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Untitled
By Michael Graves (b.1934)
Located in New York, NY
Michael Graves (July 9, 1934 – March 12, 2015) was an American architect. Identified as one of The New York Five, as well as Memphis Group, Graves was known first for his contemporary building designs and some prominent public commissions that became iconic examples of Postmodern architecture, such as the Portland Building and Denver Public Library. His recognition grew through designing domestic products sold by premium Italian housewares maker Alessi, and later low-cost new designs at stores such as Target and J. C. Penney in the United States. He was a representative of New Urbanism and New Classical Architecture and formerly designed postmodern buildings, and was recognized as a major influence in all three movements. Michael Graves was one of the most prominent and influential architects and designers of the late- 20th and early- 21st centuries. In his buildings and in his furniture and housewares, Graves embodied the essence of Postmodernism — a refined classicism inflected with a humanistic sense of joy. The Indiana-born Graves attended the University of Cincinnati’s architectural program and continued his studies at Harvard as well as at the American Academy in Rome. In 1962, he began teaching at Princeton, and remained there throughout his career. Following a seminal 1972 Museum of Modern Art group survey of rising modernist architects, Graves, along with Richard Meier, Charles Gwathmey, Peter Eisenman...
Category

1980s Contemporary Landscape Prints

Materials

Etching

Sketches of Auden: black drawing based on Auden poetry and Yorkshire landscape
By Henry Moore
Located in New York, NY
This black and white portrait drawing is one of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from the portfolio (edition of 75) and the book. Signed by the artist and numbered 8/25 lower right in pencil. This print features a pair of sketches...
Category

Late 20th Century Modern Abstract Prints

Materials

Lithograph

PULLING CORN (FODDER HOPPER) - Scarce Print!
By Bernard Joseph Steffen
Located in Santa Monica, CA
BERNARD (JOSEPH) STEFFEN (1907 – 1980) PULLING CORN (FODDER HOPPER) c. 1935-45 Color serigraph signed with a full signature below the image at the lower right sheet edge . Unknown e...
Category

1930s Modern Landscape Prints

Materials

Screen

The Thames from Waterloo.
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
The Thames from Waterloo Bridge. 1913. Etching. Dickins 12. 3 3/4 x 7 1/16 (sheet 7 x 10 15/16). Edition 100. A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil. Architectural draughtsman, etcher. Born in Lustdorf, near Odessa, Russia, to a British father and Russian mother. Traveled extensively with his family before studying architecture in St Petersburg, with further studies at Ecole des Beaux-Arts and Atelier Redan, Paris. Practiced architecture in Moscow and was co-designer of the Metropole Hotel, in 1898. Moved to London in 1907 and was employed as an architectural perspectivist. After a sponsored visit to Rome and Venice he had a solo exhibit at the Fine Art Society, 1912, 'Watercolours of London and Venice'; followed by a further four shows. He also exhibited at the Royal Academy, Royal Society of British Artists, Royal Society of Painter-Etchers..., and Connell & Sons. His etchings were published in London by H C Dickens,1913-24, and a folio of his work 'Architectural watercolors and etchings of William Walcot' was published, in 1919. Elected RE, 1920; FRIBA, 1922; Associate British School at Rome. A foremost architectural draughtsman, he worked from studios in London, Oxford and Rome. The complete set of The Arteries of Great Britain includes: The Thames, The Tyne, The Forth, The Clyde, The Mersey. Signed in pencil .Housed in a 16 x 20 inch mat suitable for framing. Opened in 1890, the Forth Bridge...
Category

Early 20th Century Modern Landscape Prints

Materials

Etching

Ferry in Front of the Stone Bridge
By Jan Van de Velde
Located in Chicago, IL
a very fine impression
Category

17th Century Landscape Prints

Materials

Etching

Scissortails
By David Everett
Located in Dallas, TX
David Everett was born in Beaumont, Texas, and received both his B.F.A. and M.F.A. from The University of Texas in Austin. In 1978, Everett was awarded a Faculty Travel Grant from So...
Category

