USA - Landscape Photography

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

ABOUT THIS ARTIST: Tom Fabia is a french artist living in the south of France. His parents are both artists and he chose to follow their lead. Tom's focus as a photographer is mainly...

GOLDEN GATE by Frank Schott an epic scale photograph of iconic Golden Gate Bridge and San Francisco in Northern California's atmospheric morning sunrise light Framed "Modern Gallery...

Swiss Alps, 1964: This landscape photograph, captured by society photographer Slim Aarons, features holiday-makers taking in the sunset on a white snowy mountain top in Verbier, Switzerland in 1964. In classic snowscape of midcentury glamour, winter travelers dressed in 1960s ski fashion relax on colorful red, yellow, and green sun loungers, viewing the blue and white Swiss Alps mountain peaks in the background. This is an estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Verbier Vacation Slim Aarons Estate Edition Chromogenic Lambda print Modern printing from original transparency Captured 1964 (printed later) Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collector will receive the next number in the edition Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition We are pleased to offer the entire archive of the Slim Aarons Estate. This is a genuine Slim Aarons Estate photograph, estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Complimentary dealer shipping to your framer, worldwide. We are pleased to offer this vibrant photograph, printed by the Slim Aarons estate. It is part of the estate's only official limited run, of 150. Estate stamp embossed on recto, hand numbered in ink on recto, with certificate of authenticity from the estate (not a secondary gallery licensing from the estate). Increasingly heralded for his influence, Slim Aarons (1916-2006) made a career out of photographing "attractive people doing attractive things in attractive places." Aarons is known for his iconic images of Hollywood glamour and luxurious people, places and lifestyles. Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun. Slim Aarons is noted for his documentation of the Beautiful People over 50 years, encompassing high society, celebrity, aristocracy, and the jet set. He was born and raised in New York City and New Jersey and later New Hampshire. He took up photography as a teenager. At the age of eighteen, he enlisted in the U. S. Army and was later appointed official photographer at the United States Military Academy at West Point. During World War II he served as an army combat photographer for Yank magazine in Europe, North Africa, and the Middle East. After the war he became a freelance photojournalist, first based in Hollywood, then Rome, then New York. His photographs appeared in many magazines, including Life, Holiday, Town & Country, Look, Venture, and Travel & Leisure. His first book A Wonderful Time (1974) is considered a classic. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Visual Description: In one of Slim Aarons most popular and iconic series, bright, colorful notes of red, yellow, blue and green punctuate the clean white snow, with majestic peaks in the background. In the foreground, holiday-goers, lounge in a perfect vintage moment of casual winter glamour. Snowy mountaintops rise in the background. Verbier is a stunning mountain and winter ski destination in the Swiss Alps, known for its notoriously challenging slopes as well as its famous apres-ski scene. Numbered and stamped by the Slim Aarons Estate. Certificate of Authenticity included. Internal: Vintage Verbier, Vintage Ski Photography...

Juniper, Lake Tenaya Gelatin silver print, 1937 Unsigned Edward Weston Estate stamp verso (see photo) A lifetime printing by Brett Weston, supervised by his father Edward, printed in...

Haruna Fuji, Gunma, Honshu, Japan by Michael Kenna is a black and white photograph depicting Mount Fuji through barren tree branches. Gelatin Silver Print Image size: 8 x 8 in. Mat...

New 2015 Storms Release The Earth is an ever-changing ecosystem. It existed well before we were here and will hopefully be here well beyond the time we leave it. It’s real, at tim...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Minjin Kang and Mijoo Kim are a creative duo, who have been inspirin...

A party of skiers adjourn for drinks at the bar on top of peak KT-22, Squaw Valley, California, 1961. Second from right is American lawyer and businessman Alexander Cochrane Cushing ...

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

"Hillside Fence, Study 6, Teshikaga, Hokkaido, Japan" is a limited edition silver gelatin print. The photograph is signed, numbered, and matted to 20x16 in. Michael Kenna is a mas...

