Art by Medium: Lithograph

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Judah, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by And...

Roy Lichtenstein, American (1923 - 1997) - As I Opened Fire. Year: 1964 Year Printed: 1997, Medium: Three Offset Lithograph Posters, Image Size: 24 x 19.5 inches, Size: 25 x 20.5 in...

Joan Miro, Spanish (1893 - 1983) - Sculptures (M. 950), Year: 1974, Medium: Lithograph on BFK Rives, signed in the plate, Image Size: 16.25 x 24 inches, Size: 20.5 x 29 in. (52.0...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

This poster, part of a series by Andy Warhol for Chanel No. 5 features the sophisticated design of the bottle in the center of the image. Aiming for simplicity, the bottle is the foc...

Antique 19th century fern lithograph with original hand-colouring , 1854, after Walter Hood Fitch. 250mm by 170mm (sheet) Walter Hood Fitch was one...

Joan Miró (Spanish, 1893–1983) Cartones, 1965 Original color lithograph on paper Hand-signed in green crayon by Miró Dimensions: Printed by Mourlot, Paris Published by Pierre Matiss...

Pablo Picasso (after) Bullfight, the Arena, 1982 Lithograph (printed in Atelier Mourlot) Printed signature in the plate On heavy paper 89 x 60 cm (c. 36 x 24 inch) Original lithogra...

This exquisite heliogravure after Sir Cecil Beaton (1904–1980), titled Audrey Hepburn, from the folio Cecil Beaton, Electa Editrice Portfolios, 1981, originates from the 1981 edition...

This exquisite heliogravure and collotype after Gustav Klimt (1862–1918), titled Sonnenblume (Sunflower), from the folio Das Werk von Gustav Klimt (The Work of Gustav Klimt), origina...

Medium: original lithograph. This lithograph was printed in 1956 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Henri MATISSE Underwater life, 1954 Original lithograph Printed signature in the plate On light wove paper 31 x 24 cm (c. 12.5 x 10 in) REFRENCES : Published by San Lazzaro / XXèm...

This is an original 1980 exhibition poster featuring Femme en bleue by Henri Matisse, created for a show at the Musée d’Art Moderne de Céret. Printed in rich, elegant tones, this pos...

VENDEDORA, a limited edition lithograph by the renowned American-born Mexican sculptor and printmaker Elizabeth Catlett(b.1915–2012) depicts a sensitive black and white portrait of a...

GOING TO CHURCH is an original hand drawn lithograph (not a photo reproduction or digital print) printed on archival printmaking paper 100% acid free, using hand lithography techniqu...

Artist: Teo Tobiasse (French/Israeli, 1927-2012) Title: "Le Pieton de Paris" Year: c.1975 Medium: Color lithograph Edition: Numbered 42/175 in pencil Paper: Japan paper Image ...

The Los Angeles Olympics Torch /runner. 1984 Los Angeles Olympics original vintage poster. Original, hand signed and numbered #232/300 "The Olympic Tor...

TEAR OF TIME (Melting Clock) is a limited edition color lithograph by the Modern master Salvador Dali, after an original Salvador Dali gouache pa...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Sans Titre (Untitled), originates from the 1953 folio Derriere le Miroir, Nos. 60–61, published by Maeght Editeu...

THE LANTERN is an original, handmade limited edition lithograph printed in 13 colors from hand drawn lithography plates using traditional hand lithography methods on archival Somerse...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Medium: lithograph (after the watercolor). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-gl...

This simple still life is a lithograph by Russian Modern artist Marc Chagall. It employs several of Chagall's recurring motifs, such as a bird (in this case a rooster), a bouquet of ...

Artist: Roy Lichtenstein (American, 1923-1997) Title: "Modern Print" *Numbered, signed, and dated by Lichtenstein in pencil lower right Year: 1971 Medium: Original Lithograph and Scr...

Artist: Raya Sorkine Title: "La Roue Qui Tourne" Title: Wedding in Venice Year: 1999 Print - Lithograph on Arches Archival Paper   39'' x 29.5'' Edition: signed in pencil and number...

Joan Miro Surrealist Garden (Sculptures), c. 1974 Original lithograph Signed in the plate On Arches vellum, size 54 x 76 cm (c. 21 x 30 inch) REFERENCE : catalog raisonne "Miro lit...

