The Hamptons

This exquisite lithograph by Andre Masson (1896–1987), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, essais philosophiques, Le mythe d...

This exquisite lithograph by Andre Masson (1896–1987), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, essais philosophiques, Le mythe d...

This exquisite lithograph by Andre Masson (1896–1987), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, essais philosophiques, Le mythe d...

This exquisite lithograph by Andre Masson (1896–1987), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, essais philosophiques, Le mythe d...

This exquisite lithograph after Rene Magritte (1898–1967), titled Sans titre (Untitled), from the album Poems 1923-1958, Dix dessins de Rene Magritte (Ten Drawings by Rene Magritte),...

Mixed Media on wood. Resin finish optional. About the Artist: Seek One has been featured in Forbes, Maxim, Haute Luxury among others. He shows at galleries worldwide with com...

Abstract painting. Geometric style. Light wood frame. About the Artist: Manhattan based mural and studio artist Tony “Rubin” Sjöman has painte...

Latest series from artist. Framed Mixed Media Sketch. Hand painted. White Frame. Glass. Humorous. Homage to the Warhol circles with a provocative, narrative twist. About the Artist: NELSON DE LA NUEZ is one of the most sought-after contemporary Pop artists practicing today. His striking, vivid mixed media artwork borrows motifs and messages from the language of wealth, power, fame, excess, taste, and access to cast a narrative about modern society. Known to many as The King of Pop Art®, De La Nuez is an innate iconoclast, elevating themes from commerce, pop culture, advertising, and branding to provide commentary on our culture – showing us that the entire world is for sale –in a manner that is both ironic and aspirational. Included in the “Who’s Who List of the Most Collected Artists of Our Time”, De La Nuez was born in Cuba and moved as a child to California, where he was initially introduced to many of the iconic images that he uses in his art to this day. His ability to experience these important cultural touchpoints at such a young age with a purely fresh perspective allows him a distinctive point of view – one that is both critical and embracing, sardonic and sentimental – that lends his work an air of accessibility and curiosity, and has led to his significant popularity. Demonstrating that art can be both humorous and intellectual, he first gained recognition in the 1980’s for his unique Pop Art style, using familiar imagery from popular board games, as well as newspaper articles, vintage advertisements, and other visual references that spoke about upward mobility to an emerging luxury audience. “My artwork is a reflection of who I am today as a result of every event that has taken place in my life, every person I have met and everything I have processed through my senses up until this point in time,” explains De La Nuez. Always evolving, he is a master at embedding deeper meaning into familiar visual references, updating his themes to reflect the culture of society today, while maintaining the respect and integrity of the references from which he borrows. Over the course of his career, his voice has continued to evolve to provide subtle commentary on the trappings of fame and luxury in a way that continues to feel relevant today. De La Nuez was selected by Warner Bros. as an official artist to commemorate the 70th anniversary of the film, The Wizard of Oz, and was commissioned to create a series of original art work to celebrate the iconic film. He has collaborated with a number of prestigious brands