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Hand Thrown Glazed Stoneware signed on bottom by Robert Piper 3 1/2 x 5 1/2"dia.

Carved folk art vase, with hand-painted bright cloisonné enamel embellishments. The form's contrasting glazes amplify its intricate carvings and mottled texture. Stamped Amphora in t...

bone china with lustre rim 21 cm diameter Grayson Perry hallmark on the back. These decorative plates are inspired by the artwork The Great Beauty, 2024. The original piece is a cab...

Sublime vase by Jos Kervella is a French ceramist from Saint-Urbain, near Daoulas (Finistère). Gifted for the arts from childhood, he studied at the Lycée de Brest, where his talents...

bone china with lustre rim 21 cm diameter Grayson Perry hallmark on the back. These decorative plates are inspired by the artwork The Great Beauty, 2024. The original piece is a cab...

Looking at You is a hand-made flat ceramic dish realized by the Russian emerging artist, Anastasia Kurakina in 2019. Signed and dated on the back at the center. This is a beautif...

Pablo Picasso (1881-1973) CHOUETTE (A.R. 543) stamped, marked and numbered 'Madoura Plein Feu / Edition Picasso / Edition Picasso / 37/500 / Madoura' (underneath) white earthenware c...

Willow Tree Plate is an original decorative limited edition porcelain plate realized in the 1990s. This beautiful and very rare plate was produced for Hous...

Glazed stoneware, wheel thrown with hand-built slabs, signed on the bottom by Dennis McLaughlin. 7' x 10" diameter McLaughlin’s artistic sensibilit...

Lady is a wonderful hand-made flat ceramic dish realized by the Russian emerging artist, Anastasia Kurakina in 2019. Unique copy. Signed and dated on the back at the center. This i...

Ceramic and powdered steel

Skuldelev Vessel Stoneware with tenmoku glaze

Porcelain plate (Edition of 3000) This artwork is offered by ClampArt, located in New York City.

Jar with lid Stoneware with volcanic ash glaze

Subrata Biswas - Untitled Vitrified Terracotta H 27.75 x W 14 x D 11 inches ( Delivered ) Style : The motive of a child in its most basic form appears quite repeatedly in the works ...

Drop. Small abstract sculpture from porcelain, h 16 cm Elina Titane represents the younger generation of modern ceramic art in Latvia. Emoti...

