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Medium: Engraving
Presse Ludovico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma No.46
Located in Paonia, CO
Presse Ludovico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma No.46 is from a series of original engravings published by Lodovico Mirri in the late 18th century and engr...
Category
Late 18th Century Engraving Animal Prints
Materials
Engraving
A. Schultz, Riders in Central Park (New York City)
Located in New York, NY
Such an innovative image on the classic 'Riders in the Park' theme! Further, the use of drypoint and the rather direct -- even aggressive -- drawing style, bring it into the German E...
Category
1930s American Modern Engraving Animal Prints
Materials
Drypoint
"Dialogue to the Wind" - Intaglio Print by Tomoya Uchida
Located in Soquel, CA
"Dialogue to the Wind" by Tomoya Uchida (American, 20th Century). Plant matter swirls in the air above a minimalist landscape. In the foreground, two bees have landed on a housekey. The sky is subtly textured, creating the impression of passing gusts of wind.
Titled "Dialogue to the Wind" along the bottom edge.
Signed and dated "T. Uchida - 89" in the lower right corner.
Presented in a new light grey mat with foamcore backing.
Mat size: 22"H x 17"W
Paper size: 19.75"H x 13"W
Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...
Category
1980s Contemporary Engraving Animal Prints
Materials
Paper, Ink, Drypoint
In th Bighorns (Wyoming)
Located in Fairlawn, OH
In th Bighorns (Wyoming)
Drypoint, c. 1930's
Signed in pencil lower right (see photo)
Titled in the plate lower left
Condition: Excellent
Image/Plate size: 6 3/8 x 4 3/8 inches
Hans Kleiber (1887-1967)
Hans Norbert Kleiber, painter, etcher, illustrator, and naturalist, was born in Cologne, Germany on August 24, 1887. He emigrated from Germany to the United States in 1900, settling in Massachusetts before moving to Wyoming. Kleiber first worked in lumber camps before working for the United States Forest Service from 1906 until 1924. One of his duties as a ranger was to monitor the logging camps in the Bighorn Mountains.
Kleiber was primarily self-taught as an artist and it was in the 1920s that he began devoting himself to art. It appears that he first began to work in watercolor and oil but was producing etchings and drypoints as early as 1924. He traversed the mountains of Wyoming, Montana, and Idaho, and his subjects are drawn from the pristine landscapes and wildlife.
Kleiber's first exhibition of his etchings was mounted in 1928 at Goodspeed's Book Shop in Boston. His etching, Crossing the Platte, was included in the 1939 New York World's Fair exhibition, American Art Today. There was an exhibition of fifty of his etchings at the National Museum in 1944, and an exhibition of his watercolors was mounted at the Grand Central Galleries in New York in 1950. Kleiber was a member of the Society of American Etchers and the California Society of Printmakers. He received a silver medal in 1931 from the Printmakers Society of California for his print, Leaving the High Country...
Category
1930s American Realist Engraving Animal Prints
Materials
Drypoint
The Deer, 1942 (Histoire Naturelle - Textes de Buffon, B.336)
Located in Greenwich, CT
The Deer is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Engraving Animal Prints
Materials
Drypoint, Aquatint
Cowdray Castle (with Geese)
Located in Roma, IT
Beautiful proof on vergé crème, signed by the artist in pencil.
Full margins. Ex-coll. H.H. Benedict (Lugt 1298).
Ref. Cat. Harrington 221; Schneiderman 208.
Category
1880s Modern Engraving Animal Prints
Materials
Drypoint, Etching
THE PORTRAITURE OF LAMPREY
By Richard Houston
Located in Portland, ME
Houston, Richard. THE PORTRAITURE OF LAMPREY. Engraving with hand-coloring, 1755, by Houston after the painting by James Seymour. 11 3/4 x 13 7/8 inches, plus full margins. In excell...
Category
Mid-18th Century Engraving Animal Prints
Materials
Engraving
The Mountstuart Coat of Arms
Located in Middletown, NY
London: T. Spilsbury & Son, 1790.
Engraving on light-weight wove paper, 3 3/4 x 5 3/4 inches (950 x 145 mm), full margins at top and sides of sheet, lower portion of sheet trimmed. ...
Category
17th Century Italian School Engraving Animal Prints
Materials
Laid Paper, Engraving
"The Winner" - Etching on Paper (10/25)
Located in Soquel, CA
"The Winner" - Etching on Paper
Clean and modern drypoint etching of a horse skeleton by Maria Bennett (American, 20th Century). This etching has layer...
