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Medium: Engraving
Snow Geese (Wyoming)
Located in Fairlawn, OH
Snow Geese (Wyoming)
Drypoint, c. 1947
Signed in pencil lower right (see photo)
Title in pencil lower left (see photo)
Note: This image is reprodcued in a Photogravure for Ducks Unlimited in 1947. This is the first original drypoint version.
Condition: Excellent
Image/Plate size: 8 3/8 x 6 7/8 inches
Reference: Archives West #101
Kleiber 134
Hans Kleiber (1887-1967)
Hans Norbert Kleiber, painter, etcher, illustrator, and naturalist, was born in Cologne, Germany on August 24, 1887. He emigrated from Germany to the United States in 1900, settling in Massachusetts before moving to Wyoming. Kleiber first worked in lumber camps before working for the United States Forest Service from 1906 until 1924. One of his duties as a ranger was to monitor the logging camps in the Bighorn Mountains.
Kleiber was primarily self-taught as an artist and it was in the 1920s that he began devoting himself to art. It appears that he first began to work in watercolor and oil but was producing etchings and drypoints as early as 1924. He traversed the mountains of Wyoming, Montana, and Idaho, and his subjects are drawn from the pristine landscapes and wildlife.
Kleiber's first exhibition of his etchings was mounted in 1928 at Goodspeed's Book Shop in Boston. His etching, Crossing the Platte, was included in the 1939 New York World's Fair exhibition, American Art Today. There was an exhibition of fifty of his etchings at the National Museum in 1944, and an exhibition of his watercolors was mounted at the Grand Central Galleries in New York in 1950. Kleiber was a member of the Society of American Etchers and the California Society of Printmakers. He received a silver medal in 1931 from the Printmakers Society of California for his print, Leaving the High Country...
Category
1940s American Realist Engraving Animal Prints
Materials
Drypoint
The Cat - Etching and Drypoint by Giselle Halff- 1950s
Located in Roma, IT
The Cat is an Original etching and drypoint print on paper realized by an Anonymous artist in 1950 ca.
Good conditions with some foxing.
Category
1950s Modern Engraving Animal Prints
Materials
Drypoint, Etching
Butterflies
Moths in a Landscape: 18th C. Hand-colored Engraving by M. Harris
By Moses Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving depicting the natural history of butterflies and moths, which is plate 10 from Moses Harris' publication "The Aurelian: ...
Category
Mid-18th Century Engraving Animal Prints
Materials
Engraving
George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761.
A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural Hi...
Category
18th Century Engraving Animal Prints
Materials
Watercolor, Engraving
Izzy with her Ball, Dog Art, Affordable Art, Contemporary Animal Art Print
Located in Deddington, GB
Izzy, a charming characterful terrier stands alert, holding her ball in her mouth. Colour etching hand made and printed by the artist.
Helen Fay's art for sale online and in our gall...
Category
2010s Contemporary Engraving Animal Prints
Materials
Paper, Drypoint, Etching
Crab, Plaice and Prawns
By Colin Self
Located in New York, NY
A contemporary of David Hockney and Peter Blake, Colin Self is an important British printmaker whose innovative etching techniques and novel use of found materials have defined his d...
Category
Early 2000s Expressionist Engraving Animal Prints
Materials
Drypoint
Giant Petrel, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
The Butterfly.
Located in Plano, TX
Edmund Blampied, R.E. The Butterfly. 1928-29. Drypoint. Appleby 133. 9 5/8 x 7 7/8). Etching (sheet 15 1/4 x 10 3/16)on 100. A rich impression printed on cream-colored laid 'F.J.He...
Category
Early 20th Century Modern Engraving Animal Prints
Materials
Drypoint, Etching
$1,200 Sale Price
40% Off
HERBST. A Group of Four Crustaceans
By Johann Friedrich Wilhelm Herbst
Located in London, London
A Group of four hand-coloured engraved plates of Crabs by Schellenburg, P. Haas, Heidenreich and Ludwig Schmidt.
Framed and glazed, overall size: 36.4 x 53.8 cm.
Johann Friedric...
