Wisconsin - Prints and Multiples

"Northern Hare" is an original color lithograph by John James Audubon. This piece depicts a white rabbit in a cool green landscape. 5 3/4" x 7 3/4" art...

"The Presidents of the U.S." is an original hand-colored lithograph by Nathaniel Currier. It features the first eleven presidents of the United States. 14" x 10" art 23" x 19 1/8" frame Nathaniel Currier was born March 27, 1813 to Nathaniel and Hannah Currier in Roxbury, Massachusetts. At the age of fifteen he was apprenticed to William S. and John Pendleton of Boston who had set up the first lithographic establishment in America. His apprenticeship served him well as he went on to be the largest publisher of lithographs. Mr. Maurer described Nat Currier as being very gentlemanly and liberal. As is evident to the success of the firm of Currier & Ives he was very devoted to his business. Nat Currier had many friends including Horace Greely and P.T. Barnum. He was well known for his sense of humor and Harry T. Peters tells one story about P. T. Barnum. "Currier had heard that one day his friend, the great showman, had rushed into the barber shop of the old Park Hotel, at Beekman and Nassau Streets, to get a shave. Barnum had hurried up to Tom Higginson, the barber, and said, 'Tom, I'm in a hurry.' 'Sorry for it,' said Tom, 'but it's that gentleman's turn next.' 'That gentleman' was an unshaven irshman waiting for a ten-cent shave. Barnum turned to him and said, 'My friend, if you will let me have your turn, I'll pay for what you have done.' The gentleman consented, and, as Barnum found out later, had a full job done - absolutely everything the house had. The check was for a dollar and sixty cents. When Currier heard this story he found the very Irishman and had him pose. The result was the famous cartoon, "The Man that Gave Barnum 'His Turn.'" Nathaniel was married twice; his first wife was Miss Eliza West of Boston. He had one son with Eliza, Edward West Currier. In 1847 he married Miss Laura Ormsbee of Vermont. Laura and Nathaniel are memorialized in the famous N. Currier lithograph The Road Winter...

The present artwork is an original color aquatint by the Sag Harbor-based artist Nicolette Jelen, and is a particularly rare Hors Commerce proof. It presents a view of what is probab...

"Incoming Tide" is an original woodblock print by Hiroki Morinoue. it is signed and dated in the lower right, titled lower center, and editioned (48/120) in the lower left. This prin...

"Pajaro" is an original black and white lithograph by Arturo A. Secunda. It depicts a parrot. The artist signed the piece in the lower right and wrote the title and the edition number (27/100) in the lower left. 11 1/2" x 17 1/2" art 22 3/4" x 28 1/2" frame Arthur Secunda is an internationally renowned artist whose career has spanned five decades. His one man shows have been seen worldwide in numerous galleries and museums in France, Sweden, Belgium, Holland, Spain, Israel, and Japan. In the United States, he is represented in most major museums of the country, including the National Gallery of Art and the Smithsonian Museum in Washington D.C., the Museum of Modern Art in New York, the UCLA Museum, the Detroit Art Institute, and the Phoenix Museum. Known for his brilliant collages and striking graphics, Secunda has mastered all types of printmaking, even making his own paper in France and Japan. His impressive body of work includes painting, mixed media, polyester assemblage, ceramics and welded sculpture. His studies began at the Detroit Art Institute as a teenager, and continued in New York at the Art Students League and New York University. After a stint in the Air Force as an artist, he then studied, thanks to the GI bill, in Mexico, Paris and Italy, with many great artists and teachers, beginning a lifelong propensity for travel-- living and working in other countries. For decades, he maintained studios in Paris and LA. He considers himself a landscape artist, and has developed his own iconography in representing nature, the land and its forms, as well as corresponding inner landscapes. He is known for a specific kind of color gradation and blending of forms in many media. His work tends to oscillate between the serene--striated colors in landscapes--to the expressive, as in many of his oil paintings. After years in Paris, Secunda has maintained a studio in Scottsdale for the last decade--doing what he has done in all of the other places he has liv ed and worked in the last 50 years--creating imagery. He has worked as a jazz musician--in Paris in the early days to support himself, and as a milkman; as an art critic, lecturer, curator, writer and publisher. Periodically, he consults at NASA where he is an image visualizer, helping translate scientific data into visual images. Highly respected as a teacher, he will spend August in Lacoste, France teaching a master class in collage and the creation of handmade artists books. (Secunda has an international following of people who subscribe and collect his dada art "books".) Next year, he will have a one man exhibition at the University of Judaism in Los Angeles, presenting a never before seen series of expressive portrait monotypes of noted art personalities, after which he will exhibit early Mexican woodcuts...

