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Medium: Drypoint
Market Square, Rothenburg, Germany
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. In good condition with minor mat t...
Category
Early 20th Century Modern Art by Medium: Drypoint
Materials
Handmade Paper, Drypoint, Etching
Forellenweiher - Etching and Drypoint by Franz Von Stuck - 1890s
Located in Roma, IT
Forellenweiher is a wonderful black and white etching and drypoint on wide rod cream paper realized by Franz von Stuck in 1890-1891.
Hand signed in gr...
Category
1890s Symbolist Art by Medium: Drypoint
Materials
Paper, Drypoint, Etching
The Enchanted Pool
Located in Middletown, NY
Etching with drypoint printed in sepia ink on cream laid paper bearing an indiscernible watermark with linked spheres. 10 1/4 x 13 1/8 inches (260 x 332 mm), unevenly trimmed yet ful...
Category
Early 20th Century English School Art by Medium: Drypoint
Materials
Etching, Laid Paper, Drypoint
Lopokovana and Niginski in "Les Sylphides" Colored Drypoint Signed Troy Kinney
By Troy Kinney
Located in New York, NY
This refined etching and drypoint was realized by the esteemed American artist Troy Kinney in the United States circa 1920. The work features two dancing figures- a woman leaning against the male figure behind her, perhaps moments before being hurled into the air or spun in a graceful twirl. She dons a tutu and ballet slippers that are loosely and abstractly rendered against a white background. The gentleman sports a white shirt and black vest. Both of them have a shock of flaxen hair that offers a beautiful tonal complement to the textured muted jade background. With its refined color palate, clean modernist lines, and masterful handling of the medium, this piece would be a winning addition to any interior regardless of the style of interior. Given the artist's importance and placement within esteemed collections (private and institutional), this piece represents a winning acquisition for collectors of first rate modern art as well as exquisite objects. It comes presented in a custom gilded gallery frame and is in excellent vintage condition.
Troy Sylvanus Kinney (December 1, 1871 – January 29, 1938) was an American artist, best known for his compelling works portraying dance performers, fanciful subjects, and classically styled nudes...
Category
1920s Art by Medium: Drypoint
Materials
Drypoint, Etching
La Ronde, Old Masters Drypoint by Auguste Rodin
Located in Long Island City, NY
Auguste Rodin, French (1840 - 1917) - La Ronde, Year: 1883, Medium: Drypoint, signed in pencil, Image Size: 4 x 5.75 inches, Size: 13.25 x 9.5 in. (33.66 x 24.13 cm), Reference: Del...
Category
1880s Old Masters Art by Medium: Drypoint
Materials
Drypoint
A duet. Surrealistic etching, Monochromatic, Minimalistic, Polish art
By Leszek Rózga
Located in Warsaw, PL
20th century figurative drypoint print by Polish artist Leszek Rozga. Print depicts abstract figures- they look somewhat familiar but it is not clear what they are. This piece is sig...
Category
2010s Contemporary Art by Medium: Drypoint
Materials
Paper, Drypoint
$760 Sale Price
20% Off
Hillside Town
Located in Middletown, NY
Drypoint etching in brownish black ink on J. Whatman watermarked cream laid paper. 7x12 1/4 inches (177 x 312 mm), full margins. Signed and numbered 36/75 in pencil, lower margin. In...
Category
Early 20th Century English School Art by Medium: Drypoint
Materials
Laid Paper, Etching, Drypoint
Untitled - Original Etching and Drypoint by Wilfredo Lam - 1960s
By Wilfredo Lam
Located in Roma, IT
Untitled is an original artwork realized by Wifredo Lam in the 1960s.
Black and white drypoint.
Hand signed in pencil by the artist. Artist's proof (EA hand written on the lower le...
Category
1960s Surrealist Art by Medium: Drypoint
Materials
Drypoint, Etching
Varietesoubrette, Schwalbennest
also Dancer — 1920s German Expressionism
Located in Myrtle Beach, SC
Martel Schwichtenberg (1896-1945), 'Varietésoubrette, Schwalbennest (Variety Soubrette, Swallow’s Nest), drypoint, 1922. Signed in pencil. A fine, richly-inked impression; the full sheet of cream wove paper, with wide margins (3 3/4 to 5 1/4 inches), in excellent condition. Image size 7 3/16 x 4 5/16 inches; sheet size 16 3/8 x 12 1/8 inches. Archivally matted to museum standards, unframed.
