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Medium: Drypoint
La Mort du Chat Murr - Etching by Jean François Raffaëlli - 1875
Located in Roma, IT
Etching on laid paper
Inscribed in pencil: Épreuve tirée de la planche donnée personnellement par l’artiste pour la Société des Aquafortistes
Published by Cadart
Luquet, Éditeu...
Category
1870s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
J. Becquet, Sculptor
Located in Fairlawn, OH
J. Becquet, Sculptor
Etching & drypoint, 1859
Unsigned as issued
From: The Thames Set
Printed on this Japanese tissue
Rich impression
Condition: Excellent
Plate/Image size: 9 7/8 x 7...
Category
19th Century Impressionist Art by Medium: Drypoint
Materials
Drypoint, Etching
Vegetation I
By Peter Milton
Located in San Francisco, CA
This artwork titled "Vegetation I" 1962, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, dated and numbered 8/40 in pencil b...
Category
Mid-20th Century American Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Untitled, 1971
Located in Wien, 9
- Plate 118 from the Suite 156
- edition 48/50
- stamp signature
- dated in the plate 17.5.71
- cat. raisonné Bloch 1973; cat. raisonné Baer 1982
Category
1970s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Small Beasts (Dog) Aquatint Etching Jim Dine Pop Art Print
By Jim Dine
Located in Surfside, FL
Jim Dine (American, b. 1935)
Etching depicting a dog or wolf
Published by Enitharmon Press for Whitman College, London 1999
Hand signed in pencil lower right. Measures 9" x 7" sheet...
Category
1990s Pop Art Art by Medium: Drypoint
Materials
Drypoint, Etching
Un Debarquement en Angleterre (A Disembarking in England)
Located in Fairlawn, OH
Un Debarquement en Angleterre
(A Disembarking in England)
etching, drypoint, aquatint, roulette and spirit ground, 1879
Signed with the artist’s red owl stamp, Lugt 977 (see photo)
...
Category
1870s Impressionist Art by Medium: Drypoint
Materials
Drypoint
Sator
Located in OPOLE, PL
Salvador Dali (1904-1989) - Sator
Drypoint etching with roulette from 1969.
The edition 142/145.
Dimensions of work: 38 x 28 cm.
Hand signed.
Publisher: Pierre Argillet, Paris.
...
Category
1970s Surrealist Art by Medium: Drypoint
Materials
Drypoint, Etching
Prayer to a Divinity - Original etching - 1951
By André Derain
Located in Paris, IDF
Andre DERAIN
Prayer to a Divinity
Original drypoint etching
Stamp signature of the artist
On vellum 45 x 34 cm (c. 18 x 14 in)
Excellent condition
Category
1950s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
"Three Steeplechasers" c1930s Drypoint by Paul Brown
Located in Bristol, CT
Paul Desmond Brown drypoint featuring three Maryland Hunt Cup steeplechasers pencil signed (LR).
Provenance: a Palm Beach estate
Image Sz: 7 1/2"H x 11 1/2"...
Category
1930s Art by Medium: Drypoint
Materials
Drypoint
Old Putney Bridge
Located in New York, NY
James Whistler (1834-1903), Old Putney Bridge, 1879, etching and drypoint, signed in pencil with a large, elaborate shaded butterfly, lower right and inscribed imp (also signed with the butterfly in the plate), printed in dark-brown/black ink on laid paper, watermark ProPatria, an impression in Glasgow’s seventh (final) state, published by The Fine Art Society, probably printed in 1881, 8x 11 3/4 inches, sheet 12 1/8 x 16 1/8 inches. Reference: Kennedy 178; Glasgow 185.
Provenance: Kraushaar Gallery, New York
A fine impression, with wide margins.
The Fine Art Societys relationship with Whistler began with the new etchings of the Thames he made in 1879, following a visit from Ernest Brown who had joined the staff of the gallery. The plate is on a large scale and shows the change in the artists approach to the Thames since the etchings he had made in Wapping and the docks in the summer of 1859. The central motif is the old bridge, by this stage somewhat dilapidated. It was shortly to be demolished and replaced by the new bridge of Cornish granite...
