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Aquatint Landscape Prints

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Medium: Aquatint
Untitled, Surrealist Aquatint Etching by Hans-Georg Rauch
Located in Long Island City, NY
Hans-Georg Rauch, German (1939 - 1993) - Untitled, Year: 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 21 in. x 29 in. (53.34 cm x 73.66...
Category

1970s Surrealist Aquatint Landscape Prints

Materials

Etching, Aquatint

Communipaw, NY; January Thaw
Located in Middletown, NY
A delicate composition of an industrial Hudson River town, seen from lower Manhattan; a view of what is now Liberty State Park. New York: 1884. Etching with aquatint on cream laid p...
Category

Late 19th Century Realist Aquatint Landscape Prints

Materials

Laid Paper, Etching, Aquatint

Michel Grove, Sussex English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Michel Grove, Seat of Thomas Walker Esq'. Michel Grove was a house in Sussex which Humphrey Repton was commissioned to landscape. Published by Rudo...
Category

Early 19th Century Victorian Aquatint Landscape Prints

Materials

Engraving, Etching, Aquatint

Burano Rainbow, Venice canal view by Stephen McMillan
Located in Palm Springs, CA
The architecture of Venice reflected in the water of the canals. This is one of a series the artist completed during a residency in Venice. Signed, titled and numbered from the edtio...
Category

2010s Contemporary Aquatint Landscape Prints

Materials

Etching, Aquatint

Ephesus
Located in London, GB
Julian Trevelyan Ephesus, 1974 Etching and aquatint in colours on wove paper, with full margins Signed by the artist's hand in pencil, lower right on recto Annotated with title in pe...
Category

1970s Post-Modern Aquatint Landscape Prints

Materials

Etching, Aquatint

From the Ponte Vecchio, Florence
Located in Middletown, NY
Etching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of ...
Category

1920s American Modern Aquatint Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching, Aquatint

Shadows of Venice
Located in Middletown, NY
Etching and aquatint on antique laid paper, wide margins. Signed, dated and inscribed "Edition of 100" in pencil, lower margin. Second state (of 2)....
Category

Mid-20th Century American Modern Aquatint Landscape Prints

Materials

Laid Paper, Etching, Aquatint

The bell tower by David Hockney (Six Fairy Tales from the Brothers Grimm)
Located in New York, NY
From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of ‘The boy who left home to learn fear’. Hockney chose this story for its ...
Category

1960s Aquatint Landscape Prints

Materials

Etching, Aquatint

Byloke, Ghent; From Picturesque Architecture in Paris, Ghent, Antwerp, Rouen...
Located in Middletown, NY
Aquatint with hand coloring in oil color on smooth wove paper, 10 1/2 x 14 5/8 inches (266 × 370 mm), full margins. Moderate mat tone, scattered spots of light brown discoloration in...
Category

1830s English School Aquatint Landscape Prints

Materials

Oil, Handmade Paper, Aquatint

Ludgate Hill
Located in Storrs, CT
Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil. Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate. When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category

Early 20th Century Modern Aquatint Landscape Prints

Materials

Drypoint, Etching, Aquatint

Diver’s Line, State II (Glenn 167-A), James Rosenquist
Located in Fairfield, CT
Artist: James Rosenquist (1933-2017) Title: Diver’s Line, State II (Glenn 167-A) Year: 1979 Medium: Etching, aquatint, stencil on Pescia Italia paper Edition: 28/78 Size: 22.75 x 40 ...
Category

1970s Pop Art Aquatint Landscape Prints

Materials

Etching, Aquatint, Stencil

Set of Three Etchings by Bertram Buchanan /// English Modern Land City Sky Scape
Located in Saint Augustine, FL
Artist: Bertram George Buchanan (English, 1873-1962) Titles: "The Seven Sisters", "Rye from the Hills", and "Pett Level" *Each work is signed by Buchanan in pencil lower right Circa ...
Category

1920s Modern Aquatint Landscape Prints

Materials

Laid Paper, Mezzotint, Etching, Aquatint, Intaglio

Leaves, Twigs and Trees Triptych - Figurative Mixed Med Print, small edition 2/X
Located in Salzburg, AT
The graphic is already framed. About Andrzej Juchniewicz - 1967–1972 Secondary School of Fine Arts in Gdynia-Orłowo. 1978–1983 studies at the Acad...
Category