Category
Early 1800s Naturalistic Engraving Animal Prints
Materials
Engraving, Handmade Paper
Lice
Located in Fairlawn, OH
Lice (Mallards grooming themselves)
Drypoint, 1927
Signed and dated lower right (see photo)
Titled lower left corner
Condition: Excellent
Image/Plate size: 6 7/8 x 10 3/4 inches
Shee...
Category
1920s American Realist Engraving Animal Prints
Materials
Drypoint
Crustaceans, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea'
Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837.
210mm by 130mm (sheet)
Category
Mid-19th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Crustaceans - crabs, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea'
Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837.
210mm by 130mm (sheet)
Category
Mid-19th Century Naturalistic Engraving Animal Prints
Materials
Engraving
White Head Eagle
Located in Fairlawn, OH
White Head Eagle
Mezzotint printed in colors, 2014
Signed lower right (see photo)
Titled lower center (see photo)
WHITE HEAD EAGLE. The Print Club of Cleveland Publication No. 94, 20...
Category
2010s Contemporary Engraving Animal Prints
Materials
Mezzotint
Elephant
Located in Fairlawn, OH
Elephant
Engraing, 1957, printed 1988
Signed, dated, and titled in pencil by the artist
Dedicated: "For Jon From Ray"
Edition: 100 in two printings
This is an artist's proof from th...
Category
1950s American Modern Engraving Animal Prints
Materials
Engraving
Big Horse, Black
Moorhead 46 very scarce 1932 engraving + drypoint signed 8/30
Located in New York, NY
Stanley William Hayter
Big Horse (Black & Moorhead 46), 1932
Engraving & Drypoint on antique white Canson Vidalon laid paper affixed to original matting
Hand signed, numbered 8/30 an...
Category
1930s Abstract Expressionist Engraving Animal Prints
Materials
Engraving, Drypoint
EVENING FLIGHT
By Roland Clark
Located in Portland, ME
Clark, Roland. EVENING FLIGHT. Derrydale 11. Etching and drypoint, 1929. Edition of 75. Signed in pencil. 12 x 15 inches. In excellent condition.
Category
1920s Engraving Animal Prints
Materials
Drypoint, Etching
"Le Bouclier, " Original Drypoint Etching signed by Claude Weisbuch
Located in Milwaukee, WI
"Le Bouclier" is an original drypoint etching by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (25/100) in the lower left. This piece depicts ...
Category
1970s Modern Engraving Animal Prints
Materials
Drypoint, Etching
Set of Four Hand-Colored Ornithological Engravings by John Latham /// Bird UK
By John Latham
Located in Saint Augustine, FL
Artist: John Latham (English, 1740-1837)
Title: "New-Zealand Plover", "Nilid Grosbeak", "Black-throated Bunting", and "Variegated Chatterer"
Portfolio: A General History of Birds
Year: 1821-1828 (second edition)
Medium: Set of Four Original Hand-Colored Engravings on wove paper
Limited edition: Unknown
Printer: Jacob & Johnson, Winchester, UK
Publisher: John Latham, Winchester, UK
Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376
Sheet size (each): approx. 11.13" x 8.75"
Image size (each): approx. 4.75" x 4.5"
Condition: "New-Zealand Plover" has some light offsetting and a few faint areas of discoloration at top in margin. "Nilid Grosbeak" has some faint areas of discoloration. They are all otherwise in excellent condition with strong colors
Rare
Notes:
Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "New-Zealand Plover" has an unidentified "1823" watermark lower right.
Biography:
John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...
Category
1820s Victorian Engraving Animal Prints
Materials
Watercolor, Engraving, Intaglio
Gravure Panthere 2
By Paul Jouve
Located in Saint Ouen, FR
Engraving after Paul Jouve
From the work of Terrasse in 1948
490 copies
Size etching: 23 x 18 cm
Frame: 45 x 49 cm
Category
2010s Engraving Animal Prints
Materials
Engraving
Gravure Panthere 1
By Paul Jouve
Located in Saint Ouen, FR
Engraving after Paul Jouve
From the work of Terrasse in 1948
490 copies
Size etching: 23 x 18 cm
Frame: 45 x 49 cm
Category
2010s Engraving Animal Prints
Materials
Engraving
The Pigeon, 1942 (Histoire Naturelle - Textes de Buffon, B.347)
Located in Greenwich, CT
The Pigeon is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.75x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Engraving Animal Prints
Materials
Drypoint, Aquatint
Set of Four Hand Colored Monkey Prints
Located in Palm Beach, FL
This set of four hand colored copper plate engravings are illustrations by early 19th century naturalist J. H. Jacob first published in Italy in 1812, and are referred to as "Jacob's...
