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Medium: Engraving
Stanley Boxer - Finale, from Carnival of Animals (Tyler Graphics, 119:SB31) S/N
Located in New York, NY
Stanley Boxer
Finale, from Carnival of Animals (Tyler Graphics, 119:SB31), 1979
Etching, aquatint, engraving and drypoint on hand colored TGL handmade paper
Edition 16/20
Pencil sign...
Category
1970s Abstract Expressionist Engraving Animal Prints
Materials
Mixed Media, Pencil, Graphite, Engraving, Drypoint, Etching, Aquatint
"Collection Of The Most Rare Birds" - Hand Watercolor Engraving
Located in Soquel, CA
"Collection Of The Most Rare Birds" - Hand Colored Engraving
Collection of the Most Rare Birds Drawn and Engraved From Life, A Natural and Rational Histor...
Category
17th Century French School Engraving Animal Prints
Materials
Paper, Watercolor, Engraving
A Falkland Island Quail: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Falkland Island Quail ("Caille des Isles Malouines") by Francois Nicolas Martinet, plate 222 from 'Histoire Naturelle des Oiseaux' in associatio...
Category
1760s Naturalistic Engraving Animal Prints
Materials
Engraving
Orpheus. Drypoint print, Black
white, Blue, Polish artist
By Ewa Kutylak
Located in Warsaw, PL
Contemporary figurative monochromatic mezzotint print by Polish artist Ewa Kutylak. Print depicts a wanderer with a lantern going down the road. On the left there is a mysthical crea...
Category
Early 2000s Contemporary Engraving Animal Prints
Materials
Paper, Drypoint
La Mort du Chat Murr - Etching by Jean François Raffaëlli - 1875
Located in Roma, IT
Etching on laid paper
Signed in plate lower left: Jean François Raffaëlli.
Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Paris
With the blindstamp of the Société des Aqua...
Category
1870s Modern Engraving Animal Prints
Materials
Drypoint, Etching
Eagle: A 16th/17th Century Hand-colored Engraving by Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored engraving of an eagle is plate K2 from Ulisse Aldrovandi’s 'Opera Omnia', published between 1599 an...
Category
Early 17th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Harlequin Humming-Bird, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Antonio Eligio Fernández Cuban Artist Original Hand Signed silkscreen 1988
Located in Miami, FL
Antonio Eligio Fernández (Cuba, 1958)
'Tres Besos', 1988
silkscreen on paper Guarro Geler
27.6 x 20.1 in. (70 x 51 cm.)
Edition of 125
ID: TON-301
Hand-signed by author
Category
1980s Contemporary Engraving Animal Prints
Materials
Paper, Engraving, Screen
1960s printed vinyl copy of the 1938 original by Maurits Cornelis Escher
Located in Petworth, West Sussex
After Maurits Cornelis Escher (Dutch, 1898–1972)
Sky and Water II
Printed vinyl
A 1960s copy of the 1938 original
21 x 17 in. (53.5 x 43 cm.) t...
Category
20th Century Other Art Style Engraving Animal Prints
Materials
Engraving
Lioness and Fox, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme.
An early 19th century etching by Howitt from a series depicting ...
Category
Early 19th Century Naturalistic Engraving Animal Prints
Materials
Engraving, Etching
18th Century Catesby Hand-colored Bird
Plant Engraving "The Crested Titmous"
By Mark Catesby
Located in Alamo, CA
A hand-colored copperplate engraving of a bird and plants by Mark Catesby (1683-1749) entitled "The Crested Titmous" from "The Natural History of Carolina, Georgia, Florida and the Bahama Islands", published in 1731. It depicts a small Crested Titmous bird, facing left, perched on the stem of a plant with clusters of mauve colored star-like flowers.
This original Catesby hand-colored engraving, on laid paper with a large central Fleur-de-Lys watermark, is presented in a cream color French mat. The mat measures 20" x 15.5" and the sheet measures 18.75" x 14.75".
