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Art by Medium: Drypoint

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Medium: Drypoint
Drypoint Lambda I
Located in San Francisco, CA
This artwork titled "Drypoint Lambda I" 1980 is an original etching by noted American artist Ronald Davis, b.1937. It is hand signed, dated and numbered 9/25 in pencil by the artist....
Category

Late 20th Century Abstract Geometric Art by Medium: Drypoint

Materials

Drypoint, Etching

Grand Central, Night — 1920s New York City Realism
Located in Myrtle Beach, SC
Walter Tittle, 'Grand Central Night', drypoint, edition not stated, c. 1920s. Signed in pencil. Titled, and annotated '36.00' and with the inventory numb...
Category

1920s American Impressionist Art by Medium: Drypoint

Materials

Drypoint

The Pool of London.
Located in Storrs, CT
The Pool of London. c. 1915. Etching and drypoint. 7 7/8 x 15 7/8 (sheet 11 x 14 7/8 x 21 1/4). A rich impression with drypoint burr printed on the full sheet of simili-Japan paper. ...
Category

1910s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Manhattan Nocturne
Located in Myrtle Beach, SC
A superb, richly-inked, early impression, in warm black ink, on cream wove paper; the full sheet with wide margins (1 1/2 to 1 3/4 inches). Signed in pencil and dedicated by the art...
Category

1930s American Realist Art by Medium: Drypoint

Materials

Drypoint

Barnacle Geese Affrighted
Located in Middletown, NY
Etching and drypoint on cream wove paper, full margins. Signed and numbered 59/75 in pencil, lower margin. Notations in pencil along the lower sheet edge, recto, well outside of ima...
Category

Mid-20th Century Modern Art by Medium: Drypoint

Materials

Handmade Paper, Drypoint, Etching

Pierre-Auguste Renoir (1841-1919)  - On the beach at Bernegal
Located in Naples, Florida
Pierre-Auguste Renoir (1841-1919)  - On the beach at Bernegal
Category

20th Century Art by Medium: Drypoint

Materials

Drypoint

"Madame Georges Menier" Portrait, by Paul Cesar Helleu
Located in Hinsdale, IL
HELLEU, PAUL CÉSAR (1859 -1927) "MADAME GEORGES MENIER" Montesquiou XXI Drypoint in colors, c. 1900 Signed in pencil, lower right Printed on wove paper Full...
Category

Early 20th Century Art Nouveau Art by Medium: Drypoint

Materials

Drypoint

French Landscape - Original Etching by E. Corneau - 1930s
Located in Roma, IT
French Landscape is an original artwork realized by Eugène Corneau during the 1930s. Etching and drypoint on paper. Very good conditions except for some small folds on the left mar...
Category

1930s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Magnolia 10 - Contemporary Figurative Drypoint Etching Print, Flower, Floral
Located in Warsaw, PL
MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...
Category

2010s Contemporary Art by Medium: Drypoint

Materials

Paper, Drypoint, Etching

Pierre Auguste-Renoir "Le Chapeau Épinglé"
Located in Los Angeles, CA
"PIERRE-AUGUSTE RENOIR (1841-1919) Le Chapeau Épinglé, 1ère Planche (Delteil; Stella 6) Drypoint, 1894-95, on laid paper, with watermark MBM, an extr...
Category

1890s Art by Medium: Drypoint

Materials

Drypoint

Chelsea Old Church, London
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category

Early 20th Century Modern Art by Medium: Drypoint

Materials

Drypoint, Etching, Aquatint

Aphrodite - Héliogravure and Drypoint attr. to Salvador Dali - 1963
Located in Roma, IT
S. Dalì, "Aphrodite", Heliogravure and dry-point. Paris, Argillet. 1963-65. Image dimensions 49,2 x 39,7 cm. Beautiful Proof on vélin filigrané “Arches”, full margins, not signed....
Category

1960s Surrealist Art by Medium: Drypoint

Materials

Drypoint

Such a Tall Woman - Original etching - 1951
Located in Paris, IDF
Andre DERAIN Such a Tall Woman Original drypoint etching Stamp signature of the artist On vellum 45 x 34 cm (c. 18 x 14 in) Excellent condition
Category

1950s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

La Promenade
Located in Fairlawn, OH
La Promenade Etching, soft-ground, aquatint & drypoint, Signed in pencil lower left Published by Edmund Sagot, Paris Edition of 50 in black only, aside from the edition of 50 in co...
Category

