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A Modern 1950s Color Lithograph of Martha s Vineyard, "Edgartown Yacht Club"
By Francis Chapin
Located in Chicago, IL
A charming, vibrant 1958 color lithograph of a bustling sailing harbor in Martha's Vineyard, "Edgartown Yacht Club" by notable Chicago Modern artist , Francis Chapin. Image size: 1...
Category

1950s American Modern Landscape Prints

Materials

Color, Lithograph

WESTERN GRANDEUR
By Harold Lukens Doolittle
Located in Santa Monica, CA
HAROLD LUKENS DOOLTTLE (1883 - 1974) WESTERN GRANDEUR c. 1945 Aquatint, signed titled and dedicated. Image 9 ¾ x 13 5/8 inches. Large full sheet with deckle edges 15 ½ x 19 inches...
Category

1940s American Realist Landscape Prints

Materials

Aquatint

Congregational Church, Old Lyme, CT. (quintessential New England landmark)
By Walter DuBois Richards
Located in New Orleans, LA
The Old Lyme Congregational Church located on Ferry Road, a quintessentially New England landmark, was captured by Walter DuBois Richards. The church was a favorite subject of Old Ly...
Category

Late 20th Century American Modern Landscape Prints

Materials

Lithograph

Piazzetta, Venice
By Jan C. Vondrous
Located in Myrtle Beach, SC
Jan Charles Vondrous, 'Piazzetta, Venice', color etching, 1930. Signed, dated, and titled in pencil. Signed and dated in the plate, lower right. A fine impression, on cream, laid pap...
Category

1930s Impressionist Landscape Prints

Materials

Etching

FARMHOUSE WITH YELLOW FIELDS
By Junichiro Sekino
Located in Portland, ME
Sekino, Junchiro (Jaoanese, 1914-1988), FARMHOUSE WITH YELLOW FIELDS. Color Woodblock, not dated. Signed, Lower right. 13 3/8 x 19 inches, framed to 20 x 25 inches. In excellent cond...
Category

Mid-20th Century Landscape Prints

Materials

Woodcut

MON DOUX OU-ETES-VOUS? / MY SWEET COUNTRY, WERE ARE YOU?
By Georges Rouault
Located in Santa Monica, CA
GEORGES ROUAULT (1871-1958) MON DOUX OU-ETES-VOUS? / MY SWEET COUNTRY, WERE ARE YOU? 1927 ( Chapon/Rouault 97; Wofsy 151) Miserere XLIV Aquatint, 1927, on laid Arches. watermark...
Category

1920s Modern Landscape Prints

Materials

Aquatint

Claro de Luna
By Christian Bozon
Located in Palm Springs, CA
Signed, titled and numbered from the edition of 50. Aquatint and sugarlift etching. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypo...
Category

21st Century and Contemporary Abstract Abstract Prints

Materials

Aquatint

The Tournament (Tennis at Newport)
By George Wesley Bellows
Located in Palm Desert, CA
A lithograph by George Bellows. “The Tournament (Tennis at Newport)” is a realistic lithograph on paper in black and white by American Realist artist, George Bellows. Bellows' depictions of sporting / leisure scenes are unique and valuable. This artwork is edition 56/63 with framed dimensions of 26 x 29 x 1 1/4 inches and has been in the same private collection for almost four decades. The artwork is signed in pencil, lower right, "G. Bellows.” Provenance: Catherine E Burns...
Category

1920s American Realist Figurative Prints

Materials

Lithograph

Carpe Diem I
By Mikio Watanabe
Located in New Orleans, LA
this impression is #46 from edition of 50 Mezzotint artist Mikio Watanabe was born in 1954 in Japan and currently lives in France. He is most known for his elegant, evocative black ...
Category

Early 2000s American Modern Animal Prints

Materials

Mezzotint

Carpe Diem I
Carpe Diem I
$146 Sale Price
41% Off
We re All Here
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