A single oak tree in a meadow with the grass aglow in early morning. These are the foggy woods in the hills of Oakland, across the bay from San Francisco. This is a photograph printe...

Untitled (Fairytales) - 2006, 48x59cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte finish, based on the original Polaroid. Certi...

ABOUT THIS ARTIST: Tom Fabia is a french artist living in the south of France. His parents are both artists and he chose to follow their lead. Tom's focus as a photographer is mainly...

ABOUT THIS ARTIST: Niall Staines is a digital artist based in Ireland. His work is graphic, vibrant and visually arresting. Nature is a consistent theme in his work, often turning se...

It doesn’t matter if it’s Bermuda, Hawaii or Costa Rica, if there are palm trees and crystal clear water you’re daydreaming of hopping on the next flight out. However, your daily lif...

Biblioteca Classense Ravenna, Italy 2022 62.5 x 50 inches ed. of 10 $6,000 75 x 60 inches ed. of 7 $9,000 87 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso The sunlit entrance to the Sala delle scienze e delle arti (Hall of sciences and arts) with the bust of Teresa Gamba (Lord Byron’s lover) in background. The vista is framed by a rhythmic repetition of gleaming wooden doorways and archways, housing shelves of antique tomes. Reinhard Görner records cultural and industrial heritage through his series of photographs depicting contemporary and historical architecture, landscapes, parks, and plants. Best known for his photographs of libraries and reading rooms from around the world—in works such as George Peabody Library...

This late 1970s landscape photograph, captured by society photographer Slim Aarons, features spectators dining in the open air as the horses go by at Baden Baden racecourse, Germany....

"Hillside Fence Study 9 Teshikaga Hokkaido Japan" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted to...

Edition of 45 Signed, dated and numbered in pencil on mount margin recto. Signed, titled, negative date, print date and numbered in pencil with the artist's stamp in black ink on mo...

Lithograph on on Arches wove paper from Men in the Cities portfolio. Hand signed and numbered by Robert Longo. Published by Wolfryd-Selway Fine Art, New York, with their blindstamp....

Framed large scale original photograph of the Mediterranean marble quarries in Carrara, Italy, iconic material source of classic Italian art and architecture, captured with a large format camera to allow epic scale print sizes with incredible image details Marmo di Carrara...

"Fish Washing Tank, Sunjeongmaeul Go-Heung Jeollanam-do South Korea, 2023 is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna....

Holidaymakers relax beside the swimming pool of Il Pellicano Hotel in Porto Ercole, Tuscany, August 1980. Slim Aarons Il Pellicano Hotel 1980 C print (Printed later) Estate signatu...

You have read about the extraordinary donut portraits by Candice CMC on social media world-wide and we are excited and proud to represent her work and feature this new creation "St. Louis Sunset Donuts". This one of a kind photo arrangement titled "St. Louis Sunset Donuts" is printed on 100% rag paper by Candice CMC and features a donut created image of the iconic St. Louis Arch set against a sunset skyline of the city of St Louis...

a large scale photograph of lush emerald green nature biotope, a highly detailed observation of the natural beauty of the California redwood forest Redwoods by Erik Pawassar 48 x 135 inches (122 x 335cm) six panels of 48 x 22 inches signed edition of 7 archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ About the artist Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

A Vision you can't Capture #04 (29 Palms, CA) - 2007 A piece from the 29 Palms, CA project 40x50cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. A...

"November Clouds, Mont St. Michel, France. 2000" is a limited edition, silver gelatin print by Michael Kenna. The photograph is hand-made by the artist, signed and numbered, and mat...

A swimming pool, seen through the fronds of a palm tree, with two people swimming and a group of people sitting at tables at the poolside in the Bahamas, May 1967. Beyond the pool is...

"Alight" This timeless image features a stretch of California Coast where it seems like the Earth ends and disappears into the sea. Join the photographic journey through the cultu...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

ABOUT THIS PIECE: French photographer Ludwig Favre recently visited La Muralla Roja in Calpe, Spain. His pictures of architecture carry the same romantic feel of a Parisian shooting ...