Category
Late 19th Century Impressionist Art by Medium: Drypoint
Materials
Drypoint, Etching
Trees (Trees in Circle)
Located in Fairlawn, OH
Trees (Trees in Circle)
Etching & drypoint with monotype inking, 1953-1955
Signed in pencil
An unrecorded trial proof, printed on heavy wove proofing paper at Atelier 17, before the ...
Category
1950s Abstract Art by Medium: Drypoint
Materials
Drypoint, Etching, Monotype
Reguliersracht during winter, Amsterdam
Located in Middletown, NY
Etching with drypoint on cream wove paper with a deckle edge, 6 7/8 x 4 7/8 inches (200 x 125 mm); sheet 15 x 11 inches (380 x 280 mm), full margins. In excellent condition with mino...
Category
Early 20th Century Dutch School Art by Medium: Drypoint
Materials
Drypoint, Etching
Couple Under a Tree
Located in New York, NY
Elyse Ashe Lord (1900-1971), Couple Under a Tree, c. 1930, color etching, soft ground, drypoint; signed lower right in pencil and numbered by the artist lower left. In very good condition, the full sheet, 11 3/4 x 12 1/4, the sheet 17 x 16 inches.
A fine impression, with strong colors and plate tone. Printed on a light laid ivory Japan...
Category
1930s Art Nouveau Art by Medium: Drypoint
Materials
Drypoint, Etching
In the cafeteria - Figurative Drypoint Print, Colorful, Polish Art
Located in Warsaw, PL
CZESLAW TUMIELEWICZ (b. 1942)
In 1968, he studied at the Architecture faculty of Gdank, before continuing his course at the Technical University in the same city, and then he taught ...
Category
Early 2000s Contemporary Art by Medium: Drypoint
Materials
Paper, Drypoint, Watercolor
Salvador Dalí -- Le Yin et le Yang (Yin and Yan)
Located in BRUCE, ACT
Salvador Dalí
Le Yin et le Yang (Yin and Yan) from Alchimie des Philosophes, 1976
Lithograph and drypoint on parchment
Hand signed and Edition 179 ...
Category
1970s Art by Medium: Drypoint
Materials
Lithograph, Drypoint
Le Viol II
Located in Wien, 9
- handsigned on the lower right
- dated and unreadable inscripted in the plate
- from the Suite Vollard
- plate size: 19,5 x 27,6 cm; sheetsize: 34 x 44,5 cm
- edition of 260, unnumb...
Category
1930s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching, Aquatint
Trees on the Shore of Grunewaldsee, from: Berlin Impressions - German Berlin
By Lesser Ury
Located in London, GB
This original etching and drypoint is hand signed in pencil by the artist "L. Ury" at the lower left margin.
It is numbered 20 from the standard edition of 100. There was also an edi...
Category
1920s Impressionist Art by Medium: Drypoint
Materials
Drypoint, Etching
The Mother Hen, 1942 (Histoire Naturelle - Textes de Buffon, B.345)
Located in Greenwich, CT
The Mother Hen is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inc...
Category
20th Century Modern Art by Medium: Drypoint
Materials
Drypoint, Aquatint
Summer Landscape III
By Peter Milton
Located in San Francisco, CA
This artwork titled "Summer Landscape III" 1962, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, dated, titled and numbered ...
Category
Mid-20th Century American Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
"Le Bouclier, " Original Drypoint Etching signed by Claude Weisbuch
Located in Milwaukee, WI
"Le Bouclier" is an original drypoint etching by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (25/100) in the lower left. This piece depicts ...
Category
1970s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
TOD, FRAU, UND KIND (DEATH, WOMAN, AND CHILD
Located in Portland, ME
Kollwitz, Kathe. TOD, FRAU UND KIND (DEATH, WOMAN AND CHILD). Knesebeck 108, Klipstein 113. Etching, drypoint, sandpaper, and soft-ground with the imprint of Ziegler's transfer paper...
