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Brazilian Rainforest
By Hiroki Morinoue
Located in Lyons, CO
Color woodcut, Edition 25. Morinoue first observed the Brazilian rainforest in 1997 when the exhibition he designed, The Kona Coffee Story: Along the Hawai'i Belt Road, was shown in...
Category

2010s Contemporary More Prints

Materials

Woodcut

Untitled (Sign), by Jenny Robinson
By Jenny Robinson
Located in Palm Springs, CA
Drypoint and monotype, signed and numbered by the artist. Robinson has been honored as the recipient of the Mario Avati Gravure Laureate Award from the Academie des Beaux Arts in Pa...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Drypoint

Bohemia
By Max Pollak
Located in New York, NY
Max Pollak (1886-1970), Bohemia, drypoint with wash and pencil additions, c. 1925, signed in pencil lower right and titled lower left. In very good condition, printed on a chine coll...
Category

1920s Realist Landscape Prints

Materials

Watercolor, Pencil, Drypoint

Low Tide
By Hiroki Morinoue
Located in Lyons, CO
Color woodcut, Edition 30 The left panel of Low Tide captures the play of light on water with abstracted colorful reflections. The right panel depicts a tr...
Category

21st Century and Contemporary Contemporary More Prints

Materials

Woodcut

Flores para la Ñusta I
By Ana Maria Hernando
Located in Lyons, CO
Color lithograph with cut outs, Edition 30. Flores para la Ñusta translates as "Flowers for the Ñusta". The artist states: "In the Andean cosmology, the Ñusta is the feminine ...
Category

21st Century and Contemporary Contemporary More Prints

Materials

Lithograph

Plane Tree B
By David Smith-Harrison
Located in Palm Springs, CA
Medium: hard ground etching and aquatint Image size: 7.5" x 5.5" Paper size: 13" x 11" Printing element: 1 copperplate Edition Size: 135 Beautiful etching and aquatint from an artis...
Category

1990s Contemporary Landscape Prints

Materials

Etching, Aquatint

Le Promenade au Phare
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Le Promenade au Phare, engraving, 1925, signed in pencil lower left and numbered lower right (24/70) [with the initial in the plate lower left]. Ref...
Category

1920s Cubist Landscape Prints

Materials

Engraving

Plane Tree A , with hand-coloring
By David Smith-Harrison
Located in Palm Springs, CA
Medium: hard ground etching and aquatint, with hand-coloring Image size: 7.5" x 5.5" Paper size: 13" x 11" Printing element: 1 copperplate Edition Size: 135 Beautiful etching and aq...
Category

1990s Contemporary Landscape Prints

Materials

Etching, Aquatint, Watercolor

Skyline from Pier 10, Brooklyn
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), Skyline from Pier 10, Brooklyn, etching, 1931, signed in pencil [also signed in the plate]. Reference: Sasowsky 129. First state (of 4). In very good cond...
Category

1930s American Realist Landscape Prints

Materials

Etching

Big Brother City
By Shepard Fairey
Located in Palm Desert, CA
A print by Shepard Fairey. “Big Brother City” is a contemporary, popular culture offset print on paper in black, red, and white by American street artist Shepard Fairey. The artwork ...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Screen

Big Brother City
Big Brother City
$4,800 Sale Price
20% Off
Loco-Erie Watering
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), Loco-Erie Watering, 1929, etching, signed in pencil lower right, and numbered (16) lower left. Reference: Sasowsky 85, fourth state (of 4). On Whatman pap...
Category

1920s American Realist Landscape Prints

Materials

Etching

Blossom Blizzard, Stanmer Park, Sussex; Spring landscape with Gold leaf
Located in London, GB
Print detail: Painting like photographic Fine Art Print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame. 41 x 57 cm (Framed) Glass Print from Edition of 1/5 Series: Blossom Blizzard (New Print on Glass edition 2022) About the work: "Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard. This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours. It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee. Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold. Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches. The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey
Category

2010s Impressionist Landscape Prints

Materials

Gold, Gold Leaf

Armistice Day, 1918
By William Meyerowitz
Located in New York, NY
William Meyerowitz (1898-1981), Armistice Day, 1918, etching with watercolor. Edition not stated. Signed in pencil. Signed and dated in the plate, lower left. Image size 9 3/4 ...
Category

1910s American Impressionist Landscape Prints

Materials

Watercolor, Etching

La Fumee du Bateau
By Jean-Francois Raffaelli
Located in New York, NY
Jean-François Raffaëlli (1850-1924), La Fumee du Bateau, color etching and drypoint, 1911, signed and numbered in pencil lower right. Reference: Delteil 98. In very good condition, ...
Category

