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Recognized Dealers Abstract Drawings and Watercolors

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Composition by Arikha Avigdor - Post-war and Contemporary gouache, c. 1955
Located in London, GB
Composition by Arikha Avigdor (1929-2010) Gouache on paper 39 x 75 cm (15 ³/₈ x 29 ¹/₂ inches) Signed lower right Executed circa 1955 This work is an fine example of the Avigdor’s a...
Category

1950s Contemporary Abstract Drawings and Watercolors

Materials

Paper, Gouache

Composition
By Karl Peter Röhl
Located in Zug, CH
Abstract composition on paper by Karl Peter Röhl.
Category

20th Century Modern Abstract Drawings and Watercolors

Materials

India Ink, Watercolor

Vibrant green contemporary Islamic calligraphy on paper
By Hassan Massoudy
Located in NEW YORK, NY
Hassan Massoudy Untitled ("O friend do not go to the flower garden, the flower garden is within you" - Kabir 16th c.), 2010 Ink and pigment on paper 29½ x 21¾ inches 74.9 x 55.1 cm H...
Category

2010s Abstract Expressionist Abstract Drawings and Watercolors

Materials

Ink, Pigment

Many-Worlds Interpretation (C.D.H.S.c)
By Colin Hunt
Located in New York, NY
Looking at a painting by Colin Hunt is like watching someone pass through a hole in our consciousness. As the landscape refracts through the sitter’s absence and fills that emptiness...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Watercolor

Gold Monet by Lélia Pissarro - Tempera
By Lelia Pissarro
Located in London, GB
Sold directly on behalf of the artist Gold Monet by Lélia Pissarro (B. 1963) Tempera and gold on paper 21 x 14.7 cm (8 ¹/₄ x 5 ³/₄ inches) Signed lower right, Lélia Pissarro Execute...
Category

21st Century and Contemporary Contemporary Abstract Drawings and Waterco...

Materials

Gold

Monet Blue by Lélia Pissarro - Tempera
By Lelia Pissarro
Located in London, GB
Monet Blue by Lélia Pissarro (b. 1963) Tempera and gold on paper 21 x 14.7 cm (8 ¹/₄ x 5 ³/₄ inches) Signed lower right, Lélia Pissarro Executed in 2023 This work is accompanied by ...
Category

21st Century and Contemporary Contemporary Abstract Drawings and Waterco...

Materials

Gold

Untitled (Yellow, Gray and Pink)
By Gene Davis
Located in Fairlawn, OH
Untitled (Yellow, Gray and Pink) Pastel on paper, 1981 Signed and dated lower right Condition: Excellent Sheet size: 12 x 18 inches Frame size: 15 x 21 inches Provenance: Jan Cowles ...
Category

1980s Abstract Abstract Drawings and Watercolors

Materials

Pastel

Abstract Still Life with Lute
By Winold Reiss
Located in New York, NY
Pastel on black paper
Category

Early 20th Century Still-life Drawings and Watercolors

Materials

Paper, Pastel

Untitled (Inspired by a Chinese scroll painting)
By Peter Marks
Located in Fairlawn, OH
Untitled (Inspired by a Chinese scroll painting) Collage with ink on 6 paper elements Unsigned Provenance: Estate of the Artist Condition: Excellent Image size: 4 x 12 inches Support...
Category

Early 2000s Abstract Abstract Drawings and Watercolors

Materials

Ink

Black and White Cat
By Sam Spanier
Located in Fairlawn, OH
Black and White Cat Ink and watercolor on paper, c. 1970 Unsigned Provenance: Estate of the artist (Estate No. 737) Condition: Excellent Image/Sheet size: 4 3/4 x 6 1/4 inches Sam Spanier (1925-2008) Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann. By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period. Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed. As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired. Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007. Selected Solo Exhibitions: Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999). Selected Group Exhibitions: Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955); Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004). Selected Writings on the Artist: Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News...
Category

1970s Abstract Abstract Drawings and Watercolors

Materials

Ink, Watercolor

Contemporary Iranian small black and white abstract drawing
By Golnaz Fathi
Located in NEW YORK, NY
Golnaz Fathi Untitled, 2016 Ballpoint pen on paper 11 3/4 x 11 3/4 inches 30 x 30 cm GF075 Golnaz Fathi (b. 1972) is part of a thriving generation of Iranian artists...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Ballpoint Pen

