Aquatint Landscape Prints

John Harris after Harry Hall The Merry Beaglers c. 1845 48x65cm Aquatint with hand colouring The most famous beagling print there is, after the 1845 pa...

Philip Pearlstein (1924-2022) View Over Soho, Lower Manhattan, 1977 Aquatint in colors on wove paper Edition 7/41 Signed, editioned and titled in pencil lower left Printed by the Orl...

Reeds by Phil Greenwood [2021] limited_edition Aquatint Etching Edition number 150 Image size: H:48 cm x W:59.5 cm Complete Size of Unframed Work: H...

Visitors to the Colossus Susan Hall, American (1943) Date: 1978 Aquatint Etching, Signed and Numbered in Pencil Edition of 78 Size: 28.5 in. x 38 in. (72.39 cm x 96.52 cm)

Private Act Susan Hall, American (1943) Date: 1978 Etching with Aquatint, signed and numbered in pencil Edition of 78 Image Size: 28 x 21.5 inches Size: 35 x 28 in. (88.9 x 71.12 cm)

Jacquette, Yvonne. (American, 1934-2023). SKOWHEGAN II Aquatint, 1987. Editon of 35. Signed, dated and numbered 12/35, all in pencil. 20 1/2 x 15 7/8 inches (plate), 29 x 22 1/2 inch...

Window to the World Susan Hall, American (1943) Date: 1978 Aquatint Etching, Signed and numbered in pencil Edition of 78 Size: 35 in. x 28 in. (88.9 cm x 71.12 cm)

Kit Boyd The Sacred Grove Unique hand-coloured etching and aquatint from the standard edition of 60. Imaginary coastal landscape with birds and a figure. hand printed on Hahnemuhle e...

Night Light Susan Hall, American (1943) Date: 1978 Etching with Aquatint, signed and numbered in pencil Edition of 78 Size: 35 x 28 in. (88.9 x 71.12 cm)

To see our other views of London and our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller". Julian Trevelyan (1910-19...

Edition: 21/50 Image Size: 26.5 x 18.5 inches Frame Size: 34 x 26 inches Signed, numbered, dated, and titled in pencil Hans Behrens created this etchin...

The Dinner Susan Hall, American (1943) Date: 1978 Aquatint Etching, signed and numbered in pencil Edition of 78 Image Size: 28 x 21.5 inches Size: 35 in. x 28 in. (88.9 cm x 71.12 cm)

To see our other views of London and our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller". Julian Trevelyan (1910-19...

The Magic Pencils Susan Hall, American (1943) Date: 1978 Etching with Aquatint, signed and numbered in pencil Edition of 78 Image Size: 28 x 21.5 inches Size: 35 x 28 in. (88.9 x 71....

Artist: James Rosenquist (1933-2017) Title: Hot Lake, State II (Glenn 148) Year: 1978 Medium: Etching and aquatint with pochoir in colors on Pescia Italia paper Edition: 17/78, plus ...

Philip Pearlstein (American, 1924-2022) Stonehenge Landscape Sugar Lift Aquatint Etching with Roulette on Rives BFK Paper, 1979 Series: Ruins and Landscapes Printer: Orlando Condesso Printer: Nancy Brokopp Medium: Sugar-lift aquatint with roulette Philip Pearlstein is an influential American painter best known for Modernist Realism nudes. Cited by critics as the preeminent figure painter of the 1960s to 2000s, he led a revival in realist art. He is a Distinguished Professor Emeritus with paintings in the collections of over 70 public art museums. Philip M. Pearlstein was born on May 24, 1924 in Pittsburgh, PA. He attended Saturday morning classes at Pittsburgh's Carnegie Museum of Art. In 1942, at the age of 18, two of his paintings won a national competition sponsored by Scholastic Magazine, and were reproduced in color in Life magazine. In 1942, he enrolled at Carnegie Institute of Technology's art school, in Pittsburgh, where he painted two portraits of his parents now held by the Carnegie Museum of Art, but after one year he was drafted by the US Army to serve during World War II. He was initially assigned to the Training Aids Unit at Camp Blanding, Florida, where he produced charts, weapon assembly diagrams and signs. In this role, he learned printmaking and the screenprinting process, and subsequently was stationed in Italy making road signs. While in Italy, he took in as much renaissance art as was accessible in Rome, Florence, Venice and Milan, and also produced numerous drawings depicting life in the Army. In 1946, sponsored by the GI Bill, he returned to Carnegie Institute, and first met Andy Warhol, who was attracted to Pearlstein because of his notoriety in the school, having been featured in Life magazine. During the summer of 1947, the three rented a barn as a summer studio. Immediately after graduating in June 1949 with a BFA, Pearlstein and Warhol moved to New York City, at first sharing an eighth-floor walkup tenement apartment on St. Mark's Place at Avenue A. He was eventually hired by Czech designer Ladislav Sutnar, mainly doing industrial catalog...