This limited edition poster was produced for the fifth anniversary season of the Artist Series at the Pabst Theater in Milwaukee, in cooperation with the David Barnett Gallery. It is...

"Annette" is a black and white lithograph after Alberto Giacometti, published in Derriere le Miroir. It depicts the bust of a nude woman in scratchy lines. Annette was Alberto's wife and frequently modeled for his sculptures and drawings. 10" x 7 1/4" art 21 1/4" x 18 5/8" frame Alberto Giacometti (1901-1966) was born in Borgonovo, a Swiss municipality, to the post-impressionist painter Giovanni Giacometti. In 1922 he moved to Paris to study under the sculptor Antoine Bourdelle, an associate of Auguste Rodin. It was there that Giacometti experimented with cubism and surrealism and came to be regarded as one of the leading surrealist sculptors. Among his associates were Joan Miró, Max Ernst, Pablo Picasso, Bror Hjorth and Balthus. Between 1936 and 1940, Giacometti concentrated his sculpting on the human head, focusing on the sitter's gaze. He preferred models he was close to, his sister and the artist Isabel Rawsthorne (then known as Isabel Delmer). This was followed by a unique artistic phase in which his statues of Isabel became stretched out; her limbs elongated. Obsessed with creating his sculptures exactly as he envisaged through his unique view of reality, he often carved until they were as thin as nails and reduced to the size of a pack of cigarettes, much to his consternation. A friend of his once said that if Giacometti decided to sculpt you, "he would make your head look like the blade of a knife." After his marriage to Annette Arm in 1946 his tiny sculptures became larger, but the larger they grew, the thinner they became. Giacometti said that the final result represented the sensation he felt when he looked at a woman. In 1962, Giacometti was awarded the grand prize for sculpture at the Venice Biennale, and the award brought with it worldwide fame. Even when he had achieved popularity and his work was in demand, he still reworked models, often destroying them or setting them aside to be returned to years later. The prints produced by Giacometti are often overlooked but the catalogue raisonné, Giacometti - The Complete Graphics and 15 Drawings by Herbert Lust (Tudor 1970), comments on their impact and gives details of the number of copies of each print. Some of his most important images were in editions of only 30 and many were described as rare in 1970. In his later years Giacometti's works were shown in a number of large exhibitions throughout Europe. Riding a wave of international popularity, and despite his declining health, he travelled to the United States in 1965 for an exhibition of his works at the Museum of Modern Art in New York. As his last work he prepared the text for the book Paris sans fin...

The present artwork is an original color aquatint by the Sag Harbor-based artist Nicolette Jelen, and is a particularly rare Hors Commerce. It presents a view of what is probably a N...

"Chicago International Art Exhibition" is a color poster after Ed Ruscha, autographed and dated lower right. The artists initials are also in the lower ...

The present work is an original screen print signed by Lester Johnson, from his 'Street Scene Portfolio.' It features four figures, all wearing fashionable street clothing emblematic...

"Derriere Le Miroir" is an original color lithograph signed by the artist Saul Steinberg. The artist's signature is in the bottom left margin. Image Size: 14"x20" Frame Size: 25 5/8...

"Maria (Artist's Wife)" is an original etching by Moishe Smith, signed in the bottom right corner and numbered in the bottom left. The piece depicts a seated woman from the waist up,...

"Derrière le Miroir (Terres de Grand Feu)" from the exposition "Terres de Grand Feu Miró-Artigas" at Galerie Maeght June-July 1956. This is an original color lithograph on Arches paper, with three works on one sheet from the catalogue for the exhibition of ceramic work produced by Joan Miró and Llorens Artigas...

"The Conversation" is an original etching by Cornelis-Pietersz Bega. It depicts three men conversing in a dark interior. Publisher: Pearce #43. 3" x 2 1/4" art 12 3/4" x 11 5/8" fra...

"Invocation" is an original lithograph with the blindstamp of L'Estampe Moderne in the bottom right corner. L'Estampe Moderne commissioned Marcel Lenoir ...