Harding Black San Antonio (1912 - 2004) Huge Heavy Oxblood Vase 1984 Height 17'' At widest 5'' Biography Harding Black San Antonio (1912 - 2004) Harding Black was born on a farm in Nueces County between Ingleside and Aransas Pass and moved with his family to San Antonio in 1916. There he graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1931 Black joined an archaeological expedition to the Big Bend area sponsored by the Witte Memorial Museum. Initially a painter, he was taught by Rudolph Staffel in 1933 to make wheel- thrown pottery and in the same year began to teach children's ceramic classes at the Witte. Between 1937 and 1939, Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Exhibitions: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of Fine Arts, Washington D.C. (1951, 1956); Dallas Museum of Fine Arts (1952 one-man); Martin Museum of Art, Baylor University (1991 one-man); San Antonio Museum of Art (1995 retrospective); National Museum of Art, Washington, D.C. (1995); University of Texas at Dallas, Irving (1998 retrospective). Collections: Dallas Museum of Art; Museum of Fine Arts, Houston; San Angelo Museum of Fine Arts; San Antonio Museum of Art; Martin Museum of Art, Baylor University, Waco; National Museum of American Art, Washington D.C.; New Orleans Museum of Art; Everson Museum of Art, Syracuse, new York; Alfred University (New York). Harding Black resided in San Antonio Texas where he worked as a potter for over 60 years and far as anyone knows he was completely self taught. I find it amazing that anyone could ever accomplish what he did with with no formal training in either ceramics or chemistry. It was a long and prolific journey from the early hand built earthenware pottery to become recognized as a master of glazes. While I feel that his forms often could be better this is more than compensated for by the spectacular glazes he developed. Constant experimentation and his acquired knowledge of chemistry were the foundations for the wonderful glazes that adorn his pottery. The following quote is from an interview with Rudolf Staffel His copper reds are unbelievably beautiful. Harding was a master of glazes and one of the most generous human beings in the ceramic field that I've known. He had literally a room full of beautifully organized test tiles of all his glazes, and he would just throw the room open to anybody who wanted to rummage through his tiles. All the recipes were there and he shared them with anyone who was interested. It was wonderful to go and visit him. Although accurate records of all test firings were kept for reference it I have been told that it would be difficult to reproduce many of these glazes because of the kiln he built and clays he used. This may not be the case because in a recent phone conversation (4/11/2007) with Peter Pinnell he told me that some of his students had success replicating some glazes using Harding's formulas By concentrating on the bowl and vessel forms Harding remained true to the historical traditions of pottery making. The magnificent Harding Black journey began in 1932. At that time he joined the Witte Museum Archaeological Society which provided him with access to their collections of Native American pottery. Harding became fascinated by these pollychromed vessels and he began attempting to create hand built pots. He had very little or no success but a life long of working in clay had begun. It was about this time that he met up with Rudolf Staffel and it was from him that Harding learned wheel throwing and developed ideas of how to operate a studio. Harding was given access to working space at the Witte where he built a wheel and in 1933 he was given a position as ceramic instructor. In this position it was his responsibility to establish a ceramics department. The first kiln Harding built was using plans that were obtained from Newcomb College. He scrounged parts from a junkyard which were used in its construction. This project was not totally successful because of problems reaching required temperatures. As usual this did not deter Harding. He seemed to have a wonderful ability to learn from failure and move on. In the early 1940's Harding began working with formulas for copper red glazes prepared by Arthur Baggs and Edgar Littlefield. This work only added to his interest in Oriental pottery and fostered a desire to rework many old glazes. Being greatly influenced by A Potters Book published in 1940 by Bernard Leach Harding was now on his way seeking to incorporate form, function and surface treatment into a single entity where the whole is greater than the sum of the parts. In the 1950's Harding left the Witte and built his own studio where he spent the rest of his life creating his wonderful art. The body of his work is a living tribute to the Harding Black lifelong love of ceramics. Along with being a researcher he was also a teacher always willing to share his knowledge with others. He spent his life producing pots and occasionally taking time off to do a bit if fishing. According to Harding Black - Harding Black 11/14/90 "I am one of the lucky ones. When I get up in the morning I can hardly wait to get to work." 1912 Born April 15 near Aransas Pass, Texas 1916 Family moved to San Antonio 1929 Graduated from Breckenridge High School 1929-30 Attended San Antonio Junior College 1931 Joined Archaeological Society of the Witte Museum, San Antonio, and participated in excavations of ancient Basket maker Indian mounds and caves in the Big Bend area of Texas 1933 Taught by Rudolf Staffel to make wheel-thrown pottery. Set tip studio in a streetcar behind Witte Museum and began teaching children’s ceramic classes 1937-39 Appointed Superintendent of Ceramic Installation for N Y A /W P A reconstruction project in San Antonio 1943 Moved from streetcar studio to new facilities in the reconstructed Ruiz House on the grounds of the Witte Museum Began firing to stoneware temperatures 1947-54 Exhibited each year in the annual National Ceramic Exhibition, Syracuse Museum of Art 1951 Exhibited at the National Museum of Art, Washington, DC 1952 Toured ceramic centers throughout the United States 1953 “Opening the Door to Copper-Reds” by Harding Black, published in January issue of Ceramics Monthly “Harding Black Profile” published in February issue of Ceramics Monthly 1954 “Iron Spotted Glazes” by Harding Black, published in February issue of Ceramics Monthly 1955 Built present studio at 8212 Broadway, San Antonio Retired from teaching at the Witte Museum 1956 Exhibited at the National Museum of Art, Washington, DC 1961 “Lava Glazes” by Harding Black, published in October issue of Ceramics Monthly 1964 “Harding Black Texas Potter” by Jean R Lange, published in November issue of Ceramics Monthly 1971 The Meyer Family Master Potters of Texas, co-authored by Harding Black and Georgeanna H Greet 1980 Harding Black’s biographical information entered into the archives of the Smithsonian Institution, Washington, D C 1983 Harding Black traveled throughout China 1984 Awarded Glaze Research Grant by Southwest Craft Center, San Antonio 1985 Solo exhibition at the Southwest Crafts Center 1987 Selected as Artist of the Year by the San Antonio Art League 1988 Incarnate Word College, San Antonio, establishes Harding Black Fund to aid ceramics students 1990 “Harding Black Pottery...

