Recognized Dealers Landscape Prints
to
239
595
286
194
87
114
Overall Width
to
Overall Height
to
466
261
69
39
34
32
15
14
7
5
3
2
1
42
27
27
26
23
58
99
749
430
24
36
112
85
43
24
45
65
75
78
25
707
498
64
444
300
255
204
156
139
120
115
114
107
98
95
88
72
67
63
51
51
50
47
532
264
218
174
140
186
61
1,247
85
Beach and Willows
By Frederick Garrison Hall
Located in New York, NY
Frederick Garrison Hall (1879-1946), Beach and Willows, etching, c. 1920, signed in pencil by the artist (?) and annotated "by HPH". Reference: Elton Waylon Hall: Frederick Garrison ...
Category
1920s American Realist Landscape Prints
Materials
Etching
Paysage au Buttes-Chaumont (2nd Planche), 1920-21
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943) etching and engraving Paysage au Buttes-Chaumont (2nd Planche), 1920-21, signed and numbered ( 38/55) in pencil. Reference: Sylvain Laboureur 205. In very good condition with wide margins (remains of old hinging on margin verso, some showing through not near image). On white wove paper, 7 7/8 x 9 1/4, the sheet 10 x 13 1/2 inches, archival matting.
A fine, fresh and clear impression of this important cubist-influenced scene.
Jean-Emile Laboureur was born in Nantes in 1877. He traveled to Paris in 1895 intending to study law at the Sorbonne, but found himself drawn to the nearby famed Academie Julian, and although he never officially matriculated there, he became immersed in the Parisian art scene. Laboureur then traveled widely, staying for periods in the US and London, and studying classic art and printmaking in Italy and Germany. Although he had moved back to Paris by 1910, a time when analytical cubism was emerging in the work of Picasso and Braque, he continued working in an abstract, modernist mode, waiting until about 1913 or shortly thereafter to invent a cubist idiom all his own.
Cubism remained an important theme for Laboureur, a theme he varied, sometimes using it as a strong design or compositional component, sometimes only as a subtle background element. In Paysage aux Buttes...
Category
1920s Cubist Landscape Prints
Materials
Engraving, Etching
The Great Landscapes III
By Anthonie Waterloo
Located in Chicago, IL
3rd State
Watermark: Gekrontes Wappen. Similar to: Paschal Lamb on Shield, Ash & Fletcher no 29 B’a, dating this sheet to about 1651.
Category
Mid-17th Century Landscape Prints
Materials
Etching
Cincinnati Contemporary Arts Center
By Shepard Fairey
Located in Palm Desert, CA
A print by Shepard Fairey. “Cincinnati Contemporary Arts Center” is a contemporary, popular culture offset print on paper in black, red, and white by American street artist Shepard F...
Category
21st Century and Contemporary Contemporary Landscape Prints
Materials
Screen
Berthoud Pass, Rocky Mountain Skiing
Located in Brooklyn, NY
Berthoud Pass, located in the Rocky Mountains of Colorado, has a rich history associated with winter sports, skiing, exploration, and snowmobiling since the 1930s. An avid outdoors p...
Category
21st Century and Contemporary Abstract Impressionist Landscape Prints
Materials
Archival Ink, Rag Paper
The Thames and the Tower of London
By William Lionel Wyllie
Located in Storrs, CT
The Thames and the Tower of London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 10 1/4 x 17 1/4). Mat line; otherwise fine condition. A rich impr...
Category
1920s Modern Landscape Prints
Materials
Drypoint, Etching
$975 Sale Price
22% Off
Grotta Segreta
Located in Brooklyn, NY
This grandiose work is a beautiful depiction of an 18th-century Italian grotto, a secret haven adorned with lush foliage and cascading waterfalls. The scene encapsulates the historic...
Category
21st Century and Contemporary Renaissance Landscape Photography
Materials
Plexiglass, Archival Ink
Les Jardin des Tuileries
By Edouard Vuillard
Located in Fairlawn, OH
Signed by the artist in pencil upper right; Annotated in pencil by the artist below signature: "no 58"
Edition: Intended edition of 100 for Vollard's "Album des Peintres-Gravures" o...