Published in Die Schaffenden...
Category
1920s Bauhaus Art by Medium: Drypoint
Materials
Drypoint
Capturas
Located in New Orleans, LA
4 individual drypoint engravings sold as a grouping that forms the whole. There are only 5 sets. This is #2 of 5. Paper size is 30 x 32 cm. Paper is Grabado, Punta seca.
We are ...
Category
21st Century and Contemporary Modern Art by Medium: Drypoint
Materials
Engraving, Drypoint
$455 Sale Price
35% Off
The Great Inquisitor Expels the Saviour
Located in OPOLE, PL
Salvador Dali (1904-1989) - The Great Inquisitor Expels the Saviour
Drypoint etching with stencil from 1973.
Editon A 55/195 on Arches paper.
Dimensions of work: 65.4 x 50.4 cm
P...
Category
1970s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Ludgate Hill
Located in Storrs, CT
Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil.
Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate.
When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category
Early 20th Century Modern Art by Medium: Drypoint
Materials
Drypoint, Etching, Aquatint
$400 Sale Price
20% Off
La diligence de Beaucaire
Located in Middletown, NY
Paris: Lemerre, 1880.
Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 3). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733).
[Bourcard 110].
A note regarding the provenance:
J. H. de Bois was a well known late-19th century modern art...
Category
1880s French School Art by Medium: Drypoint
Materials
Laid Paper, Drypoint, Etching, Aquatint
Man Unveiling a Woman, 1931 (Vollard Suite, B.138)
Located in Greenwich, CT
"Man Unveiling a Woman" is a drypoint from Picasso's Vollard Suite, image size 14.5 x 11.5 inches, signed 'Picasso' lower right and framed in a Spanish-style, closed-corner, black an...
Category
20th Century Modern Art by Medium: Drypoint
Materials
Paper, Drypoint
Fantasia Americana, 1880
— Mid-Century American Surrealism
Located in Myrtle Beach, SC
Lawrence Kupferman, 'Fantasia Americana – 1880', drypoint etching with sandground, 1943. Signed, titled, and annotated 'Series A, 1971 2/6' in pencil. A superb, richly-inked impression, on heavy, cream wove paper, with full margins (2 1/2 to 3 1/2 inches); the paper slightly lightened within the original mat opening, otherwise in excellent condition. One of only 6 impressions printed in 1971, with the added sandground grey background tint. Archivally matted to museum standards, unframed.
Image size 11 13/16 x 14 3/4 inches; sheet size 18 x 20 1/4 inches.
Collections: National Gallery of Art, Zimmerli Art Museum (Rutgers University).
ABOUT THE ARTIST
Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe.
Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston.
In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press:
“The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.”
The other speakers were Karl Knaths...
Category
1940s Surrealist Art by Medium: Drypoint
Materials
Drypoint, Etching
En Pension.
Located in Storrs, CT
En Pension. 1929-30. Drypoint. Appleby 142. 8 1/2 x 12 1/8 (sheet 11 1/2 x 18 5/16). Edition 100. A rich impression printed on cream wove paper with wide margins. Signed in ink. H...
Category
1920s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Windy Night, Stockholm.
Located in Storrs, CT
Windy Night, Stockholm. 1935. Drypoint. Dodgson 457.x. 11 7/8 x 7 5/8 (sheet 15 1/2 x 10 7/8). Edition of 80 in this state (total 93 in 10 states). Illustrated: Guichard, British Etc...
Category
1930s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
$1,600 Sale Price
20% Off
Militant - Etching by Anselmo Bucci - 1917
Located in Roma, IT
"Military" 1917s is a beautiful print in etching technique, realized by Anselmo Bucci (1887-1955).
Hand signed. Numbered 61/100 of prints on the lower left. On the lower left corner...
Category
1910s Modern Art by Medium: Drypoint
Materials
Etching, Drypoint
Promenade dans la Neige - Etching by J. Tissot - 1880
By James Tissot
Located in Roma, IT
Beautiful print on verge crème, 2° state on 3, with letters printed in red. Stamp “Lugt 1545”.
