The Hamptons

This exquisite heliogravure after Sir Cecil Beaton (1904–1980), titled Rudolf Nureyev, from the folio Cecil Beaton, Electa Editrice Portfolios, 1981, originates from the 1981 edition...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Scene de famille (Family Scene), from the folio Picasso, La flute double, 16 Dessins, Aquarelles Lavis (...

Portrait of Amy Winehouse Original pop art by contemporary artist Zane Fix addressing modern subjects that are executed in the traditional Japanese woodblock (Ukiyo-e) style. About ...

This exquisite heliogravure after Pierre Soulages (1919–2022), titled Planche No. 8 (Plate No. 8), from the folio Pierre Soulages, Peintres d'aujourd'hui (Pierre Soulages, Painters o...

This exquisite silkscreen by Andy Warhol (1928–1987), titled Birmingham Race Riot, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadswor...

This exquisite linocut by Joan Miro (1893–1983), titled Personnage, Oiseau, Etoile (Figure, Bird, Star), from the album XXe Siecle, Nouvelle serie, XXIe Annee, No. 13, originates fro...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Scene XXXVIII, Bacchus (Scene XXXVIII, Bacchus), originates from the 1957 album Jean Cocteau de l'Academie francaise, Th...

This exquisite lithograph by Pablo Palazuelo (1916–2007), titled Sans titre (Untitled), from the folio Derriere le miroir, Tendance, No. 50, originates from the 1952 edition publishe...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...

Lithograph on Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition; unframed. Notes: Published by Atelier Mourlot, Paris, 1964. PABLO PICASSO (1881-1973) Spanish painter and sculptor is one of the most recognized figures of twentieth century art. During his artistic career, which lasted more than 75 years, he created thousands of works using all kinds of mediums. He changed art more profoundly than any other artist of his time. First famous for pioneering cubism, Picasso continued to develop his art with a pace...