Category
Late 19th Century Landscape Prints
Materials
Lithograph
Night Scene
By Roy Lichtenstein
Located in London, GB
Etching, aquatint and engraving in colours, 1980, on mould-made Lana paper, signed and dated in pencil, numbered from edition of 32 (there were also 12 artist's proofs), published by Tyler Graphics, Ltd., New York,with their blindstamp, 53 x 54.1 cm. (20 x 21 1/4 in.)
Catalogue Raisonne: Corlett 170; Tyler, 1987, cat no. 354:RL22
‘Night Scene’ is one of six intaglio prints Roy Lichtenstein...
Category
1980s Abstract Landscape Prints
Materials
Engraving, Etching, Aquatint
Piazza Giardino
By Kerry Hallam
Located in Greenwich, CT
Piazza Giardino from the ‘La Dolce Vita’ suite is a hand-enhanced serigraph on canvas, image size 18.5 x 22 inches, signed ‘Kerry Hallam’ lower right and annotated lower left. From t...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Canvas, Screen
Moonset Yangna
By William Acedo
Located in Palm Springs, CA
Linocut showing the downtown Los Angeles skyline. Yangna was the largest village of indigenous peoples located near downtown Los Angeles when the Spanish arrived. This print pays hom...
Category
2010s Contemporary Landscape Prints
Materials
Screen
$400 Sale Price
20% Off
Trees in Ranchitos I — Taos Modernism
By Andrew Dasburg
Located in Myrtle Beach, SC
Andrew Dasburg, 'Trees in Ranchitos I', lithograph, 1975, edition 20. Signed 'A. D.' in pencil. Annotated 'Trial Proof' in pencil, verso. A superb impression in warm black ink, on he...
Category
1970s Modern Landscape Prints
Materials
Lithograph
Mountain Colors, by Stephen McMillan
By Art Werger
Located in Palm Springs, CA
Spring Flowers on Mt Baker from Skyline Divide, Mt Baker Wilderness, WA.
"The trail out Skyline Divide follows a ridge toward Mt Baker. This was the view from my campsite on the rid...
Category
2010s Contemporary Landscape Prints
Materials
Etching, Aquatint
Untitled (Venice canal, man departing the gondola)
By Levon West
Located in Fairlawn, OH
Untitled (Venice canal, man departing the gondola)
Drypoint, c. 1930-1931
Signed in pencil lower right (see photo)
Annotated in the lower margin:
"Just a souvenir made ___ Monclair L...
Category
1930s American Impressionist Landscape Prints
Materials
Drypoint
Venetian Dawn
By Liudmila Kondakova
Located in Greenwich, CT
Venetian Dawn is a lithograph on paper with an image size of 3 x 3.75 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and ribbon' mo...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
Domino Books
By Fanny Brennan
Located in Greenwich, CT
Domino Books is a lithograph on paper with an image size of 2 x 4 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray frame. N...
Category
20th Century Surrealist Prints and Multiples
Materials
Paper, Lithograph
Untitled (Airport Paris)
By Peter Fischli
David Weiss
Located in New York, NY
Peter Fischli / David Weiss
Untitled (Airport Paris)
2008
Offset lithograph on three sheets
Each sheet: 51 1/4 x 32 5/8 inches; 130 x 83 cm
Edition of 100
Signed and numbered in ink ...
Category
Early 2000s Contemporary Landscape Prints
Materials
Lithograph
LUDGATE HILL
By Joseph Pennell
Located in Santa Monica, CA
JOSEPH PENNELL (1857- 1926)
LUDGATE HILL, 1906 (Wuerth 418)
Etching 10 ½ x 8 ¼ inches on full sheet 11 3/8 x 9 7/8 inches. with irregular deckle edges. Good condition. Wuerth’s assu...
Category
Early 1900s Impressionist Landscape Prints
Materials
Etching
Spring 1
By Alex Katz
Located in Boca Raton, FL
The Spring series represents Katz’s profound engagement with the cyclical nature of time. The abstracted compositions of falling leaves or budding branches embody a conceptual rather...
Category
21st Century and Contemporary Pop Art Landscape Prints
Materials
Screen
$12,000
A Charming Lithograph of a Carnival by Children
s Book Illustrator, Jo Poulson
Located in Chicago, IL
A charming 1930s, WPA era lithograph of young children on a carousel, created by noted children's book illustrator, Jo Poulson. Artwork size: 10 x 14 inches. Archivally matted to 16 x 20 inches. Signed and titled in pencil, inscribed "12 Proofs".