to integrate his artistic vision into various product collections including a current series of timepieces by Swiss watch manufacturer Corum. His branded home, fashion and lifestyle products have sold through luxury retailers including Neiman Marcus, Saks Fifth Avenue, Lord & Taylor, and Nordstrom. De La Nuez’s work hangs alongside the world’s most valuable artists in some of the most prestigious galleries around the globe, is exhibited regularly at top-tier art shows including Art Basel Miami, Art Central Hong Kong, Context and Art Market Hamptons, and is part of numerous private collections. Original De La Nuez pieces hang in Delta airline's private collection in Delta One’s VIP and SkyClub airport lounges throughout the country. He has been commissioned by numerous high-profile brands to create bespoke installations including Hermes and Kim Kardashian’s ShoeDazzle, and has earned a long list of celebrity admirers, including Sarah Jessica Parker, Diane Warren, Howie Mandel, Kaley Cuoco, and Kelly Clarkson. De La Nuez resides in Los Angeles. His humor art website can be found at: (website hidden)(humor art) CV / Selected Exhibitions 2019 Hong Kong Art Fair, Wan Chai, Hong Kong Convention Center Delta SkyClub VIP Lounge: Delta's Permanent Private Collection; newest airport: Atlanta Hartsfield-Jackson International, Terminal T (Already installed in: JFK, LAX) New York Art Fair, NY, NY, Evan Gallery LA Modern & Contemporary Art Show, LA CA Take the Money & Run De La Nuez, Artplex Gallery, LA, CA 2018 Miami Art Basel, Context, FL (12/2018) Baselworld, Basel, Switzerland Kips Bay Palm Beach Show House, Palm Beach FL, House Beautiful Magazine Featured Art Art Market Hamptons, Market Art & Design, The Bridgehampton Museum Art Central Hong Kong Art Market San Francisco, San Francisco, CA LA Modern & Contemporary Art Show, LA CA Pop, Bang; De La Nuez, DTR Modern Palm Beach, FL 2017 Corum Bubble Watch; De La Nuez Bubble Collection, Launch During Miami Art Basel, Miami Beach, Scope, FL Miami Beach Art Basel, Miami Beach, FL Made in America Solo Show, Caesar's Palace, SKYE Art Gallery, Las Vegas Pop Masters DTR Gallery Boston, MA The King of Pop Art: The De La Nuez Collections, Gallery 1949, Aspen, CO Ritz Carlton Georgetown, Washington D.C., Lobby & sitting areas Hong Kong Art Fair, Hong Kong Art Palm Beach, Palm Beach, FL Sotheby's Backstage at the Geffen Exclusive VIP Gala Featuring Nelson De La Nuez Pop Art- Honoring Mel Brooks & Quincy Jones, Westwood, CA Art Boca, Boca Raton FL LA Modern & Contemporary Art Show, LA, CA De La Nuez Icons, Pop and HBO, Blink Digital Studios/HBO, Burbank 2016 De La Nuez Pop Icons, Caesar’s Palace, SKYE Art Gallery, Las Vegas, NV Miami Beach Art Basel, Miami Beach, FL Pop Classics, Galerie Fluegel-Roncak, Nuremberg, Germany Art Hamptons, International Fine Art Fair, Bridgehampton, NY Palm Beach Pop, DTR Gallery, Worth Ave, Palm Beach FL Permanent Installation at Bagatelle Club / Restaurant, The One Group/STK; Sponsored by Moet Champagne and Toast vodka Celebrating The King of Pop Art® & his Collections, The Art of Fashion; Neiman Marcus, Artist Special Appearance; Solo installation of paintings in Designer Shoe Dept, Los Angeles, Sponsored by Moet champagne SCOPE Art Show, New York 2015 Delta One & SkyClub VIP Lounges: Delta's Permanent Private Collection at LAX, JFK & Hartsfield-Jackson Atlanta Airport Art Fair Singapore, Singapore The Art of Pop and Comics, Coral Springs Museum of Art, Florida De La Nuez Uncensored Bagatelle Club/Restaurant, The One Group Miami Beach Art Basel, Miami Beach, FL Wizard of Oz originals by Nelson De La Nuez, Miami Children's Museum Backstage