Category
1970s Modern Engraving Animal Prints
Materials
Paper, Ink, Drypoint
Ardea, Nycticorax (Black-crowned Night Heron) /// Dutch Ornithology Bird Animal
Located in Saint Augustine, FL
Artist: Cornelius Nozeman (Dutch, 1720-1786)
Title: "Ardea, Nycticorax (Black-crowned Night Heron)" (Plate 78)
Portfolio: Nederlandsche Vogelen (Dutch Bird...
Category
1770s Old Masters Engraving Animal Prints
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Salvador Dalì (1904-1989) - The Elephant and Jupiter
s Monkey - Drypoint etching
Located in Varese, IT
Rare deluxe issue printed on extremely fine Japanese paper (hand colored in stencil).
Limited edition, numbered 235/250 in lower left corner.
Signed in pencil by artist in lower rig...
Category
1970s Surrealist Engraving Animal Prints
Materials
Paper, Watercolor, Drypoint, Etching
La Perruche Javane, Pl. 69
Located in Austin, TX
Artist: Jacques Barraband
Title: La Perruche Javane Pt 69
Year: 1801 - 1805
Medium: Engravings with Original Hand-Coloring
Sheet Size: 20" x 13.38"
About the Artist:
Jacques Barraba...
Category
Early 1800s Engraving Animal Prints
Materials
Archival Paper, Engraving
Il Barocciaio - Etching and Drypoint by A. Checchi - 1939
Located in Roma, IT
Il barrocciaio is a superb etching, drypoint and burin on an ivory-colored laid paper, realized in 1939 by the Italian artist Arturo Checchi (1886-1971)...
Category
1930s Engraving Animal Prints
Materials
Drypoint, Etching
Red Breasted Merganser from Illustrations of British Ornithology Pl.58 by Selby
Located in Paonia, CO
Red Breasted Merganser PL 58 from a rare black and white edition of Prideaux John Selby’s two volume set of 222 engravings “Illustrations of British Ornithology”. These original...
Category
Mid-19th Century Realist Engraving Animal Prints
Materials
Engraving
Study of Five Heads - Original Etching by J.-J. Boissieu
Located in Roma, IT
Study of Five Heads is a beautiful black and white etching with drypoint interventions on paper, realized at the end of XVIII century by the French artist Jean-Jacques de Boissieu (Lyon, 1736- 1810).
Five study of heads of which two profiles (a female and a male) are lightly sketched with the drypoint technique, and we could appreciate the incredible draftsmanship. Instead, the bigger three portraits are very detailed and etched with a superb technique. Although the subjects are drawn in different scales and with different degrees of finish, each portrait has the dignity of a unique piece and the composition is very balanced.
In particular on the lower margin at the center there is the portrait of "Le Père Cotrot, Garçon Teinturier à Lyon'", an elderly man, toothless and with a large-nosed, slightly turned to left, with a hat and unbuttoned jacket over waistcoat, shows all his wrinkles in a very realistic way.
Signed on plate on lower right margin “De Boissieu”.
This old master’s original print with fresh impressions, is in very good conditions, except for a usual yellowing of the paper above all on the edges and some signs of the time and light foxing along the margins, do not affect the image.
Jean-Jacques de Boissieu (Lyon,1736 –1810)
Jean-Jacques de Boissieu was a French artist studied at the École de Dessin in Lyon, but he was mostly self-taught.
His first prints were realized between 1758–64. When he went to Italy in the retinue of the ambassador and Duc de la Rochefoucauld d’Enville, he had the lifechanging encounter: he met Voltaire and he entered in the world of luminaries, he had the opportunity of realizing some plates for the Diderot-d’Alembert’s Encyclopèdie. Then he continued to produce prints in Lyon, Boissieu made many etchings of the Roman and Dutch countryside, as well as the French countryside around Lyon, which earned him a reputation as the last representative of the older etching...
Category
Late 18th Century Old Masters Engraving Animal Prints
Materials
Drypoint, Etching
The Rabbit
original woodcut engraving by Clarice George Logan
Located in Milwaukee, WI
In 'The Rabbit,' Wisconsin artist Clarice George Logan presents the viewer with a multi-figural scene: under a wood-frame structure, four children crouch on the ground, gathered around a young woman who presents a rabbit. Under normal circumstances, such an image of children with a bunny would recall childhood storybooks. In this case, however, the image is more ambiguous and suggests the unfortunate economic circumstances many children suffered during the interwar years. Nonetheless, the group could also be interpreted as a nativity play, with the rabbit taking the place of the Christ child, shining light on the children like in a painting by the Italian Renaissance artist Correggio. The careful line-work of the woodblock engraving adds a sense of expressionism to the scene, leaving the figures looking distraught and dirty, though the image nonetheless falls into the Social Realist category that dominated American artists during the Great Depression.