1990s Contemporary Animal Prints

Materials

Paper, Woodcut

Enchanted Doorway, Venezia (La Porta della Carta, Venezia 29)
By John Taylor Arms
Located in Storrs, CT
Enchanted Doorway, Venezia (La Porta della Carta, Venezia '29). 1930. Etching. Fletcher catalog 227 state ii. 12 3/8 x 6 9/16 (sheet 15 13/16 x 9 15/16). Edition 148 in this state (...
Category

1920s American Modern Landscape Prints

Materials

Etching

Desolation, S.C. or Deserted Cabins, Beauford, S.C.
By Louis Oscar Griffith
Located in Fairlawn, OH
Desolation, S.C. or Deserted Cabins, Beauford, S.C. Etching & Aquatint, c. 1930 Signed by the artist in pencil lower right (see photo) Annotated "Trial Proof" in pencil lower left corner of sheet Provenance: Estate of the artist By decent Note: An impression of this image is in the collection of the Greenville County Museum of Art, Greenville, South Carolina Condition: Excellent Plate/Image size: 8 x 9 3/4 inches Sheet size: 12 7/8 x 15 inches Louis Oscar Griffith (1875-1956) Born in Greencastle, Indiana, Griffith grew up in Dallas, Texas where Texas artist and teacher Charles Franklin Reaugh recognized young “Griff’s” artistic talent. At age 18, Griffith moved to St. Louis where he attended the St. Louis School of Fine Arts. In 1895, he moved to Chicago where he worked making color prints for the firm Barnes and Crosby. He attended the Art Institute of Chicago and during a brief stay in New York, the National Academy of Design. A successful commercial artist with a studio in the Chicago Loop...
Category

1930s American Impressionist Landscape Prints

Materials

Aquatint

La Pointe de Bretteville
By Paul Berthon
Located in Fairlawn, OH
La Pointe de Bretteville Color lithograph, 1899 Signed in the stone upper right Publisher: Sagot, Paris Edition: Edition: about 200 (per Arwas) References And Exhibitions: Arwas 33 2...
Category

1890s Art Nouveau Landscape Prints

Materials

Lithograph

La Cosecha (The Harvest)
Located in Palm Springs, CA
Image size: 18 x 12 inches Sheet size: 15x22 inches Edition size: 21 Depicts farm worker contemplating his fields in Mexico. Dark brown ink on cream-colored 100% archival cotton-r...
Category

2010s Contemporary Landscape Prints

Materials

Screen

Lion Brewery
By James McBey
Located in Storrs, CT
Lion Brewery. 1914. Etching. Hardie 149. 11 1/2 x 8 1/8 (sheet 13 5/8 x 10 1/8). Edition 50, #7. Illustrated: Salaman, Modern Masters of Etching. A fine impression of this scarce pri...
Category

1910s Modern Landscape Prints

Materials

Etching

Misty Morning.
By Edmund Blampied
Located in Storrs, CT
Misty Morning. 1928-29. Drypoint. Appleby 137. 8 5/8 x 12 (sheet 11 5/8 x 18 1/16). Edition 100, #86. A rich impression with drypoint burr. Printed with ...
Category

1920s Modern Landscape Prints

Materials

Drypoint, Etching

Landscape with a Maiden and her Dog
By Adriaen van der Cabel
Located in Chicago, IL
A very fine impression
Category

Mid-17th Century Landscape Prints

Materials

Etching

Der Wald (portfolio of 9) 1 of 12 - grouping, woodblock prints on art paper
By Peter Hoffer
Located in Bloomfield, ON
Der Wald or The Forest consists of nine wood block prints in a single portfolio. In each of the nine images a single tree is printed cleanly in solid black on manila colored archival...
Category

