Aquatint Landscape Prints

Hans-Georg Rauch, German (1939 - 1993) - Untitled (1-A), Year: 1973, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: AP, Size: 15 x 18 in. (38.1 x 45.72 cm)

Hans-Georg Rauch, German (1939 - 1993) - The Crazy Party Suite: Rock and Roll Forever, Year: 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 100, Size: 21...

Hans-Georg Rauch, German (1939 - 1993) - Untitled 69, Year: 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 100, Size: 13.5 in. x 18 in. (34.29 cm x 45.72...

Hans-Georg Rauch, German (1939 - 1993) - Untitled - (Beetle), Year: circa 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 75, Size: 14 x 20 in. (35.56 x...

Hans-Georg Rauch, German (1939 - 1993) - Untitled 66, Year: 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: HC 10/20, Size: 14 x 18 in. (35.56 x 45.72 cm)

Hans-Georg Rauch, German (1939 - 1993) - The Parchment Suite - Happy Apocalypse #4, Year: circa 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: XXV, S...

Hans-Georg Rauch, German (1939 - 1993) - Untitled, Year: 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 21 x 29 in. (53.34 x 73.66 cm)

Hans-Georg Rauch, German (1939 - 1993) - Untitled (25), Year: 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 20 x 28 in. (50.8 x 71.12 cm)

Hans-Georg Rauch, German (1939 - 1993) - The Galleons Suite - Le Batialle, Year: 1977, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 21 in. x ...

Hans-Georg Rauch, German (1939 - 1993) - Untitled - Ants, Year: 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 15 x 21 in. (38.1 x 53.3...

Hans-Georg Rauch, German (1939 - 1993) - The Galleons Suite - Bateau et Ossements, Year: 1977, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 2...

Hans-Georg Rauch, German (1939 - 1993) - Untitled (29), Year: 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 20 x 28 in. (50.8 x 71.12 cm)

Hans-Georg Rauch, German (1939 - 1993) - The Galleons Suite - Le Petit Vague, Year: 1977, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Image Size: ...

Hans-Georg Rauch, German (1939 - 1993) - The Galleons Suite - Untitled #1, Year: 1977, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, HC XX, Size: 27...

Hans-Georg Rauch, German (1939 - 1993) - Untitled (57), Year: 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 21 x 28 in. (53.34 x 71.12...

Hans-Georg Rauch, German (1939 - 1993) - The Parchment Suite - Happy Apocalypse #2, Year: circa 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: XXV, S...

To see our other views of London and our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller". Julian Trevelyan (1910-19...

Braun G., Hogenberg F., Candia, (Heraklion, Crete) from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. Very fine B/W aquatint showing a view of Heraklio...

"Broversavia", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1575. The “Civitates Orbis Terrarum” (Atlas of Cities of the World) was the second oldest pr...

Original print by Lucien Gautier after the original painting by T. Rousseau. Etching and aquatint. Perfect conditions. Collect the magician landscapes by the French Barbizon school artists! Lucien Marcellin Gautier (Aix-en-Provence 1850 - 1925) The French engraver was firstly pupil of Gibert and Marius Reinaud in Aix-en-Provence, then Léon Gaucherel...

Braun G., Hogenberg F., "Calecut", (Kolkata) from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1572-1617. Image Dim: cm 18.5 x 48 Dim: cm 21.5 x 53 . Very Fine...

Braun G., Hogenberg F., "Toledo", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1572-1617. Image Dim: cm 19 x 48 , Dim: cm 22. 5 x 52.5 . Very nice B/W Aquatint representing a View of Toledo...

Braun G., Hogenberg F., Ypra (Ypres), from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. The “Civitates Orbis Terrarum” (Atlas of Cities of the World) ...

"Goricum", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1575. The “Civitates Orbis Terrarum” (Atlas of Cities of the World) was the second oldest printe...

London: T. Bensley for R. Bowyer, 1810 Hand-colored aquatint on cream wove paper, 9 x 12 3/8 inches (227 x 318 mm), full margins. Scattered light toning and a spray of light spots o...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 61 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Claud...

Braun G., Hogenberg F., Aden, from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. Good conditions except some stains on margins and a central fold. The ...

Signed, titled and numbered aquatint print. This Monterey Cypress lined trail wends its way along the bluff above the rocky Pacific shore in San Simeon. I printed it using three ble...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 95 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Claud...