at the Geffen Exclusive VIP Gala Featuring Nelson De La Nuez Pop Art- Honoring Sir Elton John and George Lucas, Westwood, CA Art Southampton International Contemporary Art Fair, Southampton, NY Pop Iconoclast: Nelson De La Nuez, SMoCA, Scottsdale Museum of Contemporary Art Scottsdale, AZ Houston Fine Art Fair, Bruce Lurie Gallery, Houston, TX Toronto Love Art Fine Art Fair, Toronto, Canada Art Wynwood International Contemporary Art Fair, Miami, FL 2014-earlier Nelson De La Nuez Oz Collections, NY Plaza Hotel, NY Fashion Week, NY Backstage at the Geffen Exclusive VIP Gala Featuring Nelson De La Nuez Pop Art- Honoring Steve Martin & Walt Disney Chairman Alan Horn, Westwood, CA Miami Beach Art Basel, Miami Beach, FL Pop Americana, Cartoon Network Studios, Burbank, CA De La Nuez Pop Art Originals, Shows & Auctions, Princess Galleries, Europe, U.K. Australia, Caribbean, U.S. Inspirations of Oz/ De La Nuez Originals, Fashion Institute of Design & Merchandising-Museums & Galleries, Los Angeles, CA Inspirations of Oz Tavern on the Green, Emerald Gala/Auction, NY SELECTED ARTICLES / PUBLICATIONS 2019 C California Style Magazine, Featuring Be Happy Original painting Veranda Magazine, "White Hot" Designer Suzanne Kasler Featuring De La Nuez artwork 2018 House Beautiful Magazine, Palm Beach FL, Lisa Erdmann & Associates Design, Material Girl painting featured Michael Weare, Luxury Watchuseek, "Corum Bubble Meets the King of Pop Art" Charlotte Anfray, Paris Match Magazine, Paris France, Weekly The Watch Quote, "Corum & The King of Pop Art; Between Pop Art and Pop Horlogerie" World Tempus, "Corum gives free reign to the Pop Art American artist to create a Bubble collection reflecting his own style." 2017 Aspen Magazine, Cover Art, Feature, Modern Luxury Publications Aspen Gallery Guide, Modern Luxury Publications Collections Magazine, Toronto, Harvey Kalles Aspen Peak, Feature, Modern Luxury Publications Aspen Insider's Guide 2017, Modern Luxury Publications David Jenison, Prohbtd Culture, Nelson De La Nuez Interview: "Nelson De La Nuez Talks Cannabis, Vodka & Xanax Cocktails" Aspen Sojourner Magazine, Nancy Mayer Publisher 2016 Forrest Cardamenis, Luxury Daily, "Young Affluence and Prolific Artist Generate Boom in Aspen" Aspen Gallery Guide, Holiday/Winter, Modern Luxury Publications Palm Beach Guide, Cover and Feature Eliza Krpoyan, New York Observer "Michael Jackson's Favorite Artist Pops Moet for his Birthday at Bagatelle" Gina Samarotto, Private Air Luxury Homes Magazines, "It Starts with a Thought; the Art Of Nelson De La Nuez" Hollywood Reporter, "Art on the Edge" 2015 Gina Samarotto, Private Air Luxury Homes Magazines, "The King of Pop Art" YRB Magazine, "Art Clash; Interview with Nelson De La Nuez" 2014-2011 Gretchen Meier, L.A. Times, "A New King of Pop Art" (website hidden), "How to Get a Monumental Luxury Home Interior" Intl Luxury Lifestyle Magazine NOTABLE COLLECTIONS Delta One VIP Lounge: Permanent Private Collection, LAX, NY; Delta One & Sky Club Lounges: Purchased for their Permanent Private Collection, Los Angeles, LAX, New York, JFK, Atlanta Shoedazzle/ Just Fab Headquarters Corporate Private Collection; (Kim Kardashian, Robert Shapiro, Brian Lee) CA; El Segundo, CA Ritz Carlton Cancun, Private Collection & Books at resort The Sarah Jessica Parker Collection, New York The Diane Warren Collection, Los Angeles, CA The Michael Jackson Collection, Los Angeles, CA E! Entertainment (Creator of) corporate Private Collection Rick & Kathy Hilton Private Collection Paris Hilton Private Collection Howie Mandell Private Collection Howard Stern Private Collection Burt Reynolds Private Collection Rob Lowe...