2010s Contemporary Landscape Prints

Materials

Archival Paper, Woodcut

Windsor
By Sir Francis Seymour Haden, R.A.
Located in Storrs, CT
Schneiderman catalog 186 state .xii. 13 1/4 X 17 1/2 (sheet 18 5/8 x 25 5/8). Edition of 50 in this state, published by the Fine Art Society. A fine impression printed on cream wove paper with full margins. Toning in the image, otherwise good condition. Signed in pencil. Housed in a 22 x 28-inch archival mat, suitable for framing. Born in 1818, Sir Francis Seymour Haden was an etcher, collector and surgeon. He studied at the Derby School, Christ’s Hospital and University College in London. He also studied at the medical schools of the Sorbonne in Paris and at Grenoble. He became a member of the Royal College of Surgeons in 1842 and he was made a fellow in 1857. He was an honorary surgeon to the Department of Science and Art from 1851 to 1867 and in 1847 he settled into a private practice. Haden was a vice-president of the obstetrical society of London and one of the founders of the Royal Hospital for Incurables in 1850. He was the first President of the Royal Society of Painter-Echers. In 1858, Haden encouraged James McNeil Whistler to work from nature and consequently, Whistler dedicated his first set of etchings entitled “French Set”, to Haden. The etchings were printed by Auguste Delâtre in Paris and marketed, with some help from Haden, in London. In 1859 Whistler settled in London and often visited Haden’s Sloane Street home. Whistler executed a number of paintings and etchings of domestic scenes within Haden’s home, among them “Reading By Lamplight...
Category

Late 19th Century Modern Landscape Prints

Materials

Etching

Hedickhuyfen
Located in Chicago, IL
from the series of eight views of Provincial Holland and Ultrecht
Category

17th Century Landscape Prints

Materials

Etching

Sounding the Hunt in the Morning
By Hans Bol
Located in Chicago, IL
2nd state Watermark: Hand with Cuff and Flower (close to Briquet 11467)
Category

16th Century Landscape Prints

Materials

Etching

The Wright Brothers at Kitty Hawk
By Frank Lemon
Located in New York, NY
Lemon, Frank. Flights: Unforgettable Exploits of the Air. This plate: With one beat of his wing, Charles Lindbergh goes to Paris! 1927. Wright Aeronautical Corporation, 1928. Origi...
Category

1920s Landscape Prints

Materials

Paper

Casita de Campo.
By Emilio Sanchez
Located in New York, NY
Emilio Sanchez (1921-1999) created this color lithograph entitled “Casita de Campo” in 1998. This signed impression came to us directly from the Sanchez estate. Estate stamped on ver...
Category

1990s American Modern Landscape Prints

Materials

Lithograph

Dawn
By Percival Gaskell
Located in New Orleans, LA
Mezzotint. 8 x 9 7/8 (sheet 13 7/8 x 19 3/4). A fine impression with tone printed in dark brown ink on white wove paper. Signed in pencil.
Category

1930s English School Landscape Prints

Materials

Mezzotint

Dawn
Dawn
$225 Sale Price
25% Off
Clairton (night view of US Steel Clairton coke plant, largest in America)
By Craig McPherson
Located in New Orleans, LA
McPherson's night view of the Clairton steelworks is printed on light green laid paper referenced as Hartley M1. It is signed, titled and dated in pencil. Marked ed 75 and "imp" in...
Category

1990s American Modern Landscape Prints

Materials

Mezzotint

Fjord by Henry Moore drawing of Scottish landscape for W.H. Auden poetry book
By Henry Moore
Located in New York, NY
One of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from the portfolio (edition of 75) and the book. Signed by the artist lower right in pencil; numbered 8/25 lower left in pencil. Printed in inky black, Fjord features a close-up view of the water as it meets the shore. Yorkshire is famous for its rocky coastline, where fishing villages cling to cliffs, windswept abbeys peak above the skyline, and sand beaches attract families on vacation. Moore’s scene is dark and even sinister – the shore’s narrow inlets reaching into the water like gnarled fingers. Fjord displays Moore’s fascination with light and dark – what he called a “…bias towards the blackness and mysterious depths.” Moore was inspired by the prints of Rembrandt and the drawings of Seurat, and even drew on his memories of viewing the Altamira cave paintings, recalling how some of the images used the shadow of candlelight on the rough surface of the rock to model light. Shortly before starting work on this series of lithographs, Moore had fallen ill, leaving him aware of his own mortality. His mood pervaded these prints with a sense of danger and foreboding. Fjord is one of a group of lithographs...
Category

