Landscape Prints on Sale

Morris Cox (1903-1998) Crash! An Experiment in Blockmaking and Printing, AP 6 of 8 colour prints in varied techniques, Gogmagog Press 1963 Image: 16.5 x 23.0 cm Frame: 32.0 x 38.0 c...

Morris Cox (1903-1998) Untitled Figure 1983 Image: 41.0 x 19.5 cm Frame: 57.5 x 35.5 cm Signed Provenance: Morris Cox Archive Morris Cox (1903-1998) Was a writer, poet, printmake...

Morris Cox (1903-1998) Crash! An Experiment in Blockmaking and Printing, AP 4 of 8 colour prints in varied techniques, Gogmagog Press 1963 Image: 16.5 x 23.0 cm Frame: 32.0 x 38.0 c...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

This exquisite heliogravure after Maurice Esteve (1904–2001), titled Sioule (Sioule), from the folio Maurice Esteve, Peintres d'aujourd'hui (Maurice Esteve, Painters of Today), origi...

Artist: Peter Max (1937) Title: Flowering Angel Year: 1973 Edition: 19/100, plus proofs Medium: Silkscreen on Arches paper Size: 30 x 23 inches Condition: Good Inscription: Signed an...

This exquisite lithograph after Fernand Leger (1881–1955), titled Nature morte (Still Life), from the folio Derriere le miroir, No. 79-81, originates from the 1955 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1955. This composition exemplifies Leger’s rhythmic balance of color, form, and movement, translating the mechanical vitality of modern life into a harmonious, humanized geometry. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Nature morte (Still Life), from the folio Derriere le miroir, No. 79-81 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1955 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 79-81, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1955 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght's belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for 39,241,000 USD at Sotheby’s, New York, on May 7, 2008. After Fernand Leger Nature morte 1955, Leger Derriere le miroir No. 79-81, Leger Mourlot...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph I, from the album Joan Miro Lithographs, Volume III 1964–1969, originates from the 1977 edition published by Mae...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Mehrere Kreise (Several Circles), from the folio Derriere le miroir, No. 118, originates from the 1960 edition p...

Artist: Tom Blackwell (1938-2020) Title: Shatzi Year: 1978 Medium: Silkscreen on Masonite Edition: 24/100, plus proofs Size: 47.25 x 61 inches Condition:...

This exquisite lithograph and pochoir by Victor Vasarely (1906–1997), titled Pamir (Pamir), from the album XXe Siecle, Nouvelle serie, XXe Annee, No. 10 (double), Mars 1958, originat...

Silkscreen on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the album, Numbers, 1968. Published by the Edition Domberger, Stuttgart, and G...

This exquisite lithograph by David Hockney (born 1937), titled Letter X, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...

This exquisite lithograph by Henri Laurens (1885–1954), titled Caractere (Character), from the album XXe Siecle, Nouvelle serie N°1, 1951, originates from the 1951 edition published ...

This exquisite lithograph after Jean Cocteau (1889–1963), titled El Cordobes (The Cordobes), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean Coctea...