This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints - one for each week of the year.
Clarice George Logan was born in Mayville, New York in 1909 but moved to Wisconsin in 1921. She attended the Milwaukee State Teachers College from 1927 to 1931 where she studied with Robert von...
Category
1930s American Modern Engraving Animal Prints
Materials
Engraving, Woodcut
Salvador Dali "Untitled XII (Le Tricorne)"
Located in Boston, MA
Artist: Dali, Salvador
Title: Untitled XII (Le Tricorne)
Series: Le Tricorne (The Three-Pointed Hat)
Date: 1959
Medium: Wood engraving
Unframed Dimensions: 12.6" x 8.8"
Framed...
Category
1950s Surrealist Engraving Animal Prints
Materials
Engraving
Study of Six Heads - Etching by J.-J. Boissieu
Located in Roma, IT
Study of Six Heads is a beautiful black and white etching with drypoint interventions on paper, realized at the end of XVIII century by the French artist Jean-Jacques de Boissieu (Lyon, 1736- 1810).
Six study od heads ( four elder men, a middle-aged man at the center, and a woman with turbant) etched with a superb technique and an incredible draftsmanship are drawn to different scales and with different degrees of finish, have the dignity of six different portraits with the same passion and effort.
Signed on plate on lower right margin “De Boissieu”. Inscription ( number plate) on higher-right corner "10".
This old master’s original print with lifetime impressions, is in very good conditions, except for a usual yellowing of the paper above all on the edges and some signs of the time,do not affect the image.
Jean-Jacques de Boissieu (Lyon,1736 –1810)
Jean-Jacques de Boissieu was a French artist studied at the École de Dessin in Lyon, but he was mostly self-taught.
His first prints were realized between 1758–64. When he went to Italy in the retinue of the ambassador and Duc de la Rochefoucauld d’Enville, he had the lifechanging encounter: he met Voltaire and he entered in the world of luminaries, he had the opportunity of realizing some plates for the Diderot-d’Alembert’s Encyclopèdie. Then he continued to produce prints in Lyon, Boissieu made many etchings of the Roman and Dutch countryside, as well as the French countryside around Lyon, which earned him a reputation as the last representative of the older etching...
Category
Late 18th Century Old Masters Engraving Animal Prints
Materials
Drypoint, Etching
Portrait of Young Lady with Cat - Original Print by Helène Neveur - 1970s
Located in Roma, IT
Portrait of young Lady with Cat View is an original Etching and Drypoint realized by Helène Neveur in the 1970s.
Good conditions.
Numbered. Edition 40/...
Category
1970s Contemporary Engraving Animal Prints
Materials
Drypoint, Etching
HERBST. A Group of Four Crustaceans
By Johann Friedrich Wilhelm Herbst
Located in London, GB
A Group of four hand-coloured engraved plates of Crabs by Schellenburg, P. Haas, Heidenreich and Ludwig Schmidt.
Framed and glazed, overall size: 36.4 x 53.8 cm.
Johann Friedric...
Category
Early 1800s Naturalistic Engraving Animal Prints
Materials
Engraving, Handmade Paper
Francois Nicolas Martinet (1731-1804) - Engraving, Petite Outarde ou Canepetiere
Located in Corsham, GB
This hand-colored engraving comes from "Histoire Naturelle Des Oiseaux," a famous set of volumes edited by Georges Louis Leclerc, le comte de Buffon (1707-1788). The book was publish...
Category
Early 18th Century Engraving Animal Prints
Materials
Engraving
Le Dragon
Located in Paris, FR
Engraving
Handsigned by the artist in pencil and numbered 12/100
LCD3997
Category
1970s Engraving Animal Prints
Materials
Engraving
The Donkey, 1942 (Histoire Naturelle - Textes de Buffon, B.329)
Located in Greenwich, CT
The Donkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches,...
Category
20th Century Modern Engraving Animal Prints
Materials
Drypoint, Aquatint
20th century drypoint etching figurative animal print black and white signed
Located in Milwaukee, WI
"Boy With Cows" is an original drypoint etching by John Edward Costigan. It depicts a young boy with three cows standing in a watering hole. The artist si...