This exquisite lithograph and pochoir by Sonia Delaunay (1885–1979), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 7 (double), Juin 1956, originates fr...

Color lithograph after the 1940 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 300. The lithograph features the dry stamps of the Mag...

This exquisite lithograph by Wassily Kandinsky (1866–1944), titled Les etoiles (The Stars), from Verve, Revue Artistique et Litteraire, Vol. I, No. 2, ...

Original San Fermin Pamplona running of the bulls, vintage poster. Archival linen backed in very fine condition ready to frame. Artist: Alonso Astarloa....

Lithograph on Arches paper. Edition: 180, plus proofs. Inscription: unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: Extracted from the folio, Regar...

Pierre SOULAGES Composition in Black and Blue, 1956 Lithograph and stencil (Jacomet workshop) Unsigned On wove paper 31 x 24 cm (c. 12.2 x 9.4 inches) Edited by San Lazaro in 1956 ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Sara et Abimelech (Sarah and Abimelech), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue...

Lithograph on vélin bouffant des Papeteries de Hauteville paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Fernand Léger mes voyages avec un poème d'...

This woodcut black and white is part of my private collection. It is in very good condition. It is artists signed in the lower right and numbered o the left. Atelier Othon-Friesz

This exquisite collotype after Max Ernst (1891–1976), titled La Roue de la lumiere (The Wheel of Light), from the album Max Ernst, Histoire Naturelle (Natural History), originates fr...

Sku: CB1512 Artist: Alex Katz Title: Sarah-American Dance Festival Year: 2011 Signed: No Medium: Serigraph Paper Size: 48 x 34 inches ( 121.92 x 86.36 cm ) Image Size: 48 x 34 inches...

Robert Rauschenberg Star In Motion, 1982 for the Los Angeles Summer 1984 Olympic Games (with COA from Olympic Committee) Offset Lithograph on Parson's Diploma paper Stamp signed (aut...

The 1988 poster for “David Hockney: A Retrospective” at The Metropolitan Museum of Art is a vibrant and visually striking representation of the artist’s distinct style. Featuring Hoc...

Artist: Ellsworth Kelly Title: Composition (Axsom No. I-b) Year: 1964 Dimensions: 15in. by 11in. Mount Board Size Inches: 20 x 16 inches Mount Board Color: White/Black Print Border...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: Executed in 1949 and issued as the frontispiece of the Picasso Lithograph...

Lithograph on vélin Chiffon de Mandeure paper. Signed in the plate and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the album, Lithographies et Eaux...

THE CONVERSATION is an original limited edition lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free. THE CONVERSATION...

Alvin Carl Hollingsworth, American (1928 - 2000) - Le Jazz Hot, Year: circa 1990, Medium: Hand painted Lithograph on paper, signed lower left in pencil, Size: 14 x 9.75 in. (35.56...

This is an original 19th century hand-colored McKenney and Hall lithographic portrait of a Native American entitled "Wa-Na-Ta, Grand Chief of the Sio...

Alexandre Calder (1898 - 1976) Tribute to the Victims, 1967 Lithograph on offset background (Arte atelier) Printed signature in the plate On paper 75 x 44.5 cm (c. 29.5 x 17.3 inch) Original vintage poster INFORMATION: Published by Maeght on the occasion of the artist's exhibition "Pour le Viet Nam...