Little crack and fold on lower left margin of the sheet.
Some small traces of oxidati...
Category
1880s Post-Impressionist Art by Medium: Drypoint
Materials
Drypoint, Etching
Salvador Dalí -- The unicorn laser disintegrates the horns of cosmic rhinoceros
Located in BRUCE, ACT
Salvador Dalí
The unicorn laser disintegrates the horns of cosmic rhinoceros from Conquest of the Cosmos II, 1975
Lithographic in colors with drypoint on BFK Rives.
Hand signed lo...
Category
1970s Art by Medium: Drypoint
Materials
Drypoint, Lithograph
Portrait of E.D.
Located in Chicago, IL
This impression is signed and numbered 24/25. The references for this work are: Auberty & Perussaux 191 and Ginestet & Pouillon E. 277.
This is one of Jacques Villon’s great 1913...
Category
1910s Cubist Art by Medium: Drypoint
Materials
Drypoint
My Daughter
Located in Middletown, NY
Drypoint etching on buff wove paper, 9 3/4 x 12 3/4 inches (250 x 322 mm), full margins. Signed in pencil, lower right margin. Some general age tone, and minor mat tone around the pe...
Category
Early 20th Century Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Salvador Dalí -- The Blood of Yin and Yang from Conquest of the Cosmos II
Located in BRUCE, ACT
Salvador Dalí
The Blood of Yin and Yang from Conquest of the Cosmos II, 1975
Lithographic in colors with drypoint on BFK Rives.
Hand signed lower right
Numbered XXVII / CLXXXXV
S...
Category
1970s Art by Medium: Drypoint
Materials
Drypoint, Lithograph
"La Mer VE 3/8" Intaglio, hand colored, seashell motif
Located in Philadelphia, PA
This piece titled "La Mer VE 3/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...
Category
21st Century and Contemporary Contemporary Art by Medium: Drypoint
Materials
Archival Paper, Color, Drypoint, Etching, Aquatint, Intaglio
Santiago de Compostela
Located in OPOLE, PL
Drypoint etching from 1969.
The edition XLIV/C on Japon paper.
Dimensions of work: 66 x 51 cm.
Hand signed.
Publisher: Pierre Argillet, Paris.
Printer: Atelier Robbe, Paris.
R...
Category
1960s Surrealist Art by Medium: Drypoint
Materials
Drypoint, Etching
The Thames and the Tower of London
Located in Storrs, CT
The Thames and the Tower of London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 10 1/4 x 17 1/4). Mat line; otherwise fine condition. A rich impr...
Category
1920s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
$975 Sale Price
22% Off
"La Mer VE 6/8" Intaglio, hand colored, seashell motif
Located in Philadelphia, PA
This piece titled "La Mer VE 6/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...
Category
21st Century and Contemporary Contemporary Art by Medium: Drypoint
Materials
Archival Paper, Color, Drypoint, Etching, Aquatint, Intaglio
Charing Cross - The Statue of Charles I.
Located in Storrs, CT
Charing Cross -- The Statue of Charles I. 1919. Etching with aquatint and drypoint. 3 5/8 x 4 7/8 (sheet 9 1/8 x 11 3/8). A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil.
Charing Cross is located at the junction of the Strand, Whitehall, and Cockspur Street in Central London, England. The name originates from the Eleanor cross installed by King Edward I as a memorial to his wife, Eleanor of Castile at the former hamlet of Charing. Since 1675, the cross site has been occupied by a statue of King Charles I mounted on a horse. The pedestal is thought to be designed by Wren and carved by Grinling Gibbons.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category
Early 20th Century Modern Art by Medium: Drypoint
Materials
Drypoint, Etching, Aquatint
$780 Sale Price
20% Off
Gloucester Harbor
— Mid-Century Cape Ann Regionalism
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur, 'Gloucester Harbor', drypoint, 1940. Signed, dated, and titled in pencil. Signed in the plate, lower right. Annotated 'PERSONAL...
