The Hamptons

Drypoint on gewöhnlichem aber holzfreiem vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the album, Verzeichnis Des graphischen Werks Edvard Munchs Bis 1...

This exquisite lithograph by Alexander Calder (1898–1976), titled Joueurs de cartes III (Card Players III), originates from the historic 1975 folio Derriere le Miroir, No. 212. Publi...

This exquisite lithograph by David Hockney (born 1937), titled Letter E, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...

This exquisite lithograph by Wifredo Lam (1902–1982), titled Totem, from the album XXe siecle, Numero special, Wifredo Lam, Nouvelle serie, XLIe Annee, No. 52, originates from the 19...

Oil on artist board painting by the American artist, Paul Wesley. Signed lower right. Titled and signed verso. Circa 1930. Condition: excellent. Provenance: A private estate, East ...

Original black and white abstract lithograph on archival paper by the well known American modernist artist, James Brooks. Signed in pencil by the artist and dated 1961 lower right. ...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Portrait de Auguste Renoir (Portrait of Auguste Renoir), from the album Les Lithographies de Renoir (The Lit...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Clown Fleuri (The Flowered Clown), from the album The Lithographs of Chagall, Volume II, originates from the 1963 edi...

This exquisite four color process archival pigment print after George Condo (born 1957), titled Comic Relief, from the folio George Condo, Drawing Paintings, originates from the 2011...

This exquisite lithograph by Roberto Matta (1911–2002), titled Le Soleil Noir de la Melancolie (The Black Sun of Melancholy), from the album XXe siecle, Nouvelle serie, XXXVIIe Annee...

Substantial set of concrete zig zag chairs. Exceptional presence. Stunning presence and design. Industrial steel rebar runs inside the concrete reinforcing the chair and table giving...

This exquisite lithograph by David Hockney (born 1937), titled Letter S, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...

This exquisite lithograph after Rene Magritte (1898–1967), titled Les Bijoux indiscrets (The Indiscreet Jewels), from the album San Lazzaro et ses Amis, Hommage au fondateur de la re...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie L, var. 4 (Series L, Variation 4), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph by Roger Bissiere (1886–1964), titled Soleil (Sun), from the album XXe Siecle, Nouvelle serie, XXVIe Annee N°24, Decembre 1964, originates from the 1964 edi...

This exquisite heliogravure after Maria Helena Vieira da Silva (1908–1992), titled Marine (Seascape), from the folio Vieira da Silva, Peintres d'aujour...

This exquisite lithograph after Henri Matisse (1869–1954), titled Decoupage (Decoupage), from the album XXe Siecle, Nouvelle serie N°4 (double) Janvier 1954, originates from the 1954 edition published by Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1954. Decoupage reflects Matisses late career mastery of distilled form, harmonious contour, and poetic abstraction. Executed as a lithograph on velin paper, this work measures 12.5 x 9.75 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Decoupage (Decoupage) Medium: Lithograph on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1954 Publisher: Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, Nouvelle serie N°4 (double) Janvier 1954, published by Societe Internationale dArt XXe Siecle, Paris; printed by Mourlot Freres, Paris, 1954 About the Publication: Gualtieri di San Lazzaros XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs, linocuts, and pochoirs printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, Atelier Lacouriere, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. The 1954 issue, Nouvelle serie N°4 (double), stands among the journals landmark mid century editions. Today, XXe Siecle remains an essential record of 20th century modernism, celebrated for its seamless integration of fine art, literature, and design. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later cut out compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse Decoupage...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 115, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the folio, Les Côtes Normandes 1961. Publ...

Photogram from a frottage in black in white on photosensitive paper. Inscription: Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: A photogram was a...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle P.C. (Miss P.C.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie D, var. 1 (Series D, Variation 1), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph by David Hockney (born 1937), titled Letter C, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...

Original mixed media fashion illustration by the well known American artist, Maning Obregon. Composed of watercolor, oil pastel and gouache on archival paper. Signed lower right “Ma...

This exquisite lithograph after Henri Matisse (1869–1954), titled Fusain (Charcoal), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 edi...

This exquisite lithograph by Georges Rouault (1871–1958), titled Arlequin (Harlequin), from the album Georges Rouault, Divertissement, originates from the 1943 edition published by E...