"Water in swimming pools changes its look more than any other form. If the water surface is almost still and there is a strong sun, then dancing lines with the color of the spectrum appear everywhere." - - David Hockney David Hockney Offset Lithograph poster (Deluxe Hand Signed Limited Edition) on Parsons Diploma Parchment Paper, accompanied by COA from the Publisher and Olympic Committee 36 × 24 inches Pencil signed and unnumbered from the Edition of 750 (there was a separate, larger unsigned edition) Unframed Also accompanied by gallery issued Certificate of Guarantee One of the most coveted, historic and popular David Hockney limited editions created - beloved by American and international collectors alike: The official edition of this work is 750, but the publisher famously destroyed unsold editions after the Olympic Games and only about 200-250 are said to remain. This hand signed limited edition iconic Hockney work was printed as one of the fifteen Official Fine Art Olympic Posters for the 1984 Olympic Games in Los Angeles. (the XXIII'rd Olympiad). It depicts an aerial view of a swimmer under rippling water broken up into 12 squares. A statement released by the 1984 Olympic committee explains the set as follows - "The posters commissioned for the 1984 Olympics contain an enlightened selection of the best American artists with special emphasis on those who work in Southern California...As the Games develop, transpire and pass into memory, these fifteen posters contain the images, forms and symbols that will represent the 1984 Olympics in the museums, galleries, homes and the minds of people all over the world.” This work is NOT to be confused with the ubiquitous plate signed poster of the same image, which was printed on different paper in an open edition.) In 1982, the Olympic Committee commissioned 15 artists to create posters for the 1984 Games in Los Angeles. Hockney designed this offset lithograph depicting Olympic swimming. It was printed on Parsons Diploma Parchment paper in 1982, in an edition of 750, hand signed in pencil by the artist. Even though this print was published in an edition of 750, after the first marketing blitz, the publisher destroyed the remaining portfolios of signed prints - literally discarding hundreds of them in the dumpster. The Olympic Committee commissioned these portfolios to celebrate and promote the 1984 Olympics, and nobody expected the individual prints to have such enduring value. As the executives running the short-term promotional campaign were neither prophets nor curators, they saw no reason to hold on to these huge prints...

Fernand LÉGER Still life with Blue Pitcher and Fruits, c. 1950 Original lithograph and stencil (Jacomet workshop) Printed signature in the plate On paper 43 x 33 cm (c. 17 x 13 Inc...

The Coronation of Gala (The Empress) from Visions Surrealiste Salvador Dali, Spanish (1904–1989) Portfolio: Visions Surrealiste Date: 1976 Lithograph, signed and numbered in pencil E...