Essex: c1899. Etching with aquatint on cream wove paper, 7 1/2 x 12 1/4 inches (190 x 310 mm), full margins. Signed and titled in pencil in the lower margin. In very good condition w...

Philip Pearlstein (American, 1924-) Large Sacsahuaman Landscape Etching Aquatint, 1979 From the series Ruins and Landscapes. Sugar-lift, aquatint and roulette on ivory wove paper. Sacsayhuamán, often spelled Sacsahuaman or Saqsaywaman (from Quechua Saqsaywaman (pukara) '(fortress) of the royal falcon or hawk') is a citadel on the northern outskirts of the city of Cusco, Peru, the historic capital of the Inca Empire. The site is at an altitude of 3,701 m (12,142 ft). The complex was built by the Incas in the 15th century, particularly under Sapa Incan Pachacuti and his successors. Dry stone walls constructed of huge stones were built on the site, with the workers carefully cutting the boulders to fit them together tightly without mortar. In 1983, Cusco and Sacsayhuamán together were designated as sites on the UNESCO World Heritage List, for international recognition and protection. Philip Pearlstein is an influential American painter best known for Modernist Realism nudes. Cited by critics as the preeminent figure painter of the 1960s to 2000s, he led a revival in realist art. He is a Distinguished Professor Emeritus with paintings in the collections of over 70 public art museums. Philip M. Pearlstein was born on May 24, 1924 in Pittsburgh, PA. He attended Saturday morning classes at Pittsburgh's Carnegie Museum of Art. In 1942, at the age of 18, two of his paintings won a national competition sponsored by Scholastic Magazine, and were reproduced in color in Life magazine. In 1942, he enrolled at Carnegie Institute of Technology's art school, in Pittsburgh, where he painted two portraits of his parents now held by the Carnegie Museum of Art, but after one year he was drafted by the US Army to serve during World War II. He was initially assigned to the Training Aids Unit at Camp Blanding, Florida, where he produced charts, weapon assembly diagrams and signs. In this role, he learned printmaking and the screenprinting process, and subsequently was stationed in Italy making road signs. While in Italy, he took in as much renaissance art as was accessible in Rome, Florence, Venice and Milan, and also produced numerous drawings depicting life in the Army. In 1946, sponsored by the GI Bill, he returned to Carnegie Institute, and first met Andy Warhol, who was attracted to Pearlstein because of his notoriety in the school, having been featured in Life magazine. During the summer of 1947, the three rented a barn as a summer studio. Immediately after graduating in June 1949 with a BFA, Pearlstein and Warhol moved to New York City, at first sharing an eighth-floor walkup tenement apartment on St. Mark's Place at Avenue A. He was eventually hired by Czech designer Ladislav Sutnar, mainly doing industrial catalog...

Seascape with boat, West from Taylor Dock, Bellingham, WA. Signed and titled by the artist, one of 25 artist proofs aside from the edition. Born in Berkeley, California, on December...

Julian Trevelyan (1910-1988) Holland Etching and aquatint, signed, numbered 30/52 35 x 48 cm Nephew of the historian G M Trevelyan, he was educated at Bedales and Trinity College,...

Signed, titled and numbered artist proof (3/10). Daniel Beugniot, who signs his prints Dul, was born in Bordeaux in 1954 and died in April 2010. He spent many years teaching etching...

"Nymphee" is a colorful Roberto Matta etching from his Requiem pour la Fin des Temps suite. The print is signed and numbered (44/100) in pencil w...

Desert Stockings Susan Hall, American (1943) Date: 1978 Etching with Aquatint, signed and numbered in pencil Edition of 78 Image Size: 21.5 x 28 inches Size: 28 x 35 in. (71.12 x 88....

Rotomagus, from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. Good conditions. The “Civitates Orbis Terrarum” (Atlas of Cities of the World) was the se...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Richard Beer (1928 - 2017) Worcester College...

"Septa", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1575. The “Civitates Orbis Terrarum” (Atlas of Cities of the World) was the second oldest printed ...

Braun G., Hogenberg F., Cascale, from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. Good conditions expect tue usual central fold. The “Civitates Orbis...

Braun G., Hogenberg F., Duynkercke or Dunkirk, from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. Very fine B/W aquatint showing a view of the port and...

Signed, titled and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect t...

Chuckanut Mountains, Bellingham, Washington. . Scene of forest path shrouded in mist. Signed and numbered etching and aquatint. Born in Berkeley, California, on December 21, 1949, h...