'Flowers' is an original linocut by Wisconsin-based artist Schomer Lichtner. The composition presents a scattered floral still life amongst abstracted shadows and forms, rendered with Lichtner's quintessential abstract sensibilities. This print is one from a series that each depict abstracted subjects in black silhouette, taking pleasure in the materiality of the linocut technique. The free forms of the flower resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities. The prints from this series are unusual because of how below the image, Lichtner also includes his Chinese seal and a linocut remarque of a cow, each of which act as an additional signature of the artist on the artwork. Linocut in black and red on Permalife white wove paper 4 x 5.25 inches, image 11.5 x 8.75 inches, sheet 16.5 x 13.63 inches, frame Signed in pencil, below image, lower right. Edition 1/100 in pencil, below image, lower left. Chinese signature stamp in red, below image, lower right. Remaque of a cow in red, below image, lower right. Permalife watermark to paper. Framed to conservation standards in a shadow-box style mounting, using 100 percent rag matting, museum glass, and housed in a silver-finish wood moulding. Overall excellent condition with no creases or discoloration. Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows...

"La Mere de Whistler" is an original etching and drypoint signed by the French artist Auguste Brouet in the lower right. It depicts famous artist James Abbott McNeill Whistler's moth...

"Manege rue Caulaincourt ou Le Petit Manege Aux Chevaux De Bois" is an original etching and aquatint signed by Jacques Villon. The artist signed the piece in the lower right. This is an artist proof in brown & black on arches paper. This piece depicts a number of figures on a horse-drawn carousel going through the street. 21 7/8" x 28 1/2" art 29 1/4" x 33 1/2" frame Jacques Villon (French, 1875 - 1963) French painter, printmaker and illustrator. The oldest of three brothers who became major 20th-century artists, including Raymond Duchamp-Villon and Marcel Duchamp, he learnt engraving at the age of 16 from his maternal grandfather, Emile-Frédéric Nicolle (1830-94), a ship-broker who was also a much appreciated amateur artist. In January 1894, having completed his studies at the Lycée Corneille in Rouen, he was sent to study at the Faculty of Law of the University of Paris, but within a year he was devoting most of his time to art, already contributing lithographs to Parisian illustrated newspapers such as Assiette au beurre. At this time he chose his pseudonym: Jack (subsequently Jacques) in homage to Alphonse Daudet’s novel Jack (1876) and Villon in appreciation of the 15th-century French poet François Villon; soon afterwards this new surname was combined with the family name by Raymond. Marcel Duchamp and their sister Suzanne Duchamp...

"From: Ilsee, Princesse de Tripoli "Ilsee and Jaufre" is an original lithograph by Alphonse Mucha. From "Ilsee, Princesse de Tripoli," a rare illustrated book. Image: 8.12" x 6" F...

"Resplendent Trogon" is an original color lithograph by Louis Prang. It depicts two large trogon birds in a lush jungle with various flora and fauna surroundin...

"Squall is an original wood engraving by Lowell Merritt Lee. It features a rendition of a squall, a sudden violent gust of wind that often brings in rain, snow, or sleet. Image: 6.1...

4.88 x 6 inches, folded sheet - David originally printed this as a greeting card in 2008 from Sylvia's block. In 2022 he had it cut down to the image size and stamped on face with es...

"Farm at Inlet" is an etching by Thomas R. Manley signed lower right. It depicts a waterfront scene in black and gray. 26 1/2" x 33 1/2" art 26 3/8" x 33 3/8" framed Thomas Manley...

8" x 8" art 18.25" x 18.25" frame In this artwork, Milwaukee-based artist Joan Dvorsky presents the viewer with an image of three blue trees that almost appear to glow in their envi...

Milwaukee's iconic spots are captured in watercolor and available as hand-embellished giclée. They are printed on archival quality watercolor paper and specially hand embellished so each giclée is a unique mixed media piece of artwork. The artist Julia Taylor added special original touches to each print in 'The Milwaukee Series 2020' Art: 22" x 21" Growing up in a small farming community in Indiana, I learned to draw early in life. I earned spending money by sketching portraits at county fairs and illustrations in weekly papers. Art teachers in high school and college taught me ways to master drawing fluidly from life. In college, my small stained glass...

Milwaukee's iconic spots are captured in watercolor and available as hand-embellished giclée. They are printed on archival quality watercolor paper and specially hand embellished so each giclée is a unique mixed media piece of artwork. The artist Julia Taylor added special original touches to each print in 'The Milwaukee Series 2020' 32" x 22" art Growing up in a small farming community in Indiana, I learned to draw early in life. I earned spending money by sketching portraits at county fairs and illustrations in weekly papers. Art teachers in high school and college taught me ways to master drawing fluidly from life. In college, my small stained glass...