1910s Realist Landscape Prints

Materials

Drypoint, Etching

A Street in Ventnor, Isle of Wight
By Theodore Casimir Roussel
Located in New York, NY
Theodore Roussel (1847-1926), A Street in Ventnor, Isle of Wight, etching, soft ground etching, drypoint, 1912, signed in pencil on the tab and inscribed...
Category

1910s Impressionist Landscape Prints

Materials

Drypoint, Etching

Sur la Côte
By Kerry Hallam
Located in Greenwich, CT
Sur la Côte is a serigraph on paper, image size 29 x 36 inches, signed ‘Kerry Hallam’ lower right and numbered lower left. From the edition of 550, numbered 190/250 (there were also ...
Category

20th Century Contemporary Prints and Multiples

Materials

Paper, Screen

Source de Vie
Located in Palm Springs, CA
Signed, titled and numbered artist proof (3/10). Daniel Beugniot, who signs his prints Dul, was born in Bordeaux in 1954 and died in April 2010. He spent many years teaching etching...
Category

1990s Contemporary Landscape Prints

Materials

Etching, Aquatint

Altendeich, by Alexander Eckener
Located in Palm Springs, CA
Signed and titled in the plate, and titled in pencil at bottom of sheet, as was common with Eckener prints. Very nice impression of this image of a farm at the edge of a canal in Altendeich, Germany circa 1905. Shee in in excellent condition. Eckener studied at the Academy of Fine Arts, Munich, from 1888 to 1892. After graduating, he returned to his home town and became part of the Ekensund Artists' Colony. In 1899, he went to Stuttgart and was accepted by the State Academy of Fine Arts. There, he was a master student of Leopold Graf von Kalckreuth. After 1908, he taught at that Academy himself and was named a Professor in 1912. His older brother, Hugo Eckener, commanded the airship Graf Zeppelin on its first flight...
Category

Early 20th Century Landscape Prints

Materials

Etching

Le Ferveur
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Le Ferveur, etching, engraving, roulette, drypoint, 1928, signed in pencil lower left, numbered lower right, and annotated “imp.” Reference: Laboure...
Category

1920s Realist Landscape Prints

Materials

Engraving, Etching

Lake of Dreams (Sacred Places)
Located in Greenwich, CT
Lake of Dreams is a serigraph on paper with an image size 24 x 20 inches, signed 'Ricker' lower right and annotated lower left. Framed in a contemporary gold-tone frame. Numbered 86/200, from the edition of 500 (there were also 50 Roman on paper, 200 Arabic on canvas and 50 Roman on canvas). Framed in a contemporary silver-tone moulding. Ricker created four stunning images for a suite titled ‘Sacred Places’ – all powerful images of earthly splendor. The vistas he paints, almost desolate in a primeval way, are a chorus of voices that sing of the glory of nature. In a style which he calls ‘Epic Visionary,’ he presents a view that is at once new and fresh and yet as deep-rooted and enduring as the pristine landscapes themselves. In the images of ‘Sacred Places,’ Ricker’s harmonious layering and blending of colors, muted blues and greens, contrast with the jutting precipices and craggy outcrops of rock that punctuate each portrait. The effects of the elements are visible and beautiful, creating carved layers in the rock and earth, and weaving a ribbon of shimmering water as a central feature in each work. “…these places…are sacred places – they are sacred because their beauty is so deep and mysterious that we are stopped in our tracks…for the moment, we can’t imagine anything better on earth or in heaven.” – Bruce Ricker...
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Paper, Screen

"Sin Fin"
By Rafael Ferrer
Located in Lyons, CO
Color woodcut. Rafael Ferrer depicts the intense life of the Caribbean in his paintings and prints. With hot colors, deep shadows and mysterious ...
Category