This exquisite etching by Marie Laurencin (1883–1956), titled Huit filles dans un pre (Eight Girls in a Meadow), from the album Dix filles dans un pre. Ballet imaginaire. Avec quatre gravures a l'eau-forte de Marie Laurencin (Ten Girls in a Meadow. Imaginary Ballet. With Four Original Etchings by Marie Laurencin), originates from the 1926 edition published by Au Sans Pareil, Paris, and printed by Lacouriere, Paris, 1926. Huit filles dans un pre reflects Laurencin's poetic vision and her lyrical treatment of form and femininity, embodying the grace and delicacy that defined her distinctive style during the height of the Parisian avant-garde. Executed as an etching on velin d'Annonay, des freres Montgolfier paper, this work measures 7.5 x 5.5 inches. Unsigned and unnumbered as issued. The edition exemplifies the fine craftsmanship of Lacouriere, Paris. Artwork Details: Artist: Marie Laurencin (1883–1956) Title: Huit filles dans un pre (Eight Girls in a Meadow), from the album Dix filles dans un pre. Ballet imaginaire. Avec quatre gravures a l'eau-forte de Marie Laurencin (Ten Girls in a Meadow. Imaginary Ballet. With Four Original Etchings by Marie Laurencin) Medium: Etching on velin d'Annonay, des freres Montgolfier paper Dimensions: 7.5 x 5.5 inches (19 x 14 cm) Inscription: Unsigned and unnumbered as issued Date: 1926 Publisher: Au Sans Pareil, Paris Printer: Lacouriere, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Dix filles dans un pre. Ballet imaginaire. Avec quatre gravures a l'eau-forte de Marie Laurencin (Ten Girls in a Meadow. Imaginary Ballet. With Four Original Etchings by Marie Laurencin), published by Au Sans Pareil, Paris; printed by Lacouriere, Paris, 1926 Notes: Excerpted from the album (translated from French), XX examples on tank velin, with a double sequence of engravings, including one in the first state. These examples, reserved for Friends of the publisher and printed in their name, are numbered from I to XX; XXXV examples; LX examples on Holland Van...

This exquisite lithograph by Eduardo Chillida (1924–2002), titled Correlation, originates from the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. Correlation exemplifies Chillida’s masterful exploration of form, space, and equilibrium, transforming abstract geometry into a meditative dialogue between line and void. The work reflects the artist’s enduring search for spiritual and structural balance within the material world. Executed on velin paper, this lithograph measures 15 x 11 inches (38.1 x 27.9 cm). Unsigned and unnumbered, as issued. The edition reflects the exceptional quality and craftsmanship of the Maeght and Mourlot collaborations, embodying Chillida’s refined aesthetic of sculptural abstraction translated into graphic form. Artwork Details: Artist: Eduardo Chillida (1924–2002) Title: Correlation, from Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), 1960 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Unsigned and unnumbered, as issued Date: 1960 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), published by Maeght Editeur, Paris About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne de Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Eduardo Chillida (1924–2002) was a Spanish Basque sculptor and printmaker internationally celebrated for his monumental abstract works that explore the interplay between form, space, and material. Renowned for his mastery of iron, steel, stone, and concrete, Chillida created sculptural compositions that evoke both architectural strength and poetic balance, reflecting his lifelong dialogue between the physical and the spiritual. Emerging in postwar Europe, his art stands alongside that of the great modern masters—Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray—whose revolutionary approaches to form and perception shaped 20th-century art. Chillida’s work embodies a profound sense of harmony, rooted in the landscapes and philosophies of his native Basque Country, while maintaining a universal resonance. Exhibited internationally and collected by major institutions including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, his sculptures and works on paper continue to command global acclaim. The highest price ever paid for an Eduardo Chillida artwork is approximately $4.1 million USD, achieved in 2022 at Christie’s Paris for Buscando la Luz IV (2001). Eduardo Chillida Correlation, Chillida Derriere le Miroir, Chillida Maeght...

This exquisite lithograph by Franco Gentilini (1909–1981), titled Testa di fanciulla (Head of a Young Girl), from the album XXe siecle, Nouvelle serie, XL Annee, No. 50, originates f...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Le torero blesse (The Wounded Bullfighter), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithograph...

Artist: James Rosenquist (1933-2017) Title: Diver’s Line, State II (Glenn 167-A) Year: 1979 Medium: Etching, aquatint, stencil on Pescia Italia paper Edition: 28/78 Size: 22.75 x 40 ...

Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfolds, as issued. Notes: from the fo...

This exquisite lithograph after Georges Pierre Seurat (1859–1891), titled La banquiste (The Circus Performer), originates from the 1966 folio Derriere le Miroir, No. 158–159, publish...

Larger size hand-printed photograph than the other two listings of the same name. These iconic Monterey pines can be found all up and down the coast of northern California from San F...