Philip Pearlstein (American, 1924-) Large Sacsahuaman Landscape Etching Aquatint, 1979 From the series Ruins and Landscapes. Sugar-lift, aquatint and roulette on ivory wove paper. Sacsayhuamán, often spelled Sacsahuaman or Saqsaywaman (from Quechua Saqsaywaman (pukara) '(fortress) of the royal falcon or hawk') is a citadel on the northern outskirts of the city of Cusco, Peru, the historic capital of the Inca Empire. The site is at an altitude of 3,701 m (12,142 ft). The complex was built by the Incas in the 15th century, particularly under Sapa Incan Pachacuti and his successors. Dry stone walls constructed of huge stones were built on the site, with the workers carefully cutting the boulders to fit them together tightly without mortar. In 1983, Cusco and Sacsayhuamán together were designated as sites on the UNESCO World Heritage List, for international recognition and protection. Philip Pearlstein is an influential American painter best known for Modernist Realism nudes. Cited by critics as the preeminent figure painter of the 1960s to 2000s, he led a revival in realist art. He is a Distinguished Professor Emeritus with paintings in the collections of over 70 public art museums. Philip M. Pearlstein was born on May 24, 1924 in Pittsburgh, PA. He attended Saturday morning classes at Pittsburgh's Carnegie Museum of Art. In 1942, at the age of 18, two of his paintings won a national competition sponsored by Scholastic Magazine, and were reproduced in color in Life magazine. In 1942, he enrolled at Carnegie Institute of Technology's art school, in Pittsburgh, where he painted two portraits of his parents now held by the Carnegie Museum of Art, but after one year he was drafted by the US Army to serve during World War II. He was initially assigned to the Training Aids Unit at Camp Blanding, Florida, where he produced charts, weapon assembly diagrams and signs. In this role, he learned printmaking and the screenprinting process, and subsequently was stationed in Italy making road signs. While in Italy, he took in as much renaissance art as was accessible in Rome, Florence, Venice and Milan, and also produced numerous drawings depicting life in the Army. In 1946, sponsored by the GI Bill, he returned to Carnegie Institute, and first met Andy Warhol, who was attracted to Pearlstein because of his notoriety in the school, having been featured in Life magazine. During the summer of 1947, the three rented a barn as a summer studio. Immediately after graduating in June 1949 with a BFA, Pearlstein and Warhol moved to New York City, at first sharing an eighth-floor walkup tenement apartment on St. Mark's Place at Avenue A. He was eventually hired by Czech designer Ladislav Sutnar, mainly doing industrial catalog...

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Untitled (Landscape), 1996/1997 Howard Hodgkin Lift-ground etching with aquatint printed in ultramarine blue, with hand-colouring in green and raw Sienna acrylic, on Aquarelle Arche...

Donald Baechler, Ice Cream Cone, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching an...

Hans-Georg Rauch, German (1939 - 1993) - Untitled - Men Caught in a Web, Year: 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: AP, Size: 22 in. x 15 in. (...

Hans-Georg Rauch, German (1939 - 1993) - Untitled (1-A), Year: 1973, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: AP, Size: 15 x 18 in. (38.1 x 45.72 cm)

Hans-Georg Rauch, German (1939 - 1993) - Girl Under Storm, Year: circa 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 20/100, Size: 20 in. x 27 in. (50.8...

Hans-Georg Rauch, German (1939 - 1993) - Untitled, Year: circa 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 100, Size: 27 x 20 in. (68.58 x 50.8 cm)

Hans-Georg Rauch, German (1939 - 1993) - The Parchment Suite - Happy Apocalypse #5, Year: circa 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: XXV, S...