Kunsttöpferei Kandern (1897-1927), Bulbous vase with clay-colored gradient glaze on a black-blue ground, between 1914 and 1927. Terracotta, marked 'KTK' on the underside and identifi...

Keith Haring (US American, 1958–1990) Title: Untitled, 1985 Created: 2020 Medium: Fine bone china Dimensions: 26.7 cm diameter (10 1/2 in diameter) Edition of 175: Signed in plate, b...

“Agapanthes” Mirror, stamped and enameled midnight-blue clay with agapanthes on a blue background. Lined on the back with green felt.

Large Madoura Pottery Ceramic Platter Stamped "MADOURA PLEIN FEU" This is not marked Picasso. It is an early piece. i am uncertain who the artist is. It appears to be an abstract fi...

A pair of exceptional earthenware vases by Clément Massier in a unique rectangular form, featuring albino peacock feathers enhanced by accents of purple and gold glazing. As Massier ...

Stunning ceramic thermometer by French ceramicist Mithé Esplet

This is a one of a kind original cup made by southern California artist, Ron Carlson. Its dimensions are 5 x 2.5 x 2.5 in (L x H x D). A certificate of authenticity will follow deliv...

Untitled Vessel (INV# NP3503) Richard DeVore stoneware and glaze 3.25 x 5.75 x 6” date unknown mid century modern Provenance- "ACCUMULATIONS: NOW" at the LongHouse Reserve Richard ...

Unique earthenware bowl featuring a pair of golden Egyptian sphinxes and stylized purple flowers in an incised pattern, with an iridescent glaze of rich green, blue, and purple hues....

Kunsttöpferei Kandern (1897-1927), Thrown vase with two layers of glaze, between 1914 and 1927, terracotta, marked 'KTK' on the underside and marked as model number '781', 19 cm (hei...

GREY BLACK AND RED VASE #3 Certified Grey, Black and Red Vase #3. Mata Ortiz, Chihuahua, Mexico.

Vase 2017. Stone mass, 14x15.5x12 cm

Monika Laborcz (Hungarian, b. 1941) Figural Group Red Glazed Ceramic Relief Plaque, signed "MONIKA" to reverse. 5.25" H x 14.25" W x 1.25" D. Provenance: From a New York City Collect...

Paddled Bottle (Four Small Circles), Stoneware by William Plumptre, 2019 Additional information: Medium: Stoneware with blue, white and brown slip under a wood-ash glaze Height 35.6...

Earthy, textured water lily leaf vase with gilted, figural stem arms which encircle the golden mouth of the piece with their flowers. Stamped Ernst Wahliss and numbered in the base. ...

Following the release of the first “Upside Down Face Vase”, Parra presents the latest addition to the series. This female counterpart marks the conclusion of these iconic vases. Where the first edition stood out because of its boldness, this bird girl exhibits remarkable elegance and sophistication. Long red flowing hair forms the base of the hand painted ceramic sculpture, with her graceful neck embracing your bouquet of flowers. Dutch illustrator, painter, and animator Piet Parra...

