Ceramic More Art

Tête Solaire, Pablo Picasso, Unique Ceramic, 1950's, Earthenware, Design, Tile Tête solaire II Unique work 27.01.1956 Large white earthenware tile, green stripes on white enamel on ...

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Please note: The base is not included. We will guide you through a simple installation process for outdoor or indo...

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Please note: The base is not included. We will guide you through a simple installation process for outdoor or indo...

Outstanding sculpture depicting a panther in an attacking position, standing on a rock. The sculpture has a beautiful patina. It displays excellent muscular proportions. Made from ...

Leonard Waegell Edmondson (1916-2002). Ceramic with sgraffito and fired opaque polychrome. 6.5 inches tall. 4.5 inches circumference. Excellent condition with no damage or restoratio...

ANDY WARHOL (after) Blue Elvis Edition of 49 From Rosenthal Studio Line 51 x 51 cm (20.1 x 20.1 in.) Signed in glaze (fac-simile signature), numbered on the reverse on label In woode...

This finely crafted black-on-buff geometric olla by Juan Quezada Celado features interlocking stepped and square-grid motifs that wrap around the vessel in a precise, rhythmic patter...

Glamour Plate is an decorative limited edition porcelain plate realized in the 1990s. This very rare plate was produced for House Of Ertè in fine porcel...

Incredibly dramatic Amphora ceramic featuring a maiden resting on a trio of lilies, her golden gown cascading into a gathered earthen base. Stamped Amphora...

This totem is full of surprises with an upside down duck a couple of fish an apple and a cala lily.Its wonderfully random which adds to the fun. Totems can make you laugh! Please no...

Title : Anthozoa Blanca Materials : Black Stoneware, Oil-Based Clay and Sand Date : 11-15-17 Dimensions : 5x5x5" Description : This little rendition of a coral reef is delightful and...

Substantial vase with Roy Lichtenstein-esque pop art figurative of Bill and Hillary Clinton and the scandal that lead to his impeachment. By ceramic ar...

Her poetic porcelain plates examine and reimagine the history of art in a way that values women, not only in body, but in wholeness, power, and love. Focusing on the narrative qualit...

Really lovely bowl by this well collected and exhibited British potter Good condition 17cm high diameter 38cm 1980s

From the Amphora series that came to be known as the Confetti Decor; a delightfully petite vase featuring cobalt underglaze painting with large crackling that reveals spots of green,...

Harding Black (1912-2004) San Antonio Artist Image Size: 6 1/2 inches tall Frame Size: 3 1/2 inches across at the widest point Medium: Ceramic Studio Pottery Dated 1939 SIGNED ON BO...

Harding Black San Antonio Ceramicist (1912 - 2004) "Lava Glaze Planter" 1967 16.5 inches tall 15 inches across SIGNED & DATED IN THE GLAZE Weight almost 50 pounds. You are more than...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork.This exceptional artwork is currently on display and available for sale at Signet Co...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork.This exceptional artwork is currently on display and available for sale at Signet Co...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Keith Haring (US American, 1958–1990) Title: Untitled Created: 2021 Medium: Fine bone china Dimensions: 26.7 cm diameter (10 1/2 in diameter) Edition of 250: Signed in plate, backsid...

Ken Ferguson Basket with handle Material: Stoneware, glaze Year: Circa 1980 Size: 18 x 13 inches Stamped Kenneth Richard Ferguson was an American c...

This piece is original ceramic plate by Jean Cocteau, created in 1961. This piece was embellished with black, red, green, blue, and yellow enamels. In 1957, Cocteau met Marie Madeline Jolly and Philippe Madeline and created over 300 ceramics in their workshop at Villefranche-sur-Mer. At this workshop, he began experimenting with new concepts in pottery design. All these ceramic objects, he said, should look as if they were discovered in an archaeological dig. This piece is from a series of 8 ceramic plates that illustrate the ancient Latin...

This beautiful Porthleven studio pottery planter was in the mid century planter was in the collection of George and Ann Dannatt. Graham Fern set up his pottery in the small seasid...

Diva II Plate is an original decorative limited edition porcelain plate realized in the 1990s. This very rare plate was produced for House Of Ertè in fi...

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Dive into the whimsical realm of mystique with this utterly enchanting totem. Crafted with meticulous detail, this...