Early 1900s Art Nouveau Art by Medium: Drypoint

Materials

Drypoint, Etching, Aquatint

A feminine thought Dieter Roth portfolio abstract geometric black white etching
Located in New York, NY
A Feminine Thought (portfolio), 1971 Plate 11.6 x 9.6 in. / 29.5 x 24.5 cm Paper 27.2 x 20.9 in. / 69 x 53 cm 2 prints in portfolio with label, intaglio printing (drypoint) in dark g...
Category

1970s Abstract Art by Medium: Drypoint

Materials

Drypoint, Etching

Ostend Horse
Located in Storrs, CT
Ostend Horse. 1926-27. Drypoint. Appleby 125. 7 x 815/16 (sheet 9 1/8x 12 1/5). Proof B, apart from the edition 100. A rich impression with tonal wiping and drypoint burr, printed on...
Category

1920s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Salvador Dalì (1904 - 1989) - Poseidon - drypoint etching hand-colored
Located in Varese, IT
Mixed media incorporating heliogravure and drypoint etching hand-colored on Arches paper , edited in 1966 Limited edition of 150 copies , numbered 18/150 in lower left Hand signed by...
Category

1960s Abstract Art by Medium: Drypoint

Materials

Drypoint, Etching

Salvador Dali "The Rider and the Deer" Drypoint
Located in Boston, MA
Artist: Dali, Salvador Title: The Rider and the Deer Series: Le Bestiaire de la Fontaine Date: 1974 Medium: drypoint with color added by stencil Unframed Dimensions: 22.83" x 29....
Category

1970s Surrealist Art by Medium: Drypoint

Materials

Drypoint, Stencil

Hooked Salmon, angling fish etching by George Marples, circa 1920
Located in Melbourne, Victoria
Marples was a painter, etcher, writer on ornithology, and principal of Huddersfield, Hull and Liverpool School of Art. He specialized in etchings of fish...
Category

1920s Other Art Style Art by Medium: Drypoint

Materials

Etching, Drypoint

Woman s Head - Woman s Head in Profile (left) (Havard)
Located in Fairlawn, OH
Woman's Head - Woman's Head in Profile (left) (Havard) Drypoint, 1920 Unsigned (as issued) From: The Drypoints of Elie Nadelman, 21 unpublished prints by the sculptor, proof from th...
Category

1920s American Modern Art by Medium: Drypoint

Materials

Drypoint

One Can t Tell Why - Proof from the Disasters of War
Located in New York, NY
Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...
Category

1810s Old Masters Art by Medium: Drypoint

Materials

Drypoint, Etching, Aquatint

Corkscrew Willows with Stairs - Hand Colored Drypoint Etching California Adobe
Located in Soquel, CA
Delicate and detailed etching by Orpha Klinker (American, 1891-1964). At the edge of an old Adobe building, a staircase leads to the second floor. The stucco on the walls of the building is cracked, revealing the stonework below. Next to the building is a garden with Corkscrew Willow trees. One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California. Signed in plate, lower left. Paper size: 8.5"H x 10.5"W Mat size: 10"H x 12"W Orpha Klinker (American, 1891-1964) graduated from Polytechnic High School, L.A. and later studied at U.C.L.A. Art School and at the Cannon Art School. Artists Paul Lauritz and Anna A. Hills of Laguna Beach were her first art teachers. She continued her study of art at the Julian and Colarossi Academies in Europe. Some of her earliest work was in designing. Many pages of her fine pen work drawings appeared in Los Angeles newspapers, illustrating the fashions of the day, not only in clothes but in furniture and other things. Then for a time she did her work in New York City and later with the Ladies Home Journal in Philadelphia. One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California. From the Mexican border to Death Valley she roamed, meeting and painting portraits of such characters as Death Valley Scotty, Shoshone Johnny, the ancient Indian who supposedly saw the first white man come to Death Valley, Emanuel A. Speegle, "The Last of the 49'ers" (over 90 years of age) and others. Orpha was active in keeping alive the memory of one historical event in particular, the signing of the Treaty of Cahuenga ending the Mexican War...
Category

1930s American Impressionist Art by Medium: Drypoint

Materials

Paper, Watercolor, Drypoint

Tete de Veau (Calf s Head)
Located in OPOLE, PL
Salvador Dali (1904-1989) - Tete de Veau (Calf's Head) Drypoint etching and watercolor from 1968. The edition 25/145. Dimensions of work: 38.5 x 28.5 cm. Hand signed. The work i...
Category