This exquisite lithograph after Edgar Degas (1834–1917), titled Danseur au bar (Dancer at the Barre), originates from the 1945 folio Degas, Ten Ballet Sketches. Published by The Studio Publications, Inc., New York, rendered and printed by Albert Carman, City Island, 1945, this work reflects Degas’s sensitive mastery of line, movement, and intimate observation, capturing the grace, poise, and psychological immediacy that define his iconic ballet imagery. In Danseur au bar (Dancer at the Barre), Degas reveals gesture and inner emotion through economical contour and lyrical nuance. Executed as a lithograph and pochoir on velin paper, this work measures 17 x 13 inches (43.18 x 33.02 cm). Signed in the plate and unnumbered as issued. Rendered and printed by Albert Carman, City Island, one of the notable American ateliers specializing in fine art lithography during the mid-20th century. Artwork Details: Artist: After Edgar Degas (1834–1917) Title: Danseur au bar (Dancer at the Barre), from Degas, Ten Ballet Sketches, 1945 Medium: Lithograph and pochoir on velin paper Dimensions: 17 x 13 inches (43.18 x 33.02 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1945 Publisher: The Studio Publications, Inc., New York Printer: Albert Carman, City Island, 1945 Condition: Well preserved, consistent with age and medium Provenance: From the 1945 folio Degas, Ten Ballet Sketches, published by The Studio Publications, Inc., New York Notes: Excerpted from the album, Born in Paris in 1834, Edgar Degas lived, and surely loved the life of that city during most of his years. These continued somewhat sadly beyond those of most of his friends— into the debacle of the first World War, during which he died in 1917. Judging by the frequency with which he used them as models, he must have had an especial admiration for the ballet girls who followed a profession that at the time brought none of the glory and prosperity which attend it today. New aspects of the human body, revealed in movement, fascinated him. But his occupation with the simply anatomical side of his subjects never resulted in a cold interpretation. On the contrary there is a warmth and sympathy that pervades all of his work. The drawings here represent the painter in one important phase of his multi-sensitive view of life; and permit an insight which a more ambitious work might not do-into the operation of the creative process, the artist's transformation of reality as it passes through the mesh of his sensibilities. The Edition of this Portfolio is limited to MMMD examples. Rendered by Albert Carman. About the Publication: Degas, Ten Ballet Sketches, published in 1945 by The Studio Publications, Inc., New York, stands as one of the most elegant and scholarly mid-century American fine art folios devoted to the ballet imagery of Edgar Degas. Conceived as a high-quality interpretive portfolio, the album presents a series of lithograph-and-pochoir renderings based on Degas’s original drawings, executed with exceptional attention to tonal subtlety, contour fidelity, and the emotional interiority that defines the artist’s draftsmanship. Rendered and printed by Albert Carman on City Island, the publication embodies an American postwar effort to restore and celebrate European masterworks through meticulous handcraft and artisanal color application, honoring Degas’s distinctive line and the atmospheric delicacy of his studio-based studies. Produced in a substantial edition of MMMD examples, the portfolio offered audiences rare access to Degas’s private working drawings—images rarely seen outside institutional collections—while exemplifying the technical refinement and interpretive care characteristic of Carman’s workshop. Today, Degas, Ten Ballet Sketches remains a sought-after historical publication, valued for its craft, fidelity to Degas’s aesthetic, and its role in preserving and disseminating the artist’s intimate ballet imagery in a beautifully executed mid-century fine art format. About the Artist: Edgar Degas (1834–1917) was a French painter, draughtsman, printmaker, and sculptor whose groundbreaking fusion of classical draftsmanship, modern experimentation, and psychological depth helped define the trajectory of Western art, positioning him as one of the most influential figures of the nineteenth and early twentieth centuries; renowned for his depictions of ballet dancers, racehorses, theater scenes, cafe life, domestic interiors, milliners, laundresses, and women at their toilette, Degas reimagined observational realism through radical compositional innovation—employing extreme cropping, asymmetrical framing, oblique viewpoints, and dramatic lighting that anticipated photographic and cinematic language long before these technologies shaped visual culture, and although associated with Impressionism, he rejected plein-air spontaneity in favor of studio-based discipline rooted in the linear precision of Jean-Auguste-Dominique Ingres, the expressive chromaticism of Eugene Delacroix, and the modernity of Edouard Manet while also drawing inspiration from Japanese ukiyo-e prints, classical sculpture, and early photography; his independent artistic philosophy resonated with and helped shape the innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose explorations of movement, form, dream logic, abstraction, and conceptualism all find antecedents in Degas’s investigations into seriality, temporality, and the fragmented figure, and his pioneering use of pastel, monotype, and wax sculpture fundamentally transformed each medium, influencing artists from Henri Matisse, Francis Bacon, Lucian Freud, and Giacomo Manzu to Paula Rego, contemporary realists, experimental photographers, and choreographers; his works are held in nearly every major museum collection worldwide—including the Musee dOrsay, the Louvre, the Metropolitan Museum of Art, the National Gallery of Art, the Art Institute of Chicago, the Courtauld Institute, and the National Gallery, London—affirming his central place in the history of art, and the highest auction record for Degas was achieved at Sothebys London on February 3, 2015, when Danseuses en Bleu sold for 37,033,000 GBP, cementing his status as one of the most sought-after and enduringly significant artists of the Western canon. Edgar Degas lithograph...

Incredible industrial grade light box drafting table. Extremely heavy and well made in the US, circa 1950s. Glass tabletop allows the light of two enclosed fluorescent tube lights to...

18th century French walnut Louis XV Provincial Buffet A period handcrafted buffet made of solid walnut with three drawers above two beveled doors opening to a single shelf open. Ori...

The Flat Bar Brno chair model 255 is a remarkable example of modern design by the renowned architect Ludwig Mies van der Rohe. This particular chair is polished bronze, which makes ...

This exquisite heliogravure after Diane Arbus (1923–1971), titled A Young Brooklyn Family Going for a Sunday Outing, N.Y.C., originates from the 1979 folio Diane Arbus, Electa Editri...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Bleu et noir (Blue and Black), originates from the historic 1958 folio Derriere le Miroir, No. 110. Published by Maeg...

Montauk, Long Island, New York Edition: 2/5 Medium: Archival Pigment Print Archival pigment printing denotes a printmaking process incorporating refined particles of pigment that are...

This exquisite lithograph by Marc Chagall (1887–1985), titled La Baie des Anges (The Bay of Angels), from the album The Lithographs of Chagall, Volume I, originates from the 1960 edi...

This exquisite lithograph by Marc Chagall (1887–1985), titled Printemps (Spring), from Verve, Revue Artistique et Litteraire, Vol. I, No. 3, originat...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Prints from the Mourlot Press, exhibition sponsored by the French Embassy, circulated...

This exquisite lithograph by Fernand Leger (1881–1955), titled Apres le deluge (After the Flood), originates from the 1949 folio Les Illuminations, lithographies originales de Fernan...

This exquisite lithograph and pochoir by Pierre Soulages (1919–2022), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 7 (double), Juin 1956, originates f...