Signed, dated and annotated 'Antartica' in pencil on the verso, copyright credit blindstamp in the margin. Includes black frame with white mat. Sebastião Salgado is a documentary ph...

'Sunset' (Burning Man) Edition 2/10, 20x30cm, 2016, Color-Print, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate. Not mounted. About Tao Ruspoli (born 7 November 1975) is an Italian-American filmmaker, photographer, and musician. Background He is the second son of occasional actor and aristocrat Prince Alessandro Ruspoli, 9th Prince of Cerveteri by Austrian-American actress Debra Berger. Tao was born in Bangkok, Thailand and raised in Rome and Los Angeles. He graduated from the University of California, Berkeley with a Bachelor of Arts in Philosophy. Career Moviemaker magazine singled out Ruspoli as one of the 10 Young Filmmakers To Watch in its spring 2008 issue. His feature narrative debut, Fix, was one of 10 feature films to screen in competition at the 2008 Slamdance Film Festival and soon afterward at the Santa Barbara International Film Festival where Ruspoli was awarded the Heineken Red Star Award for 'most innovative and progressive filmmaker.' Fix also won the Festival Award for Best Film at the 2008 Brooklyn Film Festival, Vail Film Festival and the 2008 Twin Rivers Media Festival, as well as other prizes at several international festivals. His most well-known documentary is Just Say Know, a personal discussion of his family's drug addiction. His other films include Flamenco: A Personal Journey, a feature length documentary about the flamenco way of life as it is lived by Gypsies in the south of Spain. He has directed a number of other short documentaries, including El Cable (also about Flamenco), and This Film Needs No Title: A Portrait of Raymond Smullyan (a portrait of the renowned logician, mathematician and concert pianist Raymond Smullyan). Tao founded LAFCO in 2000. The Los Angeles Filmmakers Cooperative, is a bohemian collective of filmmakers and musicians who work out of a converted school bus. Through LAFCO, Tao has produced several films and helped dozens of filmmakers to make their first films and discover the wonders of digital media. His producing credits include the feature film Camjackers, which he also acted in and co-edited. Camjackers won the best editing award at the 44th Ann Arbor Film Festival. Tao is an accomplished flamenco guitar player, and his first CD, FLAMENCO, was released on Mapleshade Records in 2005. He married actress Olivia Wilde in 2003. They divorced in 2011. He currently lives and works in the High Desert, California. He is the co-founder of the Bombay Beach Biennale. The Exaltation of Imagination Photographs and Musings in Defense of Burning Man by Tao Ruspoli The press around Burning Man had gotten so bad that I almost felt embarrassed to be going this year. Even Daniel Pinchbeck, famed psychonaut and burner par excellence, had written a thoughtful piece explaining why, after 15 consecutive years, he wasn’t going back this year: the festival had changed too much-the rich had taken over, it had gone from a relevant and fascinating social experiment to epitomizing the worst elements of capitalist excess. Besides, he seemed to be saying, the world is going through too many crises, both ecological and humanitarian, to justify the extravagance of an event like this. Keith Spencer...

"Surge" In this award-winning, best-selling image, the ethereal light colors of the Pacific Northwest create an extravagant seascape. Inspired by this once-in-a-lifetime sunrise, t...

Palm Springs Palm Trees (Californication) - 2023 40x40cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

"Sunset Beach" Palms provide an impressive, timeless silhouette on the shores of Sunset Beach while the incredibly hued sea helps create this minimal, aerial composition. The prin...

ABOUT THIS ARTIST: "My name is Yura and I was born and live in the most beautiful city in Russia, St. Petersburg. The city will inspire and it is impossible not to create here. I love architecture and try to show its beauty to others." Yura Ukhorskiy...

