing." Guererra received her undergraduate and graduate Art degrees from Southern Connecticut University, The College of Saint Rose and Skidmore College. Guererra’s paintings can be found in public and private collections across the U.S., including the Allmen Health and Wellness Center for Women in New York and SUNY Brockport, NY, William & Sonoma, San Francisco, CA. Her influences are Pat Steir, John McCracken, Helen Frankenthaler, Donald Jud, Bernar Venet, Agnes Martin and Brian Rutenberg...

This abstract geometric painting by Ned Martin is made with oil on aluminum and board, and features a cool blue-grey palette. It is signed by the artist on the back of the board and ...

Series: The Western Collection Archival Pigment Print Unframed Sizes: 40" x 32" - $6,250.00 60" x 48" - $9,500.00 75" x 60" - $12,250.00 Framed Sizes: 47" x 39" - $7,750.00 67" x 5...

Series: Pop Oil Enamel Paint on Canvas I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice that in my...

Available Sizes: 24" x 20" $3,000.00 Edition of 15 30" x 24" $4,000.00 Edition of 20 45" x 45" $8,500.00 Edition of 7 Printing is done on Exhibition Photo Baryta 310gsm paper. ...

This large abstract statement painting by Julia Contacessi is made with acrylic on gallery-wrapped canvas. It features a cool blue and warm violet palette, and is fluid in compositio...

This abstract painting by Sofie Swann features a warm, bright orange palette with varying sizes of circular shapes layered over a imperfect white and gold vertical lines. This painti...

Marilyn Monroe on the set of ‘The Misfits’, Reno, Nevada, 1960. All available sizes and editions: 24" x 20", Edition of 25 + 3 Artist Proofs 34" x 24", Edition of 25 + 3 Artist Proo...

About the artist: As an American artist, Wright’s travels have taken him to paint and/or teach throughout the United States and visiting over a dozen National Park sites in addition...

This abstract painting by Teodora Guererra features a deep green and light pink palette. The artist layers thick strokes of paint using a palette knife in broad, horizontal sweeping ...

Oil on panel WEIR FARM Series: “[This] series runs the full range from natural to post-impressionism, yet always having the themes of the American pictorial sense of place with an a...

David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...

This abstract geometric painting by Ned Martin is made with oil on aluminum and board, and features a cool blue-grey palette. It is signed by the artist on the back of the board and ...

CANTICLES Series: “[These] are my Chants, my sacred songs of contemplation about my experience in painting the mystery within the Tidepools. These works have been inspired by my walk...

This original abstracted landscape statement oil painting by artist Bri Custer features a blue palette with vibrant yellow and green accents throughout. The artist applies thick, loo...

This abstract painting by Teodora Guererra features a metallic silver palette. The paint is layered thickly on canvas in wide, gestural strokes, creating a highly textured surface. I...

This contemporary abstract painting by Teodora Guererra features a light, cream, yellow, and off-white palette. The artist applies thick layers of oil paint in sweeping, horizontal s...

In 1968, a review in the New York Times referred to Inukai’s paintings as “Very pure”. This fresh, graphic work features a single color with bands around the edges that are truly int...

Among Falguière’s greatest works, his figure of the huntress Diana emerged as a masterpiece, the bust of which stands out as one of the most successful and recognizable idealized hea...

TIDEPOOLS Series: “[This series] is an ever-changing fluid eco-world that is filled with life. I can not help but reflect upon these tiny systems, a microcosm of the larger cycle of ...

Series: Pop Oil Enamel Paint on Canvas I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice that in my...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint on canvas. It features a muted, earth-toned palette with contrasting warm yellow, orange, and red accents throughout. The painting is framed in a floater frame with gold face and black sides. It is 22" x 36" and measures 24" x 38" x 2" framed. This painting is not signed by the artist, but has been authenticated by his estate. It is stamped with the estate seal on the back of the painting, and on the back of the frame. Ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

OCBLK009102723 Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

Available Sizes: 37.5" x 30" Edition of 15 50" x 40" Edition of 10 60" x 48" Edition of 5 Luna: Luna was adorable. I mean c’mon look at her, only 2 weeks old when I photographed her...

Naohiko Inukai’s Yellow Diamond displays the artist’s refined, classic approach to painting. The beauty of this piece is in the lines of light lavender, red, white, and black that t...