Harding Black San Antonio (1912 - 2004) Huge Heavy Crackle Vase 1985 Height 14'' Across Widest 8" Biography Harding Black San Antonio (1912 - 2004) Harding Black was born on a farm in Nueces County between Ingleside and Aransas Pass and moved with his family to San Antonio in 1916. There he graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1931 Black joined an archaeological expedition to the Big Bend area sponsored by the Witte Memorial Museum. Initially a painter, he was taught by Rudolph Staffel in 1933 to make wheel- thrown pottery and in the same year began to teach children's ceramic classes at the Witte. Between 1937 and 1939, Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Exhibitions: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of Fine Arts, Washington D.C. (1951, 1956); Dallas Museum of Fine Arts (1952 one-man); Martin Museum of Art, Baylor University (1991 one-man); San Antonio Museum of Art (1995 retrospective); National Museum of Art, Washington, D.C. (1995); University of Texas at Dallas, Irving (1998 retrospective). Collections: Dallas Museum of Art; Museum of Fine Arts, Houston; San Angelo Museum of Fine Arts; San Antonio Museum of Art; Martin Museum of Art, Baylor University, Waco; National Museum of American Art, Washington D.C.; New Orleans Museum of Art; Everson Museum of Art, Syracuse, new York; Alfred University (New York). Harding Black resided in San Antonio Texas where he worked as a potter for over 60 years and far as anyone knows he was completely self taught. I find it amazing that anyone could ever accomplish what he did with with no formal training in either ceramics or chemistry. It was a long and prolific journey from the early hand built earthenware pottery to become recognized as a master of glazes. While I feel that his forms often could be better this is more than compensated for by the spectacular glazes he developed. Constant experimentation and his acquired knowledge of chemistry were the foundations for the wonderful glazes that adorn his pottery. The following quote is from an interview with Rudolf Staffel His copper reds are unbelievably beautiful. Harding was a master of glazes and one of the most generous human beings in the ceramic field that I've known. He had literally a room full of beautifully organized test tiles of all his glazes, and he would just throw the room open to anybody who wanted to rummage through his tiles. All the recipes were there and he shared them with anyone who was interested. It was wonderful to go and visit him. Although accurate records of all test firings were kept for reference it I have been told that it would be difficult to reproduce many of these glazes because of the kiln he built and clays he used. This may not be the case because in a recent phone conversation (4/11/2007) with Peter Pinnell he told me that some of his students had success replicating some glazes using Harding's formulas By concentrating on the bowl and vessel forms Harding remained true to the historical traditions of pottery making. The magnificent Harding Black journey began in 1932. At that time he joined the Witte Museum Archaeological Society which provided him with access to their collections of Native American pottery. Harding became fascinated by these pollychromed vessels and he began attempting to create hand built pots. He had very little or no success but a life long of working in clay had begun. It was about this time that he met up with Rudolf Staffel and it was from him that Harding learned wheel throwing and developed ideas of how to operate a studio. Harding was given access to working space at the Witte where he built a wheel and in 1933 he was given a position as ceramic instructor. In this position it was his responsibility to establish a ceramics department. The first kiln Harding built was using plans that were obtained from Newcomb College. He scrounged parts from a junkyard which were used in its construction. This project was not totally successful because of problems reaching required temperatures. As usual this did not deter Harding. He seemed to have a wonderful ability to learn from failure and move on. In the early 1940's Harding began working with formulas for copper red glazes prepared by Arthur Baggs and Edgar Littlefield. This work only added to his interest in Oriental pottery and fostered a desire to rework many old glazes. Being greatly influenced by A Potters Book published in 1940 by Bernard Leach Harding was now on his way seeking to incorporate form, function and surface treatment into a single entity where the whole is greater than the sum of the parts. In the 1950's Harding left the Witte and built his own studio where he spent the rest of his life creating his wonderful art. The body of his work is a living tribute to the Harding Black lifelong love of ceramics. Along with being a researcher he was also a teacher always willing to share his knowledge with others. He spent his life producing pots and occasionally taking time off to do a bit if fishing. According to Harding Black - Harding Black 11/14/90 "I am one of the lucky ones. When I get up in the morning I can hardly wait to get to work." 1912 Born April 15 near Aransas Pass, Texas 1916 Family moved to San Antonio 1929 Graduated from Breckenridge High School 1929-30 Attended San Antonio Junior College 1931 Joined Archaeological Society of the Witte Museum, San Antonio, and participated in excavations of ancient Basket maker Indian mounds and caves in the Big Bend area of Texas 1933 Taught by Rudolf Staffel to make wheel-thrown pottery. Set tip studio in a streetcar behind Witte Museum and began teaching children’s ceramic classes 1937-39 Appointed Superintendent of Ceramic Installation for N Y A /W P A reconstruction project in San Antonio 1943 Moved from streetcar studio to new facilities in the reconstructed Ruiz House on the grounds of the Witte Museum Began firing to stoneware temperatures 1947-54 Exhibited each year in the annual National Ceramic Exhibition, Syracuse Museum of Art 1951 Exhibited at the National Museum of Art, Washington, DC 1952 Toured ceramic centers throughout the United States 1953 “Opening the Door to Copper-Reds” by Harding Black, published in January issue of Ceramics Monthly “Harding Black Profile” published in February issue of Ceramics Monthly 1954 “Iron Spotted Glazes” by Harding Black, published in February issue of Ceramics Monthly 1955 Built present studio at 8212 Broadway, San Antonio Retired from teaching at the Witte Museum 1956 Exhibited at the National Museum of Art, Washington, DC 1961 “Lava Glazes” by Harding Black, published in October issue of Ceramics Monthly 1964 “Harding Black Texas Potter” by Jean R Lange, published in November issue of Ceramics Monthly 1971 The Meyer Family Master Potters of Texas, co-authored by Harding Black and Georgeanna H Greet 1980 Harding Black’s biographical information entered into the archives of the Smithsonian Institution, Washington, D C 1983 Harding Black traveled throughout China 1984 Awarded Glaze Research Grant by Southwest Craft Center, San Antonio 1985 Solo exhibition at the Southwest Crafts Center 1987 Selected as Artist of the Year by the San Antonio Art League 1988 Incarnate Word College, San Antonio, establishes Harding Black Fund to aid ceramics students 1990 “Harding Black Pottery...