This exquisite lithograph by Franco Gentilini (1909–1981), titled Testa di paggio (Page’s Head), from the album XXe siecle, Nouvelle serie, XLIIe Annee, No. 55, originates from the 1...

Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...

This exquisite lithograph after Marc Chagall (1887–1985), titled Der wiedergefundene Frieden (The Peace Restored), from Homer, Die Odyssee (The Odyssey), originates from the 1989 Ger...

This exquisite lithograph after Marc Chagall (1887–1985), titled Odysseus und Penelope (Odysseus and Penelope), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German...

This exquisite lithograph after Marc Chagall (1887–1985), titled Das Blutbad der Freier (The Slaughter of the Suitors), from Homer, Die Odyssee (The Odyssey), originates from the 198...

This exquisite lithograph after Marc Chagall (1887–1985), titled Der Bogen des Odysseus (The Bow of Odysseus), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-...

This exquisite lithograph after Marc Chagall (1887–1985), titled Penelope und der Bogen des Odysseus (Penelope and the Bow of Odysseus), from Homer, Die Odyssee (The Odyssey), origin...

Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Tir à l'arc mis en lu...

This exquisite lithograph after Marc Chagall (1887–1985), titled Der Kampf des Odysseus und des Iros (The Battle of Odysseus and Iros), from Homer, Die Odyssee (The Odyssey), origina...

This exquisite lithograph after Marc Chagall (1887–1985), titled Das Vorzeichen, Der Habicht und Taube (The Omen, The Hawk and the Dove), from Homer, Die Odyssee (The Odyssey), origi...

This exquisite lithograph after Marc Chagall (1887–1985), titled Odysseus und seine Gefährten (Odysseus and His Companions), from Homer, Die Odyssee (The Odyssey), originates from th...

This exquisite lithograph after Marc Chagall (1887–1985), titled Odysseus als Bettler verkleidet (Odysseus Disguised as a Beggar), from Homer, Die Odyssee (The Odyssey), originates f...

This exquisite lithograph after Marc Chagall (1887–1985), titled Odysseus bei Alkinoos (Odysseus at the Court of Alcinous), from Homer, Die Odyssee (The Odyssey), originates from the...

This exquisite lithograph after Marc Chagall (1887–1985), titled Die Fluten Verschlingen Odysseus (The Waves Engulf Odysseus), from Homer, Die Odyssee (The Odyssey), originates from ...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tityos (Tityus), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-language folio published by D...

This exquisite lithograph after Marc Chagall (1887–1985), titled Die Insel des Aiolos (The Island of Aeolus), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-l...

4 individual drypoint engravings sold as a grouping that forms the whole. There are only 5 sets. This is #2 of 5. Paper size is 30 x 32 cm. Paper is Grabado, Punta seca. We are ...

This exquisite lithograph after Marc Chagall (1887–1985), titled Polyphemos (Polyphemus), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-language folio publis...

This exquisite lithograph after Marc Chagall (1887–1985), titled Palast von Alkinoos (Palace of Alcinous), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-lang...

This exquisite lithograph after Marc Chagall (1887–1985), titled Versammlung der Götter (Assembly of the Gods), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German...