Chorus Line
By Sam Spanier
Located in Fairlawn, OH
Chorus Line Oil pastel on paper, c. 1960's Signed (see photo) Provenance: Estate of the Artist Estate of the artist (Estate No. 745) Condition: Excellent Image/Sheet size: 5 3/4 x 4 inches Sam Spanier (1925-2008) Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann. By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period. Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed. As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired. Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007. Selected Solo Exhibitions: Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999). Selected Group Exhibitions: Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955); Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004). Selected Writings on the Artist: Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News (April 1, 1954); Sam Feinstein, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art Digest (March 1, 1955); Pat Horner, “Big Heart, Timeless Art —Sam Spanier Retrospective at Fletcher Gallery, Woodstock Times (July 1, 1999); Donald Judd, “In the Galleries: Sam Spanier,” Arts Magazine (April 1960); Liam Nelson, “Human Force...
Category

1960s Abstract Drawings and Watercolor Paintings

Materials

Oil Crayon

Summerlands
By Idoline Duke
Located in Fairfield, CT
Frame is additional $425. I was born in Manhattan, but the most important places in my life have been here on Long Island by the ocean and in the mountains and forests of Vermont. I...
Category

2010s Contemporary Abstract Drawings and Watercolors

Materials

Paper, Watercolor

Tropical fusion VI
By Janet Jennings
Located in Fairfield, CT
Watercolor on arches, unframed
Category

2010s Contemporary Abstract Drawings and Watercolors

Materials

Paper, Watercolor

Cathedral of Saint Gatianys of Tours
By John Piper CH
Located in Belgravia, London, London
Mixed media Paper size: 21.75 x 14.5 inches Framed size: 36.25 x 29 inches Signed lower left
Category

20th Century Abstract Abstract Drawings and Watercolors

Materials

Paper, Mixed Media, Watercolor

Histories (B44)
By Olivia Munroe
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.
Category

2010s Contemporary Abstract Drawings and Watercolors

Materials

Ink, Wax, Handmade Paper

Lyric Suite (Brown No. 4)
By Robert Motherwell
Located in London, GB
Ink on rice paper 27.9 x 22.9 cms (11 x 9 ins)
Category

20th Century Abstract Drawings and Watercolors

Materials

Ink

Untitled
By Jun Kaneko
Located in Boca Raton, FL
Best known for his large-scale, monumental dango (Japanese for “rounded form”) sculptures, Jun Kaneko makes glazed ceramicsm that resemble inflated, three-dimensional canvases. Often...
Category

21st Century and Contemporary Contemporary Abstract Drawings and Waterco...

Materials

Mixed Media, Handmade Paper

Switch-It #9
By Robert Ruello
Located in Houston, TX
Robert Ruello Switch-It #9, 2016 graphite, watercolor, and colored pencil on paper 20 x 15 inches Energetic and charged with visual power, the Switch-It series is movement and transition visualized. Ruello’s formal investigation of how we move through and disrupt various environments (digital, analog, and in-between) is rendered through these graphic elements. As he notes, “As a result of this disruption, the array is no longer stable or predictable — visual illusions and shifting figure/ground relationships begin to emerge.” Ruello’s work stems from an enjoyment in the tension between the stable and the unpredictable. Though not figural, his work presents elements that are recognizable from our visual vernacular. Digital screens, popular science...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Watercolor, Archival Paper, Color Pencil, Graphite

Untitled
By Shoichi Ida
Located in Fairlawn, OH
Untitled molded mud-dried paper with collage elements, 1996 Signed and dated lower edge (see photo) Annotated and titled verso Sheet size: 24 x 7 inches Provenance: Ralph Drake, fir...
Category

1990s Abstract Abstract Drawings and Watercolors

Materials

Mixed Media

Les Voiles by Léopold Survage - Abstract watercolour, Landscape, Modern
By Léopold Survage
Located in London, GB
Les Voiles by Léopold Survage (1987-1968) Watercolour on paper 23 x 38 cm (9 x 15 inches) Monogrammed, stamped and dated lower right Executed in 1945 Provenance Private collection, ...
Category

1940s Surrealist Abstract Drawings and Watercolors

Materials

Paper, Watercolor

Composition
By Karl Peter Röhl
Located in Zug, CH
Composition on paper from the 50s from Karl Peter Röhl.
Category

20th Century Abstract Drawings and Watercolors

Materials

India Ink, Watercolor

Three Cubist Still Life Studies by Philadelphia Artist and Collector Earl Horter
By Earl Horter
Located in Philadelphia, PA
Earl Horter (American, 1883-1940) Three Still Life Studies Pencil on paper, 7 1/4 x 13 1/2 inches; Framed: 17 x 21 inches NOTE: while originally mounted with archival materials, the...
Category