Max Ernst (German, American, 1891-1976) Color lithograph Titled, "Poster For The Jewish Museum" 1966 Hand signed lower right Hand numbered HC I/XVII Dimensions: 34.75 x 28.5 sight 25 X 19.25 Max Ernst (German 1891 – 1976) was a German-born painter, sculptor, printmaker, graphic artist, and poet. A prolific artist, Ernst was a primary pioneer of the Dada movement and surrealism in Europe. He had no formal artistic training, but his experimental attitude toward the making of art resulted in his invention of frottage—a technique that uses pencil rubbings of textured objects and relief surfaces to create images—and grattage, an analogous technique in which paint is scraped across canvas to reveal the imprints of the objects placed beneath. Max Ernst showed for the first time in 1912 at the Galerie Feldman in Cologne. At the Sonderbund exhibition of that year in Cologne he saw the work of Paul Cezanne, Edvard Munch, Pablo Picasso, Paul Gauguin and Vincent van Gogh. In 1913 he met Guillaume Apollinaire and Robert Delaunay and traveled to Paris. Ernst participated that same year in the Erste deutsche Herbstsalon. In 1914 he met Jean Arp in Cologne who was to become a lifelong friend. In 1921 Ernst exhibited at the Galerie au Sans Pareil in Paris. He was involved in Surrealist activities in the early 1920s with Paul Eluard and André Breton. His work was exhibited that year together with that of the Das Junge Rheinland group, at Galerie Feldman in Cologne, and then in several group exhibitions in 1913. In his paintings of this period, Ernst adopted an ironic style that juxtaposed grotesque elements alongside Cubist and Expressionist motifs. Ernst fought in world war I. Several German Expressionist painters died in action during the war, among them August Macke and Franz Marc. In 1918, Ernst was demobilised and returned to Cologne. He soon married art history student Luise Straus, of Jewish ancestry, whom he had met in 1914. In 1919, he visited Paul Klee in Munich and studied paintings by Giorgio de Chirico. In the same year, inspired by de Chirico and mail-order catalogues, teaching-aide manuals and similar sources, he produced his first collage works (notably Fiat modes, a portfolio of lithographs), a technique which later dominated his artistic pursuits. Also in 1919, Ernst, social activist Johannes Theodor Baargeld and several colleagues founded the Cologne Dada group. In 1919–20, Ernst and Baargeld published various short-lived magazines such as Der Strom, die Schammade and organised Dada exhibitions. Ernst and Luise's son Ulrich Jimmy Ernst was born on 24 June 1920; he later would also become a painter. In 1921, he met Paul Éluard, who became a lifelong friend. Éluard bought two of Ernst's paintings (Celebes and Oedipus Rex) and selected six collages to illustrate his poetry collection Répétitions. A year later the two collaborated on Les malheurs des immortels and then with André Breton, whom Ernst met in 1921, on the magazine Littérature. Ernst developed a fascination with birds which was prevalent in his work. His alter ego in paintings, which he called Loplop, was a bird. He suggested that this alter-ego was an extension of himself stemming from an early confusion of birds and humans. In 1927, he married Marie-Berthe Aurenche and it is thought his relationship with her may have inspired the erotic subject matter of The Kiss and other works of that year. He collaborated with Joan Miro on designs for Sergei Diaghilev Ballet that same year. The following year the artist collaborated with Salvador Dali and the Surrealist Luis Bunuel on the film L'Age d'or. His first American show was held at the Julien Levy Gallery, New York, in 1932. In 1936 Ernst was represented in Fantastic Art, Dada, Surrealism at the Museum of Modern Art in New York. Ernst began to sculpt in 1934 and spent time with Alberto Giacometti. In 1938, the American heiress and artistic patron Peggy Guggenheim acquired a number of Max Ernst's works, which she displayed in her new gallery in London. Ernst and Guggenheim were married from 1942 to 1946. In September 1939, the outbreak of World War II caused Ernst, being German, to be interned as an "undesirable foreigner" in Camp des Milles, near Aix-en-Provence, along with fellow surrealist, Hans Bellmer, who had recently emigrated to Paris. He had been living with his lover and fellow surrealist painter, Leonora Carrington who, not knowing whether he would return, saw no option but to sell their house to repay their debts and leave for Spain. Thanks to the intercession of Paul Éluard and other friends, including the journalist Varian Fry, he was released a few weeks later. Soon after the German occupation of France, he was arrested again, this time by the Gestapo, but managed to escape to America with the help of Fry and Peggy Guggenheim, a member of a wealthy American art collecting family. Ernst and Peggy Guggenheim arrived in the United States in 1941 and were married at the end of the year. Along with other artists and friends (Marcel Duchamp and Marc Chagall) who had fled from the war and lived in New York City, Ernst helped inspire the development of abstract expressionism. His marriage to Guggenheim did not last. In October 1946 he married American surrealist painter Dorothea Tanning in a double ceremony with Man Ray and Juliet P. Browner in Beverly Hills, California. The couple made their home in Sedona, Arizona from 1946 to 1953. He and Tanning hosted intellectuals and European artists such as Henri Cartier-Bresson and Yves Tanguy. Sedona proved an inspiration for the artists and for Ernst, who compiled his book Beyond Painting and completed his sculptural masterpiece Capricorn while living in Sedona. As a result of the book and its publicity, Ernst began to achieve financial success. From the 1950s he lived mainly in France. In 1954 he was awarded the Grand Prize for painting at the Venice Biennale. In 2005, "Max Ernst: A Retrospective" opened at the Metropolitan Museum of Art. Contemporary artist tapestries have had their true believers. He produced a tapestry for Gloria Ross...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

An original Joan Miro lithograph on BFK Rives with signature in the plate (printing). Printed and published by Arte Adrien Maeght, Paris. Nicely framed. Artist: Joan Miro, Spanish...

Lithograph on Van Gelder Zonen Bütten paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Der Mensch ist kein Haustier, 1937. Published by...

This is an exclusive handprinted limited edition cyanotype. "Miami Art Deco Pool" shows the movements of water over a tiled swimming pool floor. Details: + Title: Miami Art Deco Poo...

Paper Size: 27.25 x 21 inches ( 69.215 x 53.34 cm ) Image Size: 27.25 x 21 inches ( 69.215 x 53.34 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...

This exquisite lithograph by Henri Matisse (1869–1954), titled La tristesse du roi (The Sorrow of the King), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originat...

Richard Haas The Hugh O'Neill Building, 655-671 Sixth Avenue, New York City, 1974 Lithograph on Arches paper Signed, titled and annotated "TP" in graphite pencil on the front Edition...

Hand Signed. Printed in black ink, and part of a limited edition thought to be of 400 specimen. Image Dimensions : 51 x 20 cm  Reference: Bool n. 352 Locher 146.  Very good conditio...

Herbert Bayer Sale and Marketing Kiosk for P Cigarettes (Verkauf- und Werbekiosk, Zigarettenmarke P ), 1924 Offset Lithograph Year: 1994 Size: 33.2 × 23.2 inches Publisher: Bauhaus A...

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image ...