Figure - Girl, h 28 cm This artistic piece captures the essence of a young girl in a three-dimensional form, adding beauty and charm to any space. Crafted from ceramic, a versatile...

Apple topper totem delights the viewer in royal blue with strong color accents. The colums are carved in great detail, yet simplicity prevails. The apple finalizes the design with ir...

David Hockney, Hockney's Pool, Hollywood Hills, 2024 Ceramic ashtray 16.8 x 11.8 x 3 cm (6.61 x 4.64 x 1.18 in) Edition of 250 Ashtray released for David Hockney x Light Room exhib...

Very Big Ceramic from "Les Argonautes" Vallauris Workshop "Les Argonautes", Vallauris: Isabelle Ferlay (1917-?) And Frédérique Bourguet (1925-1997) Isabelle Ferlay and Frédérique Bourguet founded their ceramic workshop in Vallauris in 1953, which they named "Les Argonautes", in reference to the famous Greek epic. Isabelle studied painting at the Fine Arts school of Lyon in 1940, then she attended the Fine Arts in Marseille. Finally, she finished her artistic training in Montpellier, at the Fontcarade national school, where she learned ceramics. Françoise dit Frédérique Bourguet studied at the Beaux-Arts in Montpellier until 1945 and it was in Sèvres, in Françoise Bizette's studio, that she trained in the art of ceramics. She created her first workshop in Paris in 1945, which she shared with Valentine Schlegel until 1951. The two women ceramicists then practiced modeling technique. It was in 1953 that she met Isabelle Ferlay and together, they decided to set up a workshop in Vallauris. They produce shaped pieces, sometimes molded, made of earthenware, enamelled in bright colors. In the 1970s they made stoneware cooked over a wood fire. Some ceramists frequented their workshop, notably the very talented Jacques Innocenti and François Raty.

Birds 2009, painted porcelain plate, diam. 20.5 cm The central focus of the plate is the depiction of two birds surrounded by blooming flowers. The artist has skillfully painted the birds, capturing their graceful forms and vibrant colors. The flowers add a touch of beauty and provide a visually appealing backdrop for the avian subjects. The combination of birds, blooming flowers, and the mysterious...

Vase blue flower. 2017. Stone mass, h 13 cm, diam. 15.5 cm

"Medium Yellow Hive", Contemporary, Ceramic, Sculpture, Design, Stoneware, Glaze

This is a one of a kind original functional vessel made by southern California artist, Ron Carlson. Its dimensions are 3.75 x 1.5 in (L x H). A certificate of authenticity will follow delivery. Lead free; hand washing highly recommended. Safe for microwave use...

This is a one of a kind original functional vessel made by southern California artist, Ron Carlson. Its dimensions are 3 x 2.5 in (L x H). A certificate of authenticity will follow d...

This is a one of a kind original function vessel made by southern California artist, Ron Carlson. Its dimensions are 3.5 x 1.88 x 3.5 in (L x H x D). A certificate of authenticity wi...