This beautiful painting is by Japanese artist, Takefumi Hori. He was born in Tokyo, Japan. He paints beautiful gold leaf paintings. This piece is acrylic, gold leaf and metal leaf ...

This Modern painting by Abstract Expressionist Stanley Bate was made with oil on canvas circa 1960. It features a cool blue and grey palette along the perimeter, with warmer muted gr...

David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...

PROVENCAL Series: “In [this] series I was exploring the classical influences of the impressionist masters, to build on their ideas to move them forward, yet being true to the many ap...

Available sizes: 37.5" x 30", Edition of 15 50" x 40", Edition of 10 60" x 48", Edition of 5 THE EYES OF A WOLF are not like the yes of a dog. But, they used to be. Rooted deep in ...

This work is large and has strong presence and vibe! Great for a contemporary space that wants a bold and graphic and alive feel to it. Provenance: Private collection, NY Circles w...

This abstract painting by Tony Iadicicco features a light grey palette. The artist blends light shades of grey together to create an abstracted landscape composition, with a darker s...

Series: The Western Collection Archival Pigment Print Unframed Sizes: 32" x 40" - $6,250.00 48" x 60" - $9,500.00 75" x 60" - $12,250.00 Framed Sizes: 39" x 47" - $7,750.00 55" x 6...

About the artist: As an American artist, Wright’s travels have taken him to paint and/or teach throughout the United States and visiting over a dozen National Park sites in addition...

Aquaessence on Canvas TIDEPOOLS “[This series] is an ever-changing fluid eco-world that is filled with life. I can not help but reflect upon these tiny systems, a microcosm of the ...

Johann Berthelsen and one of New York city’s best known artists along with Guy Wiggins, depicting the streets, parks and skyline of New York. This is a romantic and atmospheric work ...

Series: Indulgence Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 15" x 20" 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 Ar...

In 1968, a review in the New York Times referred to Inukai’s paintings as “Very pure”. This fresh, graphic work features a single color with bands around the edges that are truly int...

Series: The Western Collection Archival Pigment Print Unframed Sizes: 32" x 40" - $6,250.00 48" x 60" - $9,500.00 60" x 75" - $12,250.00 Framed Sizes: 39" x 47" - $7,750.00 55" x 6...

Available Sizes: 37.5 x 30 in Edition of 15 50 x 40 in Edition of 10 60 x 48 in Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, ...

This still life of Plums is a top notch example of 19th century still life painting! Beautiful quality and striking but also spare and honest in nature which is what typified Americ...

Claes Oldenburg, Swedish, 1929–2022 title : Typewriter Eraser, 1970 Offset Lithograph on Rives BFK Paper Hand-signed by artist, dated and numbered Edition 131/250 + 5 AP Publisher ...

This abstract painting by Roger Mudre features a cool blue and silver palette, with light circular shapes layered over one another and a horizontal texture. It transforms and shimmer...

This abstract painting by Roger Mudre features a light, silvery palette. Loose, transparent circular shapes are layered and patterned overtop of one another in different shades of gr...

Pristine and purely American in its aesthetic due to the fact that the artist concentrates on one type of fruit. Europeans were much more opulent in their approach to still lifes an...

Available Sizes: 32" x 32" Edition of 15 40" x 40" Edition of 10 48" x 48" Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, manki...

Taurus Digital C-Print / Archival Pigment Print Available sizes: 36 x 72 in - Edition of 20 48 x 96 in - Edition of 10 In Point Blank, Lusztyk’s magnification of handguns at once an...

Baretta 9mm Digital C-Print / Archival Pigment Print Available sizes: 36 x 72 in - Edition of 20 48 x 96 in - Edition of 10 In Point Blank, Lusztyk’s magnification of handguns at on...

S&W 9mm Digital C-Print / Archival Pigment Print Available sizes: 36 x 72 in - Edition of 20 48 x 96 in - Edition of 10 In Point Blank, Lusztyk’s magnification of handguns at once a...

Desert Eagle Digital C-Print / Archival Pigment Print Available sizes: 36 x 72 in - Edition of 20 48 x 96 in - Edition of 10 In Point Blank, Lusztyk’s magnification of handguns at o...