Seek One's art woven into beautiful hand crafted rug, created in Afghanistan of Ghazni Wool. Limited edition of 10. The artist photographed the roses and then gave them his signature pop style. The piece can hang vertically or horizontally or adorn a floor. It is made of the highest quality - wears amazingly well with very little if any loss of color. A labor intensive process that takes about 5 months. It was created in a partnership with Dandelion - an organization that pairs impoverished artisans with established artists from around the world. About the Artist: Seek One is a fine pop art...

This exquisite lithograph by Man Ray (1890–1976), titled Inversion de l'espace II (Inversion of Space II), from the album XXe siecle, Nouvelle serie, XXXVIIe Annee, No. 45, originate...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Madame Elsa Triolet (Mrs. Elsa Triolet), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie O, var. 1 (Series O, Variation 1), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph by Jules Cavailles (1901–1977), titled Interieur a la Fenetre (Interior by the Window), from the folio Les Peintres mes amis (The Painters My Friends), orig...

Seemore's Ice Cream Comes unframed About the Artist: My intent is to create a mythic dreamscape that explores the balance between the spiritual and the abstract. The artistic result...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie C, var. 3 (Series C, Variation 3), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1963 folio Derriere le Miroir, No. 137, published by Maeght Editeur, Paris...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1963 folio Derriere le Miroir, No. 137, published by Maeght Editeur, Paris...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1963 folio Derriere le Miroir, No. 137, published by Maeght Editeur, Paris...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1963 folio Derriere le Miroir, No. 137, published by Maeght Editeur, Paris...

This exquisite lithograph by Alberto Magnelli (1888–1971), titled Papel colle (Pasted Paper), from the album XXe Siecle, Nouvelle serie, No. 9 (double), Juin 1957, originates from th...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1970 folio Derriere le Miroir, No. 180, published by Maeght Editeur, Paris...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1970 folio Derriere le Miroir, No. 180, published by Maeght Editeur, Paris...

Image of woman empowered. Bright colors. About the Artist: Cabell Molina is a contemporary artist transplanted from California to the east. Where Cabell has proved herself exce...

This exquisite lithograph by Maurice Esteve (1904–2001), titled Sans titre (Untitled), from the album Prints from the Mourlot Press, exhibition sponsored by the French Embassy, circu...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1970 folio Derriere le Miroir, No. 180, published by Maeght Editeur, Paris...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1970 folio Derriere le Miroir, No. 180, published by Maeght Editeur, Paris...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1970 folio Derriere le Miroir, No. 180, published by Maeght Editeur, Paris...

Beautiful original pastel on archival card stock from Paris of the craggy seaside cliffs of California by the well known Hudson River artist, George Douglas Bremerton. Signed lower left. Circa 1880. Condition is excellent. Under glass. The artwork is housed in its original ornate scroll designed frame. Overall framed measurements are 33 by 19 inches. Provenance: A East Coast Florida estate. George Douglas Brewerton received lessons in art from Prof. Robert W. Weir at West Point where his father was Superintendent. In 1874, he was detailed to San Francisco as an officer in the Stevenson Regiment. In 1848, he underwent many adventures in Western deserts and mountains with Kit Carson, who crossed the country with news of the California Gold Rush. After serving as an aide to Gen. Rufus Saxton during the Civil War, Brewerton called himself “Colonel,” although he never received an army commission...

This exquisite lithograph by Georges Rouault (1871–1958), titled Les Deux Tetus (The Two Stubborn Ones), from the album Georges Rouault, Divertissement, originates from the 1943 edit...

This exquisite lithograph by Raoul Ubac (1910–1985), titled Paysage d'Ete (Summer Landscape), originates from the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs...

Italian Art Nouveau Ash Armoire Wardrobe, c. 1900 The Art Nouveau cabinet from circa 1900 thought to be made in Italy. The details show a refined restrained elegance reflecting the ...

Abstract Canvas. Blacks. Whites. Complex in its simplicity. About the Artist: Francine Tint is a New York based abstract expressionist painter. She studied painting at Pratt...