Hans-Georg Rauch, German (1939 - 1993) - Untitled 66, Year: 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: HC 10/20, Size: 14 x 18 in. (35.56 x 45.72 cm)

Hans-Georg Rauch, German (1939 - 1993) - Untitled 69, Year: 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 100, Size: 13.5 in. x 18 in. (34.29 cm x 45.72...

Hans-Georg Rauch, German (1939 - 1993) - Untitled - (Beetle), Year: circa 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 75, Size: 14 x 20 in. (35.56 x...

Hans-Georg Rauch, German (1939 - 1993) - The Parchment Suite - Happy Apocalypse #4, Year: circa 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: XXV, S...

Hans-Georg Rauch, German (1939 - 1993) - Untitled, Year: 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 21 x 29 in. (53.34 x 73.66 cm)

Hans-Georg Rauch, German (1939 - 1993) - Untitled - Ants, Year: 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 15 x 21 in. (38.1 x 53.3...

Hans-Georg Rauch, German (1939 - 1993) - Untitled (29), Year: 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 20 x 28 in. (50.8 x 71.12 cm)

Hans-Georg Rauch, German (1939 - 1993) - The Galleons Suite - Bateau et Ossements, Year: 1977, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 2...

Hans-Georg Rauch, German (1939 - 1993) - The Galleons Suite - Le Batialle, Year: 1977, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 21 in. x ...

Hans-Georg Rauch, German (1939 - 1993) - The Galleons Suite - Untitled #1, Year: 1977, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, HC XX, Size: 27...

Hans-Georg Rauch, German (1939 - 1993) - The Galleons Suite - Le Petit Vague, Year: 1977, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Image Size: ...

Hans-Georg Rauch, German (1939 - 1993) - Untitled (57), Year: 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 21 x 28 in. (53.34 x 71.12...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Valerie Thornton (1931 - 1991) Ponte Vecchio, Florence (1972) Etching and aquatint 33 x 20 cm Numbered 1/60 lower left, titled below, and signed and dated lower right, all in pencil. Here, Thornton muses on the dramatic differences in tone and texture between the water of the River Arno, the smooth paleness of the Ponte Vecchio, and the dark terracotta of the city's roofs. Her work is deeply concerned with material, and many of her etchings focus on eroded stone, emotive landscapes, and weathered architecture. Valerie Thornton was a British etcher and printmaker. She was born in London, but was evacuated to Canada with her two brothers during World War II. She returned to London in 1944 and studied at the Byam Shaw School of Art in 1949. From 1950 to 1953 Thornton studied under P.F. Millard at the Regent Street Polytechnic, then spent eight months at Atelier 17 in Paris. In the early 1960s, she moved to New York and worked at Pratt Graphic Art Center. In 1955, she succeeded Howard Hodgkin as assistant art teacher at Charterhouse School and in 1965 she became a founding member of the Print Makers Council. In 1970 she became a Fellow of the Royal Society of Painters-Etchers and Engravers. Thornton was a member of The Regent Street Group (a group of nine artists who studied together at the Regent Street Polytechnic in the early 1950s). The group also included Susan Horsfield, Renate Meyer, Michael...

Arms, John Taylor (American, 1887-1953). DOWNTOWN, NEW YORK. F.108. Etching and Aquatint, 1921. Edition of 75. Numbered 19/75 and signed and dated 1921, all in pencil. 8 3/8 x 4 7/8 inches, 214 x 125 mm (plate) plus margins. Framed to 16 1/4 x 12 1/2 inches with the label of The Old Print Shop...

Artist: Manuel Robbe, French (1872 - 1936) Title: Carrot Harvest Year: circa 1955 Medium: Etching with Aquatint, signed in pencil Image Size: 17.5 x 23 inches Size: 24 x 28.5 inches

Donald Baechler, Blue Muffin, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and a...

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Floating by Elaine Marshall [2014] limited_edition etching and aquatint Edition number 28 Image size: H:21 cm x W:20 cm Complete Size of Unframed W...