Category
1910s Art by Medium: Drypoint
Materials
Drypoint, Etching
LE PETIT ENTERREMENT (The Small Funeral)
Located in Portland, ME
Buhot, Felix. LE PETIT ENTERREMENT (The Small Funeral). B/G 154. Second state of two. Etching, roulette, aquatint and drypoint printed in blue on tan wove paper, 1880. 3 3/8 x 4 1/2 inches; 86 x 115 mm., (sheet 8 3/8 x 10 3/8 inches; 215 x 264 mm.). Signed with the red owl...
Category
1880s Art by Medium: Drypoint
Materials
Drypoint, Etching
Laburnums and Battersea
Located in New York, NY
Theodore Roussel, Laburnums and Battersea, etching and drypoint, 1889/1890 and 1898; signed in the plate lower right, and signed in pencil on the tab, with the inscription IMP. Hausb...
Category
Late 19th Century Realist Art by Medium: Drypoint
Materials
Drypoint, Etching
Greville Smyth Cedar
Located in Deddington, GB
This print considers how we view the contemporary sublime landscape and how easy it can be to experience when we take the time to look. We often don’t have to travel far: parks in ci...
Category
2010s Contemporary Art by Medium: Drypoint
Materials
Drypoint
Salvador Dali "Gad" Print
Located in Boston, MA
Artist: Dali, Salvador
Title: Gad
Series: The Twelve Tribes of Israel
Date: 1972
Medium: drypoint with stenciled color
Framed Dimensions: 33" x 27.25"
Signature: Pencil signed...
Category
1970s Surrealist Art by Medium: Drypoint
Materials
Drypoint
Siena [Large Version] - British Modernism Italian Architecture Siena
Located in London, GB
This original etching and drypoint is hand signed in pencil by the artist "Nicholson" at the lower left margin and dated “65” next to the signature.
It is also hand numbered from the...
Category
1960s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
![Siena [Large Version] - British Modernism Italian Architecture Siena](https://a.1stdibscdn.com/ben-nicholson-prints-works-on-paper-siena-large-version-british-modernism-italian-architecture-siena-for-sale/a_180/1748704394244/11625_01_master.jpg?width=240 "Ben Nicholson - Siena [Large Version] - British Modernism Italian Architecture Siena")
Portrait of the sculptor Jules Dalou
Located in Middletown, NY
London: 1876.
Etching with drypoint on cream laid paper with a partial large heraldic watermark, 9 3/4 x 6 1/2 inches (247 x 165 mm); sheet 14 x 10 3/8 inches (355 x 264 mm), full m...
Category
Mid-19th Century French School Art by Medium: Drypoint
Materials
Etching, Laid Paper, Drypoint
Fonte Nuova, Siena
Located in Middletown, NY
Etching with drypoint on lightweight Japon paper, 9 3/4 x 9 7/8 inches ( 247 x 250 mm); sheet 14 x 12 3/4 inches (355 x 324 mm), full margins. Signed in pencil in the lower margin. I...
Category
Late 19th Century American Modern Art by Medium: Drypoint
Materials
Handmade Paper, Drypoint, Etching
Vachère au Bord de l
Eau
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903)
VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii)
Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper
Very...
Category
1890s Impressionist Art by Medium: Drypoint
Materials
Drypoint, Etching
$1,463 Sale Price
24% Off
Patron et sa Suite en Visite à l’Atelier - Etching by P. Picasso - 1968
Located in Roma, IT
Hand signed. Edition 35 of 50.
From the Serie “Les 347”, table no. 110.
Perfect impression on vélin blanc, very fresh and with sheet in full margins and perfect conditions, numbered ...
Category
1960s Cubist Art by Medium: Drypoint
Materials
Drypoint, Aquatint
Fauteuil à respirer pneumatique (Michler/Löpsinger 822-831; Field 75-13)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989)
Title: Fauteuil à respirer pneumatique (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Pneumatic breathing chair, Imagina...
Category
1970s Surrealist Art by Medium: Drypoint
Materials
Mixed Media, Drypoint, Lithograph, Screen
$4,400 Sale Price
20% Off
Sexual Encounter - Etching ad Drypoint by A. Doré - Late 1900
Located in Roma, IT
Sexual Encounter is a beautiful drypoint made by the French painter, illustrator, and writer Amandine Doré in the second half of the 20th century. The st...