Late 20th Century Landscape Prints

Materials

Lithograph

Mending the Trawl, plate 3.
By Arthur John Trevor Briscoe
Located in Storrs, CT
Hurst 166. 6 7/8 x 11 3/4 (sheet 9 x 13 1/2). Edition 75, #73. A rich impression with dramatic plate tone, printed on cream laid paper with a foolscap watermark. Signed and numbered ...
Category

Early 20th Century Modern Figurative Prints

Materials

Etching

Commencement
By Caroline Durieux
Located in New Orleans, LA
Caroline Durieux's image captures a lone figure in her garden in this southern plantation in Louisiana. "Plantation Garden" is a lithograph created by Durieux in 1946 in an edition of 20. It is signed in pencil. Durieux shared her feeling about this piece with these reflections. “The spectrum analysis of satire runs from the red of invective at one end to the violet of the most delicate irony at the other.” David Worcester 16, "The Art of Satire". The feeling expressed in Plantation Garden is that of a dirge with ironic overtones; it is sad, nostalgic yet satirical. The bent figure of the old lady, the ancient trees, the static moss, all seem to belong to the past; even the lady is old. For contrast, a ray of late afternoon sun lights up the only young note in the picture: perennials in the foreground. When “we are satirical and we are friendly at the same time, the consciousness of the friendship gives a regretful and tender touch to the satire, and the sting of the satire makes the friendship a trifle humble and sad.” George Santayna 255, "The Sense of Beauty". This concept of satire mixed with friendship comes closer to humor because there is less censure involved. In "Plantation Garden", the satire is tempered by a feeling of empathy. Caroline Durieux (American, 1896 – 1989) Printmaker, painter, satirist, innovator, social activist, Caroline Durieux was born in New Orleans and was already making sketches by the age of four. Her formal art training was at Newcomb College (1912-1917) and the Pennsylvania Academy of Fine Arts (1918-1920). Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero...
Category

1940s American Modern Landscape Prints

Materials

Lithograph

Commencement
Commencement
$1,350 Sale Price
25% Off
Venice II L Ombre du Coleone
By Jean Michel Mathieux-Marie
Located in New Orleans, LA
"Venice II L'Ombre du Coleone" is a Jean Michel Mathieux-Marie aquatint and etching of a Venetian scene. It is from an edition of 120. Mathieux-Marie was born in Paris in 1947. He...
Category

Late 20th Century Contemporary Landscape Prints

Materials

Drypoint, Etching, Aquatint

A Regatta on the Grand Canal [Venice]
By James McBey
Located in Storrs, CT
A Regatta on the Grand Canal. 1930. Drypoint. Hardie/Carter 248. 8 7/8 x 15 3/8 sSheet 13 3/16 x 19 3/8). Edition 80, #5. A fine impression on cream-colored wove paper with full margins. Signed and numbered in ink. Housed in an 18 x20-inch archival mat. Carter writes, "A procession of boats, gaily decorated, is entering the Grand Canal, with the Campanile and the Doges' Palace in the background. On the left is the baroque poop of a boat with a flamboyant, carved female figure; on the right, another boat with a prow of two prancing horses." Born in Newburgh near Aberdeen, James McBey attended evening classes at Graydon's School of Art and taught himself etching, building his own press at the age of fifteen. He moved to London to prepare for a one-man show at Goupil's Gallery, and shortly after this highly successful first show, he traveled to Morocco with James Kerr Lawson...
Category