Early 20th Century Cubist Abstract Drawings and Watercolors

Materials

Paper, Pencil

Fuerza
By Lidzie Alvisa
Located in Mexico City, CDMX
Lidzie Alvisa Jiménez (Havana in 1969), one of the most recognized conceptual artists in Cuba, studied from the elementary level to the ISA (Superior Institute of Art), graduating in...
Category

2010s Conceptual Abstract Drawings and Watercolors

Materials

Paper, Ink, Pins

More Love Five
Located in Houston, TX
Shaun O’Dell More Love Five, 2017 gouache and ink on paper 30 x 22 in (76.2 x 55.9 cm) 33 3/8 x 25 1/8 x 1 1/2 in (84.8 x 63.8 x 3.8 cm) framed $5,500 At once investigations of su...
Category

21st Century and Contemporary Contemporary Abstract Drawings and Waterco...

Materials

Ink, Gouache, Archival Paper

More Love Two
Located in Houston, TX
Shaun O’Dell More Love Two, 2017 gouache and ink on paper 30 x 22 in (76.2 x 55.9 cm) At once investigations of surface and depth, representation and reality, Shaun O'Dell's newest...
Category

21st Century and Contemporary Abstract Abstract Drawings and Watercolors

Materials

Ink, Gouache, Archival Paper

Un alto
By Lidzie Alvisa
Located in Mexico City, CDMX
Lidzie Alvisa Jiménez (Havana in 1969), one of the most recognized conceptual artists in Cuba, studied from the elementary level to the ISA (Superior Institute of Art), graduating in...
Category

2010s Conceptual Abstract Drawings and Watercolors

Materials

Paper, Ink, Pins

Intervalos
By Lidzie Alvisa
Located in Mexico City, CDMX
Lidzie Alvisa Jiménez (Havana in 1969), one of the most recognized conceptual artists in Cuba, studied from the elementary level to the ISA (Superior Institute of Art), graduating in...
Category

2010s Conceptual Abstract Drawings and Watercolors

Materials

Paper, Ink, Pins

Caligrafía arrítmica
By Lidzie Alvisa
Located in Mexico City, CDMX
Lidzie Alvisa Jiménez (Havana in 1969), one of the most recognized conceptual artists in Cuba, studied from the elementary level to the ISA (Superior Institute of Art), graduating in...
Category

2010s Conceptual Abstract Drawings and Watercolors

Materials

Paper, Ink, Pins

Descanso
By Lidzie Alvisa
Located in Mexico City, CDMX
Lidzie Alvisa Jiménez (Havana in 1969), one of the most recognized conceptual artists in Cuba, studied from the elementary level to the ISA (Superior Institute of Art), graduating in...
Category

2010s Conceptual Abstract Drawings and Watercolors

Materials

Paper, Ink, Pins

More Love Three
Located in Houston, TX
Shaun O’Dell More Love Three, 2017 gouache and ink on paper 30 x 22 in (76.2 x 55.9 cm) At once investigations of surface and depth, representation and reality, Shaun O'Dell's newe...
Category

21st Century and Contemporary Abstract Abstract Drawings and Watercolors

Materials

Ink, Gouache, Archival Paper

Modern Riff: Purple Rush
By Jim Richard
Located in Houston, TX
Jim Richard Modern Riff: Purple Rush, 2016 flashe on Yupo paper 26 x 20 in (66 x 50.8 cm) paper size, 22 x 17 image size
Category

21st Century and Contemporary Contemporary Landscape Drawings and Waterc...

Materials

Gouache, Synthetic Paper

Modern Riff: Uptown Green
By Jim Richard
Located in Houston, TX
Jim Richard Modern Riff: Uptown Green, 2016 flashe on Yupo 26 x 20 in (66 x 50.8 cm)
Category

21st Century and Contemporary Contemporary Abstract Drawings and Waterco...

Materials

Gouache, Synthetic Paper

Switch-It #19
By Robert Ruello
Located in Houston, TX
Robert Ruello Switch-It #19, 2016 graphite, watercolor, and colored pencil on paper 20 x 15 inches Energetic and charged with visual power, the Switch-It series is movement and tran...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Watercolor, Archival Paper, Color Pencil, Graphite

Untitled
By Gilad Efrat
Located in Houston, TX
Gilad Efrat Untitled, 2013 oil pastel on paper, 22 1/2 x 28 1/2 in (57.2 x 72.4 cm)
Category