1990s Contemporary Landscape Prints

Materials

Woodcut

Aux Approches de Madrid (also Aux Abords de la Ville)
By Adolphe Beaufrère
Located in New York, NY
Adolphe-Marie Beaufrere (1876-1960), Aux Approches de Madrid (also Aux Abords de la Ville), drypoint, 1927, signed and numbered (14/55), from the edition of 55, with the blindstamp of Sagot, publisher (Lugt 2254). Reference: Morane 27-19. In good condition, on very thin cream Japan paper, 6 1/2 x 9, the sheet 8 3/8 x 11 1/4 inches, archival matting. A fine impression, with the drypoint burr extremely rich and effective (due in part to the use of a Japan paper, which tends to diffuse the ink surrounding the drypoint lines). Beaufrere was born at Quimperle, in Brittany, and though he traveled widely he re-connected with this area throughout his life. As a teenager he decided that he wanted to become an artist and he traveled to Paris where, shortly after his arrival, he encountered the eminent Gustave Moreau, who took him on as a student. Moreau encouraged him to study old master prints, especially the prints of Rembrandt and Durer, which were available in the Cabinet des Estampes in Paris – this was to be critical in his development. Beaufrere began printmaking in about 1904, with some woodcuts, but soon got into etching and engraving. Curiously, one of his colleague/teachers at the time was the Canadian etcher Donald Shaw MacLaughlan. He began showing his prints, with some success, but after his marriage in 1905, and with the urging of his new wife, moved out of Paris and back to Brittany. This move had a mixed effect on his career – contacts with other artists became fewer, but he did maintain gallery relationships, and the French countryside and it’s inhabitants would provide a continuing source of inspiration. During the Great War Beaufrere served in the infantry, and had few opportunities to make art. But he did study a volume of Rembrandt’s prints...
Category

1920s Modern Landscape Prints

Materials

Drypoint

Paysage au Tunnel
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Paysage au Tunnel, etching, 1920, signed in pencil lower left, numbered (19/55 ep) lower right and also titled lower left edge. Reference: Sylvain L...
Category

1920s Cubist Landscape Prints

Materials

Etching

Recodo
By Rafael Ferrer
Located in Lyons, CO
Color lithograph, Ed. 25. Rafael Ferrer depicts the intense life of the Caribbean in his paintings and prints. With hot colors, deep shadows and mysterious relationships among his f...
Category

1980s Contemporary More Prints

Materials

Lithograph

Beauties on the Beach with view of Mount Fuji
By Yoshu Chikanobu
Located in Burbank, CA
Shichirigahama, Sagami Province. A beauty in the foreground waves to her young companions, who run towards her on the beach. The beauty at left wears a western-style golden ring. We ...
Category

1890s Edo Landscape Prints

Materials

Handmade Paper, Mulberry Paper, Woodcut

Gabled Roofs
By James Abbott McNeill Whistler
Located in New York, NY
James Abbot McNeill Whistler (1834-1903), Gabled Roofs, lithograph, 1893. Reference: Chicago (Spink et al) 64, only state. From the lifetime edition of 12 (there was also a posthumou...
Category

1890s Impressionist Landscape Prints

Materials

Lithograph

In All Privacy
By René Lalonde
Located in Greenwich, CT
In All Privacy is a digital pigment print on paper, image size 20 x 20 inches and framed in a contemporary light wood frame. Signed 'RENÉ LALONDE' lower right and annotated lower lef...
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Paper, Digital Pigment

Awakening (9/40), mezzotint of rose by Marina Lazareva
By Marina Lazareva
Located in Palm Springs, CA
Signed, titled and numbered in pencil from the edition of 40. Atmospheric mezzotint still life of two roses. Marina Lazareva was born in Moscow in 1961. She is a member of Union of ...
Category

Early 2000s Contemporary Landscape Prints

Materials

Mezzotint

Blackfriar s Bridge, by Jenny Robinson
By Jenny Robinson
Located in Palm Springs, CA
This is one of three impressions pulled from the matrix of this monumental monoprint showing the remaining structures of a former bridge at Blackfriars in London. Robinson's primary ...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Monoprint

Squalicum Fog, by Stephen McMillan
By Stephen McMillan
Located in Palm Springs, CA
Signed, titled and numbered aquatint print, Printed on Arches Cover Paper. Fishing boats docked in Squalicum Harbor on a foggy October morning. This is a great example of McMillan's...
Category

2010s Contemporary Landscape Prints

Materials

Etching, Aquatint

Le Moulin Abandonné
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Le Moulin Abandonne, etching and engraving, 1934, signed lower left and numbered and annotated “imp” in pencil lower right....
Category

1930s Mannerist Landscape Prints

Materials

Engraving, Etching

Somos Puente
By Daniel Gonzalez
Located in Palm Springs, CA
Somos Puente (we are the bridge), shows one of the bridges over the Los Angeles River, dividing Hispanic East Los Angeles from the rest of the city. Downtown Los Angeles and mountains form the background. Daniel Gonzalez Is a Chicano artist who was raised in Los Angeles, and received his training at the California College of Arts and Crafts. He also apprenticed with Artemio Rodriguez...
Category