Mark Catesby was born in England to a prosperous family, but he traveled to America, first to visit his sister and her husband in 1712. From 1712 to 1719 he explored America observing its birds and plants, taking notes, creating drawings and collecting specimens. He returned to England with this material and created more detailed drawings. His next visit to America 1722-1726 allowed for more detailed research. Upon his return to England he created his monumental and beautiful work "The Natural History of Carolina, Florida, and Bahama Islands", which was published in London in two folio volumes of 11 parts each consisting of 20 plates...
Category
Mid-18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Salvador Dalí, "Le Cerf Malade" from Le Bestiaire de la Fontaine, engraving
Located in Chatsworth, CA
This piece is an original engraving with color added by pochoir by Salvador Dali. It is from Dali's suite of 12 original engravings entitled "Le Bestiaire de la Fontaine", which he c...
Category
1970s Surrealist Engraving Animal Prints
Materials
Engraving
$3,160 Sale Price
29% Off
"Bees" Original Bay Area Environmental Aquatint
Located in Soquel, CA
"The Bees are Dying" Original Bay Area Environmental Aquatint with Drypoint
Etching with environmentalist commentary by Maria Bennett (American, 20th century.) This piece features a...
Category
Late 20th Century Contemporary Engraving Animal Prints
Materials
Paper, Ink, Drypoint, Aquatint
The Rooster, 1942 (Histoire Naturelle - Textes de Buffon, B.344)
Located in Greenwich, CT
The Rooster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8.15 inc...
Category
20th Century Modern Engraving Animal Prints
Materials
Drypoint, Aquatint
Gold Calf, original, contemporary art, animal, print
Located in Deddington, GB
Golden Calf
Drypoint and Chine Colle on paper (unframed)
In an edition of 30
Each work is signed and numbered by the artist.
Additional information:
66 H x 79 W x 0.2 D cm (25...
Category
2010s Contemporary Engraving Animal Prints
Materials
Drypoint
Mastiff, early 19th century English dog engraving
By Philip Reinagle
Located in Melbourne, Victoria
'Mastiff'
Copper-line engraving by J Scott (1774-1827) after Philip Reinagle (1749-1815), 1803.
Philip Reinagle was one of the best of the sporting a...
Category
Early 19th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Sandwich Tern (with Florida Cray Fish) (Florida Keys) /// Ornithology Audubon
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Sandwich Tern (with Florida Cray Fish) (Florida Keys)" (Plate CCLXXIX - 279; part No. 56)
Portfolio: The Birds of America, Ha...
Category
1830s Victorian Engraving Animal Prints
Materials
Gold Leaf
4 plates from The Wondrous Transformation of Caterpillars
their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: LIV, LV, LVI, & LVII.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Engraving Animal Prints
Materials
Watercolor, Engraving
Gold-breasted Trumpeter, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Shooting. English engraving by Woollett after George Stubbs, 1799
Located in Melbourne, Victoria
'Shooting - Plate II', engraving from George Stubb's famous set of four shooting engravings.
Copper-line engraving with later hand-colouring by William...
Category
Late 18th Century Victorian Engraving Animal Prints
Materials
Engraving
The Matador.
By James McBey
Located in Plano, TX
The Matador. 1911. Drypoint. Hardie 109. 6 7/8 x 10 7/8 (sheet 7 7/8 x 12). Edition 15. A few scattered foxing marks and slight mat line; otherwise fine o...
Category
1910s Modern Engraving Animal Prints
Materials
Drypoint, Etching
$1,200 Sale Price
27% Off
Eagle: A 16th/17th Century Hand-colored Engraving by Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored engraving of an eagle is plate 215 from Ulisse Aldrovandi’s 'Opera Omnia', published between 1599 a...
Category
Early 17th Century Naturalistic Engraving Animal Prints
Materials
Engraving
4 plates from The Wondrous Transformation of Caterpillars
their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With one 1.5 inch inch tear across the area of the top-left corner, well outside of image area. Handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXXI, CXXII, CXXIII, & CXXIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Engraving Animal Prints
Materials
Watercolor, Engraving
Cena Ultima (Guinea Vultures stand for apostles in this version of Last Supper)
Located in New Orleans, LA
Sharon Augusta Mitchell created "Cena Ultima" as if guinea vultures were the apostles in a "last supper" pose arrayed around a carcass in an edition of 100. This is impression #9 fr...