Category
1940s American Realist Art by Medium: Drypoint
Materials
Drypoint
$520 Sale Price
20% Off
Sexual Encounter - Original Etching ad Drypoint by A. Doré - Late 1900
Located in Roma, IT
Sexual Encounter is a beautiful drypoint made by the French painter, illustrator, and writer Amandine Doré in the second half of the 20th century. The st...
Category
Late 20th Century Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Voyages Fantastiques aux États et Empires de la Lune et du Soleil (Cyrano de Ber
Located in OPOLE, PL
Bernard Buffet (1928-1999) - Voyages Fantastiques aux États et Empires de la Lune et du Soleil (Cyrano de Bergerac)
Complete portfolio of 18 original drypoint etchings from 1958.
E...
Category
1950s Expressionist Art by Medium: Drypoint
Materials
Drypoint, Etching
The Berry Pickers
Located in Middletown, NY
Drypoint etching on cream laid paper with an oak leaf watermark, c 1935. 7 1/4 x 9 3/4 inches (183 x 241 mm), full margins. Signed, titled and inscribed in pencil, lower margin. A b...
Category
Mid-20th Century American Modern Art by Medium: Drypoint
Materials
Laid Paper, Drypoint, Etching
"Space Oddity", Hand-Colored Etching, Decorative Motifs
Located in Philadelphia, PA
This piece titled "Space Oddity" is a limited edition piece by Kate VanVliet and is made from hand-colored intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece ...
Category
21st Century and Contemporary Contemporary Art by Medium: Drypoint
Materials
Drypoint, Etching, Aquatint
"Field in Darsham" Village in Suffolk - England
Located in Soquel, CA
"Field in Darsham" Village in Suffolk - England
Darsham village etching by London artist Pip Carpenter (UK, 20th C.)
Drypoint etching with hand coloring teal blue wash.
The name of...
Category
Late 20th Century Impressionist Art by Medium: Drypoint
Materials
Laid Paper, Drypoint, Etching
Boissy Les-Perches
Located in Santa Monica, CA
MAURICE de VLAMINCK (1876 - 1958)
BOISSY LES-PERCHES, 1951 (W148)
Drypoint and etching. Unsigned but initialed in drypoint lower right in image, MV. 10 1/4 x 12 3/8 inches.
Full sh...
Category
1950s Post-Impressionist Art by Medium: Drypoint
Materials
Drypoint
Erotic Scene - Etching by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Erotic Scene is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century.
Hand-signed in the lower part.
Good conditions.
Mino Maccari (Siena, 1924-Rome, June 1...
Category
Mid-20th Century Modern Art by Medium: Drypoint
Materials
Paper, Drypoint, Etching
$254 Sale Price
35% Off
Salvador Dali "Naphtali"
Located in Boston, MA
Artist: Dali, Salvador
Title: Naphtali
Series: Twelve Tribes of Israel
Date: 1972
Medium: drypoint with stenciled color
Unframed Dimensions: 25.75" x 20"
Framed Dimensions: 34...
Category
1970s Surrealist Art by Medium: Drypoint
Materials
Drypoint, Etching
Un Sculpteur de Paris
Located in Middletown, NY
Etching and drypoint on cream laid Van Gelder Zonen watermarked paper, 8 7/8 x 6 1/2 inches (220 x 164 mm), full margins. Signed, titled, and inscribed "ed. 100" in pencil, lower mar...
Category
Early 20th Century Modern Art by Medium: Drypoint
Materials
Laid Paper, Drypoint, Etching
THE FORGE - Rich Drypoint
Located in Santa Monica, CA
JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903)
THE FORGE 1866 (Kennedy. 68 iv/vi: Glascow 86 vi/vi)
Etching and drypoint. Signed and dated in the plate 1866. VERY GOOD IMPRESSION WITH...
Category
Late 19th Century Impressionist Art by Medium: Drypoint
Materials
Drypoint
The Vraic Season (No 1).
Located in Storrs, CT
The Vraic Season (No 1). 1936. Etching. Appleby 181. 12 x 14 1/4 (sheet 15 1/4 x 20). Edition 125 for The American College Society of Print Collectors (alternatively titled Seaweed H...
Category
1930s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
$900 Sale Price
40% Off
"Astonishing, Health and Sunshine" framed limited edition triptych by Jim Dine
By Jim Dine
Located in Boca Raton, FL
"Astonishing, Health and Sunshine" triptych by artist Jim Dine. Three spitbite aquatint, drypoint and lithographs with additional hand coloring on Shiramibe paper mounted onto three ...