1960s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

The Picador Incites the Bull.
Located in Storrs, CT
The Picador Incites the Bull. 1911. Drypoint. Hardie 104. 6 1/4 x 9 7/8 (sheet 8 1/4 x 11 7/8). Edition 30, #5. Slight mat line, 1 hinge stain in the lower margin, well outside the i...
Category

1910s Modern Art by Medium: Drypoint

Materials

Drypoint

Salvador Dalí­ -- The Emerald Table
Located in BRUCE, ACT
Salvador Dalí­ The Emerald Table from Alchimie des Philosophes, 1976 Lithograph and drypoint on parchment Hand signed and Edition 179 / 225 Sheet size 77 x 56 cm Printer: Art Lithog...
Category

1970s Art by Medium: Drypoint

Materials

Drypoint, Lithograph

A Shattering Entrance upon the American Stage
Located in OPOLE, PL
Salvador Dali (1904-1989) - A Shattering Entrance upon the American Stage Drypoint etching with stencil from 1973. Editon A 55/195 on Arches paper. Dimensions of work: 65.4 x 50.4...
Category

1970s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

The Bridge, Santa Maria
Located in New York, NY
James Whistler (1834-1903), The Bridge, Santa Marta, 1879-80, etching with drypoint, printed in sepia on fine laid paper. Signed with the butterfly and inscribed imp on the tab (also with an exceedingly light butterfly lower right in the plate). Kennedy 204, probably eighth (final) state; Glasgow 201, probably state 9 (of 9) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011), Lochnan 199. Trimmed to the platemark by the artist, h: 11.8 x w: 7.9 in / h: 30 x w: 20.1 cm. A fine impression, printed with subtle tone. The bridge theme occurs repeatedly in Whistler’s vistas. It is also the main focus of more than one of the Venetian prints. While some bridges are seen from below, from where one would see it if approaching in a gondola (for example Ponte del Piovan, Kennedy 209), The Bridge depicts the scene from a high perspective, opening up the view into the far distance. The small boat approaching the arch in the foreground is again, as in the earlier Thames prints, a stock motif that is probably ultimately derived from the Japanese woodcuts of Hokusai and Hiroshige. The bridge here is the Ponte de le Terese over the Rio de l’Arzere in the Santa Marta quarter. The early biography of Whistler by Elizabeth and Joseph Pennell is essential for its “immense quantity of information” but also notorious for “the inherent hyperbole and misinformation” (Eric Denker, Annotated Bibliography, in Fine, p. 184). Still, it is worth quoting from the Pennels’ appraisal of The Bridge: “Simplicity of expression has never been carried further. Probably the finest plate, in its simplicity and directness, is The Bridge. Whistler now obtained the quality of richness by suggesting detail, and also by printing. In The Traghetto...
Category

1870s Impressionist Art by Medium: Drypoint

Materials

Drypoint, Etching

Dulcinea - Figurative Drypoint Print, Colorful, Polish Art
Located in Warsaw, PL
Subject for this artwork comes from Miguel de Cervantes' book. The print comes from edition limited to 5. CZESLAW TUMIELEWICZ (b. 1942) In 1968, he studied at the Architecture facul...
Category

2010s Contemporary Art by Medium: Drypoint

Materials

Paper, Drypoint, Watercolor

Mein Weg mit dem Weib #14 - Original Etching by W.R. Rehn
Located in Roma, IT
Drypoint and aquatint (brown ink) on cream paper. Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fr...
Category

1910s Symbolist Art by Medium: Drypoint

Materials

Drypoint, Aquatint

Nude VIII - XXI Century, Contemporary Figurative Drypoint Etching Print
Located in Warsaw, PL
MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...
Category

2010s Contemporary Art by Medium: Drypoint

Materials

Paper, Drypoint, Etching

Lice
Located in Fairlawn, OH
Lice (Mallards grooming themselves) Drypoint, 1927 Signed and dated lower right (see photo) Titled lower left corner Condition: Excellent Image/Plate size: 6 7/8 x 10 3/4 inches Shee...
Category