Untitled (The Last Picture Show), 2005 38x36cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original SX-70 Polaroid. Inventory No. 781.02. Signature label and Certificate. Not mounted. LIFE’S A DREAM (The Personal World of Stefanie Schneider) by Mark Gisbourne Projection is a form of apparition that is characteristic of our human nature, for what we imagine almost invariably transcends the reality of what we live. And, an apparition, as the word suggests, is quite literally ‘an appearing’, for what we appear to imagine is largely shaped by the imagination of its appearance. If this sounds tautological then so be it. But the work of Stefanie Schneider is almost invariably about chance and apparition. And, it is through the means of photography, the most apparitional of image-based media, that her pictorial narratives or photo-novels are generated. Indeed, traditional photography (as distinct from new digital technology) is literally an ‘awaiting’ for an appearance to take place, in line with the imagined image as executed in the camera and later developed in the dark room. The fact that Schneider uses out-of-date Polaroid film stock to take her pictures only intensifies the sense of their apparitional contents when they are realised. The stability comes only at such time when the images are re-shot and developed in the studio, and thereby fixed or arrested temporarily in space and time. The unpredictable and at times unstable film she adopts for her works also creates a sense of chance within the outcome that can be imagined or potentially envisaged by the artist Schneider. But this chance manifestation is a loosely controlled, or, better called existential sense of chance, which becomes pre-disposed by the immediate circumstances of her life and the project she is undertaking at the time. Hence the choices she makes are largely open-ended choices, driven by a personal nature and disposition allowing for a second appearing of things whose eventual outcome remains undefined. And, it is the alliance of the chance-directed material apparition of Polaroid film, in turn explicitly allied to the experiences of her personal life circumstances, that provokes the potential to create Stefanie Schneider’s open-ended narratives. Therefore they are stories based on a degenerate set of conditions that are both material and human, with an inherent pessimism and a feeling for the sense of sublime ridicule being seemingly exposed. This in turn echoes and doubles the meaning of the verb ‘to expose’. To expose being embedded in the technical photographic process, just as much as it is in the narrative contents of Schneider’s photo-novel exposés. The former being the unstable point of departure, and the latter being the uncertain ends or meanings that are generated through the photographs doubled exposure. The large number of speculative theories of apparition, literally read as that which appears, and/or creative visions in filmmaking and photography are self-evident, and need not detain us here. But from the earliest inception of photography artists have been concerned with manipulated and/or chance effects, be they directed towards deceiving the viewer, or the alchemical investigations pursued by someone like Sigmar Polke. None of these are the real concern of the artist-photographer Stefanie Schneider, however, but rather she is more interested with what the chance-directed appearances in her photographs portend. For Schneider’s works are concerned with the opaque and porous contents of human relations and events, the material means are largely the mechanism to achieving and exposing the ‘ridiculous sublime’ that has come increasingly to dominate the contemporary affect(s) of our world. The uncertain conditions of today’s struggles as people attempt to relate to each other - and to themselves - are made manifest throughout her work. And, that she does this against the backdrop of the so-called ‘American Dream’, of a purportedly advanced culture that is Modern America, makes them all the more incisive and critical as acts of photographic exposure. From her earliest works of the late nineties one might be inclined to see her photographs as if they were a concerted attempt at an investigative or analytic serialisation, or, better still, a psychoanalytic dissection of the different and particular genres of American subculture. But this is to miss the point for the series though they have dates and subsequent publications remain in a certain sense unfinished. Schneider’s work has little or nothing to do with reportage as such, but with recording human culture in a state of fragmentation and slippage. And, if a photographer like Diane Arbus dealt specifically with the anomalous and peculiar that made up American suburban life, the work of Schneider touches upon the alienation of the commonplace. That is to say how the banal stereotypes of Western Americana have been emptied out, and claims as to any inherent meaning they formerly possessed has become strangely displaced. Her photographs constantly fathom the familiar, often closely connected to traditional American film genre, and make it completely unfamiliar. Of course Freud would have called this simply the unheimlich or uncanny. But here again Schneider almost never plays the role of the psychologist, or, for that matter, seeks to impart any specific meanings to the photographic contents of her images. The works possess an edited behavioural narrative (she has made choices), but there is never a sense of there being a clearly defined story. Indeed, the uncertainty of my reading here presented, acts as a caveat to the very condition that Schneider’s photographs provoke. Invariably the settings of her pictorial narratives are the South West of the United States, most often the desert and its periphery in Southern California. The desert is a not easily identifiable space, with the suburban boundaries where habitation meets the desert even more so. There are certain sub-themes common to Schneider’s work, not least that of journeying, on the road, a feeling of wandering and itinerancy, or simply aimlessness. Alongside this subsidiary structural characters continually appear, the gas station, the automobile, the motel, the highway, the revolver, logos and signage, the wasteland...