Artist: Vitaly Komar, Russian (1943 - ) and Alexander Melamid, Russian (1945 - ) Title: Church, NJ Year: 1991 Medium: Etching, signed, numbered, dated, and tilted in pencil Paper Si...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." and "Ombersley Court, the Seat of Lord Sandys" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Two Original Engravings and Etching with Aquatint on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.13" x 16.88" Image size (each): approx. 8.13" x 12.63" Condition: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." has scattered light foxmarks in margins. The top edge is unevenly trimmed and a small taped tear to lower right corner. "Ombersley Court, the Seat of Lord Sandys" has light toning to sheet and some faint discoloration in right margin. A small light water stain to lower left corner. Have been professionally stored away for decades. They are both otherwise strong impressions in good condition Notes: Provenance: private collection - Aspen, CO. "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." was likely engraved by English artist James Ross (1745-1821) after a drawing by himself. "Ombersley Court, the Seat of Lord Sandys" was engraved by English artist Valentine Green (1739-1813) and English artist Francis Jukes (1745-1812) after a drawing by an unknown, likely English artist. The first work is an engraving; the second work is an etching with aquatint. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from copper plates in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "Ombersley Court, the Seat of Lord Sandys" has an unidentified watermark in the center of its sheet. "Henbury Hall" is actually incorrectly misnamed; its correct name is "Hanbury Hall". "PLATES, Drawn and engraved by J. Ross, unless otherwise expressed." - "A Bibliographical Account of the Principal Works Relating to English Topography", (1818) - William Upcott. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Alexis Kcho Leiva (Cuba, 1970) 'La Jungla 2', 2003 aquatint on paper Guarro Biblos 250g. 24.1 x 29.2 in. (61 x 74 cm.) Edition of 50 Unframed ID: KCH-103 Hand-signed by author

Alexis Kcho Leiva (Cuba, 1970) 'La Jungla 4', 2003 aquatint on paper Guarro Biblos 250g. 24.1 x 29.2 in. (61 x 74 cm.) Edition of 50 Unframed ID: KCH-105 Hand-signed by author

Moongazers by Rebecca Denton [2018] limited_edition Etching and aquatint Edition number /40 Image size: H:15 cm x W:15 cm Complete Size of Unframed Wor...

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Midnight Observatory [2012] limited_edition etching and aquatint Edition number 69 Image size: H:20 cm x W:13.5 cm Complete Size of Unframed Work: H:37.5 cm x W:27.5 cm x D:.03cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look An etching and aquatint depicting the Royal Observatory at midnight in winter, printed from a copper plate in deep blue. This view of the Royal Observatory in Greenwich Park as seen from One Tree hill...

Born in Germantown, Pennsylvania, Earl Horter was a self-taught artist who began his career working in New York City as a draftsman at an advertising agenc...

Artist: James Rosenquist (1933-2017) Title: Federal Spending, State II (Glenn 146-A) Year: 1978 Medium: Etching, aquatint, stencil on Pescia Italia paper Edition: 30/78 Size: 22.75 x...

Kit Boyd The Tree Climber Etching and Aquatint on Hahnemuhle etching paper Hand printed by the artist in Prussian Blue. Edition of 50 signed copies. Image size 45x30cm this work is s...

Menashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London Studies with Anthony Caro, Reg Butler. From 1947 to 1950, Kadish...

Artist: (after) Pierre-Jacques Volaire (French, 1729-1799) Title: "Vesuvs im Winter (Vesuvius in Winter)" (Plate 9) *Issued unsigned, though signed by Richter in the plate (printed s...

Breathe [2019] limited_edition Etching and aquatint Edition number /40 Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:26 cm x W:26 cm x D:0.1cm Sold Unframed Please...

Johnson, Bess L. GLOUCESTER. Etching and aquatint, not dated. Edition size not known. Titled in pencil, lower left, and signed in pencil, lower right. Image of a boat at a dock in Gl...

'Le Pecheur' is an excelletn example of the aquatints of Manuel Robbe, a French artists working during the turn of the 20th century. The image draws upon th...

Artist: (after) Jean-Baptiste Hilaire (French, 1751-1828) Title: "Ahorn auf Kos (Vue de la Place Publique de Cos)" (Plate 3) *Issued unsigned, though signed by Richter in the plate (...

Reynold Weidenaar (American, 1915-1985) Signed: Reynold Weidenaar (Lower, Left) " Ten O'Clock in Taxco " Etching and Aquatint Plate Size: 17" x 13" Housed in a 1 1/8" Black and...