Category
2010s Contemporary Art by Medium: Drypoint
Materials
Paper, Drypoint, Aquatint, Lithograph
Spanish Artist signed limited edition original art print chine colle drypoint
Located in Miami, FL
Eduardo Chillida (Spain, 1924-2002)
'Korapillo I', 1982
chine colle, dry point on japanese paper
25.6 x 19.7 in. (65 x 50 cm.)
Edition of 50. Original 62 of which 50 belong to the regular edition. P/A: 7, H.C.: 5
Unframed
ID: CHI1038-012
Hand-signed by author
It is documented in Chillida, E. (1999). Eduardo Chillida – Opus P. II 1973-1985. Chorus – Verlag, pp 288 – 289. Nr 82002.
____________________________________________________
He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements.
Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes.
Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own.
His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production.
The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999).
Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...
Category
1980s Abstract Art by Medium: Drypoint
Materials
Paper, Drypoint
"La Mer VE 7/8" Intaglio, hand colored, seashell motif
Located in Philadelphia, PA
This piece titled "La Mer VE 7/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...
Category
21st Century and Contemporary Contemporary Art by Medium: Drypoint
Materials
Archival Paper, Color, Drypoint, Etching, Aquatint, Intaglio
Murex I, by Jakob Demus
Located in Palm Springs, CA
Murex I, Diamond drypoint by Jakob Demus.
In the 1986-1988 period Demus immersed himself in the depiction of flowers, and it was then that the most important works in this genre wer...
Category
1980s Contemporary Art by Medium: Drypoint
Materials
Drypoint
The Figure - Original Etching and Drypoint by Pietro Guccione - 1964
Located in Roma, IT
The Figure is an original Etching and Drypoint realized by Pietro Guccione in 1964.
Hand-signed.
Numbered, 41/50.
The artwork is depicted through confident strokes in a well-balan...
Category
1960s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Twickenham Church
Located in Middletown, NY
A luminous first state impression, Hamerton's "Portfolio" edition. Etching and drypoint on cream wove paper, 7 3/16 x 9 15/16 inches (135 x 213 mm), wide margins. First state (of 5)...
Category
Mid-19th Century Realist Art by Medium: Drypoint
Materials
Drypoint, Etching
Don Kichote attacking. Figurative Drypoint Etching Print, Colorful, Polish Art
Located in Warsaw, PL
Colorful figurative drypoint print by Polish artist Czeslaw Tumielewicz. Artwork depicts two people kissingDon Kichote on a horse, attacking a surreal windmill. They are shown in rat...
Category
2010s Contemporary Art by Medium: Drypoint
Materials
Paper, Drypoint
Actual Contemporaneo IV Un Kilo de Verde by Miki Leal 2022
Located in Madrid, MD
Miki Leal (Spanish, b. 1974) is one of the most distinctive voices in contemporary Spanish art. His practice blends references to art history, pop culture, and everyday imagery with ...
Category
21st Century and Contemporary Contemporary Art by Medium: Drypoint
Materials
Drypoint, Linocut, Monotype
Palazzo dell
Angelo
Located in Middletown, NY
Palazzo dell'Angelo
1931
Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif.
Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116.
[Fletcher 233]
Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design.
In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436.
Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...
Category
1930s American Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
Spanish Artist signed limited edition original art print chine colle drypoint
Located in Miami, FL
Eduardo Chillida (Spain, 1924-2002)
'Korapillo II', 1982
chine colle, dry point on japanese paper
25.6 x 19.7 in. (65 x 50 cm.)
Edition of 50. Original 63 of which 50 belong to the regular edition. P/A: 8, H.C.: 5
Unframed
ID: CHI1038-013
Hand-signed by author
It is documented in Chillida, E. (1999). Eduardo Chillida – Opus P. II 1973-1985. Chorus – Verlag, pp 290 – 291. Nr 82003.
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He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements.
Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes.
Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own.
His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production.
The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999).
Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...