Category
Early 19th Century Naturalistic Engraving Animal Prints
Materials
Engraving
The Infanta and Tiaga, original print, Kate Boxer
Located in Deddington, GB
THE INFANTA AND TIAGA (UNFRAMED)
Drypoint, carborundum and gouache
33 1/2 x 27 1/2 in
84 x 69.5 cms
First Edition of 30
Infanta Luisa Teresa of Spain (1824-1900) was the daughter of...
Category
21st Century and Contemporary Minimalist Engraving Animal Prints
Materials
Handmade Paper, Drypoint
The Sparrow Hawk, 1942 (Histoire Naturelle - Textes de Buffon, B.342)
Located in Greenwich, CT
The Sparrow Hawk is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Engraving Animal Prints
Materials
Drypoint, Aquatint
Admirable Butterflies, Magpie Moths: A Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the Admirable Butterfly and the Small Magpie Moth, which is plate 6 from Moses Harris' publication "The Aure...
Category
Mid-19th Century Realist Engraving Animal Prints
Materials
Engraving
Moths in Their Natural Landscape: Antique Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored engraving depicting the natural history of Pinkunderwing Moths, Cream Spotted Tyger Moths in their natural botanical environment, which is plate 4 from Moses H...
Category
Mid-19th Century Realist Engraving Animal Prints
Materials
Engraving
Paul Jouve (after) - Tiger - Original Engraving
By Paul Jouve
Located in Collonge Bellerive, Geneve, CH
Paul Jouve (after) - Tiger - Engraving
19 x 14 cm
Editions Rombaldi, Paris, 1950.
Copy on velin creme de Rives
Copper engraving heightened with pochoir.
Category
1950s Modern Engraving Animal Prints
Materials
Engraving
St. George and the Dragon after Raphael
Located in Fairlawn, OH
St. George and the Dragon after Raphael
Engraving, 1885
Unsigned, proof before letters
A engraving after a painting by Raphael (c.1504-05) now in the Musée du Louvre, Paris (inv. no....
Category
1880s French School Engraving Animal Prints
Materials
Engraving
Great Auk, original print, Kate Boxer
Located in Deddington, GB
Great Auk by Kate boxer consists of white and black tones outlining the hand coloured Great Auk.
Additional information:
Sold unframed
Limited Edition of 30
Made with Drypoint, c...
Category
21st Century and Contemporary Minimalist Engraving Animal Prints
Materials
Handmade Paper, Drypoint
Eagle /// Antique Ornithology Bird Saverio Manetti Italian Watercolor Engraving
Located in Saint Augustine, FL
Artist: Saverio Manetti (Italian, 1723-1785)
Title: "Eagle" (Plate V - 5)
Portfolio: Storia Naturale Degli Uccelli (The Natural History of Birds)
Year: 1767-1776
Medium: Original Han...
Category
1760s Old Masters Engraving Animal Prints
Materials
Watercolor, Handmade Paper, Laid Paper, Engraving, Intaglio
Mae West in a Furry Sled, Original art print, Kate Boxer
Located in Deddington, GB
MAE WEST IN A FURRY SLED (UNFRAMED)
Drypoint, Chine collee and paste
23 x 25 in
58 x 64 cms
First Edition of 30
Signed and inscribed with Edition No.
Artist biography:
Kate Boxer, a...
Category
21st Century and Contemporary Minimalist Engraving Animal Prints
Materials
Paper, Drypoint
Tennessee Williams and Mr Moon
The Infanta and Tiaga, diptych, original print
Located in Deddington, GB
Tennessee Williams and Mr Moon is a handmade dry point print by artist Kate Boxer, featuring a boxer dog sitting obediently with his owner.