1970s Surrealist Figurative Prints

Materials

Rag Paper, Etching

A Gale at Port Errol
By James McBey
Located in Storrs, CT
A Gale at Port Errol. 1923. Etching. Hardie 215, #46. 13 x 8 3/4 (sheet 16 7 /8 x 11 1/2). Edition 76. #46. Illustrated: Fine Prints of the Year, 1923. A rich...
Category

1930s Modern Landscape Prints

Materials

Drypoint, Etching

Bridges of Florence — Firenze Impressionism
Located in Myrtle Beach, SC
Alonzo C. Webb, 'Bridges of Florence', etching, 1929, edition 100. Signed and titled in pencil. Signed and dated in the plate, lower left. A superb, richly-inked impression, in warm ...
Category

1920s American Impressionist Figurative Prints

Materials

Etching

BOULANGERIE COSTESEQUE
By André Smith
Located in Portland, ME
Smith, Jules Andre (American, 1880-1959). BOULANGERIE COSTESEQUE. Etching, not dated, but circa 1920. Signed, lower right in pencil. Printed on cream-colored wove paper. 7 x 10 7/8 i...
Category

Early 20th Century Landscape Prints

Materials

Etching

The Water Lillies (C.M.)
By Ross Bleckner
Located in Fairfield, CT
Archival pigment print on Innova Etching Cotton Rag 315 gsm fine art paper
Category

2010s Landscape Prints

Materials

Rag Paper, Archival Pigment

Windswept Landscape Henry Moore drawing of Scottish landscape for W.H. Auden
By Henry Moore
Located in New York, NY
One of a series of 18 lithographs drawn by the artist fo¬r the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from the portfolio (edition of 75) and the book. Signed by the artist lower right in pencil; numbered lower left in pencil. Printed in inky black, this print features a shadowy landscape. Brush sweeps to the left, and the sky is drawn with long horizontal lines. In the bottom half of the composition, the ground looks rocky, perhaps dotted with shrubs. Windswept Landscape displays Moore’s fascination with light and dark – what he called a “…bias towards the blackness and mysterious depths.” Moore was inspired by the prints of Rembrandt and the drawings of Seurat, and even drew on his memories of viewing the Altamira cave paintings, recalling how some of the images used the shadow of candlelight on the rough surface of the rock to model light. Shortly before starting work on this series of lithographs, Moore had fallen ill, leaving him aware of his own mortality. His mood pervaded these prints with a sense of danger and foreboding. The Auden/Moore limited edition book and portfolio were exhibited on publication at the British Museum, London, with an accompanying catalogue. Windswept Landscape is one of a group of lithographs...
Category

Late 20th Century Modern Prints and Multiples

Materials

Lithograph

CANAL BRIDGE AMSTERDAM
By John Marin
Located in Santa Monica, CA
JOHN MARIN (1872 -1953) CANAL BRIDGE AMSTERDAM, 1906 (Zigrosser 13 i/ii) Etching, drypoint and plate tone. A PROOF IMPRESSION of the 1st state, Annotated...
Category

Early 1900s American Impressionist Landscape Prints

Materials

Etching

From the Ponte Vecchio
By John Taylor Arms
Located in Storrs, CT
From the Ponte Vecchio, Florence. 1925. Etching and aquatint. Fletcher catalog 159. state ii. Image: 11 1/8 x 15 1/4 (sheet 13 3/8 x 18 1/4). Edition 160 in this state (total edition...
Category

1930s American Modern Landscape Prints

Materials

Etching, Aquatint

Three Leaves
By Christine Ravaux
Located in New Orleans, LA
Ravaux used the rule of threes to show 3 pieces of Christmas ivy floating below three sources of light. Christine Ravaux is a Belgian artist who uses nature in much of her work whic...
Category

Early 2000s Modern Landscape Prints

Materials

Mezzotint

New Year s Eve
By Alex Katz
Located in New York, NY
Catalogue raisonné 00594 edition 16/43 Published by Simmelink-Sukimoto Editions Although best known for his portraits, Katz has depicted landscapes both inside the studio and out o...
Category

