Art by Medium: Lithograph

Judy Rifka (American, b. 1945) 44/84 Lithograph on paper titled "Thou Shalt Not Bear False Witness against Thy Neighbor"; Depicting an abstract composition in blue, green, red and black tones with Hebrew script. Judaica interest. (I have seen this print described as a screenprint and as a lithograph) Hand signed in pencil and dated alongside an embossed pictorial blindstamp of a closed hand with one raised index finger. Solo Press. From The Ten Commandments Kenny Scharf; Joseph Nechvatal; Gretchen Bender; April Gornik; Robert Kushner; Nancy Spero; Vito Acconci; Jane Dickson; Judy Rifka; Richard Bosman and Lisa Liebmann. Judy Rifka (born 1945) is an American woman artist active since the 1970s as a painter and video artist. She works heavily in New York City's Tribeca and Lower East Side and has associated with movements coming out of the area in the 1970s and 1980s such as Colab and the East Village, Manhattan art scene. A video artist, book artist and abstract painter, Rifka is a multi-faceted artist who has worked in a variety of media in addition to her painting and printmaking. She was born in 1945 in New York City and studied art at Hunter College, the New York Studio School and the Skowhegan School of Painting and Sculpture in Maine. Rifka took part in the 1980 Times Square Show, (Organized by Collaborative Projects, Inc. in 1980 at what was once a massage parlor, with now-famous participants such as Jenny Holzer, Nan Goldin, Keith Haring, Kenny Scharf, Jean-Michel Basquiat, and Kiki Smith, the roster of the exhibition reads like a who’s who of the art world), two Whitney Museum Biennials (1975, 1983), Documenta 7, Just Another Asshole (1981), curated by Carlo McCormick and received the cover of Art in America in 1984 for her series, "Architecture," which employed the three-dimensional stretchers that she adopted in exhibitions dating to 1982; in a 1985 review in the New York Times, Vivien Raynor noted Rifka's shift to large paintings of the female nude, which also employed the three-dimensional stretchers. In a 1985 episode of Miami Vice, Bianca Jagger played a character attacked in front of Rifka's three-dimensional nude still-life, "Bacchanaal", which was on display at the Museum of Art Fort Lauderdale. Rene Ricard wrote about Rifka in his influential December 1987 Art Forum article about the iconic identity of artists from Van Gogh to Jean-Michel Basquiat and Keith Haring, The Radiant Child.The untitled acrylic painting on plywood, in the collection of the Honolulu Museum of Art, demonstrates the artist's use of plywood as a substrate for painting. Artist and writer Mark Bloch called her work "imaginative surfaces that support experimental laboratories for interferences in sensuous pigment." According to artist and curator Greg de la Haba, Judy Rifka's irregular polygons on plywood "are among the most important paintings of the decade". In 2013, Rifka's daily posts on Facebook garnered a large social media audience for her imaginative "selfies," erudite friendly comments, and widely attended solo and group exhibitions, Judy Rifka's pop art figuration is noted for its nervous line and frenetic pace. In the January 1998 issue of Art in America, Vincent Carducci echoed Masheck, “Rifka reworks the neo-classical and the pop, setting all sources in quotation for today’s art-world cognoscenti.” Rifka, along with artists like David Wojnarowicz, helped to take Pop sensibility into a milieu that incorporated politics and high art into Postmodernism; Robert Pincus-Witten stated in his 1988 essay, Corinthian Crackerjacks & Passing Go that "Rifka’s commitment to process and discovery, doctrine with Abstract Expressionist practice, is of paramount concern though there is nothing dogmatic or pious about Rifka’s use of method. Playful rapidity and delight in discovery is everywhere evident in her painting." In 2016, a large retrospective of Rifka's art was shown at the Jean-Paul Najar Foundation in Dubai. In 2017, Gregory de la Haba presented a Rifka retrospective at the Amstel Gallery in The Yard, a section of Manhattan described as "a labyrinth of small cubicles, conference rooms and small office spaces that are rented out to young entrepreneurs, professionals and hipsters". In 2019 her video Bubble Dancers New Space Ritual was selected for the International Istanbul Bienali. Alexandra Goldman Talks To Judy Rifka About Ionic Ironic: Mythos from the '80s at CORE:Club and the Inexistence of "Feminist Art" Whitehot Magazine of Contemporary Art. She was included in "50 Contemporary Women Artists", a book comprising a refined selection of current and impactful artists. The foreword is by Elizabeth Sackler of the Brooklyn Museum’s Sackler Center for Feminist Art. Additional names in the book include sculptor and carver Barbara Segal...

Poster-Discovery Galleries-Los Angeles, Century City. Measures 19.75 x 39 in. Unframed. Good Condition-yellowing of paper due to age/signs of wear due to ...

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image ...