ADDITIONAL INFROMATION:
Drypoint print, ...
Category
21st Century and Contemporary Minimalist Engraving Animal Prints
Materials
Handmade Paper, Drypoint
Ostend Horse
Located in New York, NY
Edmund Blampied (1886-1966), Ostend Horse, drypoint, 1926, signed in pencil lower margin [also signed and dated in the plate lower left], from the edition of 100, printed on ivory laid paper with full margins with deckle edges, 7 x 9, the sheet 9 1/4 x 12 1/2 inches, still in the original SFA Museum mat with extensive annotations.
Provenance: Kennedy Galleries (with their stock number A49359)
Ex Collection: Albert M...
Category
1920s Realist Engraving Animal Prints
Materials
Drypoint
The Goldfinch, 1942 (Histoire Naturelle - Textes de Buffon, B.348 )
Located in Greenwich, CT
The Goldfinch is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 11.2 x 8.25 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Engraving Animal Prints
Materials
Drypoint, Aquatint
Tennessee Williams and Mr Moon, original print, Kate Boxer
Located in Deddington, GB
Tennessee Williams and Mr Moon is a handmade dry point print by artist Kate Boxer, featuring a boxer dog sitting obediently with his owner.
ADDITIONAL INFROMATION:
Drypoint print, ...
Category
21st Century and Contemporary Minimalist Engraving Animal Prints
Materials
Handmade Paper, Drypoint
Eared Grebe /// John James Audubon Ornithology Havell Edition Bird Animal Art
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Eared Grebe" (Plate CCCCIV - 404; part No. 81)
Portfolio: The Birds of America, Havell Edition
Year: 1838
Medium: Original Ha...
Category
1830s Victorian Engraving Animal Prints
Materials
Watercolor, Engraving, Aquatint, Intaglio
Her Majesty
s Stag Hounds on Ascot, A Colored 19th Century British Hunting Scene
Located in Alamo, CA
"The Meeting of Her Majesty's Stag Hounds on Ascot Heath" is a large colorful mezzotint engraving of an extensive British hunting scene. It was created by Sir Francis Grant...
Category
1830s Engraving Animal Prints
Materials
Engraving, Mezzotint
4 plates from The Wondrous Transformation of Caterpillars
their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: No.1:I; No. 2:1; II & III.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Engraving Animal Prints
Materials
Watercolor, Engraving
Strange Animals
Located in Fairlawn, OH
Strange Animals
Engraving, 1949
Signed, dated, and titled in pencil by the artist
The composition was created at the Univerisity of Iowa while the artist was enrolled in the famous M...
Category
1940s American Modern Engraving Animal Prints
Materials
Engraving
Vienna Lipizzaner
Located in Fairlawn, OH
Vienna Lipizzaner
Engraving, 1962
Signed and dated lower right (see photo)
Titled and numbered lower left (see photo)
This impression is from the second edtition printed c. 1992
1st ...
Category
1960s American Modern Engraving Animal Prints
Materials
Engraving
Tennessee Williams and Mr Moon
Located in Deddington, GB
Tennessee Williams and Mr Moon is a handmade dry point print by artist Kate Boxer, featuring a boxer dog sitting obediently with his owner.
ADDITIONAL INFROMATION:
Drypoint print, ...
Category
21st Century and Contemporary Contemporary Engraving Animal Prints
Materials
Drypoint
Chasseur Fortune, Engraving, Van Falenz / Le Bas, Hunter, Decorative Piece
Located in Greven, DE
Le Chasseur Fortune
Engraving
framed
Bez.: C. Van Falenz pinixit // Jac. Ph. Le Bas Sculp. // a Paris chez Le Bas graveur du Cabinet du Roy au bas de la rue de la Harpe...
Category
18th Century Rococo Engraving Animal Prints
Materials
Engraving
$333 Sale Price
30% Off
A Standing Leap at a Gate
Located in Stoke, Hampshire
James Seymour (1702-1752)
A Standing Leap at a Gate
Mezzotint with hand colouring
Image size 10 x 14 in
Framed size 16 1/2 x 20 in
James Seymour was an English artist renowned for h...