1920s American Realist Art by Medium: Drypoint

Materials

Drypoint

La Réparation: Spiral Woman -- Portrait, Woman, Feminist Art by Louise Bourgeois
Located in London, GB
La Réparation: Spiral Woman, 2003 Louise Bourgeois Drypoint and engraving, with selective wiping On Hahnemuehle copperplate warm white wove Signed, dated and numbered 25 from the ed...
Category

Early 2000s Feminist Art by Medium: Drypoint

Materials

Drypoint

Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Southampton, NY
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category

1950s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Cartas de Japon by Ray Smith surreal Dali esque print Japanese portfolio
Located in New York, NY
Ray Smith's aptitude for the surreal is apparent in this portfolio of six drypoint prints, presented in a portfolio case. Each image depicts an intriguing, fantastic landscape populated with chimeric nudes. Each one is carefully printed to appear as if doodled on lined notebook paper with ballpoint pen: Japanese letter paper chine-colle on Kizuki Hosho paper. Translated as "Letters from Japan," Cartas de Japon plays on tropes of an exotic, faraway land. The series of prints perhaps pictures Japan in the imagination of westerners, who for centuries speculated that those from other continents had wildly different bodies and customs. The title may be a reference to iconic Mexican director Carlos Velo's 1973 film Letters from Japan. Cartas del Japon, 1988-89 Portfolio of 6 drypoint prints printed on Japanese letter paper mounted on Kizuki Hosho paper Plate 6 x 7.8 in. Paper 18 x 23.4 in. Ed. 30 with three artist proofs. Printed by Hideharu Mishio, Norimasa Mizutani, and Marie Okada at Woodblock Workshop. Published by AC&T CORPORATION, Tokyo, 1989. Per the Broad: "Ray Smith’s paintings incorporate surrealistic and animistic tendencies informed by his Latin heritage as well as deep study of the history of modern art. Smith was born near the Texas/Mexico border...
Category

1980s Pop Art Art by Medium: Drypoint

Materials

Drypoint

Aphrodite - Héliogravure and Drypoint attr. to Salvador Dali - 1963
Located in Roma, IT
Attr. to S. Dalì, "Aphrodite", Heliogravure and dry-point. Paris, Argillet. 1963-65. Image dimensions 49,2 x 39,7 cm. Beautiful Proof on vélin filigrané “Arches”, Signed and Dated...
Category

1960s Surrealist Art by Medium: Drypoint

Materials

Drypoint

Venise, Nina
Located in Fairlawn, OH
Venise, Nina Etching and drypoint, 1923 Signed lower left (see photo) Titled lower right (see photo) Edition 100 Edition: 100 Printed on light green chine collee paper Condition: Exc...
Category

1920s Impressionist Art by Medium: Drypoint

Materials

Drypoint

Salvador Dali, Le Cerf Malade Signed Etching Engraving, Color Lithograph Pochoir
Located in Surfside, FL
An original signed drypoint etching with color pochoir by Spanish artist Salvador Dali titled "La Cerf Malade", depicting a stag deer, from the Portfolio: Le Bestiaire de la Fontaine...
Category

1970s Surrealist Art by Medium: Drypoint

Materials

Color, Drypoint, Etching

The Examination - Original etching - 1951
Located in Paris, IDF
Andre DERAIN The Examination Original drypoint etching Stamp signature of the artist On vellum 45 x 34 cm (c. 18 x 14 in) Excellent condition
Category

1950s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Southampton, NY
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category

1950s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Le peintre au cirque
Located in Wien, 9
- Plate 55 from the Suite 156 - with stamp signature - dated in the plate 2.3.70 - edition 26/50 - cat. raisonné Bloch 1910
Category

1970s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Nude - Original Etching and Drypoint - Mid-20th Century
Located in Roma, IT
Nude is an original print in etching and drypoint on white paper realized by an anonymous artist of the Mid-20th Century. In very good conditions. The artwork created through confid...
Category

Mid-20th Century Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Two Nude Women Surprised - Original etching - 1951
Located in Paris, IDF
Andre DERAIN Two Nude Women Surprised Original drypoint etching Stamp signature of the artist On vellum 45 x 34 cm (c. 18 x 14 in) Excellent condition
Category

1950s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Mein Weg mit dem Weib #18 - Original Etching by W.R. Rehn
Located in Roma, IT
Drypoint and aquatint (brown ink) on cream paper. Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fr...
Category