'1. Danaus plexippus 2. Tiramala limniace' Late 19th century colour lithograph of butterflies.

Original WW1 poster. Put Fighting Blood in Your Business. Here’s his record! Does he get a Job? Arthur Woods, Assistant to the Secretary of...

MARC CHAGALL 1887 - 1985 "Le joueur de flûte" 1958 Colour lithograph 25.5x44 cm, illustration; 38.3x57.3 cm, sheet size Signed lower right by the artist in ink "Marc Chagall" and dedicated "Pour Ursula et Gerd Hatje / "merci" / Marc Chagall / 1958". Inscribed lower left by the artist "Epreuve d'artiste". This is an artist’s proof, aside from the edition of 90. Catalogue Raisonné : Mourlot 197 Gerd Hatje (14 April 1915 – 24 July 2007) was a German publisher. The publishing house that he founded in 1945, named the Humanitas Verlag, renamed in 1947 as Verlag Gerd Hatje, is internationally known for contemporary art, photography and architecture. It merged in to Hatje Cantz in 1999. In the 1950s and 1960s, Hatje changed the focus to art, photography, and architecture.[1] He had contact with and was a friend of contemporary artists such as Hans Arp, Willi Baumeister, Joseph Beuys, Max Bill, Georges Braque, Marcel Breuer, Marc Chagall, Christo, Le Corbusier, Max Ernst, Alberto Giacometti, Walter Gropius, Joan Miró, Pablo Picasso, Ludwig Mies van der Rohe, and James Stirling...

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spr...

This exquisite lithograph by Joan Miro (1893–1983), titled La Femme Arborescente (The Tree-Like Woman), from the folio Derriere le miroir, No. 151–152, originates from the 1965 editi...

Comprised of shapes with lines and sharp angles, this composition depicting the running of the bulls is hectic and energized. Rendered in gradiated rainbow colors, the animals in thi...

"From the Series Cheval et Chevalier" is an original color lithograph signed in the lower right by the artist, Marino Marini. It depicts three red abstracted horses and their riders ...

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spr...

Sonia DELAUNAY Jazz Lithograph after a painting Printed signature in the plate Numbered /600 On Arches vellum 40 x 30 cm (c. 15.7 x 11.8 in) ArtCurial edition, 1994 Excellent cond...

Jean Jansem (1920-2013) Deux danseuses, 1995 Lithographie sur papier Arches, justifiée et numérotée EA Signée en bas à droite 22 x 17 cm / 32 x 26 cm Bibliographie: Catalogue raiso...

This exquisite heliogravure after Mark Tobey (1890–1976), titled Recherche (Research), from the folio Mark Tobey, Peintres d'aujourd'hui (Mark Tobey, Painters of Today), originates f...

Medium: original lithograph. Printed in Paris in 1961, this is one of the Jean Cocteau lithographs for Andre Verdet's "Montagnes Marines", publ...

A very good impression of this scarce lithograph on Arches buff paper. Signed, dated and numbered 17/60 in pencil by de Kooning. Printed by Hollander's Workshop, Inc., New York. Co-p...

Marius Sznajderman was a painter, printmaker and scenic designer living and working in the United States. Born in Paris, France in 1926 his Jewish parents had migrated to France from Poland in 1923. In November 1942 the family fled Nazi-occupied France for Spain before settling in Caracas, Venezuela. He attended the School of Fine Arts in Caracas where his teachers included illustrator Ramon Martin Durban, scenic designer Charles Ventrillon-Horber and painter Rafael Monasterios. and immigrated to the United States in 1949, where he received a Bachelor of Fine Arts and Master of Fine Arts from Columbia University in New York. He settled in Hackensack, New Jersey, where he lived and had a studio for more than 50 years before moving to Amherst, Massachusetts in 2015. His work, which includes painting, prints and collages, as well as set designs, is in more than 45 museum and public institution collections in the United States, Latin America and Israel. He held more than 40 solo exhibitions at galleries and museums and participated in more than 75 group shows around the globe. He helped found the Taller Libre de Arte, an experimental workshop for the visual arts, sponsored by the Ministry of Education. The Taller Libre de Arte was a center for young artists to work and to meet with critics and intellectuals to discuss avant-garde ideas and artistic trends from Europe and Latin America. Among the notable artists who participated in the Taller Libre de Arte were Ramón Vásquez Brito, Carlos González Bogen, Luis Guevara Moreno, Mateo Manaure, Virgilio Trómpiz...

Salvador Dalí The Immaculate Conception, 1979 Original lithograph on Japon paper Hand signed lower right Edition I VI/C Image size 58.5 x 41...

Sonia DELAUNAY Spain : Flamenco Dancer Lithograph after a painting Printed signature in the plate Numbered /600 On Arches vellum 40 x 30 cm (c. 15.7 x 11.8 in) ArtCurial edition, 1...