2010s Contemporary Landscape Prints

Materials

Linocut

Somos Puente
Somos Puente
$400 Sale Price
20% Off
Mountain Scene
By Ira Moskowitz
Located in New York, NY
Ira Moskowitz (1912-1985), [Mountain Scene], 1943, lithograph, signed in pencil lower right, numbered lower left (27/50) [also signed and dated 1943 in ...
Category

1940s American Realist Landscape Prints

Materials

Lithograph

Dancers
By Charles Eckart
Located in Palm Springs, CA
Black and white abstract print with from a series inspired by ground cover and vegetation. Charles Eckart was born in Oakland, California and grew up in Yosemite Valley. He is a pai...
Category

2010s Abstract Abstract Prints

Materials

Etching

Dancers
Dancers
$480 Sale Price
20% Off
Le Bourg de Batz
By William Strang, R.A., R.E.
Located in New York, NY
William Strang (1859-1921), Le Bourg de Batz, etching and drypoint on copper, 1913, signed in pencil lower right [also signed and dated in the plate]. Refere...
Category

1910s Realist Landscape Prints

Materials

Drypoint, Etching

A Douelan
By Adolphe Beaufrère
Located in New York, NY
Adolphe-Marie Beaufrère (1876-1960) A Douelan, etching, 1923, signed in pencil and numbered (21/50) [also initials and date in the plate]. Reference: Morane 23-07, BN Laran 175. Seco...
Category

1920s Realist Landscape Prints

Materials

Etching

Scylla, abstract etching by Christian Bozon
By Christian Bozon
Located in Palm Springs, CA
Signed, titled and numbered in pencil by the artist. Edition size: 50. Christian Bozon was born in Lons-le-Saunier, France in 1969. He was trained at the Art School of Besancon and ...
Category

21st Century and Contemporary Abstract Abstract Prints

Materials

Etching, Aquatint

Cinqueterre
By Kerry Hallam
Located in Greenwich, CT
Cinqueterre is a serigraph on paper, image size 32 x 27 inches, signed ‘Kerry Hallam’ lower right and numbered lower left. From the edition of 500, numbered XXXIX/L (there were also ...
Category

20th Century Contemporary Prints and Multiples

Materials

Paper, Screen

Tight Rope
By Fanny Brennan
Located in Greenwich, CT
Tight Rope is a lithograph on paper with an image size of 3 x 3.25 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary si...
Category

20th Century Surrealist Prints and Multiples

Materials

Paper, Lithograph

Three Fold Path:Time, etching and aquatint by Art Werger of California Coastine
By Art Werger
Located in Palm Springs, CA
Signed, titled and numbered from the edition of 10. This image was created by cutting the copper plates of a large trilogy of prints (Memory and Presence, which are also listed here)...
Category

Early 2000s Contemporary Landscape Prints

Materials

Etching, Aquatint

Venezia
By Edo Janich
Located in Palm Springs, CA
An evocative view of the Church of Santa Maria della Salute, Venice. The image is framed by the stone window and geometric pattern of iron over the window. Signed and numbered from the edition of 100. Engraver, sculptor and painter, Edo Janich...
Category

1970s Contemporary Interior Prints

Materials

Etching, Aquatint

COSI FAN TUTTE
By Roberto Matta
Located in New York, NY
color etching and aquatint. Edition 1/100 Fantastical Surreal Fantasy
Category

1970s Surrealist Mixed Media

Materials

Etching, Aquatint

"When the Moon and the Sky Talk About Flowers"
By Ana Maria Hernando
Located in Lyons, CO
The artist describes this project: “I paint and draw flowers, not only out of mesmerized wonder for their presence on earth, but also as a rebellion against the labels of “decorative”, “inconsequential” and “superficial” that have been equated historically to the art of women...
Category

2010s Contemporary More Prints

Materials

Lithograph

View of Piazzo San Marco in Venice
By Pierre Van der Aa
Located in New York, NY
Engraving of Veduta della Piazza di S. Marco, versoil Canale by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 11 x 13 5/8 in. Has the original center crease.
Category

1720s Landscape Prints

Materials

Paper

Mont. St. Michel
By Fanny Brennan
Located in Greenwich, CT
Mont St. Michel is a lithograph on paper with an image size of 3 x 3 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray frame...
Category

20th Century Surrealist Prints and Multiples

Materials

Paper, Lithograph

Clarity 4
Located in Palm Springs, CA
Signed, titled and numbered from the edition of 20. Daniel Beugniot, who signs his prints Dul, was born in Bordeaux in 1954 and died in April 2010. He spent many years teaching etch...
Category