Category
18th Century Old Masters Engraving Animal Prints
Materials
Mezzotint
Leonard Foujita - Woman with Felines - Original Engraving
Located in Collonge Bellerive, Geneve, CH
Artist : Léonard Foujita (Tsuguharu)
Title: Woman with Felines
Engraving
Edition of 315
Dimensions: 38 x 28 cm
From La Rivière enchantée
Unsigned and unumbered as issued
Category
1930s Engraving Animal Prints
Materials
Engraving
[ Bird of Paradise] La Pie de paradise, vue par derriere, No.21
Located in Paonia, CO
[ Bird of Paradise] La Pie de paradise, vue par derriere , No.21, Paris 1801-1806 [Astrapia nigra]. Color-printed engraving with hand-coloring. French botanical and zoological illustrator Jacques Barraband (1767-1809) was known as one of the finest ornithological artists of his time .He is best known for his watercolors and engravings that were commissioned by François LeVaillant, French explorer, naturalist, zoological collector , noted ornithologist and author. Levaillant’s Histoire naturelle des perroquets (1801-05) and his Histoire naturelle des oiseaux de paradis (Birds of Paradise, 1801-06), both of which Barraband contributed to, are still considered some of the most beautiful bird books of all times because of their exceptional scientific accuracy, rich color and detail. The Astrapia nigra is a Bird of Paradise that inhabits the Vogelkop Peninsula of West Papua...
Category
Early 18th Century Other Art Style Engraving Animal Prints
Materials
Engraving
![[ Bird of Paradise] La Pie de paradise, vue par derriere, No.21](https://a.1stdibscdn.com/jacques-barraband-prints-works-on-paper--bird-of-paradise-la-pie-de-paradise-vue-par-derriere-no21-for-sale/a_7803/1543778408303/Bird_of_Paradise_master.jpg?width=240 "jacques bird")
$5,200 Sale Price
20% Off
Blue Wolf
Located in Deddington, GB
Blue Wolf is a limited edition drypoint etching by Kate Boxer. Blue Wolf is a large contemporary artwork by Kate Boxer of a wolf has been hugely popular with our clients.
They are s...
Category
21st Century and Contemporary Minimalist Engraving Animal Prints
Materials
Paper, Drypoint
La Mort du Chat Murr - Etching by Jean François Raffaëlli - 1875
Located in Roma, IT
Etching on laid paper
Inscribed in pencil: Épreuve tirée de la planche donnée personnellement par l’artiste pour la Société des Aquafortistes
Published by Cadart
Luquet, Éditeu...
Category
1870s Modern Engraving Animal Prints
Materials
Drypoint, Etching
"Birth" - Intaglio Print by Tomoya Uchida
Located in Soquel, CA
"Birth" by Tomoya Uchida (American, 20th Century). This piece is mostly abstract, high-contrast organic shapes, with the exception of one straight line that sits above the organic shapes. In the lower left corner of the piece, there is a wasp.
Titled "Birth" along the bottom edge.
Signed "T. Uchida" in the lower right corner.
Presented in a new white and black double mat with foamcore backing.
Mat size: 14"H x 10"W
Paper size: 12"H x 8.5"W
Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...
Category
1980s Contemporary Engraving Animal Prints
Materials
Paper, Ink, Drypoint
$880 Sale Price
20% Off
Lion Défendant sa Proie (Lion Defending Its Prey) — Atelier 17
By Joseph Hecht
Located in Myrtle Beach, SC
Joseph Hecht, 'Lion Défendant sa Proie (Lion Defending Its Prey)', engraving, 1931, edition 50, Tonneau-Ryckelynck & Plumart 215. Signed and numbered '18/50' in pencil. A fine impres...
Category
1930s Modern Engraving Animal Prints
Materials
Engraving
Don Quixote And Sancho Panza
Located in Deddington, GB
Don Quixote And Sancho Panza by Kate Boxer ilustrating men on horses on a yellow background with white elements.