1990s Contemporary Aquatint Landscape Prints

Materials

Paper, Mixed Media, Etching, Aquatint

Hermes Oak, Windsor Park, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Hermes Oak, Windsor Park' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who p...
Category

Late 18th Century Naturalistic Aquatint Landscape Prints

Materials

Engraving, Etching, Aquatint

North Side of the Great Court, Sommerset Palace
Located in Middletown, NY
Aquatint printed in brownish ink with extensive hand coloring in watercolor on buff paper, 10 1/4 x 12 1/2 inches (260 x 317 mm) (sheet), uneven narrow to full margins. Laid down to a contemporary wove paper support. Scattered condition issues on the sheet (excluding the mount) include surface soiling, creasing, a significant vertical repaired tear, and toning, despite these issues, the hand coloring remains good. Suitable for framing. From A Picturesque Tour Through the Cities of London and Westminster, Illustrated With the most interesting Views, accurately delineated And executed in Aquatinta By Thomas Malton, published by Thomas Malton, London 1796. The work was published serially, in twenty-five numbers. The plates in Volume I carry the dates 1792, 1793, 1794, 1795, 1796 or 1797; those in Volume II, the dates 1797, 1798, 1799, 1800 or 1801. In most copies the title page of Volume I carries the publisher's later address, of 103 Long Acre...
Category

Late 18th Century English School Aquatint Landscape Prints

Materials

Watercolor, Handmade Paper, Aquatint

Donald Baechler Creamsicle 1999 (Donald Baechler prints)
Located in NEW YORK, NY
Donald Baechler, Creamsicle, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aq...
Category

1990s Contemporary Aquatint Landscape Prints

Materials

Etching, Aquatint, Lithograph, Screen

Les Quartier des Gobelins
Located in Middletown, NY
Paris: Gazette des Beaux Arts, 1896. Etching with aquatint on cream laid paper, 7 7/8 x 4 7/8 (200 x 125 mm), full margins. Edition of roughly 750. In good condition with uniform ton...
Category

Late 19th Century French School Aquatint Landscape Prints

Materials

Laid Paper, Etching, Aquatint

Sparire 2, Enzo Cucchi dream scape surreal etching, aquatint and silkscreen
Located in New York, NY
Sparire means "to disappear" in Italian. This large-scale, dreamlike print spans almost ten feet. Enzo Cucchi Sparire II, 1988 Color etching, aquatint and silkscreen 30 1/2 × 118 in...
Category

1980s Aquatint Landscape Prints

Materials

Etching, Aquatint, Screen

Landscape with Pond
Located in San Francisco, CA
Artist: Roger Hebbelinck (Belgian, born 1912) Title: Landscape with Pond Year: Circa 1960 Medium: Color etching with aquatint Edition: Numbered 43/3...
Category

Mid-20th Century Realist Aquatint Landscape Prints

Materials

Aquatint

Under the Manhattan Bridge
Located in Middletown, NY
New York, circa 1940 Etching with aquatint in colors on cream laid paper with a partial watermark and a deckle edge, 11 3/4 x 8 1/4 inches (297 x 208 mm), full margins. Minor mat to...
Category

Early 20th Century American Modern Aquatint Landscape Prints

Materials

Handmade Paper, Etching, Aquatint

Brother Water, Lake District scenery C19th English aquatint
Located in Melbourne, Victoria
'Brother Water descending from Kirkstone' Aquatint by William Green, 1804 William Green of Ambleside was a Lake District draughtsman, soft ground etch...
Category