In 1904, Josephine Hollingsworth Poulson was born in Lebanon Indiana. In 1926, she graduated from the John Herron School of Art in Indianapolis and in 1929, she moved to Chicago to become an illustrator of children’s books. She continued her studies at the Art Institute of Chicago, studying with Francis Chapin. In 1942, she had a one-woman show of her watercolors at the Hoosier Art...
Category
1950s American Modern Landscape Prints
Materials
Lithograph, Paper
Dia de los Muertos, November 2, by Jos Sances
Located in Palm Springs, CA
Jos Sances’ Día de los Muertos, November 2 is a densely layered allegory reflecting on the long shadow of European “discovery” and its ongoing consequences. Rendered with Sances’ tra...
Category
2010s Contemporary Animal Prints
Materials
Screen
Early Morning Rain
By Norman Ackroyd
Located in Fairlawn, OH
Early Morning Rain
Etching & color aquatint, 1977
Signed, titled, numbered and dated in pencil
Edition: 40 (39/40)
Published by Associated American Artists, New York
Condition: Mint
...
Category
1970s Modern Landscape Prints
Materials
Aquatint
WORLD MAP - Planisphaerium Terrestre Sive Terrarum Orbis... 1696
By Carel Allard
Located in Santa Monica, CA
CAREL ALLARD (1648 – 1709)
PLANISPHAERIUM TERRESTRE SIVE TERRARUM ORBIS… 1696 (Shirley 578)
Engraving, 20 ½ x 23 ½”, sheet 21 x 24 1/8". A stunning double hemisphere World Map...
Category
17th Century Old Masters Landscape Prints
Materials
Engraving
Lullaby: Sleeping Head
By Henry Moore
Located in New York, NY
Paper: 25.25 x 20.5 in. / 64.1 X 52 cm.
Image: 10.75 x 11.5 in / 27.3 x 29.2 cm.
One of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 bo...
Category
Late 20th Century Modern Landscape Prints
Materials
Lithograph
Delphic Oracle collage by Joe Tilson with Greek writing and mythology
By Joe Tilson
Located in New York, NY
Delphic Oracle features a postcard of Greek ruins--the temple of Apollo. Greek language text regarding the Oracle of Delphi in multicolor with a labyrinth design. The Delphic Oracle ...
Category
1980s Contemporary Landscape Prints
Materials
Screen
The Master Smith
By James Abbott McNeill Whistler
Located in Storrs, CT
The Master Smith. 1895. Lithograph. Way 84; Levy 123; Tedeschi, Stratis and Spink 120.i/ii. 4 1/2 x 5 1/2 (sheet 76 x 5 3/8). Only 15 lifetime impressions (in 2 states) were listed by Way; Goulding printed 38 impressions on 14 December 1903. The stone was erased in 1903. Printed on cream wove proofing paper. Monogrammed with the butterfly in the stone. A fine impression of this extremely rare lithograph.
Tedeschi, Stratis, and Spink write, page 366: As originally transferred to stone, the image includes trial marks made with a pointed crayon to the left of the sitter's shoulder. There is also a smudge at lower right below the image and a small stry mark upper right. Only one impression of this state has been located. Now in the Britigh Museum, London, it once belonged to Thomas Way and is illustrated in the Levy (1975) catalogue.' The impression illustrated above lacks the stray mark on the right, as the sheet is too small to accommodate it.
Tedeschi, Stratis and Spink write, page 366: 'This portrait of George Govier, was drawn ad the master smith conversed with the artist during a break from his work. Govier was born in Lyme Regis...
Category
Late 19th Century Impressionist Figurative Prints
Materials
Lithograph
$5,000 Sale Price
33% Off
Street
By Patrick Hughes
Located in London, GB
Patrick Hughes
Street
2021
hand-painted multiple
38.9 x 74.8 x 19.6 cm (15¼ x 29½ x 7¾ in.)
edition of 50
Provenance
Direct from the artist’s studio
Notes
“I have lived and worked in Shoreditch for a quarter of a century and I have watched with delight and amazement the rise of Street Art...