Category
Late 20th Century Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
View of Venice - Etching by Alcione Gubellini - mid-20th Century
Located in Roma, IT
Etching and drypoint realized by Alcione Gubellini in the mid-20th Century.
Edition of 16.
Hand signed and numbered in pencil.
Excellent condition.
Category
1930s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Boissy-Les-Perches, Impressionist Etching after Maurice Vlaminck
Located in Long Island City, NY
Maurice Vlaminck, After, French (1876 - 1958) - Boissy-Les-Perches, Year: 1951, Medium: Drypoint and Etching on Arches, signed 'MV' in the plate, Image Size: 10 x 12 inches, Size: 15...
Category
1950s Impressionist Art by Medium: Drypoint
Materials
Drypoint, Etching
Salvador Dali -- "Le Decameron" Suite
Located in BRUCE, ACT
Salvador Dalí
"Le Decameron" suite (Portfolio 10 prints)
A set of ten drypoints with color engraving
The English text and engravings are enclosed in a green slipcase with cover.
Ea...
Category
1970s Art by Medium: Drypoint
Materials
Drypoint
"Dame a la Toque", fabulous drypoint etching by Paul Cesar Helleu
Located in Hinsdale, IL
HELLEU, PAUL CÉSAR
(1859 - 1927)
"La Dame a la Toque"
(Lady in Fur Hat)
Montesquiou XXXVI, c. 1906
Drypoint printed in colors on pale cream wove paper
Sig...
Category
Early 20th Century Post-Impressionist Art by Medium: Drypoint
Materials
Drypoint
Salvador Dalì (1904 – 1989) –Femmes surrèalistes–Drypoint etching on Rives paper
Located in Varese, IT
Drypoint etching on Rives paper published in 1973
limited edition, numbered 73/150
signed in pencil by the artist lower right
Paper size: 65 x 50 cm
Size with frame: 80,5 x 64,5 cm
v...
Category
1970s Abstract Art by Medium: Drypoint
Materials
Drypoint, Etching
Le Téléphone (The Telephone)
Located in OPOLE, PL
Salvador Dali (1904-1989) - Le Téléphone (The Telephone)
Drypoint etching with stencil from 1975.
The edition 165/450 on Arches paper.
Dimensions of sheet: 75 x 56 cm
Dimensions ...
Category
1970s Surrealist Art by Medium: Drypoint
Materials
Drypoint, Etching
Nu à la jarretière (Nude with Garter)
Located in OPOLE, PL
Salvador Dali (1904-1989) - Nu à la jarretière (Nude with Garter)
Drypoint etching from 1969.
The edition 25/145 on Arches paper.
Dimensions of work: 66 x 51 cm.
Hand signed.
Pu...
Category
1960s Surrealist Art by Medium: Drypoint
Materials
Drypoint, Etching
Vegetation III
By Peter Milton
Located in San Francisco, CA
This artwork titled "Vegetation III" 1963, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, titled, dated and numbered 14/50 ...
Category
Mid-20th Century American Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
J.H. Woods’ Fruit Shop, Chelsea
Located in New York, NY
James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches.
A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions.
watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.)
This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate.
According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...
Category
1880s Impressionist Art by Medium: Drypoint
Materials
Drypoint, Etching
"Mlle Landsberg" (grade planche, pl. 16)
Located in Missouri, MO
"Mlle Landsberg" (grade planche, pl. 16), 1914
Henri Matisse (French, 1869-1954)
Signed and Numbered Lower Right
Edition 12/15
Image size: 7 7/8 x 4 5/16 inches
Sheet size: 17 11/16 x 12 1/2 inches
With frame: 19 1/2 x 14 1/2 inches
Henri Matisse came from a family who were of Flemish origin and lived near the Belgian border. At eight o'clock on the evening of December 31, 1869, he was born in his grandparents' home in the town of Le Cateau in the cheerless far north of France. His father was a self-made seed merchant who was a mixture of determination and tightly coiled tension.