Early 19th Century Naturalistic Aquatint Landscape Prints

Materials

Engraving, Aquatint

Paysage de Normandie
Located in San Francisco, CA
This artwork titled "Paysage de Normandie" c.1910 Is an original color aquatint by noted French artist Maurice Levis, 1860-1940. It is hand signed and numbered 245/350 in pencil by the artist. The plate mark (image) size is 17.5 x 24.85 inches, sheet size is 19.75 x 26.75 inches. It is in excellent condition, especially considering the age of the piece. About the artist: Born in Paris on 11 November1860, Maurice Levis was an accomplished landscape and genre painter for nearly sixty years. His career spanned not only the early years of modernism, but also the twentieth century developments of cubism and surrealism. Levis' artistic education began in the late 1870s at the Académie Julian where he studied with Jules Lefebvre. He also studied with Henri Harpignies and with Pierre Billet...
Category

Early 20th Century Impressionist Aquatint Landscape Prints

Materials

Aquatint

Charing Cross - The Statue of Charles I.
Located in Storrs, CT
Charing Cross -- The Statue of Charles I. 1919. Etching with aquatint and drypoint. 3 5/8 x 4 7/8 (sheet 9 1/8 x 11 3/8). A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil. Charing Cross is located at the junction of the Strand, Whitehall, and Cockspur Street in Central London, England. The name originates from the Eleanor cross installed by King Edward I as a memorial to his wife, Eleanor of Castile at the former hamlet of Charing. Since 1675, the cross site has been occupied by a statue of King Charles I mounted on a horse. The pedestal is thought to be designed by Wren and carved by Grinling Gibbons. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category

Early 20th Century Modern Aquatint Landscape Prints

Materials

Drypoint, Etching, Aquatint

Somme, Coucher de Soleil
Located in San Francisco, CA
Artist: Roger Hebbelinck (Belgian, born 1912) Title: Somme, Coucher De Soleil Year: Circa 1965 Medium: Color Etching Edition: Numbered 109/300 i...
Category

Mid-20th Century Realist Aquatint Landscape Prints

Materials

Aquatint

Winter Morning, Stephen McMillan print of trees in fog
Located in Palm Springs, CA
Signed, titled and numbered aquatint print. In the Fall and Winter cool damp fogs often descend upon the hills around Petaluma. This can be a magical time to wander through the nativ...
Category

2010s Contemporary Aquatint Landscape Prints

Materials

Etching, Aquatint

Byloke, Ghent, From Picturesque Architecture in Paris, Ghent, Antwerp, Rouen....
Located in Middletown, NY
Aquatint with hand coloring in oil color on smooth wove paper, 10 1/2 x 14 5/8 inches (266 × 370 mm), full margins. Moderate mat tone, scattered spots of light brown discoloration in...
Category

Mid-19th Century English School Aquatint Landscape Prints

Materials

Oil, Handmade Paper, Aquatint

Untitled, Surrealist Aquatint Etching by Hans-Georg Rauch
Located in Long Island City, NY
Hans-Georg Rauch, German (1939 - 1993) - Untitled, Year: 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 21 x 15 in. (53.34 x 38.1 cm)
Category

1970s Surrealist Aquatint Landscape Prints

Materials

Etching, Aquatint

Mauer, Surrealist Aquatint Etching by Hans-Georg Rauch
Located in Long Island City, NY
Hans-Georg Rauch, German (1939 - 1993) - Mauer, Year: 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: HC XII/XX, Size: 21 in. x 27 in. (53.34 cm x 68...
Category

1970s Surrealist Aquatint Landscape Prints

Materials

Etching, Aquatint

Chertsey Bridge, Surrey, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Chertsey Bridge, Surrey' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of ...
Category

Late 18th Century Naturalistic Aquatint Landscape Prints

Materials

Engraving, Etching, Aquatint

Happy Apocalypse #1, Surrealist Aquatint Etching by Hans-Georg Rauch
Located in Long Island City, NY
Hans-Georg Rauch, German (1939 - 1993) - The Parchment Suite - Happy Apocalypse #1, Year: circa 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: XXV, S...
Category

1970s Surrealist Aquatint Landscape Prints

Materials

Etching, Aquatint

The Human Jungle, Surrealist Aquatint Etching by Hans-Georg Rauch
Located in Long Island City, NY
Hans-Georg Rauch, German (1939 - 1993) - The Crazy Party Suite: The Human Jungle, Year: 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 100, Size: 21 in. ...
Category