Chicago: A. Ackermann & Son, Inc., 1930. Aquatint with engraving on heavy wove paper with a deckle edge, 15 1/8 x 12 inches (384 x 304 mm); sheet 24 1/2 x 17 1/2 inches (622 x 445 m...

This is an original 19th century duotone lithograph entitled "The Great Temple of Aboo Simble, Nubia" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, p...

A pin up picture of a woman (in the likeness of Courtney Cox) sitting in a martini glass. In a fine white contemporary frame. Artist: Mel Ramos Title: M...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...

This elegant and iconic 1972 original poster was created to promote the Grands Maîtres Estampes et Dessins exhibition held at La Pochade, a renowned Parisian gallery located at 157 B...

This is an original John James Audubon hand-colored lithograph entitled "Mexican Marmot Squirrel, No. 22, Plate CIX", from John James Audubon's Quadrupeds of North America, published...

The Absolute Real is a lithograph realized by Man Ray in 1964. Hand-singed in pencil by the Artist. Lithograph in Red Ink, 1964. Published by Schwarz, the lithograph is part of th...

This limited edition color lithograph, titled Le Petit Prince Fetching Water, beautifully recreates the iconic watercolors from the beloved book Le Petit Prince by Antoine de Saint-E...

This original lithograph by Jules Chéret, titled Spring Flower, was published in 1898 as Supplément Plate 5 in Les Maîtres de l’Affiche. Executed in delicate sanguine tones, the comp...

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for the art revue Verve in 1960 for a special edition devoted exclusively to Chagall's original Bibl...

Medium: original lithograph. Printed in 1955 and published in New York by Curt Valentin. Sheet size: 12 1/4 x 9 1/2 inches (312 x 244 mm). Not signed.

Hans CHRISTIANSEN (1866 - 1945) Woman in the Poppies, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATIO...

'1. Vanessa urticae 2. 3. Pyrameis cardui' Late 19th century colour lithograph of butterflies.

Original "Take Up the Sword of Justice," antique poster from 1915. Archival linen backed in good condition, ready to frame. The poster was printed for the Parliamentary Recruiting...

Artist: Salvador Dali Title: Venus, Mars and Cupid Medium: Engraving with stencil color on Rives paper Year: 1971 Edition: 81/150 Sheet Size: 29 5/8" x 22" Image Size: 22 3/4" x 15" ...

Artist: Joan Miro Medium: Original lithograph Title: Miro Lithographe II, Plate VI Portfolio: Joan Miro Lithographe II Year: 1975 Edition: Unnumber...

EVENING THOUGHTS is an original limited edition lithograph by the Harlem Renaissance, social realist African-American artist ERNEST CRICHLOW (1914-2005). Printed in 2002 at JK Fine A...

Medium: lithograph (after the watercolor sketch). Printed in 1955 at the Mourlot Freres atelier, this composition is from George Braque's Intimate Sketchbooks (Carnets Intimes). Braq...

Medium: lithograph (after the pencil drawing). Printed in Paris in 1952 by Mourlot Freres in an edition of 1500. The total sheet (including margins) measures 12 3/8 x 9 5/8 inches (3...

This exquisite lithograph by David Hockney (born 1937), titled Letter C, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...

Detailed and dramatic hand-colored etching by Luigi Kasimir (Austrian, 1881-1962). St. Stephen's cathedral towers above the streets of Vienna, with people going about their daily bus...

CIRCUS is a hand drawn original lithograph by the Argentine born woman artist Ivel Weihmüller printed using traditional hand printmaking techniques on archival paper 100% acid free. ...

This exquisite lithograph by Joan Miro (1893–1983), titled Faillie du calcaire (Limestone Fault), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in...

The title of the piece makes reference to the subject of the piece, in this case Bubby (Grandmother in Yiddish) and Zayde (Grandfather in Yiddish). In terms of style, it looks illustrative, cartoonist, and fairy-tale like. Edition 76/260. Michoel Muchnik was born in Philadelphia in 1952. Muchnik received his artistic training at the Rhode Island School of Design. He later studied Jewish and Talmudic studies at the Rabbinical College of America in Morristown, New Jersey. Michoel Muchnik's art focuses on imaginative and joyful depictions of traditional and mystical Jewish and Hasidic themes. Muchnik has exhibited his work and lectured on Hasidic art throughout the United States as well as abroad. In 1977, Muchnik was selected alongside four other Hasidic artists, including Hendel Lieberman...

Early Summer is one of the six prints in Print Series No.4. Print series No.4 embodies Teh-Chun Chu’s signature style of lyrical abstraction. Through rich layers of color and spont...

Medium: pochoir (after the watercolor). Printed on Arches paper in 1956 at the atelier Daniel Jacomet for the Vins, fleurs et flammes portfolio, and issued in a limited edition of 38...