1990s Contemporary Landscape Prints

Materials

Aquatint

Veduta del Ponte e Castello Sant Angelo
By Giovanni Battista Piranesi
Located in New York, NY
Castello Sant Angelo from "Vedute di Roma" by Giovanni Battista Piranesi. 2nd Roman state, 1754. Etching on laid paper with a watermark of a Fleur-de-Lys in a double circle with CB a...
Category

1750s Landscape Prints

Materials

Laid Paper

Black Hawk Country — Early 20th-Century American Impressionism
Located in Myrtle Beach, SC
Ralph M. Pearson, 'Black Hawk Country', etching, second state, edition not stated, 1912. Signed, and titled in pencil. Inscribed 'Rock River Series Second...
Category

1910s American Impressionist Landscape Prints

Materials

Etching

Swing (The swing of the bat from #27 a right handed hitter. Play Baseball!
By Art Werger
Located in New Orleans, LA
Play Ball! No. 27 unleashes a mighty swing at the ball. Both umpire and catcher are in their huddled crouch. "Swing" is an exclusive publication of Stone and Press Gallery by Art We...
Category

Late 20th Century American Modern Figurative Prints

Materials

Mezzotint

January Snow, by Stephen McMillan
By Stephen McMillan
Located in Palm Springs, CA
This print recalls a scene in Bloedel Donovan Park, Lake Whatcom, Bellingham, Washington. A fresh dusting of snow is falling against the backdrop of a lake and forest. Signed, titled...
Category

Early 2000s Contemporary Landscape Prints

Materials

Etching, Aquatint

The Thrasher Place II
By John Cobb
Located in Dallas, TX
Born in Austin, Texas, in 1954, John Cobb knew he wanted to be an artist since he was 9. In 1976, he entered Rhode Island School of Design where his realist tendencies were ostracize...
Category

21st Century and Contemporary Realist Landscape Prints

Materials

Intaglio

Fifth Avenue Critics.
By John French Sloan
Located in Storrs, CT
Fifth Avenue Critics. 1909. Etching. Morse 128.x/xi. 6 x 8 (sheet 9 3/4 x 12 1/4). Edition 100 in this state (few proofs in earlier states, and a large unsigned edition printed for t...
Category

Early 1900s American Modern Figurative Prints

Materials

Etching

A 1929 Lithograph of "Old Fort Dearborn" by Raoul Varin
By Raoul Varin
Located in Chicago, IL
A 1930 lithograph on paper by artist Raoul Varin, titled "Old Fort Dearborn". Provenance: Arthur Ackerman & Son, Inc., Chicago, IL - Printed in 1930. Artwork size: 13" x 16 1/2"....
Category

1920s American Modern Landscape Prints

Materials

Paper, Lithograph

THE BURRO STATION - Large Etching with Incredible Detail. One of a Pair
By Reynold Weidenaar
Located in Santa Monica, CA
REYNOLD WEIDENAAR (1915 - 1985) THE BURRO STATION, 1946, Etching and drypoint on paper, Signed and titled in pencil from an edition of unknown size. Plate: 17" x 13": Sheet: 20.75" x 15.75". One of a pair of large format Mexican etchings...
Category

1940s American Realist Figurative Prints

Materials

Etching

Waiting For My Train(track crossings that create Chicago EL / Merchandise Mart)
By Martin Levine
Located in New Orleans, LA
Waiting for my Train is #55 from edition of 100. "Waiting for my train" is the stop right before the tracks cross, and create Chicago's famous "Loop", on the above ground EL. The M...
Category

1980s American Modern Landscape Prints

Materials

Etching, Aquatint

Trout Fishing on the Gunnison (Colorado)
By Adolf Dehn
Located in Fairlawn, OH
Trout Fishing on the Gunnison (Colorado) Lithograph, 1941 Signed and dated '42 in pencil lower right Annotated lower left: "40 Prints-The Gunnison River, Colorado-For Anne & Jack" Ed...
Category