This early 1970s lifestyle photograph, captured by society photographer Slim Aarons, features Lita Baron talking with a guest at a poolside party at Nelda Linsk's desert house in Pal...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

These are three 11 x 8.5 inch (45 x 60 cm) original hand-printed original cyanotype photographs sold together. Cyanotypes are an antique photographic process dating back to the nine...

Slim Aarons Natale Rusconi in Venice 1978 (printed later) C print Signature stamped and numbered edition of 150 with certificate of authenticity from the Slim Aarons estate Natal...

Full Moon, Chrysler Building, New York City, 2012 by Roberta Fineberg is a 24" x 18" signed archival pigment print in an edition of 5 and 2 artist proofs (a/p I, a/p II). The contemporary color landscape photograph was shot on 42nd St and captures the art-deco Chrysler Building -- one of New York City's beloved buildings -- beneath a full moon. Available: Ed 2/5 Provenance: RF Studio *** Artist's Bio: As a visual artist, Roberta Fineberg (RF) focuses on the themes of serendipity, inventiveness, the development of ideas and color fields for her mixed media works. Drawn to experimentation, she explores diverse mediums and concepts such as the ephemeral (Butterfly Series), stolen moments (documentary), play, timelessness, the enduring, and the significance of matter. RF’s selected exhibitions: Women of Spirit Zurcher Gallery New York (2025); Sojourner Gallery New York (2022); Phyllis Harriman Gallery New York studio shows (2020, 2022); CADAF online art fair (2020); Gallery122 New York pop-up group...

Hand printed by artist. Signed in pencil lower right Signed, titled, dated on verso. Edition 15 The 15x19" is Edition 45 Printed in 2023 with signature and title on verso. Mint Cond...

This particular image is an award winning image of wildlife depicting the migration scene at Kenya's Masai Mara National Reserve. This is drawn from the award winning archives of Wil...

C-Print Mounted Between Plexi - This work is devoid of any reference to man-made objects. This primal image depicts a stream of nourishing water that seems to have spouted a cluster of nubile human females from the earth Over 40 nude women assemble for a group portrait in the Holy Land This very large print...

Snow Silence (Stranger than Paradise) - 2003 57x56cm, Edition 4/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist invento...

Bathers enjoy the sun by the pool at the Hôtel du Cap Eden-Roc, Antibes, France, 1978. Aarons' iconic photograph depicts the legendary hotel made famous by Fitzgerald's Tender is the...

This early 1970s lifestyle photograph, captured by society photographer Slim Aarons, features Lita Baron talking with a guest at a poolside party at Nelda Linsk's desert house in Pal...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Desert born and raised, fashion photographer Natasha Wilson...

ABOUT THIS ARTIST: Samuel Escobar is an architect by trade, a hobbyist photographer and an all-round creative who loves to express his art and ideas through different mediums. Samuel...

ABOUT THIS ARTIST: Austin Bell is a photographer from North Carolina that shoots a variety of landscapes. His current focus is capturing basketball courts in Hong Kong, be it aeriall...

Plane (Vegas) - 2000 Edition 4/10, 44x59cm. Analog C-Print, hand-printed and enlarged by the artist, based on the Polaroid. Certificate and Signature label. Artist Inventory #54...