Category
1930s American Realist Engraving Animal Prints
Materials
Drypoint, Etching
Snowy Egret
Located in Fairlawn, OH
Signed, dated, and titled in pencil by the artist
Dedicated: "To Jon From Ray"
Edition: 100 in two printings
A studio proof from the second printing by Jon Clemens, master printe...
Category
1950s Abstract Geometric Engraving Animal Prints
Materials
Engraving
Artic Gull, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Green Partridge, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Hooded Merganser, 18th century bird duck engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Ardea, Stellaris (Eurasian Bittern) /// Dutch Ornithology Bird Animal Engraving
Located in Saint Augustine, FL
Artist: Cornelius Nozeman (Dutch, 1720-1786)
Title: "Ardea, Stellaris (Eurasian Bittern)" (Plate 41)
Portfolio: Nederlandsche Vogelen (Dutch Birds)
Year: 1770-1829
Medium: Original H...
Category
1770s Old Masters Engraving Animal Prints
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Set of Three Engravings from "The British Sportsman" /// Osbaldiston Animal Art
Located in Saint Augustine, FL
Artist: William Augustus Osbaldiston (English, Active: Late 18th Century)
Titles: "Coursing" (Plate 3), "Hawking" (Plate 7), and "Hare Hunting" (Plate 8)
Portfolio: The British Sport...
Category
1790s English School Engraving Animal Prints
Materials
Laid Paper, Engraving, Intaglio
untitled (Duck taking to flight, flushed by a dog)
Located in Fairlawn, OH
untitled (Duck taking to flight, flushed by a dog)
Drypoint & Aquatint, c. 1940
signed lower right
Created while the artist was a commercial artist working in Minneapolis, after his ...
Category
1940s American Realist Engraving Animal Prints
Materials
Drypoint
Lincolnshire Sheep /// Osbaldiston The British Sportsman Farm Animal Herd Lamb
Located in Saint Augustine, FL
Artist: William Augustus Osbaldiston (English, Active: Late 18th Century)
Title: "Lincolnshire Sheep" (Plate 9)
Portfolio: The British Sportsman, or, Nobleman, Gentleman, and Farmer'...
Category
1790s English School Engraving Animal Prints
Materials
Laid Paper, Engraving, Intaglio
Wild Fowl Shooting /// Osbaldiston The British Sportsman Hunting Engraving Art
Located in Saint Augustine, FL
Artist: William Augustus Osbaldiston (English, Active: Late 18th Century)
Title: "Wild Fowl Shooting" (Plate 2)
Portfolio: The British Sportsman, or, Nobleman, Gentleman, and Farmer'...
Category
1790s English School Engraving Animal Prints
Materials
Laid Paper, Engraving, Intaglio
Chevrotain and Arab Antelope, mid 19th French century animal engraving
Located in Melbourne, Victoria
'1. Chevrotin 2. Antilope Arabica'
French engraving with original hand-colouring, circa 1840.
Category
Mid-19th Century French School Engraving Animal Prints
Materials
Engraving
Lesser White Throat, bird and nest engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with water...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Impressionist Etching, "Mystical Horse"
Located in San Diego, CA
This is an impressionist etching/engraving by San Diego artist, Lenore Simon. Its dimensions are 17" x 12". A certificate of authenticity will fo...
Category
2010s Impressionist Engraving Animal Prints
Materials
Engraving, Etching
Crustaceans, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea'
Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837.
210mm by 130mm (sheet)
Category
Mid-19th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Crustaceans - Crab
Lobster, English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea'
Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837.
210mm by 130mm (sheet)
Category
Mid-19th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Crustaceans - crabs, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea'
Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837.
210mm by 130mm (sheet)
Category
Mid-19th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Crustaceans - crabs, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea'
Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837.
210mm by 130mm (sheet)
Category
Mid-19th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Crustaceans - shrimps, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea'
Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837.
210mm by 130mm (sheet)
Category
Mid-19th Century Naturalistic Engraving Animal Prints
Materials
Engraving
A Group of Four engraved and hand-coloured Birds Nests.
Located in London, GB
NOZEMAN, Cornelius and Jan Christian SEPP.
A Group of Four Birds Nests: NIDUS ARDEAE, Nycticoracis; NIDUS PLATALEA, Leucorodia; NIDUS ARDEAE STELLARIS and NIDUS PELECANI, Carbonis f...