A beautiful stoneware vase by Annette Chatting from the Myrtle Pottery, Hampshire England. Makers mark

“Untitled” ceramic, is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed on the bottom and can be found on page 92, plate #125 in “John Glick: A Legacy in Clay.” John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...

Melanie Sherman Cufflinks with Red & Gold Flowers on Black Porcelain Dimensions: 20mm x 17mm x 17mm Materials: Porcelain, Glaze, Vintage Decal Metal type: Brass COA Provided * These pieces are made to order any may exceed the 10 Day Shipping time frame Melanie Sherman is a ceramic artist, born in Germany and currently residing and working in Kansas City, Missouri. She has a Bachelor of Fine Arts Degree in ceramics from the Kansas City Art Institute. Her background is in graphic design, where she developed an eye for pattern and decoration. In her ceramics she combines her love for ornamentation and her fascination with the history of ceramics, referencing 18th century European porcelain...

Bridget Drakeford Bridget started making pots full-time while living in Scotland in 1976. At first, she made domestic stoneware, firing in a gas kiln and gained skills in all aspects...

Adam Dworski was born near Rijeka (Croatia) in 1917 during the demise of Austria-Hungary, he witnessed the birth of the new Yugoslavia. After World War II, he met and married an Engl...

Beautiful contemporary shabby chic handcrafted vase finished in salt glaze and hand painted finish abstract in design.

Artists Statement: My interest is in exploring ways of building structural forms in ceramics. Many ideas for the forms come from architecture while the inherent organic quality of th...

Hand Built & Painted Plate Materials: Porcelain, Glaze, China Paint, Gold Luster, Flock, Decals Fired: Electric Kiln, Cone 6 Decorative purpose only - Not for use, not dishwasher saf...

The ceramic sculptures of Wisconsin artist Michael Gross are personal narratives that reveal an unusual mix of earthly magic and primal vitality. The artist works in a variety of forms, including figurines, large vessels and furniture. The present vase is among the top tier of his works from the 1980s, showing multiple playful figures in relief around the vessel. In his Neo-Expressionist style, hearkening to the works of Keith Haring and Jean-Michel Basquiat, the figures are colored in painterly polychrome. Also, not unlike the painted narrative vessels of Ancient Greece, though much more subversive, many of the figures and stories are identified with text: 'King of Fart,' 'Dance Little Sister,' 'Girls for Every Boy,' and 'Beach Boy.' 22 x 13 x 12 inches overall Signed 'Gross' near base Dated 1986 near upper rim SELECTED COLLECTIONS INCLUDING WORKS BY GROSS: Smithsonian American Art Museum, Washington, D.C.; Sharon Lynne Wilson...

Melanie Sherman Cufflinks: Black Porcelain with Gold Pattern Sterling Silver & Brass Findings Dimensions: 27mm/20mm x 19mm x 19mm Materials: Porcelain, Glaze, Luster Decal Metal type: 925 Sterling Silver, Brass COA Provided Available on backorder Cufflinks Black Porcelain with Gold Pattern Sterling Silver & Brass quantity Melanie Sherman is a ceramic artist, born in Germany and currently residing and working in Kansas City, Missouri. She has a Bachelor of Fine Arts Degree in ceramics from the Kansas City Art Institute. Her background is in graphic design, where she developed an eye for pattern and decoration. In her ceramics she combines her love for ornamentation and her fascination with the history of ceramics, referencing 18th century European porcelain...

Hand Built & Painted Plate Materials: Porcelain, Glaze, China Paint, Gold Luster, Flock Fired: Electric Kiln, Cone 6 Decorative purpose only - Not for use, not dishwasher safe (MADE...

ONE WEEK ONLY SALE The rich tones of the stoneware clay come through the soft creamy glaze that drips over the surface like melted vanilla ice cream over red devil cake. There are i...

For the latest installment in his long-lasting collaboration with Case Studyo, Parra presents 'The Upside Down Face Vase'; a classic stunt helmet wearing P...

Single vase. One of two vases ever made in this design. It's handmade singulary, affected by the relationship Gio Ponti & Lucio Fontana. The medium is ceramic and hand brushed with ...

Directoire Plate is an original decorative limited edition porcelain plate realized in the 1990s. This very rare plate was produced for House Of Ertè in...

Original gunpowder drawing and porcelain bird sculpture, limited-edition copy exhibition catalogue Edition 26 of 50 Print is signed and number...