French neoclassical style tall mirrored cabinet/armoire Beautiful reproduction, originally with legs, legs were cut off. Selling as is. Parcel-...

This exquisite lithograph by Andre Derain (1880–1954), titled Au Jardin d'Allah (In the Garden of Allah), from Verve, Revue Artistique et Litteraire, Vol. I, No. 4, originates from t...

This exquisite lithograph by Marc Chagall (1887–1985), titled Nocturne a Vence (Nocturne in Vence), from the album The Lithographs of Chagall, Volume II, originates from the 1963 edi...

This exquisite lithograph by Pierre Soulages (1919–2022), titled Lithographie No 28 (Lithograph No 28), from the album XXe Siecle, XXXIIe Annee, Nouvelle serie No. 34, Juin 1970, ori...

This exquisite lithograph by Joan Miro (1893–1983), titled La Femme Arborescente (The Tree-Like Woman), from the folio Derriere le miroir, No. 151–152, originates from the 1965 editi...

Linocut on vélin pur fil Johannot a la forme paper. Inscription: signed in pencil and unnumbered, as issued, from the edition of 50. Good condition. Notes: From the folio, Le Poème p...

This exquisite lithograph by Joan Miro (1893–1983), titled La Melodie acide (The Acid Melody), from the folio 14 original lithographs by Joan Miro "La Melodie acide" (The Acid Melody...

This exquisite heliogravure after Diane Arbus (1923–1971), titled The Junior Interstate Ballroom Dance Champions, Yonkers, N.Y., originates from the 1979 folio Diane Arbus, Electa Ed...

This exquisite lithograph by Victor Brauner (1903–1966), titled L'oiseau au poisson (The Bird with the Fish), from the album XXe Siecle, Nouvelle serie, XXVe Annee N°22, Noel 1963, o...

19th century Chinese carved figure. While this sculpture may be small it isn't lacking in its attention to detail. Across the chest of the figure you cans see two overlapping carved...

Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...

Lithograph on vélin paper. Paper Size: 15 x 33 inches, with bifold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miroir, ...

This exquisite lithograph by Wifredo Lam (1902–1982), titled Personnages dans la nuit (Figures in the Night), from the album XXe Siecle, Nouvelle serie, XXVe Annee N°22, Noel 1963, o...

Concrete olive jar planter by Willy Guhl with great patina and prominent presence. Simple and elegant design perfect for any garden or patio. Excellent patina and vintage condition. ...

This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 111 (Plate 111), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates fro...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

This exquisite lithograph by Victor Vasarely (1906–1997), titled Projet de tapisserie (Tapestry Design), from the album XXe Siecle, Nouvelle serie N°4 (double) Janvier 1954, originat...

Unique concrete planter by Swiss architect Willy Guhl. Planter in the shape of a chalice. Gorgeous patinas and lichen on these planters. Great vintage condition. 3 available as shown...

This exquisite lithograph and pochoir by Sonia Delaunay (1885–1979), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 7 (double), Juin 1956, originates fr...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio Douze aquarelles de Auguste Rodin (Twelve Watercolors by Auguste...

This exquisite lithograph by Paul Guiramand (1926–2007), titled Le port de New York (The Port of New York), from the album Prints from the Mourlot Press, exhibition sponsored by the ...