Category
1980s Abstract Art by Medium: Drypoint
Materials
Paper, Drypoint
La Marchande des Quatres-Saisons
Located in Middletown, NY
Etching with drypoint on cream wove paper, 11 3/4 x 13 3/4 inches (297 x 347 mm), full margins. Signed in pencil and numbered 32/40, lower margin. Minor mat tone and several small lo...
Category
Early 20th Century Post-Impressionist Art by Medium: Drypoint
Materials
Handmade Paper, Rag Paper, Drypoint, Etching
Nude Woman after the Bath - Original etching - 1951
By André Derain
Located in Paris, IDF
Andre DERAIN
Nude Woman after the Bath
Original drypoint etching
Stamp signature of the artist
On vellum 45 x 34 cm (c. 18 x 14 in)
Excellent condition
Category
1950s Modern Art by Medium: Drypoint
Materials
Drypoint, Etching
St Jacques de Compostelle (Santiago de Compostela)
Located in OPOLE, PL
Salvador Dali (1904-1989) - St Jacques de Compostelle (Santiago de Compostela)
Drypoint etching from 1969.
The edition 25/145 on Arches paper.
Dimensions of work: 66 x 51 cm.
Han...
Category
1960s Surrealist Art by Medium: Drypoint
Materials
Drypoint, Etching
La Vache sacrée (The Sacred Cow)
Located in OPOLE, PL
Salvador Dali (1904-1989) - La Vache sacrée (The Sacred Cow)
Drypoint etching from 1969.
The edition 25/145 on Arches paper.
Dimensions of work: 66 x 51 cm.
Hand signed.
Publish...
Category
1960s Surrealist Art by Medium: Drypoint
Materials
Drypoint, Etching
Corridor de Kathmandou (Katmandu Corridor)
Located in OPOLE, PL
Salvador Dali (1904-1989) - Corridor de Kathmandou (Katmandu Corridor)
Drypoint etching from 1969.
The edition 25/145 on Arches paper.
Dimensions of work: 66 x 51 cm.
Hand signed...
Category
1960s Surrealist Art by Medium: Drypoint
Materials
Drypoint, Etching
Corridor de Kathmandou (Katmandu Corridor), black
Located in OPOLE, PL
Salvador Dali (1904-1989) - Corridor de Kathmandou (Katmandu Corridor), black
Drypoint etching from 1969.
The edition 25/145 on Arches paper.
Dimensions of work: 66 x 51 cm.
Hand...
Category
1960s Surrealist Art by Medium: Drypoint
Materials
Drypoint, Etching
La Pagode (The Pagoda)
Located in OPOLE, PL
Salvador Dali (1904-1989) - La Pagode (The Pagoda)
Drypoint etching from 1969.
The edition 25/145 on Arches paper.
Dimensions of work: 66 x 51 cm.
Hand signed.
Publisher: Pierre...
Category
1960s Surrealist Art by Medium: Drypoint
Materials
Drypoint, Etching
"L
attente" original drypoint
Located in Henderson, NV
Medium: original etching and drypoint. This work by Rodolphe Piguet (sometimes spelled Piquet) was printed in 1904 and published in Paris by the Revue de l'art ancien et moderne. Pla...
Category
Early 1900s Art by Medium: Drypoint
Materials
Etching, Drypoint
Graceland Mansion
Located in Houston, TX
Jennifer Bartlett
Graceland Mansions, 1978-79
Drypoint, aquatint, silkscreen, woodcut, and lithograph on J. Green Cold Press paper and Rives BFK paper
24 x 120 inches, unframed
Ed...
Category
20th Century Modern Art by Medium: Drypoint
Materials
Etching, Lithograph, Screen, Woodcut, Drypoint, Aquatint
Orpheus
By Ewa Kutylak
Located in Palm Springs, CA
Polish printmaker Ewa Kutylak is known for her deeply symbolic and technically refined works that explore myth, the human form, and metaphysical transformation. In her striking tript...
Category
Early 2000s Contemporary Art by Medium: Drypoint
Materials
Drypoint, Mezzotint
Drypoint art for sale on 1stDibs.
Find a wide variety of authentic Drypoint art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, yellow, green, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Salvador Dalí, Pablo Picasso, André Derain, and Anselmo Bucci. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Drypoint art, so small editions measuring 0.01 inches across are also available