1940s American Modern Landscape Prints

Materials

Lithograph

ALAMANDA
By Roi Partridge
Located in Santa Monica, CA
ROI GEORGE PARTRIDGE (1888 - 1984) ALAMANDA. 1937-42 (White 242), Etching edition 27, Signed In pencil and in plate. 13 7/8 x 9 7/8 inches. On a cream toned paper with full margin...
Category

1930s American Modern Landscape Prints

Materials

Etching

ALAMANDA
ALAMANDA
$575 Sale Price
25% Off
Distant Salute (Venice)
By James McBey
Located in Storrs, CT
1925. Etching. Hardie/Carter 250. 7 x 15 (sheet 11 3/8 x 18 1/8). Edition 80, #28. Signed and numbered in ink. A fine impression with plate tone, printed on antique cream-colored wo...
Category

Early 20th Century Modern Landscape Prints

Materials

Etching

Island Light, by Stephen McMillan
By Stephen McMillan
Located in Palm Springs, CA
Medium: etching and aquatint Edition of 120 Year: 2023 Image Size: 4 x 5 inches Signed, titled and numbered by the artist. The view west from Cypress Island off the coast of Washin...
Category

2010s Contemporary Landscape Prints

Materials

Etching, Aquatint

St. Mary s Church in Bibury, England
By John Taylor Arms
Located in New Orleans, LA
This image is stamped as being rom the personal collection of Arms Referenced as Fletcher #386 the image is signed .and inscribed in pencil and is from a small edition of 16. The An...
Category

1910s American Modern Landscape Prints

Materials

Etching

El Mercado de Pátzcuaro II
Located in Palm Springs, CA
El Mercado de Pátzcuaro II captures a glimpse of daily life in the highland town of Pátzcuaro, Michoacán. The scene shows three Indigenous figures, rendered with bold lines and earthy tones, standing amid the bustle of the market. Two men in traditional white cotton clothing and wide-brimmed straw hats stand in conversation, their woven baskets and bundles suggesting they are either arriving to sell goods or preparing to return home with their purchases. Beside them, a woman cloaked in a dark rebozo gazes outward, her expression reflective and steady, grounding the composition with a quiet dignity. The strong woodcut textures emphasize folds of fabric, rough straw, and woven fiber, reminding the viewer of the handmade traditions that sustain the culture. The marketplace of Pátzcuaro has long been a hub of commerce and cultural exchange, and Oñate’s print conveys both the social energy and the rooted traditions of this setting. The figures are depicted not as anonymous passersby but as individuals whose posture, clothing, and belongings tell stories of community, resilience, and labor. The muted yet warm palette, accented with yellows and reds, suggests early morning light spilling across the plaza’s cobblestones, while the abstracted background blocks provide rhythm and structure without distracting from the human presence. Francisco Rodríguez Oñate (1940–2019) was a distinguished Mexican post-war and contemporary artist whose career extended over several decades throughout Mexico, the United States, and Latin America. Born in Michoacán, he received his education at the Escuela Popular de Bellas Artes at the University of Michoacán, where he studied under esteemed artists such as Alfredo Zalce, Roberto Martínez, and Javier Arévalo...
Category