Category
21st Century and Contemporary Contemporary Landscape Prints
Materials
Oil, Board
$11,454
Rustic Beauford S.C.
By Louis Oscar Griffith
Located in Fairlawn, OH
Rustic Beauford S.C.
Etching and drypoint on Vidalon paper, c. 1930's
Created during the artist's two visits to South Carolina.
Signed by the artist in pencil lower right
Titled in p...
Category
1930s American Impressionist Landscape Prints
Materials
Etching
Guardians of the Spire (Amiens Cathedral Number 2)
By John Taylor Arms
Located in Storrs, CT
Guardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...
Category
1920s American Modern Landscape Prints
Materials
Drypoint, Etching
$2,000 Sale Price
20% Off
Thin-lipped Armourer I: W. H. Auden poetry with Henry Moore, Yorkshire landscape
By Henry Moore
Located in New York, NY
This darkly-shaded portrait of two figures is one of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from the portfolio (edition of 75) and the book. Signed by the artist lower right in pencil; numbered lower left in pencil.
Printed in inky black, Thin-lipped Armourer features two figures subsumed in crosshatched shadow. The figure on the left can barely be seen, and the hollows of his eyes recall a skull. Numerous Moore prints from this series include two heads, perhaps relating to the first lines of Auden’s poem Lullaby. Lullaby was the first poem Moore read for this project, which begins:
“Lay your sleeping head, my love / Human on my faithless arm; / Time and fevers burn away Individual beauty from / Thoughtful children, and the grave / Proves the child ephemeral: / But in my arms till break of day / Let the living creature lie, / Mortal, guilty, but to me / The entirely beautiful.”
This print evinces Moore’s fascination with light and dark – what he called a “…bias towards the blackness and mysterious depths.” Moore was inspired by the prints of Rembrandt and the drawings of Seurat, and even drew on his memories of viewing the Altamira cave paintings, recalling how some of the images used the shadow of candlelight on the rough surface of the rock to model light. Shortly before starting work on this series of lithographs, Moore had fallen ill, leaving him aware of his own mortality. His mood pervaded these prints with a sense of danger and foreboding.
The Auden/Moore limited edition book and portfolio were exhibited on publication at the British Museum, London, with an accompanying catalogue. Thin-lipped Armourer I is one of a group of lithographs...
Category
Late 20th Century Modern Abstract Prints
Materials
Lithograph
The Passing Gondola
By James McBey
Located in Storrs, CT
The Passing Gondola. c. 1926. Etching. Edition 80, #18. Hardie/Carter 230. 8 1/2 x 10 1/2 (sheet 11 1/4 x 13). Illustrated: Fine Prints of the Year, 1927. Printed on antique wove pap...
Category
1920s Modern Landscape Prints
Materials
Drypoint, Etching
$2,000 Sale Price
20% Off
Outstanding Venice lagoon views etching in three part by Federica Galli
By Federica Galli
Located in Milan, IT
Trabucchi (which is a triptych, consisting of three platemarks and three sheets) is an exceptional work in terms of its size, especially considering that it was printed in 1987 when ...
Category
20th Century Contemporary Landscape Prints
Materials
Etching
Harney County, Oregon
By Robert Adams
Located in New York, NY
Robert Adams
Harney County, Oregon
2005
Set of four photogravures
Each image: 19 7/8 x 15 5/8 inches; 51 x 40 cm
Each frame: 29 x 25 inches; 74 x 64 cm
Edition of 30
Each signed, ...
Category
Early 2000s Contemporary Landscape Prints
Materials
Photogravure
Brookside
Located in New York, NY
Signed (at lower right): C A Walker
Category
Late 19th Century American Realist Landscape Prints
Materials
Monotype
The Last War-Whoop!
By Currier
Ives
Located in Palm Desert, CA
"The Last War-Whoop!" is a lithograph by Currier & Ives. The framed size is 26 x 32.62 x 1.25 inches.
Provenance:
Private Collection
Category
Late 19th Century American Realist Landscape Prints
Materials
Lithograph
Prehistoric Sighting Pacific Ocean (Goblin Sharks?)
Located in New Orleans, LA
This is a single color lithograph created by Matthew Roath as part of Tamarind Institute PTP. The Collaborating printer isAndreea Cristina Mateescu....