Category
1990s Contemporary Engraving Animal Prints
Materials
Drypoint, Etching, Aquatint
"Our time", 1977 original linocut signed limited edition 24x18in Cuban Latin art
Located in Miami, FL
Ernesto Garcia Peña (Cuba, 1949)
'Our time" (from Porfolio Grabados Cubanos)', 1977
linocut print on paper Canson 320 g.
23.6 x 17.6 in. (59.8 x 44.6 cm.)
Edition of 200
Ref: GAE-309...
Category
1970s Contemporary Engraving Animal Prints
Materials
Paper, Engraving, Etching, Aquatint, Screen, Linocut
Carpe Diem I
Located in New Orleans, LA
this impression is #46 from edition of 50
Mezzotint artist Mikio Watanabe was born in 1954 in Japan and currently lives in France. He is most known for his elegant, evocative black ...
Category
Early 2000s American Modern Engraving Animal Prints
Materials
Mezzotint
Violin et Coquille (violin and shell / inscribed Happy New Year 2000)
Located in New Orleans, LA
This black and white mezzotint of a shell next to a violin is an artist proof that was inscribed Happy New Year 2000 and signed by the artist. The regular e...
Category
1990s American Modern Engraving Animal Prints
Materials
Mezzotint
Song Thrush etc, English antique bird engraving print, 1879
Located in Melbourne, Victoria
'Song Thrush etc'
Wood-engraving with original colouring. 1879.
160mm by 245mm (sheet).
Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category
Late 19th Century Victorian Engraving Animal Prints
Materials
Engraving
4 plates from The Wondrous Transformation of Caterpillars
their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CI; CII; CIII & CIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Engraving Animal Prints
Materials
Watercolor, Engraving
3 plates from The Wondrous Transformation of Caterpillars
their Strange Diet..
Located in Middletown, NY
Three plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: XLVIII; XLIX & L.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Engraving Animal Prints
Materials
Watercolor, Engraving
A Yorkshire Dell or The Heron’s Pool.
Located in Plano, TX
A Yorkshire Dell or The Heron’s Pool. (after J.M.W. Turner, R.A., 1775-1851.) Soft-ground etching and mezzotint. Hardie 85. mezzotint over etching on India paper printed on chine-co...
Category
Early 20th Century Romantic Engraving Animal Prints
Materials
Mezzotint, Etching
$1,000 Sale Price
20% Off
CANGREJO MANO LARGA
Located in New York, NY
paper: 22 x 15 in.
printed image: 4 3/4 x 6 in.
english translation: Long Hand Crab
Latin
Category
Late 20th Century Post-Modern Engraving Animal Prints
Materials
Archival Paper, Drypoint, Etching, Aquatint
Cream-coloured Plover, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
The Aurelian, A Natural History English Moths Butterflies Moses Harris pl. IX
By Moses Harris
Located in Paonia, CO
Moses Harris ( British 1731-1785)
The Aurelian, A Natural History of English Moths and Butterflies – Plate IX
Hand-Colored Engraving
17.88 x 11.00
very good condition
Plate IX fro...
Category
1770s Engraving Animal Prints
Materials
Engraving
Chinese Jacana, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Crested Pheasant, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Capital Tanager, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Pink-headed Duck, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
White Stork "Storch Ciconia": An 18th Century Hand-colored Frisch Engraving
Located in Alamo, CA
This is a rare 18th Century hand-colored copperplate engraving entitled "Der Storch Ciconia" (White Stork) by Johann Leonhard Frisch is plate 19...
Category
1730s Naturalistic Engraving Animal Prints
Materials
Engraving
The Monitory Lizard, Australia, engraving with original hand-colouring, 1790
Located in Melbourne, Victoria
'The Monitory Lizard'
Copper-line engraving with original hand-colouring. 1790, by Frederick Polydore Nodder (fl.1770 – 1800).
120mm by 195mm (platemnark).
Early engraving of an ...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Ape and Fox, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme.
An early 19th century etching by Howitt from a series depicting ...