Mid-20th Century Modern Landscape Prints

Materials

Etching

The Deserted Palace.
By James McBey
Located in Storrs, CT
The Deserted Palace. 1928. Etching. Hardie/Carter 236. 8 1/2 x 10 (sheet 10 1/2 x 12 3/8). Edition 80, #53. A rich impression printed in bistre ink with pl...
Category

1920s Modern Landscape Prints

Materials

Etching

Hope, by Art Werger
By Art Werger
Located in Palm Springs, CA
A spectacular view of the sun breaking through the clouds above waves crashing on an ocean shore. Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story ...
Category

2010s Contemporary Landscape Prints

Materials

Mezzotint

Duomo (Florence)
By Julian Trevelyan
Located in Fairlawn, OH
Duomo (Florence) Etching & aquatint , 1965-66 Signed, titled and annotated "artist's proof" (see photos) Edition: 100, this impression an artist's proof Reference: Silvie Turner. Ju...
Category

1960s Contemporary Landscape Prints

Materials

Etching

Vue du châteaux de Chenonceaux
Located in Fairlawn, OH
Vue du châteaux de Chenonceaux Lithograph, 1843 Letterpress signature lower left corner Signature of the printer lower right corner After Pierre Justin Ouvrié (1806-1879) Published b...
Category

1840s Romantic Landscape Prints

Materials

Lithograph

Burano Rainbow, Venice canal view by Stephen McMillan
By Stephen McMillan
Located in Palm Springs, CA
The architecture of Venice reflected in the water of the canals. This is one of a series the artist completed during a residency in Venice. Signed, titled and numbered from the edtio...
Category

2010s Contemporary Landscape Prints

Materials

Etching, Aquatint

Houses, Morgan Beach
By Brian Cobble
Located in Dallas, TX
Brian Cobble’s landscapes tend to particularly focus on the interplay of man and his surroundings, whether natural or built. A signature attention to the liminal aspects of a scene, ...
Category

1990s Contemporary Landscape Prints

Materials

Etching, Paper

Water Mill
By Sir Frank Short
Located in Storrs, CT
Water Mill (after the drawing by J.M.W. Turner, R.A., 1775-1851). 1885. Mezzotint. Hardie 3.ii. With the publication line. 7 x 10 1/8 (sheet 12 1/4 x 16 5/8...
Category

1880s Animal Prints

Materials

Mezzotint

"The Caissons Go Rolling Along".
By Kerr Eby
Located in Storrs, CT
"The Caissons Go Rolling Along". 1929. Etching and sandpaper ground. Giardina 145. 17 3/8 x 9 1/2 (sheet 18 3/4 x 11 1/2). Edition 90. Slight mat line, otherwise find condition. A ri...
Category

1920s American Modern Landscape Prints

Materials

Drypoint, Etching

A Lancashire River.
By Sir Francis Seymour Haden, R.A.
Located in Storrs, CT
Schneiderman 203.viii. 10 7/8 x 15 7/8 (sheet 13 7/8 x 17 7/8). Illustrated: Print Collector's Quarterly 1 (1911): 27. A 1-inch printing fold in the left-hand side of the image, and ...
Category

Late 19th Century Landscape Prints

Materials

Etching

A Yorkshire Dell or The Heron’s Pool.
By Sir Frank Short
Located in Storrs, CT
A Yorkshire Dell or The Heron’s Pool. (after J.M.W. Turner, R.A., 1775-1851.) Soft-ground etching and mezzotint. Hardie 85. mezzotint over etching on India paper printed on chine-co...
Category

Early 20th Century Romantic Landscape Prints

Materials

Mezzotint, Etching

Through the Storm.
By Edmund Blampied
Located in Storrs, CT
Appleby 97. 4 x 6 15/16 (sheet 8 1/8 x 10 3/8). Edition 100. A rich impression with drypoint burr and carefully wiped plate tone, printed on 'FJ Head' paper, on the full sheet with ...
Category