A gathering of of birds and ducks on a foggy morning make for a meditative water scene from the artist's northwestern landscapes. Signed, titled and numbered (AP III/XXV). Born in B...

Etching by Ettore Fagiuoli depicting the Church of Santa Libera in Verona. Ettore Fagiuoli, who was born in 1884 and died in Verona in 1961, was an Italian architect, engraver, and s...

Kit Boyd The Tree Climber Etching and Aquatint on Hahnemuhle etching paper Hand printed by the artist in Prussian Blue. Edition of 50 signed copies. Image size 45x30cm this work is s...

Signed, titled and numbered from the edition of 100. Doare is one of several French artists, including Francois Houtin and Erik Desmazieres, who emerged in the early ’70s where dra...

An accomplished aquatint print depicting industrial work at Over Hulton in Greater Manchester. Signed and titled in graphite below the plate line. On paper.

An original aquatint in colours by the listed British artist Joseph Kirkpatrick (1872-1936). Elegantly housed in a gilt-effect frame with original a...

New York in 1835 from the bay near Bellows Island Raoul Varin ( 1856 - 1943 ) Hand-colored aquatint 1931 paper size 24.50 x 35 image size 17 x 22.75 cond...

An evocative view of the Church of Santa Maria della Salute, Venice. The image is framed by the stone window and geometric pattern of iron over the window. Signed and numbered from the edition of 100. Engraver, sculptor and painter, Edo Janich...

Visitors to the Colossus Susan Hall, American (1943) Date: 1978 Aquatint Etching, Signed and Numbered in Pencil Edition of 78 Size: 28.5 in. x 38 in. (72.39 cm x 96.52 cm)

Private Act Susan Hall, American (1943) Date: 1978 Etching with Aquatint, signed and numbered in pencil Edition of 78 Image Size: 28 x 21.5 inches Size: 35 x 28 in. (88.9 x 71.12 cm)

Tighe O'Donoghue's dynamic depiction of a fortified citadel features the artist's signature use of perspective and detail. From the grid-like background and textured earth to the dim...

Peter Doig (born 1959 in Edinburgh) Maracas, 2004 Medium: Etching and aquatint on wove paper Dimensions: 53.2 x 38.1 cm (20 9/10 × 15 in) Edition of 120 + 10 AP: Hand-signed and numb...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." and "Ombersley Court, the Seat of Lord Sandys" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Two Original Engravings and Etching with Aquatint on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.13" x 16.88" Image size (each): approx. 8.13" x 12.63" Condition: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." has scattered light foxmarks in margins. The top edge is unevenly trimmed and a small taped tear to lower right corner. "Ombersley Court, the Seat of Lord Sandys" has light toning to sheet and some faint discoloration in right margin. A small light water stain to lower left corner. Have been professionally stored away for decades. They are both otherwise strong impressions in good condition Notes: Provenance: private collection - Aspen, CO. "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." was likely engraved by English artist James Ross (1745-1821) after a drawing by himself. "Ombersley Court, the Seat of Lord Sandys" was engraved by English artist Valentine Green (1739-1813) and English artist Francis Jukes (1745-1812) after a drawing by an unknown, likely English artist. The first work is an engraving; the second work is an etching with aquatint. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from copper plates in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "Ombersley Court, the Seat of Lord Sandys" has an unidentified watermark in the center of its sheet. "Henbury Hall" is actually incorrectly misnamed; its correct name is "Hanbury Hall". "PLATES, Drawn and engraved by J. Ross, unless otherwise expressed." - "A Bibliographical Account of the Principal Works Relating to English Topography", (1818) - William Upcott. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Window to the World Susan Hall, American (1943) Date: 1978 Aquatint Etching, Signed and numbered in pencil Edition of 78 Size: 35 in. x 28 in. (88.9 cm x 71.12 cm)

To see our other views of London and our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller". Julian Trevelyan (1910-19...

Afternoon Sun Susan Hall, American (1943) Date: 1978 Etching and Aquatint, signed and numbered in pencil Edition of 78 Image Size: 28 x 21.5 inches Size: 35 x 28 in. (88.9 x 71.12 cm)

Artist: James Rosenquist (1933-2017) Title: Hot Lake, State II (Glenn 148) Year: 1978 Medium: Etching and aquatint with pochoir in colors on Pescia Italia paper Edition: 17/78, plus ...