21st Century and Contemporary Abstract Abstract Drawings and Watercolors

Materials

Paper, Oil Pastel

Escala
By Lidzie Alvisa
Located in Mexico City, CDMX
Lidzie Alvisa Jiménez (Havana in 1969), one of the most recognized conceptual artists in Cuba, studied from the elementary level to the ISA (Superior Institute of Art), graduating in...
Category

2010s Conceptual Abstract Drawings and Watercolors

Materials

Paper, Ink, Pins

Sin título, rhythm, pins,
By Lidzie Alvisa
Located in Mexico City, CDMX
Lidzie Alvisa Jiménez (Havana in 1969), one of the most recognized conceptual artists in Cuba, studied from the elementary level to the ISA (Superior Institute of Art), graduating in...
Category

2010s Conceptual Abstract Drawings and Watercolors

Materials

Paper, Ink, Pins

Ritmo
By Lidzie Alvisa
Located in Mexico City, CDMX
Lidzie Alvisa Jiménez (Havana in 1969), one of the most recognized conceptual artists in Cuba, studied from the elementary level to the ISA (Superior Institute of Art), graduating in...
Category

2010s Conceptual Abstract Drawings and Watercolors

Materials

Paper, Ink, Pins

More Love Four
Located in Houston, TX
Shaun O’Dell More Love Four, 2017 gouache and ink on paper 30 x 22 in (76.2 x 55.9 cm) At once investigations of surface and depth, representation and reality, Shaun O'Dell's newes...
Category

21st Century and Contemporary Abstract Abstract Drawings and Watercolors

Materials

Ink, Gouache, Archival Paper

Untitled
By Gilad Efrat
Located in Houston, TX
Gilad Efrat Untitled, 2013 oil pastel on paper, 22 1/2 x 28 1/2 in (57.2 x 72.4 cm)
Category

21st Century and Contemporary Abstract Abstract Drawings and Watercolors

Materials

Paper, Oil Pastel

Goa
By Perry Burns
Located in Fairfield, CT
Artist's Statement: "My paintings are an attempt to synthesize and enlighten pursuits of eastern and western art and their traditions. Using the full visual language of abstraction –...
Category

20th Century Abstract Abstract Drawings and Watercolors

Materials

Gouache, Monoprint, Paper, Watercolor

All day and all night by Lélia Pissarro - Abstract, contemporary work on paper
By Lelia Pissarro
Located in London, GB
All day and all night by Lélia Pissarro (b. 1963) Acrylic and silver paint on paper 23 x 30 cm (9 x 11 ³/₄ inches) Signed lower right, Lélia Pissarro. This work is accompanied by a...
Category

21st Century and Contemporary Abstract Drawings and Watercolors

Materials

Silver

Histories (A23)
By Olivia Munroe
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.
Category

2010s Contemporary Abstract Drawings and Watercolors

Materials

Ink, Wax, Handmade Paper

Untitled
By Karl Peter Röhl
Located in Zug, CH
Signed and dated bottom right, a beautiful aquarelle from the 1940s by Röhl.
Category

20th Century Abstract Drawings and Watercolors

Materials

Paper, Aquatint

Untitled [Large Central Dragon Form]
Located in New York, NY
Ink, colored marker on heavy paper
Category

2010s Abstract Drawings and Watercolors

Materials

Paper, Ink, Permanent Marker

Thank you, Dotahn by Lélia Pissarro - Work on paper, Abstract
By Lelia Pissarro
Located in London, GB
Thank you, Dotahn by Lélia Pissarro (b. 1963) Tempera, watercolour and gold leaf and powder on paper 26 x 17 cm (10 ¹/₄ x 6 ³/₄ inches) Signed lower left, Lélia Pissarro. Titled and ...
Category

21st Century and Contemporary Abstract Abstract Drawings and Watercolors

Materials

Gold Leaf

Sunny Side Up by Lélia Pissarro - Abstract, contemporary work on paper
By Lelia Pissarro
Located in London, GB
Sunny Side Up by Lélia Pissarro (b. 1963) Tempera, ink and silver paint on paper 21.5 x 28 cm (8 ¹/₂ x 11 inches) Signed lower right, Lélia Pissarro This work is accompanied by a ce...
Category

21st Century and Contemporary Contemporary Abstract Drawings and Waterco...