Ceramic signed by Jacotte Capron

Stunning glazed ceramic vase by artist Gilbert Portanier

Stunning glazed ceramic vase by artist Gilbert Portanier

Stunning glazed ceramic vase by artist Gilbert Portanier

Bubble vase, White stoneware, h 16 cm; d 28 cm The Bubble Vase is a stunning piece crafted from white stoneware, showcasing a beautiful combination of elegance and organic forms. The vase features a unique bubble-like texture. The irregular and organic shape of the vase enhances its artistic appeal, providing an intriguing contrast to more traditional and symmetrical vase forms. The white color of the stoneware lends a sense of purity and simplicity to the vase, making it versatile and complementary to various interior styles and color schemes. It can effortlessly blend into modern, minimalist spaces or add a crisp and fresh accent to more vibrant and eclectic decor. Inese Margevica (1960) Education: 2004 – LU, master's degree of educational sciences in art pedagogy; 2001 – LMA, Master of Arts degree; 1990 – LMA, Department of Applied Decorative Arts; 1981 – Riga Applied Arts Secondary School; 1977 – Riga 5th secondary school; Professional unions: 1992 – Artists' Union of Latvia; 1991 – ceramics association "Logs" Personal exhibitions: 2006 – "Black and white", in "Apsida" gallery, Riga; 2005 – "Touch", in the "Apsida" gallery in Riga; 2003 – "Black and white stories", in Satakunta Museum, Pori (Finland); 2003 – "Black and white stories", in the gallery "Apsīda" in Riga; 2000 – "Ceļabiedri", in the gallery "Apsīda" in Riga; 1998 – "Gaisma", Unibank branch in Riga; 1996 – "Feast over water", in the gallery "Jāņas sēta" in Riga; 1994 – "Ornamentalism and figuralism", in the gallery "Kolonna" in Riga; 1993 – "Chamots", in Reiterna House in Riga; Exhibitions: 2006 – Exhibition dedicated to the Assembly of the International Academy of Ceramics "Clay is everywhere" at the Museum of Decorative Arts and Design in Riga; 2006 – International mini-ceramics exhibition at the Riga Porcelain...

Ceramic from Vallauris Workshop "Les Argonautes", Vallauris: Isabelle Ferlay (1917-?) And Frédérique Bourguet (1925-1997) Isabelle Ferlay and Frédérique Bourguet founded their ceramic workshop in Vallauris in 1953, which they named "Les Argonautes", in reference to the famous Greek epic. Isabelle studied painting at the Fine Arts school of Lyon in 1940, then she attended the Fine Arts in Marseille. Finally, she finished her artistic training in Montpellier, at the Fontcarade national school, where she learned ceramics. Françoise dit Frédérique Bourguet studied at the Beaux-Arts in Montpellier until 1945 and it was in Sèvres, in Françoise Bizette's studio, that she trained in the art of ceramics. She created her first workshop in Paris in 1945, which she shared with Valentine Schlegel until 1951. The two women ceramicists then practiced modeling technique. It was in 1953 that she met Isabelle Ferlay and together, they decided to set up a workshop in Vallauris. They produce shaped pieces, sometimes molded, made of earthenware, enamelled in bright colors. In the 1970s they made stoneware cooked over a wood fire. Some ceramists frequented their workshop, notably the very talented Jacques Innocenti and François Raty.

Stunning ceramic mirror by French ceramicist Mithé Esplet

Medium Print Condition Plate is in perfect condition and has only been opened to take pictures. Signature Signed in plate, Signed in plate, Printed signature and edition details on Verso of the plate. Printed Signature on Custom Artist Box. Certificate of authenticity Included (issued by authorized authenticating body) Frame Not included Series Coalition For the Homeless...

This is a one of a kind original functional vessels made by southern California artist, Ron Carlson. Its dimensions are 2.5 x 2.5 x 1.5 in (L x H x D). A certificate of authenticity ...

This is a one of a kind original functional vessel made by southern California artist, Ron Carlson. Its dimensions are 2.25 x 3 x 2.25 in (L x H x D). A certificate of authenticity w...

This is a one of a kind original functional vessel made by southern California artist, Ron Carlson. Its dimensions are 3.5 x 1.75 in (L x H). A certificate of authenticity will follow delivery Lead free; hand washing highly recommended. Safe for microwave use...

Stunning ceramic mirror by French ceramicist Mithé Esplet

This is a one of a kind original plate made by southern California artist, Ron Carlson. Its dimensions are 5.75 x 5.75 x 1.5 in (L x H x D). A certificate of authenticity will follow...

Coffee trio by Antonina Paskevica, cup height 7,5 cm; diameter 8 cm

This is a one of a kind original plate made by southern California artist, Ron Carlson. Its dimensions are 4.75 x 4.75 x 1.5 in (L x H x D). A certificate of authenticity will follow...