1990s Contemporary Landscape Prints

Materials

Etching, Aquatint

Cliff Hanger
By Fanny Brennan
Located in Greenwich, CT
Cliff Hanger is a lithograph on paper with an image size of 2 x 1.75 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray frame...
Category

20th Century Surrealist Prints and Multiples

Materials

Paper, Lithograph

Auberge de Soleil
By Kerry Hallam
Located in Greenwich, CT
Auberge du Soleil is a deluxe, hand-enhanced serigraph on canvas, 22 x 44 inches and framed in a classic, gold-tone frame. Signed 'Kerry Hallam' lower left and numbered 180/250 lower...
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Canvas, Screen

Villa di Mare
By Kerry Hallam
Located in Greenwich, CT
Villa di Mare from the ‘La Dolce Vita’ suite is a hand-enhanced serigraph on canvas, image size 18.5 x 22 inches, signed ‘Kerry Hallam’ lower left and annotated lower right. From the...
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Canvas, Screen

Haiku
By Stephen McMillan
Located in Palm Springs, CA
The mist settling over a mountain lake. Based on a view of Diablo Lake in the North Cascades National Park, WA. Signed and numbered etching with aquatin...
Category

2010s Contemporary Landscape Prints

Materials

Etching, Aquatint

Terni 10-18/Aster Leaf, Grass and Moonwort in Violet + Scarlet
By Nina Tichava
Located in Denver, CO
Nina Tichava has created a set of nine vibrant monotypes created with etching ink on paper mounted on a panel and varnished with cold wax. Each print is framed floating in white with...
Category

2010s Contemporary Landscape Prints

Materials

Monotype

Basilica of Madeleine, Vezelay
By John Taylor Arms
Located in Fairlawn, OH
Basilica of Madeleine, Vezelay Etching, 1929 Signed and dated lower right (see photo) Annotated: "Third State" lower left Printed on a sheet of old book paper From: French Church Ser...
Category

1920s American Realist Landscape Prints

Materials

Etching

Paris Sunrise
By Kerry Hallam
Located in Greenwich, CT
Paris Sunrise is a hand-enhanced serigraph on canvas, image size 25 x 21 inches, signed ‘Kerry Hallam’ lower right and annotated lower left. From the edition of 281, numbered 81/250 ...
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Canvas, Screen

"Vacance" framed, signed 1980 limited edition serigraph by artist Hiro Yamagata
By Hiro Yamagata
Located in Boca Raton, FL
"Vacance" serigraph by artist Hiro Yamagata. Hand-signed Yamagata in front lower right corner. Hand-numbered 217/300. Image size: 21 x 26 3/4 inches.
Category

1980s Contemporary Landscape Prints

Materials

Screen

Pink Mountain
By Isca Greenfield-Sanders
Located in Fairfield, CT
Etching on paper. Edition of 35.
Category

2010s Landscape Prints

Materials

Paper, Etching

Light House, As an Arrow (plate)
By (After) Robert Rauschenberg
Located in New York, NY
for the Guggenheim Museum The back of the plate has a facsimile autograph and "Exclusive Edition for the Guggenheim Museum" and is dated 1997 LIGHT HOUSE, AS AN ARROW ...
Category

1990s Pop Art Landscape Prints

Materials

Porcelain

Mimosa Sept 29, 2021
By Donald Sultan
Located in Fairfield, CT
Silkscreen with enamel inks and flocking on Rising 4-ply museum board Edition 40 of 40
Category

2010s Contemporary Landscape Prints

Materials

Ink, Board

Paris Sunset
By Kerry Hallam
Located in Greenwich, CT
Paris Sunset is a deluxe, hand-enhanced serigraph on canvas, 21 x 28 inches and framed in a classic, gold-tone frame. Signed 'Kerry Hallam' lower right an...
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Canvas, Screen

Mountainscape Mural
Located in Brooklyn, NY
This expansive photo mural transforms a space with the grandeur of an 18th-century-style ink-wash drawing, depicting an epic mountainscape. The large-scale composition immerses viewers in a majestic panorama, where towering peaks and sweeping valleys unfold with breathtaking detail. The ink wash technique lends a timeless quality to the landscape, evoking the spirit of classical artistry. Each stroke captures the essence of a bygone era, inviting onlookers to be enveloped in the awe-inspiring beauty of this monumental mountainscape. Fidel Santos...
Category

21st Century and Contemporary Renaissance Landscape Photography

Materials

Plexiglass, Archival Ink

Santorini Dawn
By Liudmila Kondakova
Located in Greenwich, CT
Santorini Dawn is a lithograph on paper with an image size of 2.5 x 2 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and ribbon' mo...
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Paper, Lithograph

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