Additional information:
Sold unframed
limited Edition of 30
To...
Category
21st Century and Contemporary Contemporary Engraving Animal Prints
Materials
Gouache, Drypoint
Colorful Parrot: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a parrot bird entitled "La Perruche-Ara, de Cayenne (Parrot)" by Francois Nicolas Martinet, plate 864 from 'Histoire Naturelle des Oiseaux' in ass...
Category
1760s Naturalistic Engraving Animal Prints
Materials
Engraving
Eagles, English antique bird engraving print, 1879
Located in Melbourne, Victoria
Eagles
Wood-engraving with original colouring. 1879.
160mm by 245mm (sheet).
Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category
Late 19th Century Victorian Engraving Animal Prints
Materials
Engraving
Bloodhound, early 19th century English dog engraving
By Philip Reinagle
Located in Melbourne, Victoria
'Blood Hound'
Copper-line engraving by J Scott (1774-1827) after Philip Reinagle (1749-1815), 1803.
Philip Reinagle was one of the best of the sporti...
Category
Early 19th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Tropic Bird /// Ornithology John James Audubon Florida Keys Ocean Beach Seascape
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Tropic Bird" (Plate CCLXII - 262; part No. 53)
Portfolio: The Birds of America, Havell Edition
Year: 1835
Medium: Original Ha...
Category
1830s Victorian Engraving Animal Prints
Materials
Watercolor, Engraving, Aquatint, Intaglio
Asie (Asia) from the series Atlas — Atelier 17
By Joseph Hecht
Located in Myrtle Beach, SC
Joseph Hecht, 'Asie (Asia) from the series Atlas', engraving, 1928, edition c. 50, Tonneau-Ryckelynck & Plumart 162. Signed and annotated 'epreuve definitive' (final proof) in pencil...
Category
1930s Modern Engraving Animal Prints
Materials
Engraving
18th Century Hand Colored Engraving of a Camel from Pennant
s " British Zoology"
Located in Alamo, CA
An 18th Century Hand Colored Engraving of a Camel from Thomas Pennant's famous publication on natural history "The British Zoology, Published under the Inspection of the Cymmrodorion...
Category
1760s Naturalistic Engraving Animal Prints
Materials
Engraving
Salvador Dali, Le Cerf Malade Signed Etching Engraving, Color Lithograph Pochoir
Located in Surfside, FL
An original signed drypoint etching with color pochoir by Spanish artist Salvador Dali titled "La Cerf Malade", depicting a stag deer, from the Portfolio: Le Bestiaire de la Fontaine...
Category
1970s Surrealist Engraving Animal Prints
Materials
Color, Drypoint, Etching
The Bull
The Cow and Calf, English animal cow cattle engraving, 1807
Located in Melbourne, Victoria
Early 19th century cattle engraving from Rees' Cyclopaedia. Sydenham Teast Edwards (1768-1819), was a natural history illustrator. He produced watercolours for engraving for Curtis's Botanical Magazine, New Botanic...
Category
Early 19th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Bols de Fruit, by Laurent Schkolnyk
By Karl Wirsum
Located in Palm Springs, CA
Mezzotint on Lana paper
Signed and numbered in pencil
Image Size: 4.63 x 3.5 inches
Edition : 90 copies
in mint condition
Laurent Schkolnyk is internationally recognized as a maste...
Category
Early 2000s Contemporary Engraving Animal Prints
Materials
Mezzotint
Butterflies
Moths in Nature: An Antique Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the the Brown Hairstreak Butterfly, the Larke Skipper Butterfly, the Small Skipper Butterfly, the Scarce Mar...
Category
Mid-19th Century Realist Engraving Animal Prints
Materials
Engraving
Engraving animal prints for sale on 1stDibs.
Find a wide variety of authentic Engraving animal prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 18th Century is especially popular. If you’re looking to add animal prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Salvador Dalí, Pablo Picasso, Edmund Blampied, and Francois Nicolas Martinet. Not every interior allows for large Engraving animal prints, so small editions measuring 8 inches across are also available Prices for animal prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $350 and tops out at $460, while the average work can sell for $380.
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