1910s Symbolist Art by Medium: Drypoint

Materials

Drypoint, Aquatint

Salvador Dali "King Lear"
Located in Boston, MA
Artist: Dali, Salvador Title: King Lear Series: Much Ado About Shakespeare Date: 1968 Medium: original drypoint engravings Unframed Dimensions: 17.72" x 12.6" Framed Dimensions:...
Category

1960s Surrealist Art by Medium: Drypoint

Materials

Engraving, Drypoint

Two nudes - Figurative etching print, Monochromatic, Minimalistic, Female nude
Located in Warsaw, PL
LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts) in the studios of professors Władysław Strzemiński, Adam Rychtarski, Stefan Wegner and Ludwik Tyrowicz. He graduated with special award from the Academy of Fine Arts in Krakow in 1954. In 1958 he became a member of the Piąte Koło association ("Fifth Wheel...
Category

Early 2000s Contemporary Art by Medium: Drypoint

Materials

Watercolor, Paper, Drypoint

George Constant, When We Were Very Young
Located in New York, NY
The Greek-American artist George Constant is known for his modernist approach to traditional subject matter. This portrait of a young woman holding a book titled "When We Were Very Young...
Category

1930s American Modern Art by Medium: Drypoint

Materials

Drypoint

The Traghetto
Located in New York, NY
James Whistler (1834-1903), The Traghetto, etching and drypoint, 1879-80, signed with the butterfly on the tab and inscribed “imp”. Reference: Kennedy 19...
Category

1870s Impressionist Art by Medium: Drypoint

Materials

Drypoint, Etching

Untitled (Venice canal, man departing the gondola)
Located in Fairlawn, OH
Untitled (Venice canal, man departing the gondola) Drypoint, c. 1930-1931 Signed in pencil lower right (see photo) Annotated in the lower margin: "Just a souvenir made ___ Monclair L...
Category

1930s American Impressionist Art by Medium: Drypoint

Materials

Drypoint

Greville Smyth Pine, Limited edition print, Landscape, Tree, Nature art
Located in Deddington, GB
A very detailed drypoint etching of a Pine tree printed onto gampi Japanese tissue and backed onto Hahnemule printmaking paper. This print considers how we view the contemporary sublime landscape and how easy it can be to experience when we take the time to look. We often don’t have to travel far: parks in cities, the coastline and stars in the night sky. The mature Scots Pine tree pictured...
Category

2010s Contemporary Art by Medium: Drypoint

Materials

Drypoint, Etching

Snow Geese (Wyoming)
Located in Fairlawn, OH
Snow Geese (Wyoming) Drypoint, c. 1947 Signed in pencil lower right (see photo) Title in pencil lower left (see photo) Note: This image is reprodcued in a Photogravure for Ducks Unlimited in 1947. This is the first original drypoint version. Condition: Excellent Image/Plate size: 8 3/8 x 6 7/8 inches Reference: Archives West #101 Kleiber 134 Hans Kleiber (1887-1967) Hans Norbert Kleiber, painter, etcher, illustrator, and naturalist, was born in Cologne, Germany on August 24, 1887. He emigrated from Germany to the United States in 1900, settling in Massachusetts before moving to Wyoming. Kleiber first worked in lumber camps before working for the United States Forest Service from 1906 until 1924. One of his duties as a ranger was to monitor the logging camps in the Bighorn Mountains. Kleiber was primarily self-taught as an artist and it was in the 1920s that he began devoting himself to art. It appears that he first began to work in watercolor and oil but was producing etchings and drypoints as early as 1924. He traversed the mountains of Wyoming, Montana, and Idaho, and his subjects are drawn from the pristine landscapes and wildlife. Kleiber's first exhibition of his etchings was mounted in 1928 at Goodspeed's Book Shop in Boston. His etching, Crossing the Platte, was included in the 1939 New York World's Fair exhibition, American Art Today. There was an exhibition of fifty of his etchings at the National Museum in 1944, and an exhibition of his watercolors was mounted at the Grand Central Galleries in New York in 1950. Kleiber was a member of the Society of American Etchers and the California Society of Printmakers. He received a silver medal in 1931 from the Printmakers Society of California for his print, Leaving the High Country...
Category

1940s American Realist Art by Medium: Drypoint

Materials

Drypoint

Autumn Light
Located in Deddington, GB
This print of a tree uses litho printed kitakata chine collé to depict the warmth and colour of early autumnal sunlight. The depth of the blacks along with the layering, allude to th...
Category