Category
Early 19th Century Naturalistic Engraving Animal Prints
Materials
Engraving, Etching
Red-billed Promerops, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Spur-winged Goose, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Impeyan Pheasant, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Red-necked Grebe, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
The Yacou, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Malabar Shrike, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Bird of Prey: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a parrot bird entitled "La Bondree (Bird of Prey)" by Francois Nicolas Martinet, plate 420 from 'Histoire Naturelle des Oiseaux' in association wi...
Category
1760s Naturalistic Engraving Animal Prints
Materials
Engraving
Marbled Guillemot, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Crested Coot, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
White-eared Bustard, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Sacelle male, de la cote de Coromandel /// Ornithology Martinet Bird Animal Art
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800)
Title: "Sacelle male, de la cote de Coromandel" (Plate 949)
Portfolio: Histoire Naturelle Des Oiseaux
*Signed by Martinet in the...
Category
1770s Old Masters Engraving Animal Prints
Materials
Watercolor, Laid Paper, Engraving, Intaglio
David Brings the Gold Shield to Jerusalem, Renaissance Engraving by Raphael
By (after) Raphael (Raffaello Sanzio da Urbino)
Located in Long Island City, NY
Raphael Sanzio da Urbino, Italian (1483 - 1520) - David Brings the Gold Shield to Jerusalem, Year: 1649, Medium: Engraving on laid paper, plate signed, Size: 9.5 x 11 in. (24.13 x...
Category
1940s Old Masters Engraving Animal Prints
Materials
Engraving
Bird and Beetle - Etching and watercolor (Natural History of Birds, 1741)
Located in Paris, IDF
George EDWARDS
Bird and beetle ('The Gowry Bird')
Original engraving, enhanced with watercolor
Printed signature in the plate
Dated, 1741
28.8 x 23.3 cm
Created for Volume I of the...
Category
1740s Academic Engraving Animal Prints
Materials
Engraving, Watercolor
Lumbermen.
Located in Plano, TX
Lumbermen. 1923. Etching. Appleby 91. 9 x 12 (sheet 12 3/8 x 18 1/8). Edition 100. A cleanly-wiped impression printed on off-white 'FG Head & Co' laid paper with full margins. Signed...
Category
1920s Modern Engraving Animal Prints
Materials
Drypoint, Etching
$500 Sale Price
33% Off
Sun Bear - Ursus malayanus, mid 19th French century engraving
Located in Melbourne, Victoria
'Ours malais, Ursus malayanus, Raffles''
French engraving with original hand-colourimg, circa 1840.
Category
Mid-19th Century French School Engraving Animal Prints
Materials
Engraving
Playmates, mezzotint of child and cat by Cousins after Hugues Merle
By Samuel Cousins
Located in Melbourne, Victoria
Hugues Merle was a French painter who mostly depicted sentimental or moral subjects. Samuel Cousins was a highly regarded mezzotint engraver.
350mm by 2...
Category
Late 19th Century Victorian Engraving Animal Prints
Materials
Mezzotint
Ass and the Lion Hunting, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme.
An early 19th century etching by Howitt from a series depicting ...
Category
Early 19th Century Naturalistic Engraving Animal Prints
Materials
Engraving, Etching
Red Damsel (Human looks at small Tinker Bell like figure)
By Lois Ward
Located in New Orleans, LA
Lois Ward's "Red Damsel" is a color mezzotint created in 1994 in a very small edition of just 10. This impression is #2 of 10. A young human figure in green gazes down on a Tinker B...
Category
1990s American Modern Engraving Animal Prints
Materials
Mezzotint
Full Practice. Terrier dogs. 19th century mixed method engraving, circa 1865
Located in Melbourne, Victoria
'Full Practice', mixed method engraving published in New York, circa 1865.
After the painting by George Armfield.
475mm by 610mm (platemark)
505mm by 645mm (sheet)
Category
Mid-19th Century Victorian Engraving Animal Prints
Materials
Engraving
Engraving animal prints for sale on 1stDibs.
Find a wide variety of authentic Engraving animal prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 18th Century is especially popular. If you’re looking to add animal prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Salvador Dalí, Pablo Picasso, Edmund Blampied, and Francois Nicolas Martinet. Not every interior allows for large Engraving animal prints, so small editions measuring 8 inches across are also available Prices for animal prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $350 and tops out at $460, while the average work can sell for $380.
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