Category
1770s Naturalistic Engraving Animal Prints
Materials
Watercolor, Engraving
Black-Faced Heath Breed, sheep lithograph with original hand-colouring, c 1845
Located in Melbourne, Victoria
'Race a tete noire, des Bruyeres' (Black-Faced Heath Breed - Ram).
Lithograph with original hand-colouring by Hermann Eichens (1813-1886) from a drawing by W. Nicholson after a pain...
Category
Late 19th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Warthog, Drypoint Etching by Leonard Baskin, 1969
Located in Long Island City, NY
This drypoint etching was created by American artist Leonard Baskin. Baskin is well known for his somewhat grotesque, intricate, surreal drawings and natural subject matter. This etc...
Category
1970s Surrealist Engraving Animal Prints
Materials
Drypoint, Etching
Set of Two Hand-Colored Ornithological Engravings by George Edwards /// Bird Art
Located in Saint Augustine, FL
Artist: George Edwards (English, 1694-1773)
Title: "Set of Two Hand-Colored Ornithological Engravings by George Edwards"
Portfolio: A Natural History of Uncommon Birds, and of Some Other Rare and Undescribed Animals / Gleanings Of Natural History
Year: 1743-1764
Medium: Set of Two Original Hand-Colored Engravings on watermarked laid and wove papers
Limited edition: Unknown
Printer: C. Rickaby, London, UK
Publisher: William Gardiner and Messrs. Robinson, London, UK
Reference: Mullens and Swann page 194-195; Anker No. 124-126; Fine Bird Books page 93; Lisney page 128-144; Nissen IVB No. 286-288; Zimmer page 192-198
Sheet size (each): approx. 11.25" x 9"
Image size (each): approx. 8.63" x 7.38"
Condition: "90" has faint offsetting to sheet. "308" has one foxmark center right. They are both otherwise in excellent condition with strong colors
Notes:
Comes from Edwards seven volume portfolio "A Natural History of Uncommon Birds, and of Some Other Rare and Undescribed Animals" / "Gleanings Of Natural History" (1743-1764), which consists of 362 hand-colored engravings. "90" is on laid paper with a "fleur-de-lis" watermark at center left edge. "308" is on wove paper with no watermark. The last image of the cover title sheets is for reference/provenance; it is not included.
Biography:
George Edwards FRS (3 April 1694 – 23 July 1773) was an English naturalist and ornithologist, known as the "father of British ornithology". Edwards was born at West Ham...
Category
1740s Old Masters Engraving Animal Prints
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Salvador Dali "Untitled III (Le Tricorne)"
Located in Boston, MA
Artist: Dali, Salvador
Title: Untitled III (Le Tricorne)
Series: Le Tricorne (The Three-Pointed Hat)
Date: 1959
Medium: Wood engraving
Unframed Dimensions: 12.6" x 8.8"
Framed...
Category
1950s Surrealist Engraving Animal Prints
Materials
Engraving
Larus, Cinereus (European Herring Gull) /// Dutch Ornithology Bird Animal Print
Located in Saint Augustine, FL
Artist: Cornelius Nozeman (Dutch, 1720-1786)
Title: "Larus, Cinereus (European Herring Gull)" (Plate 101)
Portfolio: Nederlandsche Vogelen (Dutch Birds)
Year: 1770-1829
Medium: Origi...
Category
1770s Old Masters Engraving Animal Prints
Materials
Watercolor, Engraving, Intaglio, Laid Paper
The Royston Crow (Hooded Crow) /// Thomas Pennant Ornithology Bird Animal Art
By Thomas Pennant
Located in Saint Augustine, FL
Artist: Thomas Pennant (Welsh, 1726-1798)
Title: "The Royston Crow (Hooded Crow)" (Plate D1)
Portfolio: The British Zoology, Class II: Birds
Year: 1761-1766 (First edition)
Medium: O...
Category
1760s Old Masters Engraving Animal Prints
Materials
Watercolor, Engraving, Laid Paper
Aardvark
Located in Fairlawn, OH
Aardvark
Engraving, 1951
Signed, dated, titled in pencil by the artist (see photo)
Annotated "To Jon from Ray" (see photo)
Printed by Jon Clemens, Master Printer, c. 1990
Condition: ...