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 edition published by Editions des Quatre Chemins, Paris, rendered by Daniel Jacomet, Paris, and printed by Atelier Daniel Jacomet et Cie, Paris, December 15, 1925. The work exemplifies Matisses mastery of pure line and the expressive economy of form that defined his graphic art of the 1920s, transforming simplicity into lyrical harmony. Executed as a lithograph on velin Lafuma Navarre paper, this work measures 8 x 10 inches (20.32 x 25.4 cm). Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of the Daniel Jacomet et Cie workshops, Paris. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse) Medium: Lithograph on velin Lafuma Navarre paper Dimensions: 8 x 10 inches (20.32 x 25.4 cm) Inscription: Unsigned and unnumbered, as issued Date: 1925 Publisher: Editions des Quatre Chemins, Paris Printer: Atelier Daniel Jacomet et Cie, Paris Catalogue Raisonne Reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 3. Condition: Well preserved, consistent with age and medium Provenance: From the album Dessins de Henri-Matisse (Drawings by Henri Matisse), published by Editions des Quatre Chemins, Paris; rendered by Daniel Jacomet, Paris; printed by Atelier Daniel Jacomet et Cie, Paris, December 15, 1925 Notes: Excerpted from the album (translated from French), This album was printed in C examples on velin d'Arches with an original example by Henri-Matisse, numbered from I to C, and M examples on velin Lafuma. Printing was completed on December Fifteenth, One Thousand, Nine Hundred and Twenty-Five by F. Dutal et Cie, in Paris; the boards having been executed by the Daniel Jacomet et Cie workshops in Paris. About the Publication: Dessins de Henri-Matisse (Drawings by Henri Matisse), published by Editions des Quatre Chemins, Paris, in 1925, is a landmark early graphic portfolio that captures the artist’s mastery of contour and proportion through a series of delicately rendered lithographs. Realized under the direction of the Daniel Jacomet et Cie workshops—renowned for their exceptional skill in fine art printmaking—the album showcases Matisse’s fascination with the purity of line and the human form. Issued in a limited printing of examples on both velin d’Arches and velin Lafuma papers, it reflects the refined aesthetics and technical excellence that characterized the interwar Parisian print ateliers. The publication represents a pivotal stage in Matisse’s evolution as a draughtsman, bridging the intimate immediacy of his drawings with the permanence of fine print. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse Crayon...

Rustic white painted long narrow farm table, 20th Century Turned legs and a rustic worn top. This table has a great look and patina. White paint is ...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1963 folio Derriere le Miroir, No. 137, published by Maeght Editeur, Paris...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1963 folio Derriere le Miroir, No. 137, published by Maeght Editeur, Paris...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1970 folio Derriere le Miroir, No. 180, published by Maeght Editeur, Paris...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1970 folio Derriere le Miroir, No. 180, published by Maeght Editeur, Paris...

This exquisite silkscreen by Jacob Lawrence (1917–2000), titled Boy with Kite, from the album Hiroshima, originates from the 1983 edition published by The Limited Editions Club, New ...

One of our favorite lamps, VERY heavy and important, the thick ceramic trapezoidal base with circular designs front and back. This has been NEWLY rewired with silk cable, double clu...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Faune et femme nue (Faun and Nude Woman), from the folio Picasso, La flute double, 16 Dessins, Aquarelle...

This exquisite lithograph after Andre Derain (1880–1954), titled Nature morte aux Poissons (Still Life with Fish), from the folio Andre Derain entre 1935 et 1949, V (Andre Derain bet...

This exquisite lithograph after Henri Matisse (1869–1954), titled Madame L.D. (Mrs. L.D.), from the album Portraits par Henri Matisse (Portraits by Hen...

This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun frontispice et accompagne de 17 dessins de Jean Cocteau (preceded by a frontispiece and accompanied by 17 drawings by Jean Cocteau), originates from the 1930 edition published by Editions du Signe, Paris, printed by Maitres-Imprimeurs, Ducros et Colas, Paris, and hand colored by M.B. Armington (a probable pseudonym of Jean Cocteau), May 10, 1930. The work reflects Cocteaus mastery of linear elegance and psychological nuance, distilling intimacy, vulnerability, and symbolic clarity into a composition that occupies a pivotal place in early twentieth-century modernism and queer cultural history. Executed as a lithograph and pochoir with hand coloring on velin d'Arches paper, this work measures 11.81 x 9.06 inches. Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Ducros and Colas, Maitres-Imprimeurs, and the exceptional hand-coloring attributed to Cocteau himself. ARTWORK DETAILS Artist: After Jean Cocteau (1889–1963) Title: Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun frontispice et accompagne de 17 dessins de Jean Cocteau (preceded by a frontispiece and accompanied by 17 drawings by Jean Cocteau) Year: 1930 Medium: Lithograph and pochoir with hand coloring on velin d'Arches paper Size: 11.81 x 9.06 inches Inscription: Unsigned and unnumbered, as issued Publisher: Editions du Signe, Paris Printer: Maitres-Imprimeurs, Ducros et Colas, Paris Catalogue Raisonne References: Bezit, Emmanuel. Dictionnaire Critique et Documentaire des Peintres, Sculpteurs, Dessinateurs et Graveurs. Gründ, 1976, vol. 3, p. 744. Carteret, Leon. Le Tresor du Bibliophile: Livres Illustres Modernes, 1875–1945. Editions Carteret, 1958, vol. 5, p. 51. van der Veen, H. In Liefde Verzameld: Homoseksualiteit en de Nederlandse Literatuur. De Buitenkant, 1992, no. 136. Monod, Luc. Manuel de Lamateur de Livres Illustres Modernes: 1875–1975. Ides & Calendes, 1992, no. 2912. Condition: Well preserved, consistent with age and medium Provenance: From the album Le Livre blanc, published by Editions du Signe, Paris; printed by Ducros et Colas, Paris; hand colored by M.B. Armington (a probable pseudonym of Jean Cocteau), May 10, 1930 NOTES Excerpted from the album (translated from French), This album, whose plates have been entirely colored by hand by M.B. Armington, an artist-painter, was completed to print on May 10, 1930, by Ducros and Colas, Maitres-Imprimeurs in Paris. The draw has been limited to: XVIII examples on japon nacre, each containing one of the XVIII original drawings and a suite on Hollande, numbered from I to XVIII; VI examples, H.C., marked from A to F; XVIII examples on japon imperial, numbered from XIX to XXXVI; VI examples, H.C., marked from G to L; CCCLXXX examples on velin d'Arches, numbered from XXXVII to CDXVI; XXII examples, H.C., marked from A to V. ABOUT THE PUBLICATION Le Livre blanc (The White Book), published in 1930 by Editions du Signe with plates printed by Ducros et Colas and hand colored by the enigmatic M.B. Armington (likely Cocteau himself), occupies a singular and foundational place in the history of LGBTQ...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