1920s Modern Animal Prints

Materials

Drypoint, Etching

Icelandic Landscape (The sun creates dramatic cloud pattern over a glacial lake)
By Udo Claassen
Located in New Orleans, LA
German artist Udo Claassen created a dramatic landscape of this Icelandic scene in 1985 in an edition of 40. The New Orleans Museum of Art has an impression of this image in its per...
Category

Late 20th Century Contemporary Landscape Prints

Materials

Mezzotint

Deep Ocean 8
By Frances Ashforth
Located in Fairfield, CT
Unique monotype
Category

2010s Contemporary Landscape Prints

Materials

Monotype

Deep Ocean 5
By Frances Ashforth
Located in Fairfield, CT
Unique monotype
Category

2010s Contemporary Landscape Prints

Materials

Monotype

Scene in the Campagna
By Sir Frank Short
Located in Storrs, CT
Scene in the Campagna, also known as Woman at a Tank and Hindu Ablutions. (after the drawing by J.M.W. Turner, R.A., 1775-1851.) 1886. Hardie 4.ii. Mezzotint. 8 1/2 x 11 3/8 (sheet 1...
Category

1880s Figurative Prints

Materials

Mezzotint

Deux Fois Rien (double or nothing)
By Christine Ravaux
Located in New Orleans, LA
Christine Ravaux created Deux Fois Rien which is signed by pencil. This impression is #12 of 30 Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted w...
Category

Early 2000s Modern Landscape Prints

Materials

Mezzotint

CALMNESS
By Junichiro Sekino
Located in Portland, ME
Junichiro Sekino (Japanese, 1914-1988). CALMNESS. Color woodblock print, 1954. Edition size not known. Signed in pencil and with the artist's chop. 13 x 17 inches (image), on a large...
Category

Mid-20th Century Landscape Prints

Materials

Woodcut

Nahan s Forty Winks
By Jiha Moon
Located in New York, NY
In her image- and color-saturated paintings and prints, Jiha Moon mashes up materials, motifs, and techniques to create dreamlike compositions, stuffed with Eastern and Western art historical and pop cultural references that challenge fixed notions of cultural identity and represent our information-overloaded world. Everything is fair game for Moon—she draws from sources high and low, real and virtual, ancient and contemporary, including 13th-century Taoist painting...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Lithograph

Rainy Night in Rome
By Sir Muirhead Bone
Located in Fairlawn, OH
Rainy Night in Rome Drypoint, 1913 Signed in pencil and titled in the lower margin by the artist (see photo) Provenance: Kennedy Galleries, Stock # A6538 Reference; Doddgson 299 _/X ...
Category

1910s English School Landscape Prints

Materials

Drypoint

Salish Sea
By Stephen McMillan
Located in Palm Springs, CA
Depiction of the Salish Sea from Skyline Divide, Washington, highlighting the type of seascapes for which McMillan is so well known. Signed in pencil from ...
Category

2010s Contemporary Landscape Prints

Materials

Etching, Aquatint

L’Angelus (The Bell Tower)
By Félix Hilaire Buhot
Located in Fairlawn, OH
L’Angelus (The Bell Tower) etching & drypoint, c. 1876 Signed in the plate with the artist's initials (see photo) Condition: Excellent Image/Plate size: 5 7/8 x 4 1/4 inches Sheet s...
Category

1870s French School Landscape Prints

Materials

Etching

Cape Cod (New England)
By Thomas McKnight
Located in Greenwich, CT
Cape Cod from the New England suite is a serigraph on paper measuring 16 x 18 inches, signed 'McKnight' lower right and annotated lower left. Framed in a contemporary, black frame. N...
Category

20th Century Contemporary Prints and Multiples

Materials

Paper, Screen

The Loop II (the artist s memories of days at Chicago s Art Institute)
By Richard Gilbert
Located in New Orleans, LA
The Loop II was created in a small edition of 15. The Loop is a vibrant area featuring eclectic eateries, shops, theaters and parks. Comprised mostly of high-rises, it’s also home to the 108-story Willis Tower. The iconic “Cloud Gate...
Category