This exquisite lithograph by Joan Miro (1893–1983), titled Oiseau Bleu (Blue Bird), originates from the 1963 folio Derriere le Miroir, published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. Executed during the height of Miro’s mature period, this poetic composition embodies the artist’s fascination with the interplay between form, color, and cosmic symbolism. Through his lyrical use of line and vibrant hues, Miro transforms the image of the bird—a recurring motif in his visual language—into a jubilant expression of freedom and imagination. Oiseau Bleu exemplifies Miro’s capacity to merge spontaneity and precision, creating a timeless dialogue between abstraction and dreamlike vision. Executed on velin paper, this lithograph measures 22 x 15 inches (55.9 x 38.1 cm), as issued. Signed in the plate and unnumbered, as issued. The edition reflects Miro’s mastery of both color and gesture, fusing Surrealist spontaneity with the refined craftsmanship of the Mourlot ateliers. Artwork Details: Artist: Joan Miro (1893–1983) Title: Oiseau Bleu (Blue Bird), from Derriere le Miroir, 1963 Medium: Lithograph on velin paper Dimensions: 22 x 15 inches (55.9 x 38.1 cm), as issued Inscription: Signed in the plate and unnumbered, as issued Date: 1963 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne Reference: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne des Livres Illustres. P. Cramer, Geneva, 1989, illustration 87 Condition: Well preserved, consistent with age and medium Provenance: From the 1963 folio Derriere le Miroir, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French): Taken from this special issue of “Behind the Mirror,” CCCL examples on velin de Rives were numbered, constituting the original deluxe edition of Derriere le Miroir. The lithographs for this issue were printed in the ateliers of Mourlot Editeur, Levallois. The text was printed by Fequet et Baudier, typographers. Finished printing 1963. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, and ceramicist whose imaginative, dreamlike vision helped spearhead the Surrealist movement and left an indelible mark on modern art. Born in Barcelona and deeply rooted in Catalan culture, Miro moved to Paris in the early 1920s where his playful shapes, cosmic motifs, and childlike yet sophisticated abstractions broke new ground alongside the great innovators of his time. His artistic dialogue aligned with contemporaries such as Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Jackson Pollock, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom challenged the conventions of form, color, and symbolism. Miro distilled these ideas into a uniquely poetic visual vocabulary—birds, stars, and bold spectral forms emerging from flat planes of color—that has inspired scores of artists and continues to influence modern and contemporary masters including Banksy, Damien Hirst, Jeff Koons, Andy Warhol, and Jasper Johns. His works are represented in leading museums worldwide, including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, and remain highly sought after by collectors. The highest price ever paid for a Joan Miro artwork is approximately $37.06 million USD, achieved in June 2012 at Sotheby’s London for Peinture (Etoile Bleue) (1927). Joan Miro Oiseau...

19th Century Swedish Crystal White Painted and Gilt Chandelier

This exquisite lithograph by Eduardo Chillida (1924–2002), titled Sans titre (Untitled), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque). Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this composition exemplifies Chillida’s mastery of spatial balance and sculptural abstraction. In Sans titre, Chillida translates his distinctive exploration of mass and void into two dimensions, creating an interplay of dense form and open space that mirrors the structural poetry of his sculpture and a heartfelt tribute to Braque, “Learning to fly down here — to Braque, master, friend, inventor of birds.” The composition conveys a sense of weight and stillness, embodying the meditative precision for which Chillida is renowned. Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Signed in the plate and unnumbered, as issued. The edition captures Chillida’s unique sensitivity to form and rhythm within a printed medium, reflecting the same architectural strength that defines his sculptural practice. Artwork Details: Artist: Eduardo Chillida (1924–2002) Title: Sans titre (Untitled), from Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque), 1964 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued Inscription: Signed in the plate and unnumbered, as issued Date: 1964 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1964 folio Derriere le Miroir, Nos. 144–145–146, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French): Taken from this special issue of “Behind the Mirror,” CCCL examples on velin de Rives were numbered, constituting the original edition of L’Hommage a Georges Braque. These deluxe examples also included an etching based on Trois oiseaux sur fond violet. The lithographs for this issue were printed in the ateliers of Maeght Editeur, Levallois. The text was printed by Fequet et Baudier, typographers. Finished printing May 13, 1964. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Eduardo Chillida (1924–2002) was a Spanish Basque sculptor and printmaker internationally celebrated for his monumental abstract works that explore the interplay between form, space, and material. Renowned for his mastery of iron, steel, stone, and concrete, Chillida created sculptural compositions that evoke both architectural strength and poetic balance, reflecting his lifelong dialogue between the physical and the spiritual. Emerging in postwar Europe, his art stands alongside that of the great modern masters—Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray—whose revolutionary approaches to form and perception shaped 20th-century art. Chillida’s work embodies a profound sense of harmony, rooted in the landscapes and philosophies of his native Basque Country, while maintaining a universal resonance. Exhibited internationally and collected by major institutions including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, his sculptures and works on paper continue to command global acclaim. The highest price ever paid for an Eduardo Chillida artwork is approximately $4.1 million USD, achieved in 2022 at Christie’s Paris for Buscando la Luz IV (2001). Eduardo Chillida Sans titre, Chillida Derriere le Miroir, Chillida Maeght...