This exquisite lithograph by Andre Derain (1880–1954), titled Au Jardin d'Allah (In the Garden of Allah), from Verve, Revue Artistique et Litteraire, Vol. I, No. 4, originates from t...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Rouge, bleu, vert, jaune (Red, Blue, Green, Yellow), originates from the historic 1964 folio Derriere le Miroir, No. ...

This exquisite heliogravure after Mark Tobey (1890–1976), titled Recherche (Research), from the folio Mark Tobey, Peintres d'aujourd'hui (Mark Tobey, Painters of Today), originates f...

Oil on artist board painting of a misty morning in Gloucester Harbor by the Provincetown artist, Kay Kellogg. Signed lower left. Circa 1935. The painting d...

This exquisite lithograph by Alexander Calder (1898–1976), titled Deux pyramides et spirales (Two Pyramids and Spirals), from the folio Derriere le miroir, No. 69–70, originates from...

Iconic photo of DeeDee Ramone at the Chelsea Hotel in NYC Dee Dee Ramone on the Balcony 1993 by Keith Green Chelsea Hotel Silver Gelatin Print Rock n Roll Photography 50 and 4 pr...

This exquisite lithograph after Francis Bacon (1909–1992), titled Portraits of George Dyer, originates from the historic 1966 folio Derriere le Miroir, No. 162. Published by Maeght E...

Providing 6 levels to display your beautiful collections, this etagere in oak and designed with geometric cube design. Exceptional craftsmanship with beautiful joint details.

Original oil pastel on archival paper by the well known American artist, Byron Browne. Signed lower right and dated 1956. Condition is excellent. Recently professionally rematted. Original frame in very good condition. Overall framed measurements are 23.75 by 31.75 inches. Provenance: A Long Island, New York estate. Byron Browne: American (1907-1961) Byron Browne was a leader of the American Avante Garde art movement in the 1930’s and 40’s along with Bolotowsky, Greene, Gorky, and de Kooning. These artists helped pave the way for America, New York in particular, to be seen as a center for art innovation after decades of France being the art center of the world. He had more than 70 solo exhibitions during his lifetime. Browne's early artistic training was conventional, and little about his time at the National Academy of Design (1924-1928) suggested he would depart from the traditional methods in which he was being schooled. Several experiences are identified as being important to his transformation to an abstract artist. In 1927, he and his friend Arshille Gorky visited Albert Gallatin...

Original oil on wooden panel painting of a lively interior scene composed of two colorfully dressed can can girls preforming in front of a packed house of interested spectators. Signed lower left “N. Barerra”. Circa 1945. Condition is very good. Recently professionally cleaned and varnished. The painting is housed in a new custom gold leaf frame. Overall framed measurements are 16.5 by 19.5 inches. Provenance: A Bellport, Long Island collector. Nicolas Barerra is a painter born in Russia, now Ukraine in 1919. He studied at the Leningrad Academy of Fine Arts. He was a war correspondent and published drawings for American newspapers. After the war, he settled in Marseille where he worked as an illustrator and made a living from the sale of his paintings. He was a friend of Albert Camus and Patricia...

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...

This exquisite lithograph after Pierre Bonnard (1867–1947), titled Femmes au jardin (Women in the Garden), originates from the 1966 folio Derriere le Miroir, No. 158–159, published b...

Super cool sculpture with fluid style. About the artist: Los Angeles based artist Josh Mayhem gained recognition with his Blown Away aesthetic, transf...

This exquisite zincograph by Henri Michaux (1899–1984), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, XXe Annee, N°10 (double) Mars 1958, originates from t...

Picture this spider mounted in a dim room, letting off a warm yellow glow. It makes for a wonderful conversation piece and perfect mood lighting. Great presence and detail. Hammered ...

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled Venetian Boy, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Published by Twice a Ye...

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled Sky, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Published by Twice a Year Press,...

This exquisite linocut by Henri Laurens (1885–1954), titled Sirenes (Sirens), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazzaro, Sommair...