HOMAGE TO THE PANTHERS is an original limited edition lithograph created using hand printmaking techniques on white archival fine art paper, 100% acid free. Pencil signed, titled, dated by Elizabeth Catlett on the lower margin, embossed with printers chop mark lower left, print documentation provided. HOMAGE TO THE PANTHERS is an impactful graphic statement by the African-American woman printmaker and sculptor, Elizabeth Catlett, created as a tribute to the famous late 1960's Black Power organization, The Black Panthers. Composition of geometric orange rust shapes, powerfully graphic dense black portrait heads, clenched fists and guns. The Black Panther Party...

Alexander Calder Lithograph c. 1973 from Derrière le miroir: Lithograph in colors; 15 x 22 inches. Very good overall vintage condition; contains center fold-line as originally issue...

Lithograph on vélin de Rives paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: Published and printed by Bank Street Atelier, New York, 1973. I...

Medium: lithograph (after the gouache). This is the whimsical and striking surrealist composition, created by Rene Magritte for the cover of the December 1946 issue of "View", devote...

Artist: Georges Braque (after), French (1882 - 1963) Title: Profil de Femme from Souvenirs de Portraits d'Artistes. Jacques Prévert: Le Coeur à l'ouvrage (M.25) Year: 1972 Medium: Li...

'Eglise de L'abbaye de St Denis', tinted lithograph by Felix Benoist (1818-1896). From a series of lithographs depicting the famous buildings of Paris - 'Paris dans sa Splendeur', p...

Lithograph in colors on Arches paper. Hand signed and numbered by the artist. From the edition of 250. Artwork is in excellent condition. Certificate of authenticity included. Al...

'Rade et Ville De Jame's Town' Jamestown, St Helena Tinted lithograph by Eduardo Laplante (1818 - 1860) after Jean-Baptiste Henri Durand-Brager (1814-1879). 1844. 295mm by 450mm ...

"Fondly Do We Remember" From the Four Ages of Love Suite by Norman Rockwell Media: Lithograph on Paper Image Dimensions: 21" x 22" Year Produced: 1977 Edition Size: 200 Numbered (1-200), 60 Artists Proofs (1-60) Edition Number: A/P (Artist proof) Signed and Numbered in pencil by the artist Condition: In excellent condition Norman Rockwell was an American painter and illustrator known for his iconic depictions of American culture created for The Saturday Evening Post. With a range of favorite subjects that included nuclear families, mischievous children, and small-town life, his work has achieved an iconic status: the 1943 painting of a Thanksgiving dinner, Freedom from Want, has been reproduced and parodied countless times in contemporary culture. As an artist, Rockwell has had a lasting effect on US society beyond any singular work, with his paintings seen as indelible images that went on to inspire American directors such as George Lucas, Steven Spielberg, and particularly Robert Zemeckis, whose 1994 film Forrest Gump recreates several of Rockwell’s paintings as scenes throughout the film. Though he enjoyed success throughout his career, Rockwell’s idyllic and sentimental outlook on American society was not necessarily embraced by art critics, though his later politically activist work garnered praise for its tackling of controversial subjects. Born on February 3, 1894 in New York, NY, he went on to study at the National Academy of Design and the Art Students League. Rockwell notably had a longstanding relationship with the Boy Scouts...

Color lithograph with metallic leaf, Edition 30 Kushner's use of rich color harmonies and bold, fluid drawing, mark his belief in the importance of beauty in our lives. Kushner ha...

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Sheet size: 9 x 12 3/8 inches (228 x 315 mm). Signed in the p...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

This exquisite zincograph by Henri Michaux (1899–1984), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, XXe Annee, N°10 (double) Mars 1958, originates from t...

Joan Miró Lithographie Originale (Cover) Color Lithograph Year: 1981 Size: 15.6 × 12.75 inches Catalogue Raisonné: Cramer 177, Der Lithograph IV, 1969-1972, Ref.: 1255, p.178 Publisher: Maeght Editeur, Paris, France With coverfold, recto - as issued Recto, right: Typographically annotated: 'Lithographie Originale' Unsigned, Unknown Edition Size COA provided --------------------------------------- Joan Miró i Ferrà was a Spanish painter, sculptor, and ceramicist born in Barcelona. A museum dedicated to his work, the Fundació Joan Miró, was established in his native city of Barcelona in 1975, and another, the Fundació Pilar i Joan Miró, was established in his adoptive city of Palma de Mallorca in 1981 Surrealism, Fauvism, Cubism, Abstract expressionism, Naive art, Expressionism, Suprematism Pablo Picasso, André Breton, Hans Arp, André Masson, Hieronymus Bosch, Tristan Tzara, Modest Urgell