1970s Surrealist Aquatint Landscape Prints

Materials

Etching, Aquatint

Rooftops (the harbor and skyline of NYC from Brooklyn rooftop)
Located in New Orleans, LA
Moody, mysterious, majestic – these are some of the ways to describe the mezzotints of Frederick Mershimer. His images travel through the serenity of a Brooklyn neighborhood on a sti...
Category

Early 20th Century American Modern Aquatint Landscape Prints

Materials

Mezzotint, Aquatint

Industrial Complex
Located in Santa Cruz, CA
Signed lower right, 'Peter Baczek' (American, born 1945) and dated 1983; additionally titled, lower left, 'Industrial Complex' with number and limitation, lower center, '14/80'. Pape...
Category

1980s Aquatint Landscape Prints

Materials

Paper, Etching, Aquatint

Mont et Mervale (Mountains and Wonder)
Located in New Orleans, LA
Born in Charleroi, Belgium, Christine Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed the black hills that dot the landscape of the ...
Category

1990s Contemporary Aquatint Landscape Prints

Materials

Mezzotint, Aquatint

Two Horses
Located in San Francisco, CA
This artwork "Two Horses" 1964, is an original color aquatint on paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered 107/120 in pencil by the artist. ...
Category

Mid-20th Century Impressionist Aquatint Landscape Prints

Materials

Aquatint

CHURCH IN SNOW
Located in Portland, ME
Horter, Earl (American, 1881-1940). UNTITLED (CHURCH IN SNOW). Etching and aquatint, not dated. Signed in pencil, lower right. 6 1/4 x 5 inches (plate), 11 x 8 5/8 inches (sheet). An...
Category

Mid-20th Century Aquatint Landscape Prints

Materials

Etching, Aquatint

Untitled
Located in San Francisco, CA
This artwork "Untitled" 1982 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It is hand signed, dat...
Category

Late 20th Century Surrealist Aquatint Landscape Prints

Materials

Etching, Aquatint

Temple of Fortuna Virilis
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive residue from a former mount at each edge on the recto. Light ghost impression in the area of the sky. Scattered minor areas of light brown discoloration, with a 3 3/4 inch horizontal edge loss along the lower left sheet edge, outside of the platemark. Colors remain fresh. Plate No. 3 from Wonders: Images of the Ancient World. Likely printed 1828. A view of the Temple of Hercules Victor...
Category

Early 19th Century English School Aquatint Landscape Prints

Materials

Handmade Paper, Engraving, Etching, Aquatint

The Kirekin in Shropshire, sepia aquatint, Charles Dibdin, 1801
Located in Melbourne, Victoria
From Dibdin's 'Observations on a tour'. Charles Dibdin the elder was a famed singer, songwriter, and actor who spent a significant amount of time touring the countryside. During this...
Category