Henri had no clear idea of what he wanted to do with his life. He was a twenty-year-old law clerk convalescing from appendicitis when he first began to paint, using a box of colors given to him by his mother. Little more than a year later, in 1890, he had abandoned law and was studying art in Paris. The classes consisted of drawing from plaster casts and nude models and of copying paintings in the Louvre. He soon rebelled against the school's conservative atmosphere; he replaced the dark tones of his earliest works with brighter colors that reflected his awareness of Impressionism. Matisse was also a violinist; he took an odd pride in the notion that if his painting eye failed, he could support his family by fiddling on the streets of Paris.
Henri found a girlfriend while studying art, and he fathered a daughter, Marguerite, by her in 1894. In 1898 he married another woman, Amelie Parayre. She adopted the beloved Marguerite; they eventually had two sons, Jean, a sculptor and Pierre who became an eminent art dealer. Relations between Matisse and his wife were often strained. He often dallied with other women, and they finally separated in 1939 over a model who had been hired as a companion for Mme. Matisse. She was Madame Lydia, and after Mme. Matisse left, she remained with Matisse until he died.
Matisse spent the summer of 1905 working with Andre Derain in the small Mediterranean seaport of Collioure. They began using bright and dissonant colors. When they and their colleagues exhibited together, they caused a sensation. The critics and the public considered their paintings to be so crude and so roughly crafted that the group became known as Les Fauves (the wild beasts).
By 1907, Matisse moved on from the concerns of Fauvism and turned his attention to studies of the human figure. He had begun to sculpt a few years earlier. In 1910, when he saw an exhibition of Islamic art, he was fascinated with the multiple patterned areas and adapted the decorative universe of the miniatures to his interiors. As a continuation of his interest in the "exotic", Matisse made extended trips to Morocco in 1912 and 1913.
At the end of 1917, Matisse moved to Nice; he would spend part of each year there for the remainder of his life. A meticulous dandy, he wore a light tweed jacket amd a tie when he painted. He never used a palette, but instead squeezed his colors on to plain white kitchen dishes...
Category
1910s Fauvist Art by Medium: Drypoint
Materials
Drypoint, Etching
The Goldfinch, 1942 (Histoire Naturelle - Textes de Buffon, B.348 )
Located in Greenwich, CT
The Goldfinch is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 11.2 x 8.25 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Art by Medium: Drypoint
Materials
Drypoint, Aquatint
Cavalier et la mort (Knight and Death)
Located in OPOLE, PL
Salvador Dali (1904-1989) - Cavalier et la mort (Knight and Death)
Drypoint etching with roulette from 1969.
The edition 142/145.
Dimensions of work: 38 x 28 cm.
Hand signed.
Pu...
Category
1970s Surrealist Art by Medium: Drypoint
Materials
Drypoint, Etching
The Fish Market
Located in Middletown, NY
Etching with drypoint and aquatint on laid Japon paper, 9 x 11 1/4 inches (228 x 280 mm); sheet 11 7/8 x 13 5/8 (302 x 346 mm), full margins. Signed, titled and inscribed "To my dear...
Category
Mid-20th Century American Realist Art by Medium: Drypoint
Materials
Drypoint, Aquatint
The Monkey, 1942 (Histoire Naturelle - Textes de Buffon, B.339)
Located in Greenwich, CT
The Monkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 7.9 inche...
Category
20th Century Modern Art by Medium: Drypoint
Materials
Drypoint, Aquatint
UNTITLED (FROM EIGHT LITTLE NUDES)
By Jim Dine
Located in Aventura, FL
Hand signed, numbered and dated by the artist. From Eight Little Nudes (D'Oench & Feinberg 123-30). Etching with drypoint and aquatint in colors on BFK Riv...
Category
1980s Pop Art Art by Medium: Drypoint
Materials
Paper, Drypoint, Etching, Aquatint
$3,150 Sale Price
25% Off
Large Format American Pop Art Portrait Aquatint Etching Walter George Segal 1987
By George Segal
Located in Surfside, FL
George Segal (American, 1924-2000)
Walter from the series Portraits
Printed by Vigna Antoniniana Stamperia d'Arte, Rome, Italy
Published by Stamperia d'Arte 2RC, Rome, Italy
Hand sig...