"Veduta Presso di San Stefano Rotondo" is an original engraving by Israel Silvestre, titled along the bottom of the image. This small etching shows an unusual view of the church San ...

Photo Giclee print, signed lower right by Michael MacDonald. 17 3/4 x 11 3/4 art 29.375 x 23.50" frame

"Exposicion de Alejandro Mojica" is a lithograph poster. It features an abstracted figure in bright colors--yellow, orange, pink, blue, and green. It advertises an exhibition in 1991...

"La Lecon Du Professor Tulp" is an original lithograph by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (126/320) in the lower left. This piec...

"Rayon des Soieries, Opera Bouffe en un Acte" is an original color lithograph poster by Maurice Dufrene. It advertises an opera called "Rays of Silk" and depicts a woman with a long ...

"Mythological Scene--Satyr & Goat Herder" is an etching by Italian artist Giovanni Benedetto Castiglione. It depicts a satyr lounging on the left and an approaching goat herder on th...

"Pour Daniel-Henry Kahnweiler Figure in Landscape" is an original lithograph by Yves Rouvre. The artist signed the piece lower right. It features an abstracted figure in fields of co...

"From: Ilsée, Princesse de Tripoli Recto: "A Vision" Verso: "Worried Souls" is an original color lithograph by Alphonse Mucha. Exquisite double-sided color lithographs from "Ilsee, ...

'The Smoker (Le Fumeur)' is an original etching by the celebrated Dutch painter and printmaker Cornelis-Pietersz Bega. It presents a genre scene of the type Bega was best known for: Bega's principal subjects were genre representations of taverns, domestic interiors and villages. He depicted nursing mothers, prostitutes, drunks, gamblers and fools such as quack doctors and alchemists. In this case, he shows a man seated on a chair with his foot on a flat stool and holding a smoking pipe. For Bega, this representation was more of a caricature than it was an image of a specific person, and such genre scenes would have held allegorical and symbolic meaning for the seventeenth-century viewer. During the seventeenth century, the Dutch of all levels of society consumed tobacco and alcohol, and these were an important part of the Dutch economy and a major source of wealth. At the same time, however, moralists and ministers sought to curb intoxication: they openly described drinking and smoking as sinful, immoral, and a general threat to one’s reputation. This paradox is reflected in prints such as this, which inherently carry the national pride of the Dutch economy alongside a moral warning in a print that could be just as easily consumed and collected. 2.5 x 2.25 inches, print 12.38 x 10.38 inches, frame Framed to conservation standards using archival materials including 100 percent rag matting and mounting materials. Housed in a gold finish Spanish-style wood moulding. Overall good and stable condition; margins cut to plate; some wrinkling in the corners from previous mounting; housed in a new custom frame. Cornelis Bega was born into prosperous circumstances. His mother, Maria Cornelis, inherited half the estate (gold, silver, paintings, drawings and prints) and all of the red chalk drawings of her father, Cornelis Cornelisz van Haarlem, a renowned Mannerist artist. Bega's father was Pieter Jansz Begijn (d 1648), a gold and silversmith. Like other family members, Bega was probably Catholic. Houbraken's claim that Bega studied with Adriaen van Ostade is likely to be correct; this was probably before 24 April 1653, when Bega joined Vincent Laurentsz. van der Vinne in Frankfurt for a journey through Germany, Switzerland and France. Bega had returned to Haarlem by 1 September 1654, at which time he joined the Guild of St Luke; he was already a competent draughtsman, as indicated by his first extant dated work, Interior with a Nursing Mother (1652; Frankfurt am Main, Städel. Kstinst.), and by a remarkable double portrait (Amsterdam, Rijksmuseum) drawn by him and Leendert van der Cooghen in 1654. Bega painted, drew, etched and made counterproofs in a wide variety of materials on different types of small-scale supports. He may have been the first Dutch artist to make monotypes, but this remains controversial. Approximately 160 paintings, 80 drawings and six monotypes by Bega have been catalogued, as well as around 34 etchings. Bega's principal subjects were genre representations of taverns, domestic interiors and villages. He depicted nursing mothers, prostitutes, drunks, smokers, gamblers and fools such as quack doctors and alchemists. Less common subjects include the ridiculed or pestered woman, as in Two Figures and Mother with a Spirits Bottle (c. 1662; Gouda, Stedel, Museum Catharina Gasthuis) and The Inn (etching), as well as witty satires on traditional scenes of middle-class music-makers, such as the Music Lesson (1663; Paris, Petit Palace). Bega's early paintings, such as the Weaver's Family (c. 1652; St Petersburg, Hermitage), are freely executed, dark and coarse, recalling the many-figured peasant subjects of van Ostade. Between c. 1660 and 1664 he began to paint genre scenes with fewer figures, which are finely articulated, colourful and psychologically expressive, for example Two Men Singing (1662; Dublin, N.G.). His exquisite, late fijnschilderen ('fine painting') manner, evident in The Alchemist (1663; Malibu, Getty Museum), compares well with that of Gerrit Dou. As a draughtsman Bega is noted for his single-figure studies, executed mainly in black and white chalk on blue paper or red chalk on white paper. None of the studies, which were drawn naer het leven (from life), seem to relate to a painting or etching. Bega traded drawings or shared models with other artists of the Haarlem school, including van der Cooghen, Gerrit Berckheyde, Dirck Helmbreker and Cornelis Visscher. These artists drew chalk figure studies in a very similar style, characterised by regular and precise parallel shading and well-defined forms; their drawings, especially those of Bega and Berckheyde, have been frequently confused. Unlike the realistic figure studies, Bega's etchings depict interiors with figures or single figures in the manner of van Ostade; the compositions, often with masterful chiaroscuro effects, reflect most closely the paintings of the 1650s. Bega is likely to have remained in Haarlem, where he paid dues to the Guild in 1661. He probably died from the plague; fees for his expensive funeral at St. Bavo's were paid on 30 August 1664. Among the artists he influenced were Thomas Wijck, Jan Steen, Richard Brakenburg (1650-1702) and Cornelis Dusart. Painters such as R. Oostrzaen ( fl ?1656) and Jacob Toorenvliet...