1990s Contemporary Portrait Prints

Materials

Watercolor, Woodcut

Navajo Medicine Ceremony of the Night Chant — Southwest Regionalism
By Ira Moskowitz
Located in Myrtle Beach, SC
Ira Moskowitz, 'The Three Gods of Healing (Navajo Medicine Ceremony of the Night Chant)', lithograph, 1945, edition 30, Czestochowski 148. Signed and titled in pencil. Signed and dated in the stone, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (2 1/4 to 2 3/4 inches), in excellent condition. Matted to museum standards, unframed. Image size 12 1/4 x 15 13/16 inches (311 x 402 mm); sheet size 17 1/8 x 20 7/8 inches (435 x 530 mm). ABOUT THIS WORK The nine-night ceremony known as the Night Chant or Nightway is believed to date from around 1000 B.C.E. when it was first performed by the Indians who lived in Canyon de Chelly (now eastern Arizona). It is considered the most sacred of all Navajo ceremonies and one of the most difficult and demanding to learn, as it encompasses hundreds of songs, dozens of prayers, and several highly complex sand paintings. And yet the demand for Night Chants is so great that as many as fifty such ceremonies might be held during a single winter season, which lasts eighteen to twenty weeks. The Night Chant is designed both to cure people who are ill and to restore the order and balance of human and non-human relationships within the Navajo universe. Led by a trained medicine man who has served a long apprenticeship and learned the intricate and detailed practices that are essential to the chant, the ceremony itself is capable of scaring off sickness and ugliness through techniques that shock or arouse. Once the disorder has been removed, order and balance are restored through song, prayer, sand painting, and other aspects of the ceremony. The medicine men who supervise the Night Chant ensure that everything—each dot and line in every sand painting, each verse in every song, each feather on each mask is arranged precisely, or it will not bring about the desired result. There are probably as many active Night Chant medicine men today as at any time in Navajo history due to the general increase in the Navajo population, the popularity of the ceremony, and the central role it plays in Navajo life and health. ABOUT THE ARTIST Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972. After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001. Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955). Moskowitz’s lithographs of...
Category

1940s American Modern Landscape Prints

Materials

Lithograph

Multitude II Henry Moore yorkshire landscape black and white abstract drawing
By Henry Moore
Located in New York, NY
One of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from t...
Category

Late 20th Century Abstract Prints

Materials

Lithograph

The Birth of Christ - With the Praying Shepherds
Located in Chicago, IL
A fine impression. With the address of P. Giffart. Mauperche produced over fifty engravings.
Category

17th Century Landscape Prints

Materials

Etching

London Bridge.
By William Lionel Wyllie
Located in Storrs, CT
London Bridge, London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 9 7/8 x 17 1/4). Mat line; otherwise fine condition. A rich impression with dryp...
Category

1920s Modern Landscape Prints

Materials

Drypoint, Etching

Coastal Fog
By Stephen McMillan
Located in Palm Springs, CA
Trees in fog. A band of fog off of the Pacific, pouring its way through the forest in Fiscalini Ranch, Cambria. Born in Berkeley, California, on December 21, 1949, he was raised in ...
Category

2010s Contemporary Landscape Prints

Materials

Etching, Aquatint

Landscape with Marching Soldiers
By Jan van Huchtenburg
Located in Chicago, IL
Etching from the Six Landscapes
Category

18th Century Landscape Prints

Materials

Etching

A Gable in the Grande Rue, Lisieux
By John Taylor Arms
Located in New Orleans, LA
This image is the 3rd etching created by Arms. It was printed byGrederick Reynolds in an edition of 116. Referenced as Fletcher #3 the image is the second in his Gable series. Lis...
Category

1910s American Modern Landscape Prints

Materials

Etching

Bridge: abstract black drawing based on Auden poetry and Yorkshire landscape
By Henry Moore
Located in New York, NY
One of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from t...
Category

Late 20th Century Modern Landscape Prints

Materials

Lithograph

Hollywood Fruit-Metrecal
By Ed Ruscha
Located in Miami, FL
TECHNICAL INFORMATION: Ed Ruscha Hollywood Fruit-Metrecal 1971 Silkscreen with grape and apricot jam and Metrecal 15 x 42 in. Artist’s Proof (one of 18 artist’s proofs, apart from t...
Category

1970s Pop Art Landscape Prints

Materials

Mixed Media, Screen

M s Orchard, by David Smith-Harrison
By David Smith-Harrison
Located in Palm Springs, CA
Signed, titled and numbered by the artist. This intaglio print shows an orchard combined with the classical architectural imagery that often accompany Smith-Harrison's portraits of ...
Category

Early 2000s Contemporary Landscape Prints

Materials

Aquatint, Etching

Nocturne
By David Everett
Located in Dallas, TX
David Everett was born in Beaumont, Texas, and received both his B.F.A. and M.F.A. from The University of Texas in Austin. Valley House began showing his multi-articulated, painted w...
Category