Category
1980s American Modern Art by Medium: Drypoint
Materials
Drypoint, Etching, Aquatint
Italian Contemporary Art by Fred Borghesi - Domenica D
Agosto
Located in Paris, IDF
Drypoint etching hand printed and watercolor
Fred Borghesi is an Italian artist born in 1987 who lives and works in London, UK. He is above all a multidisciplinary artist, constantl...
Category
2010s Art by Medium: Drypoint
Materials
Paper, Watercolor, Drypoint
Venus
Located in New York, NY
A brilliant, richly-inked impression of this etching and drypoint printed in dark brownish black on antique cream laid paper with very strong contrasts....
Category
1850s Impressionist Art by Medium: Drypoint
Materials
Drypoint, Etching
Beim Kornpuppenbinden (Corn Husking)
By Lesser Ury
Located in New York, NY
Lesser Ury (German, 1861–1931), Beim Kornpuppenbinden, drypoint, 1923, signed in pencil lower right and numbered 45/100, from the edition of 100. Reference: Rosenbach 17, only state...
Category
1920s Expressionist Art by Medium: Drypoint
Materials
Drypoint
The Sparrow Hawk, 1942 (Histoire Naturelle - Textes de Buffon, B.342)
Located in Greenwich, CT
The Sparrow Hawk is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Art by Medium: Drypoint
Materials
Drypoint, Aquatint
"Study of nude woman" 2007 Original Signed Engraving Drypoint Mexican Artist
Located in Miami, FL
Javier Areán (Mexico, 1969)
"Mujer desnuda (estudio)" (Study of nude woman), 2007
dry point on paper Fabriano 300 g.
16 x 13.6 in. (40.5 x 34.5 cm.)
Edition of 20
ID: ARA-101
Category
Early 2000s Contemporary Art by Medium: Drypoint
Materials
Drypoint, Ink
Ostend Horse
Located in New York, NY
Edmund Blampied (1886-1966), Ostend Horse, drypoint, 1926, signed in pencil lower margin [also signed and dated in the plate lower left], from the edition of 100, printed on ivory laid paper with full margins with deckle edges, 7 x 9, the sheet 9 1/4 x 12 1/2 inches, still in the original SFA Museum mat with extensive annotations.
Provenance: Kennedy Galleries (with their stock number A49359)
Ex Collection: Albert M...
Category
1920s Realist Art by Medium: Drypoint
Materials
Drypoint
Tool Drypoint: Paintbrush by Jim Dine, black and white tool still life sketch
By Jim Dine
Located in New York, NY
Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...
Category
1970s Modern Art by Medium: Drypoint
Materials
Drypoint
An Old Jew, from: My Life - Russian French Berlin Jewish Surrealism Mein Leben
By Marc Chagall
Located in London, GB
This original etching and drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right margin.
It is also hand numbered in pencil from the edition of 110, at th...
Category
1920s Surrealist Art by Medium: Drypoint
Materials
Drypoint, Etching
The Lobster, 1942 (Histoire Naturelle - Textes de Buffon, B.352)
Located in Greenwich, CT
The Lobster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 7.9 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Art by Medium: Drypoint
Materials
Drypoint, Aquatint
Man Holding Hat
Located in Middletown, NY
New York: Sylvan Cole, 1929.
Etching on white wove Rives paper with an infinity watermark, 5 15/16 x 3 15/16 inches (151 x 100 mm); sheet 15 7/16 x 11 15/16 inches (392 x 303 mm), f...
Category
1920s American Realist Art by Medium: Drypoint
Materials
Drypoint, Aquatint
A Gale at Port Errol
By James McBey
Located in Storrs, CT
A Gale at Port Errol. 1923. Etching. Hardie 215, #46. 13 x 8 3/4 (sheet 16 7 /8 x 11 1/2). Edition 76. #46. Illustrated: Fine Prints of the Year, 1923. A rich...
Category
1930s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
$1,250 Sale Price
37% Off
Sunset in Ireland
Located in Middletown, NY
Drypoint etching on watermarked cream wove paper, 5 7/16 x 8 7/16 inches (39 x 215 mm), wide (perhaps full) margins. A very desirable, bright and richly inked impression, with the da...
Category
Mid-19th Century Realist Art by Medium: Drypoint
Materials
Drypoint, Etching
Drypoint art for sale on 1stDibs.
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