Category
1950s American Modern Engraving Animal Prints
Materials
Engraving
Set of Two Hand-Colored Ornithological Engravings by George Edwards /// Bird Art
Located in Saint Augustine, FL
Artist: George Edwards (English, 1694-1773)
Title: "Set of Two Hand-Colored Ornithological Engravings by George Edwards"
Portfolio: A Natural History of Uncommon Birds, and of Some O...
Category
1740s Old Masters Engraving Animal Prints
Materials
Watercolor, Laid Paper, Engraving, Intaglio
CAT
Located in Portland, ME
Nevelson, Louise. CAT. Baro 80. Etching and drypoint, 1965/6. Edition of 40 (There were also three Trial Proofs and four Artist's Proofs). Signed and numbered in pencil. 17 1/2 x 11 1/2 inches (plate), (sheet). The edition was printed at the Hollander Graphic...
Category
1960s Engraving Animal Prints
Materials
Drypoint, Etching
$4,200
The Vulture. 1942 (Histoire Naturelle - Textes de Buffon, B.341)
Located in Greenwich, CT
The Vulture is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Engraving Animal Prints
Materials
Aquatint, Drypoint
Deerflake (The artist
s first work celebrating the Solstice / deer as snowflake)
By Carol Wax
Located in New Orleans, LA
Carol Wax describes her circular images as "most often quasi abstract works that refer to ancient islamic designs using the shapes and attributes of animals, in this case the deer. T...
Category
Late 20th Century American Modern Engraving Animal Prints
Materials
Mezzotint
A river. Drypoint print, Limited edition, Black and white, Polish artist
By Ewa Kutylak
Located in Warsaw, PL
Contemporary figurative black and white drypoint and copperplate print by Polish artist Ewa Kutylak. This surrealistic print depicts a man watering a river, there are fish in the wat...
Category
Early 2000s Contemporary Engraving Animal Prints
Materials
Paper, Drypoint, Mezzotint
A meeting. Mezzotint print, Limited edition, Black
white, Polish artist
By Ewa Kutylak
Located in Warsaw, PL
Contemporary figurative black & white mezzotint and drypoint print by Polish artist Ewa Kutylak. Print depicts a man facing a horse. Above them there is a dog in a landscape and bene...
Category
Early 2000s Contemporary Engraving Animal Prints
Materials
Paper, Drypoint, Mezzotint
$285 Sale Price
20% Off
A concert. Mezzotint print, Limited edition, Monochromatic, Polish artist
By Ewa Kutylak
Located in Warsaw, PL
Contemporary figurative monochromatic mezzotint print by Polish artist Ewa Kutylak. Print depicts a man sitting near a tree with a bird standing on his hand. There is a dog on the ot...
Category
Early 2000s Contemporary Engraving Animal Prints
Materials
Paper, Drypoint, Mezzotint
Hambleden Orchard (Farm with chicken, ox and oxcart)
Located in New Orleans, LA
This engraving is from an edition of 60. It is signed and dedicated. A farmyard scene with barn, chicken and ox. It is in excellent condition and is a fine impression. There is a stain in the lower bottom margin away from the image and well below the mat line
Wilfred Fairclough...
Category
1940s Modern Engraving Animal Prints
Materials
Engraving
$296 Sale Price
37% Off
Birds of Paradigm
By Carol Wax
Located in New Orleans, LA
Carol Wax describes her circular images as "most often quasi abstract works that refer to ancient islamic designs using the shapes and attributes of animals, in this case the elephan...
Category
1980s American Modern Engraving Animal Prints
Materials
Mezzotint
Walruses
Located in Fairlawn, OH
Walruses
Engraving, 1952
Signed, dated, titled and numbered (see photos)
Edition: 100, this from the second printing with the artist's initials in an edition of 25 (16/25)
Condition:...
Category
1950s American Modern Engraving Animal Prints
Materials
Engraving
Trunk Lines (Interweaved faces, ears and the trunks of elephants form design)
By Carol Wax
Located in New Orleans, LA
Carol Wax describes her circular images as "most often quasi abstract works that refer to ancient islamic designs using the shapes and attributes of animals, in this case the elephan...
Category
1980s American Modern Engraving Animal Prints
Materials
Mezzotint
Engraving animal prints for sale on 1stDibs.
Find a wide variety of authentic Engraving animal prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 18th Century is especially popular. If you’re looking to add animal prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Salvador Dalí, Pablo Picasso, Edmund Blampied, and Francois Nicolas Martinet. Not every interior allows for large Engraving animal prints, so small editions measuring 8 inches across are also available Prices for animal prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $350 and tops out at $460, while the average work can sell for $380.
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