In the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole. This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.' In particular, the print comes from the northern survey, commanded by Isaac Stevens, which explored the regions between the 47th and 49th parallels. Stanley shows here the stop the Stanley Party made at the junction of the Bitterroot and Hell Gate, in present day Montana. While there, the Party met with the Flathead Chief by the name Victor, as is shown in the image. The figures and their encampment are dwarfed by the vast landscape around them, indicating the sublimity of these new American territories. 5.75 x 8.75 inches, image 6.5 x 9.25 inches, stone 17 x 20 inches, frame Artist 'Stanley Del.' lower left Entitled 'Victor's Camp - Hell Gate Ronde' lower center margin Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left Inscribed 'GENERAL REPORT — PLATE XXXI' upper right Framed to conservation standards using 100 percent rag matting with French accents; glazed with UV5 Plexiglas to inhibit fading; housed in a gold reverse ogee moulding. Print in overall good condition; some localized foxing and discoloration; minor surface abrasions to frame. John Mix Stanley...

"Trompe L'Oeil is an original color lithograph by Saul Steinberg. The artist signed the piece in the lower right and wrote the edition number (6/50) in the lower left. This piece sho...

"Le Portrait Termine" is an original drypoint etching by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (21/50) in...

"White Horse" is an original wood engraving by Howard Thomas, signed in plate. A white horse trots past the foreground of the image, spirals in it's eyes and spots on its hide. A bla...

'Hommage à Michel-Ange' is an original color lithograph signed by the contemporary artist Claude Weisbuch and shows the strong interest he took in the High Renaissance. In the image, Weisbuch draws from Michelangelo's frescoes on the ceiling of the Sistine Chapel...

"Jamais Bredouille (Never Empty-Handed)" is a color lithograph after Jules Denneulin. It depicts a hunter showing his day's work to a farmer on a path at dusk. 20" x 26" art 40 1/4...

"Cite Lacustre" is an Estampe Originale en coleurs by Fernand Cormon. The artist created this work for the art nouveau publication L'Estampe Moderne in 1897. The L'Estampe Moderne bl...

This original color lithograph poster features some of the most iconic and beloved comedians of the early 20th century: The image is dominated by the figure of Charlie Chaplin, holding his iconic bowler hat over his head. Surrounding him are portraits of Harold Lloyd...

Following in line with artists before her, like Rembrandt and van Gogh, Sandra Sweeny here presents a self portrait. The image is both direct and subtle not only in its handling of m...

'Figural Abstraction' is an original block print by American artist and teacher Sylvia Spicuzza. The image, printed in white ink against a grey paper, presents bold and graphic figur...