This exquisite lithograph after Marc Chagall (1887–1985), titled Frontispiz (Frontispiece), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-language folio published by Daco-Verlag Gunter Blase, Stuttgart, and printed by Lichtdruck AG, Zurich, Dielsdorf, September 1989. This authorized edition, issued under the direction of Vava Chagall, serves as the visual overture to the folio, encapsulating the poetic and mythic spirit of Homer’s epic. In Frontispiz, Chagall fuses dreamlike color and fluid form to evoke the eternal voyage of Odysseus—his trials, triumphs, and divine encounters—setting the tone for the rich sequence of illustrations that follow. Executed on 250 g/m² Butten Papierwerke Miliani AG, Fabriano paper, this lithograph measures 14.88 x 11.69 inches. Unsigned and unnumbered, as issued. The edition exemplifies the exceptional quality and precision of Lichtdruck AG’s craftsmanship, reproducing the depth and richness of Chagall’s original lithographs with remarkable fidelity. Artwork Details: Artist: After Marc Chagall (1887–1985) Title: Frontispiz (Frontispiece), from Homer, Die Odyssee (The Odyssey), 1989 Medium: Lithograph on 250 g/m² Butten Papierwerke Miliani AG, Fabriano paper Dimensions: 14.88 x 11.69 inches Inscription: Unsigned and unnumbered, as issued Date: 1989 Publisher: Daco-Verlag Gunter Blase, Stuttgart Printer: Lichtdruck AG, Zurich, Dielsdorf Condition: Well preserved, consistent with age and medium Provenance: From the folio Homer, Die Odyssee (The Odyssey), Daco-Verlag Gunter Blase, Stuttgart, 1989 Notes: Excerpted from the folio (translated from German), Imprint—The French edition, L'Odyssée, with the original lithographs by Marc Chagall was published in 1974/75 in a CCL-example edition by Fernand Mourlot, Paris. In 1989, with the authorization of Mrs. Vava Chagall, the German-language edition of the Odyssey in two volumes was published by Daco-Verlag Gunter Blase, Stuttgart. Volume I contains the songs I - XII with XX color plates, including IV on double pages and XIX gray printed reproductions in the text. Volume II contains the songs XIII - XXIV with XXIII color plates, including II on double pages and XX gray printed reproductions in the text. For the German text, the prose translation by Wolfgang Schadewaldt was chosen with the permission of Rowohlt Taschenbuch Verlag, Reinbek near Hamburg. Set design in the Berthold Garamond Antiqua by F+M Bauer...

A beautiful abstracted landscape, mixed media print and painting, in soft pastel hues by California artist Katherine Chang Liu (American, 20th-century). Signed and dated "Katherine C...

Both of Arms' Lake Como images were mostly printed in color. is a rarer black and white impression, John Taylor Arms was born in Washington, DC. He studied architecture at the Massa...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

‘Corvids Watching’ 2020 Image 49.5 x 44.5 cm woodcut (available from edition of 40. 35 prints Artist’s statement My preferred method of making images is through relief printmaking. I like exploring this expressive language in a dialogue between positive and negative, representation and abstraction, control and accident. I use lino...

This exquisite lithograph by Giuseppe Capogrossi (1900–1972), titled Litografia 75 (Lithograph 75), from the album XXe Siecle, Nouvelle serie, XXXIe Annee, No. 33, Decembre 1969, ori...

Artist: Jiang Tie-Feng (1938) Title: Four Songs of Spring Year: 1999 Medium: Silkscreen on Canvas Edition: XCIII/C, 200, plus proofs Size: Each individu...

Artist: Gene Davis (1920-1985) Title: Royal Curtain Year: 1980 Medium: Silkscreen on Arches paper Edition: 41/250, plus proofs Size: 30 x 21.5 inches Condition: Good Inscription: Sig...

This exquisite lithograph by Joan Miro (1893–1983), titled La danseuse espagnole (The Spanish Dancer), from the folio Derriere le miroir, No. 139–140, originates from the 1963 editio...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Reflet (Reflection), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean Cocteau), ori...

Original vintage poster: The Chateaux of the Loire, Go By Train, artist J. Jacquelin, size: 24" x 39", year: 1956. Original vintage European travel poster...

Title: Ascending Angel Year: 2000 Medium: Offset lithograph in colors on gloss archival paper Size: 36 x 24 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as iss...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Artist: Guillaume Cornelis van Beverloo, Corneille (1922-2010) Title: Les Deux Amies Year: 1979 Edition: 34/250, plus proofs Medium: Lithograph on wove paper Size: 19.5 x 25.5 inches...

Original movie poster: BREAK THROUGH. U. S. 1-sheet vintage, linen-backed vintage 1950 release. Very good condition; ready to frame. Breakthrough is a 1950 American war film di...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 1 (Plate No. 1), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositions...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph IV, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel, N...