Materials

Silver

Histories (A25)
By Olivia Munroe
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.
Category

2010s Contemporary Abstract Drawings and Watercolors

Materials

Ink, Wax, Handmade Paper

Histories (C19)
By Olivia Munroe
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.
Category

2010s Contemporary Abstract Drawings and Watercolors

Materials

Ink, Wax, Handmade Paper

Untitled III
By Bastienne Schmidt
Located in Fairfield, CT
This series on paper, Topologies of Blue, possesses layers of delicate texture and structure in the blue tones, created through a process that combines inks, polymer paints, leaves, ...
Category

21st Century and Contemporary Abstract Abstract Drawings and Watercolors

Materials

Watercolor

Histories (C17)
By Olivia Munroe
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.
Category

2010s Contemporary Abstract Drawings and Watercolors

Materials

Ink, Wax, Handmade Paper

Histories (A33)
By Olivia Munroe
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.
Category

2010s Contemporary Abstract Drawings and Watercolors

Materials

Ink, Wax, Handmade Paper

Histories (B74)
By Olivia Munroe
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.
Category

2010s Contemporary Abstract Drawings and Watercolors

Materials

Ink, Wax, Handmade Paper

Histories (A64)
By Olivia Munroe
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.
Category

2010s Contemporary Abstract Drawings and Watercolors

Materials

Ink, Wax, Handmade Paper

Histories (B79)
By Olivia Munroe
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.
Category

2010s Contemporary Abstract Drawings and Watercolors

Materials

Ink, Wax, Handmade Paper

Abstract Composition by Lélia Pissarro - Tempera, abstraction
By Lelia Pissarro
Located in London, GB
Abstract Composition by Lélia Pissarro (b. 1963) Tempera on paper 7.5 x 21 cm (3 x 8 ¹/₄ inches) Signed lower right, Lélia Pissarro This work is accompanied by a certificate of authenticity from the artist. Artist biography: From a young age, Lélia’s interest in drawing and painting was nurtured by her grandfather while she sat beside him at his easel, captivated. He taught her the fundamental Impressionist and Post-Impressionist techniques he had learnt from his father and brothers before him and watched as her skills blossomed rapidly. Standing readily on the shoulders of giants, Lélia sold her first painting to New York art dealer Wally Findlay, when she was only four years of age. When Lélia turned 11 she moved to Paris to live with her parents where, with the guiding support of her father’s teachings she began to broaden her skill sets. Under the watchful eye of her father Hughes Claude Pissarro, she became exposed to new environments and learnt to experiment with abstract styles and subjects. At age 14 Lélia submitted some of these works to the exhibition ‘Salon de la Jeune Peinture’ at the Luxembourg Museum in Paris. Being underage, however, she had to submit these works secretly under the pseudonym Rachel Manzana Pomié. With her parents dividing their time between France and California, Lélia found herself moving between Tours, Paris and San Francisco, all the while studying fine art and psychology at the University des Beaux Arts. She eventually settled in Paris to teach art at the Moria School and study oil painting conservation under the guidance of a teacher from the Louvre museum. During this time she began to present her work in solo exhibitions in Paris, Lyon, Mulhouse and Rennes. In 1988 Lélia married English art dealer David Stern and moved to London. Their three children Kalia, Lyora and Dotahn, all paved their own way in the art world. From 1995 Lélia participated in a series of exhibitions entitled Pissarro – The Four Generations, which were held in galleries in London, Tel Aviv, Boston, Austin, San Francisco, Cleveland, Milwaukee and Los Angeles as well as a number of museums in Japan in 1998 and the Museum of Art in Fort Lauderdale, Florida in 2000. In 1999 Lélia also became one of the founders of the Sorteval Press, a group of artists dedicated to developing techniques in etching and printmaking. Their first exhibition took place at the Mall Gallery in London. In 2005 following a long break in painting because of cancer, Lélia started a journey into modern art creating a number of different series: Circles, Shoes, Animals, exploring these until she reached the point of abstraction and minimalism. Developing innovative techniques, she began incorporating in her work new materials such as gold, wax and encaustic paint. To coincide with a major exhibition at Stern Pissarro...
Category

21st Century and Contemporary Modern Abstract Drawings and Watercolors

Materials

Paper, Tempera

Histories (C68)
By Olivia Munroe
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.
Category

2010s Contemporary Abstract Drawings and Watercolors

Materials

Ink, Wax, Handmade Paper

Histories (B73)
By Olivia Munroe
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.
Category

2010s Contemporary Abstract Drawings and Watercolors

Materials

Ink, Wax, Handmade Paper

Hsitories (A35)
By Olivia Munroe
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.
Category

2010s Contemporary Abstract Drawings and Watercolors

Materials

Ink, Wax, Handmade Paper

Histories (B99)
By Olivia Munroe
Located in Fairfield, CT
Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.
Category

2010s Contemporary Abstract Drawings and Watercolors

Materials

Ink, Wax, Handmade Paper

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