"Croisieres Etoile Du Sud"; is an original lithograph poster by Berny Et Peignot depicting multiple animal silhouettes in blue, tan, and black. 1934. 34.9375" x 25.9375" art 37.75" ...

'Mel Swimming in Beaver Lake (Blue)' is an original digital artwork by Wisconsin-based artist and swimmer Melodee Liegl – the first digital artist represented by our gallery! As a pr...

In this untitled serigraph, Vincent DiMattio combines the aesthetics of the space age with Pop Art sensibilities and techniques. In the postwar era of the 1950s and 1960s, the United States was in the midst of a period of economic growth for the middle class, and so the trappings and imagery of middle class life became the subjects of a number of artists. While figures like Andy Warhol focused on images of celebrities and soup cans, here DiMattio looks to robots and rockets. At the far left, a figure appears with a round green head and a small clamping arm. To the right, a form like a tank with phallic protrusions, one with a head like the form of a space ship. These signs all alight with the space age toys...

"Graine d'Horizontales" is an original black and white lithograph by Jules Cheret. It depicts a woman with an animal on her left next to a page of everyday people. 8" x 11 1/2" ima...

"Les Petits Japonais" is an original color lithograph by Jules Cheret. It depicts three young Japanese children in red, yellow, and blue. This piece is a design for the cover of "Les...

"The Prince Father's Heart" and "Jaufre's Feared Affection" are two sides of one double-sided original lithograph by Art Nouveau master Alphonse Mucha. These illustrations were pages 11 & 12 of "Ilsee, Princess of Tripoli," published in 1897. These pages feature decorative Art Nouveau motifs and romanticized figures. 8 1/2" x 6 11/16" art (both verso and recto) 19 3/4" x 17 5/8" frame Alphonse Mucha was born in 1860 in the small town of Ivancice, Monrovia. Though it is rumored that Mucha was drawing before he was walking, his early years were spent as a choirboy and amateur musician. It wasn’t until after he finished high school that he came to realize that living people were responsible for the art that he admired in the local churches. That epiphany made him determined to become a painter. He was soon sent off to Paris, where he studied at the Academie Julian. On January 1, 1985, he presented his own new style to the citizens of Paris. Spurning the bright colors and the more square-like shape of the more popular poster artists, the design was a sensation. Art Nouveau can...

"Rooster" is an ink drawing that is double sided by Tracey Padron. This an academic figure drawing of this chicken. The right side holds a more detaile...

Alberto Giacometti's "Nu Assis", seated nude, is an original lithograph numbered 40 of 75. It is from 1961 and is signed lower right. 22" x 30" art 31 1/4" x 39 1/4" framed "Alber...

"Obra Grafica" is an original color lithograph poster in red, yellow and blue by the Catalan Spanish surrealist Joan Miro for the Foundation Calouste Gulbenkian, executed in 1974. 2...

"Seba after Hiroshige" is an original color lithograph from the Japanese Suite by Michael Knigin. The artist signed the piece lower right and titled it...

"Casa Marquez" is an excellent example of the printmaking of Carol Summers. In the image, Summers has featured a Spanish Renaissance building, replete with classical architecture - ionic pilasters and roman arches over glazed windows that reflect the landscape like a pair of eyes. In the far distance is a red sunset over the Mediterranean sea. This interest in classical subject matter is common of modern artists: both Picasso and Giorgio de Chirico looked to classical themes throughout their careers, abstracting Greek and Roman architecture and narratives to characterize the instability of modernity. Summers certainly does the same here by warping and tilting what should be a stable stone structure. The drama of Summer's representation of the villa is enhanced by his signature printmaking technique, which allows the ink from the woodblock to seep through the paper, blurring the edges of each form. The title of the print refers to the author Gabriel García Márquez, known for such novels as One Hundred Years of Solitude...

The present work is an original screen print signed by Lester Johnson, from his 'Street Scene Portfolio.' It features three figures, all wearing fashionable street clothing emblemati...

"Lithographie Originale V" is an original color lithograph by Joan Miro, published in "Miro Lithographs IV, Maeght Publisher" in 1981. It depicts Miro's signature biomorphic abstract...

"Robbialac" is an original lithograph poster by Lajos Marton. This poster features an abstracted man pouring out brightly-colored enamel pa...

"Figure by the Cottage in Forest" is an original etching by John Thomas Smith. The miniature landscape shows a pair of cottages in the woods, nestled back into the trees. A river flo...