Category
21st Century and Contemporary American Modern Landscape Prints
Materials
Lithograph
$83 Sale Price
58% Off
Figures in a Landscape
By Gabriel Perelle
Located in Chicago, IL
A very fine impression
Category
17th Century Landscape Prints
Materials
Etching
The Church Tower and the Clock by David Hockney Brothers Grimm Fairy Tales
By David Hockney
Located in New York, NY
From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of ‘Fundevogel’. This etching is from the Brothers Grimm tale of ‘Fundevoge...
Category
1960s Figurative Prints
Materials
Etching, Aquatint
New York Skyline, Sketch
By John Taylor Arms
Located in Myrtle Beach, SC
A fine impression, on cream wove paper, with full margins (5/8 to 1 3/8 inches), in excellent condition. Edition 20. Signed and dated in pencil. Annotated 'Bolton Brown...
Category
1920s American Realist Landscape Prints
Materials
Lithograph
Atelier Mourlot - New York (NYC Skyline) by Bernard Buffet
By Bernard Buffet
Located in New York, NY
Arches Poster Paper - Perfect Condition A+
When The Mourlot Studio opened a branch in New York City, after a successful exhibition organized by the Smithsonian Institute in 1963, it...
Category
1960s Modern Landscape Prints
Materials
Lithograph
Fugue (Are these boats running away from the others)
By Anne Dykmans
Located in New Orleans, LA
In Anne Dykmans' "Fugue", sailing vessels race across the seas. This impression is #65 of 75 and is signed, titled and dated by the artist.
Anne Dykmans (Belgian, b. 1952)
Anne Dykma...
Category
1990s Contemporary Landscape Prints
Materials
Mezzotint
$90 Sale Price
25% Off
Magic (these two figures seated on a beach beneath an active sky evoke emotion)
By Anne Dykmans
Located in New Orleans, LA
An older couple sits on a beach facing the sea as a shooting object streaks through the sky. There is a feeling of connection and contentment conveyed through the imagery. Does the...
Category
1990s Contemporary Figurative Prints
Materials
Mezzotint
The Great Landscapes VI (2nd State)
By Anthonie Waterloo
Located in Chicago, IL
Watermark:
Wappen von Amsterdam mit Nebenmarke
Category
17th Century Old Masters Landscape Prints
Materials
Etching
Broad Street (Wall Street)
By Bror Julius Olsson Nordfeldt
Located in Myrtle Beach, SC
B.J.O. Nordfeldt, 'Broad Street (Wall Street)', etching, edition not stated, c. 1915. Signed in pencil. A superb impression, with rich burr, selectively wiped plate tone, and inky plate edges, on cream wove paper; the full sheet with margins (3/4 to 1 1/4 inches), in excellent condition. Printed by the artist. Matted to museum standards, unframed.
Impressions of this work are in the permanent collections of the Fine Arts Museums of San Francisco, Princeton University, Smithsonian American Art Museum.
A view looking down Broad Street past the New York Stock Exchange Building on the right with the columned Federal Hall...
Category
1910s American Impressionist Landscape Prints
Materials
Etching
Attraction 5 (Six men gaze rightward. 1 points upwards in landscape in turmoil)
By Maurice Pasternak
Located in New Orleans, LA
Maurice Pasternak created "Attraction 5", a mezzotint in an edition of 80 that depicts 6 men clearly attracted to something that appears outside the plane of the image. The men seem...
Category
1990s Contemporary Figurative Prints
Materials
Mezzotint
12th Street Walls — 1940s New York City
By Armin Landeck
Located in Myrtle Beach, SC
Armin Landeck, '12th Street Walls', etching, edition 100, first state, 1944, Kraeft 93. Signed in pencil. Initialed in the plate lower left. A superb, early impression, with all the ...
Category
1940s American Realist Landscape Prints
Materials
Drypoint
UP TO THE WOOLWORTH
By Joseph Pennell
Located in Santa Monica, CA
JOSEPH PENNELL (1857- 1926)
UP TO THE WOOLWORTH 1915 (Wuerth 673)
Etching, signed in pencil. Early state before additional work, especially before extensive darkening in the sky. I...
Category
1910s American Impressionist Landscape Prints
Materials
Etching
Standard Oil Building.