1990s Contemporary Animal Prints

Materials

Woodcut

The Expulsion, by Stan Washburn
By Stan Washburn 1
Located in Palm Springs, CA
Medium: Etching Edition of 120 Year: 1977 ImageSize: 2.5 x 4.5 inches Signed, titled and numbered etching from the edition of 90. A bemused ram stands by in the center, while God is...
Category

1970s Contemporary Landscape Prints

Materials

Etching

Les Arcades, Dieppe France (the arches along coastline of a town in Normandy)
By Stanley Anderson
Located in New Orleans, LA
The image show a panoramic view of the architectural arches and the boats in the harbor of Dieppe in Normandy France. Dieppe was occupied by German naval and army forces after the f...
Category

Early 20th Century Modern Landscape Prints

Materials

Drypoint, Etching

Reflection
By Ivan Valtchev
Located in New Orleans, LA
"Reflection" is an etching created in an edition of 50. This is impression #15. Ivan Valtchev, who was born in Germany, an internationally acclaimed scu...
Category

1990s Modern Figurative Prints

Materials

Etching

Reflection
Reflection
$112 Sale Price
25% Off
Tranquil Harbor (Gloucester, Massachusetts) — 1950s Cape Ann Regionalism
By Lawrence Wilbur
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur (1897-1988), 'Tranquil Harbor' (Gloucester, Massachusetts), wood engraving, edition 55, 1958. Signed in pencil, and signe...
Category

1950s American Modern Landscape Prints

Materials

Woodcut

Mooseplunge, 1976 51/100 - figurative, playful, pop-art, serigraph limited print
By Charles Pachter
Located in Bloomfield, ON
The iconic Canadian image of a moose— ‘the Monarch of the North’ is captured in this early serigraph by Charles Pachter. The black outline of a moose is viewed plunging off a cliff i...
Category

1970s Contemporary Figurative Drawings and Watercolors

Materials

Screen

Twilight - In Celebration of Pride Month
By Paul Wunderlich
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Paul Wunderlich created a series of 12 lithographs,Twilight together with his wife,...
Category

1970s Contemporary Nude Prints

Materials

Lithograph

Lotus
By Maki Hino
Located in New Orleans, LA
Hino creates a still life of a lotus from an edition of 65. A prominent figure in Buddhist and Egyptian culture, and native flower for both India and Vietnam, the lotus holds enormous symbolic weight. It spans various thousand-year-old Eastern cultures and yet, is still considered one of the most sacred flowers today. So what is it about this mysterious blossom that people find so enrapturing? Its colorful bloom is an obvious suspect, but the lotus also has a life cycle unlike any other. With its roots based in mud, it submerges every night into murky river water, and—undeterred by its dirty environment—it miraculously re-blooms the next morning without residue on its petals. Although cultures have their own interpretations of this daily process, there is a general consensus among ancient texts...
Category

1990s American Modern Still-life Prints

Materials

Mezzotint

Lotus
Lotus
$82 Sale Price
25% Off
Huge - CASTLE ROCK WYOMING (Jackson Hole),
By Werner Drewes
Located in Santa Monica, CA
WERNER DREWES (1899 - 1985) CASTLE ROCK WYOMING (Jackson Hole), (Rose RIII 194) Color woodcut Total edition XXX, Signed, annotated AP and dated '58 in...
Category

1950s Abstract Expressionist Landscape Prints

Materials

Woodcut

6 Tulips
By Ross Bleckner
Located in Fairfield, CT
Archival pigment print on Innova Etching Cotton Rag 315 gsm fine art paper
Category

2010s Landscape Prints

Materials

Rag Paper, Archival Pigment

Slope w.five trees
By Robert Kipniss
Located in New York, NY
“Slope w/five trees” is a drypoint engraving created by Robert Kipniss in 2020. The paper size is 12.50 x 10.50 inches and the printed image size is 6.75 x ...
Category