2010s Contemporary Art by Medium: Drypoint

Materials

Drypoint

Cobea (Pisum Sensuale), Surrealist Drypoint Etching by Salvador Dali
Located in Long Island City, NY
This surreal botanical print by Salvador Dali is from a suite of 10 engravings called "Flora Dalinae". Growing from a vine are leaves shaped like lips an...
Category

1960s Surrealist Art by Medium: Drypoint

Materials

Drypoint, Etching

Crab, Plaice and Prawns
Located in New York, NY
A contemporary of David Hockney and Peter Blake, Colin Self is an important British printmaker whose innovative etching techniques and novel use of found materials have defined his d...
Category

Early 2000s Expressionist Art by Medium: Drypoint

Materials

Drypoint

Self-Portrait I, Modern Drypoint and aquatint by Andre Masson
Located in Long Island City, NY
Andre Masson, French (1896 - 1987) - Self-Portrait I (Portrait de l'artiste I), Year: 1946, Medium: Drypoint and aquatint on BFK Rives, signed and numbered in pencil, Edition: 50,...
Category

1940s Modern Art by Medium: Drypoint

Materials

Drypoint, Aquatint

Mein Weg mit dem Weib - Original Etching by W.R. Rehn
Located in Roma, IT
Etching and aquatint on cream paper. Signed in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Plate in excellent co...
Category

1910s Symbolist Art by Medium: Drypoint

Materials

Drypoint, Aquatint

Celestial Nymph I
Located in New York, NY
Elyse Ashe Lord (1900-1971), Celestial Nymph I, c. 1930, color etching, soft ground, drypoint; signed lower right in pencil and numbered by the artist lower left. In very good condition, the full sheet, 8 1/4 x 10, the sheet 17 x 13 1/2 inches. A fine impression, with strong color and plate tone on the nymph and surrounding decorations, and with pencil additions in various places on the nymph by the artist (using the same pencil as with signing). Printed on a light laid ivory Japan paper. Provenance: Kennedy Galleries, New York (with their stock number A 32064) Elyse Ashe Lord developed her unique artistic style exclusively around oriental subject matter. Her art was inspired by both Chinese art and various aspects of oriental culture. Although E.A.Lord never actually travelled to China, she used Chinese paintings, embroideries and wall hangings, together with objects from surrounding Eastern countries, as the sources for her images. The highly individual style which Elyse Lord created reflects both this source material and the influences of Art Deco and early 1920’s fashion. In particular, Elyse Lord is unusual in combining the technique of drypoint with woodcut colour printing. She uses the drypoint design almost as the Japanese would have used a key block in multiple block colour printing. The colours would then be added by over-printing the drypoint design using colour-inked wood blocks, precisely as displayed by this unique series of progressive proofs. Elyse Lord would always supervise the difficult process of printing her plates and blocks, in person. [I am indebted to Michael Campbell...
Category

1930s Other Art Style Art by Medium: Drypoint

Materials

Drypoint, Etching

Nocturno
Located in Palm Springs, CA
Signed and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. He has decided against...
Category

21st Century and Contemporary Abstract Art by Medium: Drypoint

Materials

Drypoint, Aquatint

Salvador Dali "Under the Parasol Pine"
Located in Boston, MA
Artist: Dali, Salvador Title: Under the Parasol Pine Series: Tristan et Iseult Date: 1970 Medium: drypoint printed in color Framed Dimensions: 25.5" x 20" Signature: Pencil s...
Category

1970s Surrealist Art by Medium: Drypoint

Materials

Drypoint

Salvador Dali "God, Time, Space, and the Pope"
Located in Boston, MA
Artist: Dali, Salvador Title: God, Time, Space, and the Pope Series: After 50 Years of Surrealism Date: 1974 Medium: drypoint engraving with hand coloring on Arches Unframed Dim...
Category

1970s Surrealist Art by Medium: Drypoint

Materials

Engraving, Drypoint

The Pigeon, 1942 (Histoire Naturelle - Textes de Buffon, B.347)
Located in Greenwich, CT
The Pigeon is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.75x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Art by Medium: Drypoint

Materials

Drypoint, Aquatint

Drypoint art for sale on 1stDibs.

Find a wide variety of authentic Drypoint art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, yellow, green, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Salvador Dalí, Pablo Picasso, André Derain, and Anselmo Bucci. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Drypoint art, so small editions measuring 0.01 inches across are also available

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