Early 19th Century Naturalistic Aquatint Landscape Prints

Materials

Aquatint

Process Landscape
Located in San Francisco, CA
Artist: Tom Marioni – American (1937- ) Title: Process Landscape 1998 Year: 1998 Medium: Color spit bite aquatint Image size: 15.75 x 10 inches. Paper size: 20 x 16 inches Framed size: 21.75 x 17.75 inches Signature: Signed, dated lower right Edition: 50. This one: 24/50. Published by: Crown Point Press Printed by: Paul Mullowney Condition: Excellent Frame: Framed in maple frame and plexiglas. Frame in fair to good condition with some small scratches. Tom Marioni was born in 1937 in Cincinnati, Ohio, attended the Cincinnati Art Academy, and in 1959 moved to San Francisco, where he still lives. His first sound work, One Second Sculpture, 1969, was celebrated in the 2005 Lyon Biennial as presaging the work of many artists today who use sound and duration as subjects. His first museum show was in 1970 at the Oakland Museum of California. Titled “The Act of Drinking Beer with Friends is the Highest Form of Art,” it was an early example of social art as a sculpture action. Over the years, Marioni was invited to repeat the work in various contexts around the world. In 1970 Marioni founded the Museum of Conceptual Art (MOCA), which he described at the time as “a large-scale social work of art.” Until the museum closed in 1984, he organized many groundbreaking shows, including “Sound Sculpture As” in 1970. MOCA has entered history as one of the first alternative art spaces. Marioni had one-person shows in several significant venues for early conceptual art, among them the Richard Demarco Gallery in Edinburgh in 1972 and Gallery Foksal in Warsaw in 1975. In 1977 he had a solo show, “The Sound of Flight,” at the de Young Museum in San Francisco. He has done installation/performance works at the Whitechapel Gallery in London (1972), the Institute of Contemporary Art in London (1973), the Centre Georges Pompidou in Paris (1980), and the Folkwang Museum in Essen, Germany (1982), among other museums. He has produced sound works for radio stations KPFA in Berkeley and WDR in Cologne, Germany. In 1996 he organized The Art Orchestra and the group performed at the Legion of Honor Museum in San Francisco. Marioni was included in “For Eyes and Ears” (1980) at the Academy of Fine Arts in Berlin, “Live to Air” (1982) at the Tate Gallery in London, and “From Sound to Image” (1985) at the Stuttgart Staatsgalerie in Germany. His work was shown in “Out of Actions: Between Performance and the Object” (1998) at the Museum of Contemporary Art in Los Angeles, and “The Third Mind: American Artists Contemplate Asia,” (2009) at the Guggenheim Museum in New York City. Drawing is central to Marioni’s art, and in 1999 he had a drawing retrospective, with a catalog, at the Mills College Art Museum in Oakland. In 2006 the Contemporary Art Center in Cincinnati presented a survey of his work and published a catalog. Marioni is the author of Beer, Art and Philosophy, 2003, a memoir, also Writings on Art 1969-1999, and Fabliaux Tom Marioni Fairy Tales. He was editor/designer of VISION magazine published by Crown Point Press, 1975-1981. Issues were titled “California,” “Eastern Europe,” “New York City,” “Word Of Mouth,” (phonograph records) and “Artist’s Photographs,” and published prints, since 1974. Tom Marioni received a Guggenheim Fellowship in 1981 and three grants from the National Endowment for the Arts during the 1970s. His work is in the collections of the San Francisco Museum of Modern Art, the Museum of Modern Art in New York, the Stadtische Kunsthalle in Mannheim, Germany, the Pompidou Center in Paris, and other museums. He is represented by the Anglim Gilbert Gallery...
Category

1990s Abstract Impressionist Aquatint Landscape Prints

Materials

Paper, Aquatint

M s Orchard, by David Smith-Harrison
Located in Palm Springs, CA
Signed, titled and numbered by the artist. This intaglio print shows an orchard combined with the classical architectural imagery that often accompany Smith-Harrison's portraits of ...
Category

Early 2000s Contemporary Aquatint Landscape Prints

Materials

Etching, Aquatint

St Margarets, Isleworth, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'St Margarets (Entrance Front) Seat of the Earl of Cassillis'. St Margarets was a Regency house in Isleworth, Middlesex. Published by Rudolf Ackermann ...
Category

Early 19th Century Victorian Aquatint Landscape Prints

Materials

Engraving, Etching, Aquatint

Rue de Marmousets, Paris; From Picturesque Architecture in Paris, Ghent, ....
Located in Middletown, NY
Aquatint with hand coloring in oil color on smooth wove paper, 10 5/8 x 7 3/8 inches (270 x 187 mm), full margins. Laid down to a support, as issued. Moderate toning and surface soil...
Category

1830s English School Aquatint Landscape Prints

Materials

Oil, Handmade Paper, Aquatint

The Hospital, Santa Cruz, Toledo
Located in Middletown, NY
Etching with aquatint printed in brownish black ink on watermarked BFK Rives cream wove paper, 9 1/2 x 7 11/16 inches (240 x 193 mm), full margins. Signed in pencil and numbered 79/...
Category

Mid-20th Century American Modern Aquatint Landscape Prints

Materials

Handmade Paper, Etching, Aquatint

Northern Woods
Located in Palm Springs, CA
Foggy scene in a forest, inspired by landscape near Bellingham, WA. Signed and numbered etching and aquatint, signed, titled and numbered from the edition of 120. Born in Berkeley, ...
Category