21st Century and Contemporary Modern Landscape Prints

Materials

Engraving, Drypoint

Spectre (an otherworldly landscape with trees and mountains under a dappled sky)
By Nicola Lopez
Located in New Orleans, LA
Lopez created her haunting landscape in an edition of 95 at Tamarind Institute. It is a four color-lithograph on white Revere silk paper. Collaborating Printer: Valpuri Remling. "O...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Lithograph

The Road to Heaste, Isle of Skye, Scotland, Black and White Large Landscape
By ALEX BOYD
Located in London, GB
The road to Heaste, Isle of Skye The road to Heaste on the Isle of Skye with a view of Beinn na Caillich and Blaven beyond. THE ROAD TO HEASTA, ISLE OF SKYE, 2012-2013 Fine Art Giclee Print (Archival Pigment Print from Wet plate collodion), in vintage frame saved from the Scottish castle... Image: 58 x 81 cm Frame: 85 x 110cm / 33.5 x 43.3 inches Series: The Dark Mountains (The Hebrides) / 'No Innocent Land' Signed on recto The series 'No Innocent Land' is a journey across the islands of Scotland using an antique process to document the dramatic landscapes of Scotland. Using a 100 year old camera, images have been made and developed by hand on mountain tops, in valleys, by the sides of lochs, and in some of Scotland's most beautiful landscapes. ALEX BOYD Alex Boyd's images represent a major addition to the tradition of modern landscape photography" - Robert Macfarlane, Author Alex Boyd is a landscape and documentary photographer, printmaker and writer. His work is primarily concerned with the Scottish landscape. As a photographer his work examines the role of early Scottish landscape photographers, often using antique processes such as the Victorian wet-plate collodion process using antique cameras in mountain environments. In 2019 he was awarded a Daiwa Foundation Scholarship to work and photograph the mountains of the Japan Alps centred on Mount Yari as well as shortlisted for the Hariban Award. He was the Mountain Photographer of the Year at the Kendal Mountain Festival in 2013, the UK's largest mountain festival. His work on the Cuillin mountains on the Isle of Skye as the Royal Scottish Academy's artist in Residence is in several National Collections. His work has been widely exhibited internationally with solo exhibitions at the Scottish Parliament, as well as group exhibitions at the Royal Academy, Royal Ulster Academy and the Royal Scottish Academy. His work is held in the collections of the National Galleries of Scotland, The Royal Photographic Society, the Royal Scottish Academy, the V&A in London and the Yale Centre for British Arts in the USA. His first book St Kilda - The Silent Islands was recently shortlisted for a Saltire Award. His second book The Isle of Rust, a collaboration with writer Jonathan Meades was, like his first book, named as a photography book of the year by The Scotsman. He is a Fellow of the National Library of Scotland, The Winston Churchill Memorial Trust, The Ballinglen Arts Foundation, and the Royal Society of Art. He is currently working on a PhD on Scottish Photography...
Category

2010s Romantic Black and White Photography

Materials

Archival Ink, Plate Glass, Archival Paper, Photographic Paper, Giclée, A...

Sparire 2, Enzo Cucchi dream scape surreal etching, aquatint and silkscreen
By Enzo Cucchi
Located in New York, NY
Sparire means "to disappear" in Italian. This large-scale, dreamlike print spans almost ten feet. Enzo Cucchi Sparire II, 1988 Color etching, aquatint and silkscreen 30 1/2 × 118 in...
Category

1980s Abstract Prints

Materials

Etching, Aquatint, Screen

Passage, by Art Werger
By Art Werger
Located in Palm Springs, CA
Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to complete. Anonymous pedestrians passing on a snowy walk through Central Park. Um...
Category

Early 2000s Contemporary Landscape Prints

Materials

Mezzotint

The Departure of the Argonaut by Francesco Clemente Alberto Sauvinio (portfolio)
By Francesco Clemente
Located in New York, NY
The Departure of the Argonaut (1918) is the travelogue and wartime diary of Alberto Savinio, one of the seminal figures in twentieth-century Italian arts and letters. Clemente's acco...
Category

1980s Abstract Figurative Prints

Materials

Lithograph

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