This exquisite lithograph by Eduardo Chillida (1924–2002), titled Sans titre (Untitled), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and Marguerite Maeght). Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Imprimerie Moderne du Lion, Paris, this composition embodies Chillida’s exploration of form, balance, and spatial tension. In Sans titre, the artist distills his sculptural sensibility into a two-dimensional plane, using the language of gesture and contrast to evoke mass, gravity, and void. The work exemplifies Chillida’s poetic approach to abstraction, where line and density coexist in perfect equilibrium. Executed on velin paper, this lithograph measures 15 x 11 inches (38.1 x 27.9 cm). As issued, it is signed in the plate and unnumbered, consistent with the authorized publication format. The edition captures Chillida’s mastery of minimal means to achieve monumental expression, extending the spatial dialogue that defines his sculpture into the medium of print. Artwork Details: Artist: Eduardo Chillida (1924–2002) Title: Sans titre (Untitled), from Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and Marguerite Maeght), 1982 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1982 Publisher: Maeght Editeur, Paris Printer: Imprimerie Moderne du Lion, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1982 folio Derriere le Miroir, No. 250, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French), This special issue of Derriere le Miroir was designed and defined by Aime Maeght in the fall of 1980. He envisioned its publication as a celebration with which artists and writers published since 1946 were to be associated. He also chose Francois Chapon, president of the Reverdy Committee, to write the presentation. This Derriere le Miroir number 250 took the form, after its disappearance on September 5, 1981, of a tribute to Aime Maeght and his wife Marguerite Maeght who died four years earlier. 24 artists agreed to create an original graphic work for this issue which includes the general table of all issues as well as excerpts from texts by 32 writers. Finished printing on June 2, 1982 on the presses of the l'Imprimerie moderne du Lion in Paris. CL examples were printed on velin d'Arches, numbered from I to CL, and some non-commercial examples constituting the original edition. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Eduardo Chillida (1924–2002) was a Spanish Basque sculptor and printmaker internationally celebrated for his monumental abstract works that explore the interplay between form, space, and material. Renowned for his mastery of iron, steel, stone, and concrete, Chillida created sculptural compositions that evoke both architectural strength and poetic balance, reflecting his lifelong dialogue between the physical and the spiritual. Emerging in postwar Europe, his art stands alongside that of the great modern masters—Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray—whose revolutionary approaches to form and perception shaped 20th-century art. Chillida’s work embodies a profound sense of harmony, rooted in the landscapes and philosophies of his native Basque Country, while maintaining a universal resonance. Exhibited internationally and collected by major institutions including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, his sculptures and works on paper continue to command global acclaim. The highest price ever paid for an Eduardo Chillida artwork is approximately $4.1 million USD, achieved in 2022 at Christie’s Paris for Buscando la Luz IV (2001). Eduardo Chillida Sans titre, Eduardo Chillida lithograph, Chillida Derriere le Miroir, Chillida Maeght...

This exquisite lithograph by David Hockney (born 1937), titled Letter G, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...

Classic French two seater Togo sofa by Michel Ducaroy for luxury brand Ligne Roset. Originally designed in the 1970s the iconic togo sofa is now a design classic. This sofa comes in ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie E, var. 1 (Series E, Variation 1), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...

This exquisite lithograph by Alexander Calder (1898–1976), titled Rouge et bleu sur jaune (Red and Blue on Yellow), originates from the historic 1973 folio Derriere le Miroir, No. 20...

Oil on canvas painting of “Bouquet and Figure” by the well known Spanish artist, Ramon Pichot. Signed lower right. Titled and signed verso. In excellent condition. Original gold l...

This exquisite lithograph, titled Sans titre, after Leonor Fini, from the folio L'Histoire d'O (The Story of O), 1962, was published and printed by La Compagnie des Vibliophiles, au ...

Lithograph on Guarro vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: Published by Galerie Börjeson, Malmö; printed by La Polígrafa, Barcelona, 19...

Mario Merz (1925-2003) Da un erborio raccolto nel 1979 in Woga-Woga, Australia, Marco Nove, Turin, 1979-1989 Set of 14 illustrations, lithograph and photo-...

Egyptian Revival ebony and inlaid settee, late 19th century "Of architectural form with geometric borders and inlaid with fruitwoods, ivory, mother of pearl and wire, the carved giltwood cresting rail in the form of serpents centred by a tablet inlaid with a winged bird, probably the symbol of the Egyptian Goddess, Nekhbet, clutching a payrus stalk, the padded back between two moulded cartouches depicting Horus and Iris, the arm supports in the form of Canopic jars surmounted by the head of Anubis, with a padded seat and shaped legs terminating in paw feet. Measures: 26" deep x 56" wide x 45.5" high x 18" seat height In the nineteenth century, the Egyptian Revival became fashionable following the Napoleonic campaigns in Egypt with the publication of Voyage (1802) by Vivant Denon...

Pair of Louis XVI style armchairs covered in cut velvet fabric. Carved foliage and shell motif at the top. Very good condition. Two s...

Pair of 19th century English handsome oak hand-carved urns made into lamps Finely carved oak urns made into lamps. A very fine and special pair of Classical Lamps would be sharp in ...

Lithograph and original issue World Federation of United Nations Associations postage stamp on vélin paper. Inscription: Signed in the plate, as issued. Good condition. Notes: Publis...

This exquisite lithograph after Henri Matisse (1869–1954), titled Femme nue (Nude Woman), originates from the 1952 folio Derriere le Miroir, No. 46–47, published by Maeght Editeur, P...

This exquisite lithograph by Marc Chagall (1887–1985), titled L'Ange (The Angel), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litter...