Early 2000s Contemporary Aquatint Landscape Prints

Materials

Etching, Aquatint

Castle Eye, Surrealist Aquatint Etching by Hank Laventhol
Located in Long Island City, NY
Hank Laventhol, American (1927 - 2001) - Castle Eye, Year: circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 300, AP XXXV, Image Size: 20 x 16 inches,...
Category

1980s Surrealist Aquatint Landscape Prints

Materials

Etching, Aquatint

Hand colored Etching - Souk a’ Gabes Tunisia
Located in San Francisco, CA
This exceptional hand colored etching and aquatint is by the noted Parisian artist William Adolphe Lambrecht (1876-1940). The print depicts the Souk, or market in Gabes, Tunisia. It ...
Category

1920s Romantic Aquatint Landscape Prints

Materials

Etching, Aquatint

"Un Grain à Trouville" (Squall at Trouville) from L Illustration Nouvelle
Located in Soquel, CA
"Un Grain à Trouville" (Squall at Trouville) from L'Illustration Nouvelle Dramatic etching of an approaching storm by Félix Hilaire Buhot (French,...
Category

1870s Barbizon School Aquatint Landscape Prints

Materials

Laid Paper, Etching, Aquatint

Rockbear House, Devon, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Rockbear House, Seat of Thos Porter Esq'. Rockbear House was originally built c. 1760-70 and owned by Sir John Duntze, the wealthy Exeter woollen merchant and banker. About 1820 t...
Category

Early 19th Century Victorian Aquatint Landscape Prints

Materials

Engraving, Etching, Aquatint

Durham Cathedral - English School
Located in Middletown, NY
Etching with aquatint on cream laid paper with a partial Arches watermark, 5 3/8 x 4 inches (135 x 100 mm), full margins. Signed illegibly in pencil in the lower right margin.
Category

Early 20th Century Aquatint Landscape Prints

Materials

Laid Paper, Etching, Aquatint

John Collette "Drilling" Original Drypoint Etching W/ Aquatint C.1980
By John Collette
Located in San Francisco, CA
John Collette "Drilling" Original Drypoint Etching W/ Aquatint C.1980 Plate dimensions 6" wide x 9" high The frame measures 13.25" wide x 18.5" high Pencil signed, titled and numb...
Category

Late 20th Century Aquatint Landscape Prints

Materials

Etching, Aquatint

Mer Pacifique (Pacific Ocean)
Located in San Francisco, CA
This artwork titled ""Mer Pacifique (Pacific Ocean)" 1979 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It is hand signed, dated, titled and numbered 125/125 in pencil by the artist. The image (plate mark) size is 17 x 17 inches, framed size is 31.75 x 25 inches. Framed in a mahogany style wood frame, with off white matting. It is in excellent condition, the frame has very small minor restorations, practically invisible. About the artist: Jean Solombre was born in Paris France in 1948. Solombre is an internationally respected painter, engraver, and writer. Tapestries created from images of Solombre paintings are woven at the atelier Aubsson, in France. The first Solombre fiber art created at Aubsson, was produced in 1979. Solombre, among the finest artists in France, was first acclaimed as printmaker, best known for his handsome richly textured and technically exquisite aquatint engravings which he presented with descriptive original poetry. Solombre's work has been shown in premiere art exhibitions Since 1970 including: The Great and Young of Today, at the Museum of Grand Palais, Paris; The Print Biennial at the Museum Galleria, Paris; and The International Art Fair in Paris, Basel, Dusseldorf, Washington, and New York. Solombre's printmaking intaglio technique masterfully combines the techniques of acquatint and engraving. These combination works, watercolor paintings, and oil paintings on canvas have been shown in prestigious solo exhibitions at: Jean-Marie Cupillard's la Bijougalerie in Grenoble, La Torte Gallery, Paris; Lahumiere, Paris; L'Empreinte Gallery, Strasbourg; Gallery Oliveier, Lille; Hohenloher Foundation, Langenburg West Germany; Gallery L'Angle Aigu, Bruxelles, Belgium; Gallery 410, New York USA; Frances Aronson...
Category