Mixed Media. Female centric. Figurative art. About the Artist: Cabell Molina is a contemporary artist transplanted from California to the east. Where Cabell has proved hersel...

Fun, vibrant mixed media piece. Woman dipping her toe into the pool. On wood. About the Artist: Allen's work has gained recognition world-wide for it's complex layering of mixed media works that create a narrative of modern American culture. His work today is a culmination of many years of painting, thinking and experiencing. He blends urban street art with his background of typography, mixed media collage, and abstract expressionism into each of his urban pop expressionist works. The son of fine artist / commercial artist Harrison Allen, Mark learned a lot very early from his talented father. His think training also includes a bachelor degree in commercial art from Texas...

This exquisite lithograph by Pierre Alechinsky (born 1927), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, XXIIe Annee, N°14, Juin 1960, originates from the...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 156, originates from the 1966 edition published by Mae...

This exquisite lithograph and pochoir after Henri Laurens (1885–1954), titled Nature morte (Still Life), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (Cubis...

This exquisite lithograph by Georges Rouault (1871–1958), titled Les Deux Anciens (The Two Elders), from the album Georges Rouault, Divertissement, originates from the 1943 edition p...

This exquisite lithograph by Georges Rouault (1871–1958), titled Pierrot Blanc (White Pierrot), from the album Georges Rouault, Divertissement, originates from the 1943 edition publi...

This exquisite four color process archival pigment print after George Condo (born 1957), titled Black and Red Compression, from the folio George Condo, Drawing Paintings, originates ...

This exquisite lithograph after Georges Braque (1882–1963), titled Barque sur les galets (Boat on the Pebbles), originates from the 1968 folio Varengeville, published by Maeght Edite...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

This exquisite lithograph after Fernand Leger (1881–1955), titled Le deux figures (The Two Figures), from the folio Derriere le miroir, No. 79-81, originates from the 1955 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1955. This composition exemplifies Leger’s rhythmic balance of color, form, and movement, translating the mechanical vitality of modern life into a harmonious, humanized geometry. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Le deux figures (The Two Figures), from the folio Derriere le miroir, No. 79-81 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1955 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 79-81, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1955 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght's belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for 39,241,000 USD at Sotheby’s, New York, on May 7, 2008. After Fernand Leger Le deux figures 1955, Leger Derriere le miroir No. 79-81, Leger Mourlot...

This exquisite lithograph by Joan Miro (1893–1983), titled La Femme Arborescente (The Tree-like Woman), from the album XXe Siecle, Nouvelle serie, XXIIe Annee, No. 16, originates fro...

Mixed Media. Female centric. About the Artist: Cabell Molina is a contemporary artist transplanted from California to the east. Where Cabell has proved herself exceptional is ...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio Douze aquarelles de Auguste Rodin (Twelve Watercolors by Auguste...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Regates (Regattas), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originates from t...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Musiciens Vagabonds (The Wandering Musicians), from the album The Lithographs of Chagall, Volume II, originates from ...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Le chapeau epingle (The Pinned Hat), from the album Les Lithographies de Renoir (The Lithographs of Renoir),...

Pair of Black Lacquered Bamboo Side Chairs

Mixed Media on wood. Resin finish optional. Converse sneaker. About the Artist: Seek One has been featured in Forbes, Maxim, Haute Luxury among others. He shows at gallerie...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

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This exquisite heliogravure after Henri Matisse (1869–1954), titled Le cheval, l'écuyère et le clown (The Horse, the Rider, and the Clown), from Henri Matisse, Jazz, originates from ...

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Late 18th Century American Queen Anne Flat Top Maple Highboy Double, Four short drawers with central cellarette over three graduated long drawers, over a base fitted with five short...