By Joseph Pennell
Located in Storrs, CT
Standard Oil Building. 1923. Etching. Wuerth 817. 12 1/4 x 9 1/4 (sheet 13 1/2 x 10 1/16). Edition probably 50. A glowing impression, printed by the artist on antique cream wove paper. Signed and annotated 'imp' in pencil. Housed in a 20 x 16-inch archival mat
proof printed by the artist. $875.
26 Broadway" is the home of the Standard Oil...
Category
Early 20th Century American Modern Landscape Prints
Materials
Etching
Wake on the Ferry.
By John French Sloan
Located in Storrs, CT
Wake on the Ferry. 1949. Etching. Morse catalog 313. state v. 5 x 7 (sheet 8 3/4 x 11 7/8). Edition of 350: 200 for the Art Students League and 150 for the artist. A fine impression ...
Category
1940s American Modern Figurative Prints
Materials
Etching
$1,750 Sale Price
22% Off
Chute I (the fall of ethereal creatures wandering in a hellish landscape)
By Maurice Pasternak
Located in New Orleans, LA
Maurice Pasternak has created a surreal landscape that includes several spirit-like creatures seeming to wander in an unknown landscape He moves images around on the paper to create ...
Category
Early 2000s Surrealist Landscape Prints
Materials
Mezzotint
Restaurant in Mott Street
By Charles Frederick William Mielatz
Located in New Orleans, LA
The image depicts a restaurant on New York's Mott Street with ornamental iron work on the balconies. There are six figures in the scene in various stages of contrast. Mott Street is considered the unofficial Main Street of New York's Chinatown. Ella Fitzgerald sang it best: “And tell me what street compares with Mott Street in July? Sweet pushcarts gently gliding by.”
CFW Mielatz was an early influence on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in pencil. It is part of the collection of New York's Metropolitan Museum of Art
C.F.W. Mielatz
American, 1860-1919
Born in Bredding, Germany in 1864, Mielatz emigrated to the United States as a young boy and studied at the Chicago School of Design. Mostly self-taught, his first prints were large New England landscapes reminiscent of the painter-etcher school of American Art. Around 1890 he started to produce prints of New York City and by the time of his death, the number totaled over ninety images. He was a master technician in the field of etching, reworking many of his plates to get the exact feeling he was seeking. Mielatz was a member of the New York Etching...
Category
Early 20th Century American Modern Landscape Prints
Materials
Drypoint, Etching
$412 Sale Price
25% Off
HORSE FRIGHTENED BY LIGHTNING - Proof imp - One of Sheet
s Most Important Prints
By Millard Sheets
Located in Santa Monica, CA
MILLARD SHEETS (1987 – 1989)
HORSE FRIGHTENED BY LIGHTNING, 1939
Lithograph signed in pencil, annotated “TRIAL PROOF”. The published edition is 75. Image, 17 x 22”. Sheet 19 ½” x 2...
Category
1930s American Modern Landscape Prints
Materials
Lithograph
Tent Rocks
By Brian Cobble
Located in Dallas, TX
Brian Cobble’s landscapes tend to particularly focus on the interplay of man and his surroundings, whether natural or built. A signature attention to the liminal aspects of a scene, ...
Category
21st Century and Contemporary Contemporary Landscape Prints
Materials
Linocut, Mulberry Paper
Purple Wind
By Alex Katz
Located in Fairfield, CT
Alex Katz was born in 1924 to a Jewish family in Brooklyn, New York, as the son of an émigré who had lost a factory he owned in Russia to the Soviet revolution. In 1928 the family moved to St. Albans, Queens, where Katz grew up. From 1946 to 1949 Katz studied at The Cooper Union in New York, and from 1949 to 1950 he studied at the Skowhegan School of Painting and Sculpture in Skowhegan, Maine. Skowhegan exposed him to painting from life, which would prove pivotal in his development as a painter and remains a staple of his practices today. Katz explains that Skowhegan's plein air painting gave him "a reason to devote my life to painting." Every year from early June to mid-September, Katz moves from his SoHo loft to a 19th-century clapboard farmhouse in Lincolnville, Maine. A summer resident of Lincolnville since 1954, he has developed a close relationship with local Colby College. From 1954 to 1960, he made a number of small collages of still lifes, Maine landscapes, and small figures. He met Ada Del...