Late 20th Century Surrealist Aquatint Landscape Prints

Materials

Etching, Aquatint

Bassenthwaite Water, from the Western Side, Lake District C19th English aquatint
Located in Melbourne, Victoria
'Bassenthwaite Water, from the Western Side' Aquatint by William Green, 1804 William Green of Ambleside was a Lake District draughtsman, soft ground e...
Category

Early 19th Century Naturalistic Aquatint Landscape Prints

Materials

Engraving, Aquatint

Solstice, by Stephen McMillan
Located in Palm Springs, CA
A mountain cabin obscured by mist on a snowy mountain top surrounded by trees. Based on a view of Heather Meadows, Mt Baker Ski Area, WA. Signed titled and numbered in pencil from th...
Category

2010s Contemporary Aquatint Landscape Prints

Materials

Etching, Aquatint

Palm Tree w/ Column (black and white TP)
Located in Palm Springs, CA
Final trial proof before edition for the black and white version of this print. Signed, titled and numbered by the artist. Smith-Harrision's work very often features architectural elements, along with trees. This is a uniqued trial proof from the edition that is sold out. David Smith-Harrison studied at Utah State University and served as studio assistant to Adrian Van Stuchelen and Moishe Smith. In 1983 he traveled in Europe and studied at the Art and Design Faculty of South Glamorgan Institute in Cardiff, Wales. Before leaving for Europe, Smith-Harrison began an intense professional association as a studio assistant to artist Trevor Southey. Smith-Harrison’s imagery is distinctive for its meticulous and studied execution and rigorous, demanding craftsmanship. The results are generally rich in subtle articulations and poetic spirit. His work is located in private collection in Japan, Taiwan, Republic of China, Spain and the United States. COLLECTIONS: The Fine Arts Museums of San Francisco, Achenbach Foundation for the Graphic Arts, SF, CA Long Beach Museum of Art, Long Beach, CA Springville Museum of Art, Springville, UT Tama Art University Museum, Tokyo, Japan Utah State University, Logan, UT Brigham Young University Southwest Texas State University, San Marcos, TX Cadence Corporation, San Jose, CA Cooper and Lybrand, St. Louis. MO George Lucas, Lucasfilms Ltd., San Raphel, CA Michael Richards...
Category

1980s Contemporary Aquatint Landscape Prints

Materials

Etching, Aquatint

Braque, Composition, Du cubisme (after)
Located in Southampton, NY
Aquatint, Etching on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagni...
Category

1940s Modern Aquatint Landscape Prints

Materials

Etching, Aquatint

Fish Triptych - XX century, Figurative Etching Aquatint Print, small edition 7/X
Located in Salzburg, AT
The graphic is already framed. About Andrzej Juchniewicz - 1967–1972 Secondary School of Fine Arts in Gdynia-Orłowo. 1978–1983 studies at the Acad...
Category

1990s Contemporary Aquatint Landscape Prints

Materials

Paper, Etching, Aquatint

Beach Front, Surrealist Aquatint Etching by Hank Laventhol
Located in Long Island City, NY
Hank Laventhol, American (1927 - 2001) - Beach Front, Year: circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 300, AP XXXV, Image Size: 15 x 24 inches...
Category

1980s Surrealist Aquatint Landscape Prints

Materials

Etching, Aquatint

Venice II L Ombre du Coleone
Located in New Orleans, LA
"Venice II L'Ombre du Coleone" is a Jean Michel Mathieux-Marie aquatint and etching of a Venetian scene. It is from an edition of 120. Mathieux-Marie was born in Paris in 1947. He...
Category

Late 20th Century Contemporary Aquatint Landscape Prints

Materials

Drypoint, Etching, Aquatint

Claro de Luna
Located in Palm Springs, CA
Signed, titled and numbered from the edition of 50. Aquatint and sugarlift etching. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypo...
Category

21st Century and Contemporary Abstract Aquatint Landscape Prints

Materials

Aquatint

Aquatint landscape prints for sale on 1stDibs.

Find a wide variety of authentic Aquatint landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, yellow, orange, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Frans Hogenberg, Stephen McMillan, James Rosenquist, and Ludovico Caracciolo. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Aquatint landscape prints, so small editions measuring 0.01 inches across are also available

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