1990s Modern Figurative Prints

Materials

Etching

La Casa Stregata (The Haunted House)
By Paolo Ciampini
Located in New Orleans, LA
This impression is signed and numbered #1 from an edition of 50 Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa...
Category

1990s Modern Figurative Prints

Materials

Etching

Turbulence (color version), by Art Werger
By Art Werger
Located in Palm Springs, CA
A spectacular wave breaking under a stormy sky . Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to complete. Signed and numbered f...
Category

2010s Contemporary Landscape Prints

Materials

Mezzotint

The Loop VI (the artist s memories of days at Chicago s Art Institute)
By Richard Gilbert
Located in New Orleans, LA
The Loop VI was created in a small edition of 15. The Loop is a vibrant area featuring eclectic eateries, shops, theaters and parks. Comprised mostly of high-rises, it’s also home to the 108-story Willis Tower. The iconic “Cloud Gate...
Category

1990s Modern Figurative Prints

Materials

Etching

Benches. [Central Park.]
By Harold Altman
Located in New York, NY
Signed, titled, and dated in pencil. Inscribed "21/285.." Edition 285. Very good condition.
Category

1980s Realist Landscape Prints

Materials

Lithograph

Peak
By John Ross
Located in New York, NY
This collagraph was created by John Ross during the 1970's. Signed, titled and inscribed "Artists Proof" in pencil. The sheet size is 22 1/4 x 30" and image size is ...
Category

Late 20th Century Contemporary Landscape Prints

Materials

Intaglio

Overflow
By Mark Bartkiw
Located in Bloomfield, ON
Bartkiw brilliantly disrupts the landscape by juxtaposing expected elements with dream-like imagery. This C-print is sealed between dibond and plexiglass. This 30 x 30 inch image i...
Category

2010s Contemporary Landscape Photography

Materials

Plexiglass, Acrylic Polymer, Photographic Paper, C Print, Archival Pigment

Peau d Ame ( Body and Soul) - In Celebration of Pride Month
By Christine Ravaux
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Christine Ravaux created Peau d' Are which is signed by pencil. This impression is ...
Category

Early 2000s Modern Landscape Prints

Materials

Mezzotint

Victoria Club
By James Abbott McNeill Whistler
Located in Storrs, CT
Victoria Club. 1879 and 1887. Lithograph. Way catalog 11 state ii; Levy catalog 22; Tedeschi, Stratis and Spink catalog number 15 state ii. 8 x 5 3/8 (sheet 16 5/8 x 12 1/16). A ri...
Category

Late 19th Century American Modern Figurative Prints

Materials

Lithograph

MISSOURI MOUSE - Large Folio "The Viviparous Quadrupeds of North America" Pl.100
By After John James Audubon
Located in Santa Monica, CA
(After) JOHN JAMES AUDUBON (1785 - 1851) MISSOURI MOUSE, 1846 - Plate 100 (C) No. 20 Lithograph with original hand coloring. From Audubon's "The Viviparous Quadrupeds of North America...
Category

1840s American Realist Landscape Prints

Materials

Lithograph

Bassin d Apollon, Versailles (Fountain of Appollo, Versailles).
By Mortimer Menpes
Located in Storrs, CT
Bassin d'Apollon, Versailles (Fountain of Appollo, Versailles). Drypoint. Menpes 364. 7 1/8 x 9 1/8 (sheet 8 13/16 x 10 7/8). A very rich impression with drypoint burr and plate tone...
Category

Early 20th Century Modern Figurative Prints

Materials

Drypoint, Etching

Trees and Snow II
By Peter Milton
Located in Palm Springs, CA
Medium: lift-ground etching and engraving Edition: 15 Year: 1961 Plate: zinc 9 x 15 inches (22.9 x 38.1 cm) Paper: Murillo, 16 x 21 inches (40.6 x 53.3 cm) Signed, titled and number...
Category

2010s Contemporary Landscape Prints

Materials

Etching, Engraving

Trees and Snow II
$1,360 Sale Price
20% Off

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