Category
21st Century and Contemporary Pop Art Landscape Prints
Materials
Screen
$17,250
Lux Aeterna I (Eternal Light -The Requiem/ copters hover over fearful refugees)
By Ana Maria Pacheco
Located in New Orleans, LA
Ana Maria Pacheco portrays the fear and feelings of the displacement of refugees cowering beneath helicopters overhead. The title of the work refers ...
Category
1990s Contemporary Figurative Prints
Materials
Drypoint
Alington in Wiltshire (The First Swallow).
By Robin Tanner
Located in Storrs, CT
Alington in Wiltshire (The First Swallow). 1927. Etching. Garton 2.iv. 6 3/4 x 8 7/8 (sheet 10 1/2 x 13 1/2). Final state published by in an editon of 12 by Garton & Cooke in 1982 (Nicolson published an edition of 40 in 1927). In states iii and iv, the swallow of the title was removed. In state iv, the sky was re-etched and the cross-hatching was slightly finer. Signed in pencil.
Garton writes, page 11: "The design was based on the Anglican chapel-of-ease is the farmyard of Bulisge at Allinston near Chippenham....The print was originally entitled The First Swallow, but the swallow was burnished out before the 1927 edition....Fifty years later new work was effected in the worn-out areas of the sky and distance to produce prints which, in his opinion, were better than those of the original edition."
Robin Tanner was an English artist, etcher, and printmaker. He followed the visionary tradition of Samuel Palmer and English neo-romanticism. His etchings began following night-school classes at Goldsmiths College, London. He had been inspired by the major Samuel Palmer retrospective exhibition organized by Martin Hardie...
Category
1920s Modern Landscape Prints
Materials
Etching
$1,250 Sale Price
37% Off
Navajo Trading Post
— Southwest Regionalism, American Indian
By Ira Moskowitz
Located in Myrtle Beach, SC
Ira Moskowitz, 'Navajo Trading Post', lithograph, 1946, edition 30, Czestochowski 161. Signed and dated in the stone, lower left. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/2 to 3 1/8 inches). Pale mat line, otherwise in excellent condition. Matted to museum standards, unframed.
Image size 11 11/16 x 15 1/2 inches (297 x 395 mm); sheet size 16 5/16 x 191/8 inches (414 x 486 mm).
ABOUT THE ARTIST
Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972.
After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001.
Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955).
Moskowitz’s lithographs of American Indian...
Category
1940s American Modern Landscape Prints
Materials
Lithograph
February -- Orchid. (Nigatsu - Ranjo no saku).
By Shiko Munakata
Located in Storrs, CT
February -- Orchid. (Nigatsu - Ranjo no saku). 1956. Woodcut with hand-applied color from the verso. Kodansha vol.9 No. 125. 17 x 13 (sheet 18 1/4 x 21 1/2). Series: Calender in the ...
Category
Mid-20th Century Modern Landscape Prints
Materials
Watercolor, Woodcut
$6,500 Sale Price
35% Off
The Old Uppsala Church (Sweden)
Located in New Orleans, LA
"Old Uppsala Church" was done in small edition of 15. This impression is #3.
Gamla Uppsala (Swedish: Old Uppsala) is a parish and a village outside Uppsala in Sweden.
As early as the 3rd century AD and the 4th century AD and onwards, it was an important religious, economic and political centre. Early written sources claim that already during pre-history, Gamla Uppsala was well known in Northern Europe as the residence of Swedish kings of the legendary Yngling dynasty In fact, the oldest Scandinavian sources, such as Ynglingatal, the Westrogothic law and the Gutasaga talk of the King of the Swedes (Suiones) as the "King at Uppsala".
During the Middle Ages, it was the largest village of Uppland, the eastern part of which probably originally formed the core of the complex of properties belonging to the Swedish Crown, the so-called Uppsala öd, of which the western part consisted of the royal estate...
Category
Late 20th Century Modern Landscape Prints
Materials
Lithograph
$75 Sale Price
25% Off
Interiors VII: The Train from Munich, by Peter Milton
By Peter Milton
Located in Palm Springs, CA
The Train from Munich is a print for Milton's wife, Edith, referencing her escape from Germany in 1939. The image started with a photograph by Eugène Atget of a girl looking out of a...
Category
2010s Contemporary Landscape Prints
Materials
Engraving, Etching
