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Engraving Landscape Prints

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Medium: Engraving
A Night Dance by Women in Tonga: Original 18th C. Engraving, Cook s 3rd Voyage
Located in Alamo, CA
"A Night Dance by Women in Hapaee" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the artist who accompanied Captain Cook on his third voyag...
Category

1780s Engraving Landscape Prints

Materials

Engraving

Ramshackle Barn (de-accessioned from the Denver Art Museum)
Located in New York, NY
Asa Cheffetz Ramshackle Barn (de-accessioned from the Denver Art Museum), ca. 1929 Wood-engraving Pencil signed, numbered 27/100 and titled by the artist on the front 13 × 10 1/4 inches Unframed - affixed to matting De-accessioned from the collection of the Denver Art Museum Asa Chaffetz, "the engraver's engraver" This is the original numbered wood engraving from 1929; not a later re-print This print was honorable mention in the International Exhibition of prints, Art Institute of Chicago, 1929 Exhibited: New England engraved: The prints of Asa Cheffetz: An Exhibition of his wood engraving & an exploration of his life as an artist. Springfield, MA: Museum of Fine Arts, 1984 (A different example) Asa Cheffetz Biography: Born in Buffalo, New York, Cheffetz studied at the School Of The Museum Of Fine Arts in Boston under Philip Leslie Hale...
Category

1920s Realist Engraving Landscape Prints

Materials

Engraving

Ludgate Hill
Located in Storrs, CT
Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil. Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate. When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category

Early 20th Century Modern Engraving Landscape Prints

Materials

Drypoint, Etching, Aquatint

(after) John Constable mezzotint "Autumnal Sun Set"
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape S...
Category

1850s Engraving Landscape Prints

Materials

Mezzotint

Set of Three Etchings by Bertram Buchanan /// English Modern Land City Sky Scape
Located in Saint Augustine, FL
Artist: Bertram George Buchanan (English, 1873-1962) Titles: "The Seven Sisters", "Rye from the Hills", and "Pett Level" *Each work is signed by Buchanan in pencil lower right Circa ...
Category

1920s Modern Engraving Landscape Prints

Materials

Laid Paper, Mezzotint, Etching, Aquatint, Intaglio

Le Tour de Clermont en Dauphine apartenant a Monsieur de Tonnerre
Located in Middletown, NY
Etching and engraving on handmade cream laid paper, 3 7/8 x 6 7/8 inches (97 x 173 mm), full margins. In good condition, consistent with age. Several small notations in pencil in t...
Category

18th Century Old Masters Engraving Landscape Prints

Materials

Handmade Paper, Laid Paper, Engraving, Etching

Veduta del Tempio della Fortuna Virile, from Raccolta delle più belle Vedute ...
Located in Middletown, NY
By Giuseppe Vasi after Giovanni Piranesi: Etching and engraving with hand coloring in watercolor on laid paper with an E and R watermark, full margins. Minor...
Category

Late 18th Century Old Masters Engraving Landscape Prints

Materials

Watercolor, Laid Paper, Engraving, Etching

Butterflies Moths in Nature: An Antique Hand-colored Engraving by Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the the Brown Hairstreak Butterfly, the Larke Skipper Butterfly, the Small Skipper Butterfly, the Scarce Mar...
Category

Mid-19th Century Realist Engraving Landscape Prints

Materials

Engraving

Hôtel de Ville à St. Omer
Located in Middletown, NY
Paris, Delpech. Lithograph with engraving on cream wove paper, 11 7/8 x 8 inches (299 x 203 mm), unevenly trimmed but full margins, the full sheet. In good condition with two paper ...
Category

Mid-19th Century English School Engraving Landscape Prints

Materials

Handmade Paper, Lithograph, Engraving

Coupang : Ile Timor. Vue d un chantier de construction. Early C19th engraving
Located in Melbourne, Victoria
'Coupang : Ile Timor. Vue d'un chantier de construction' Depicts Timorese people and Europeans building a rowboat under a tree, with other boats in the distance. The work is being overseen by a senior naval man, possibly intended to be Captain Freycinet. Steel-engraving by Friedrich Schroeder (1768-1839) after F Garnier after Alphonse Pellion. Alphonse Pellion, artist and naval draughtsman, was a midshipman aboard l'Uranie on Louis de Freycinet's three-year scientific and ethnographic expedition around the world in 1817-1820. From Louis Freycinet's 'Voyage Autour du Monde, Entrepris par Ordre du Roi ... Execue sur les Corvettes de S. M. l'Uranie et la Physicienne Pendant les Annees 1817, 1818, 1819 et 1820', published in Paris in 1825. Louis Claude de Saulces de Freycinet (1779-1842) joined the French Navy in 1793 and was a veteran of the Baudin's voyage of discovery (1801-1803). He also completed the narrative of the expedition which appeared under the title of 'Voyage de Decouvertes aux Terres Australes'. In 1817 de Freycinet successfully lobbied the Government and King Louis XVIII agreed to support a new global campaign. Its mission was to finally determine the shape of the earth and return with detailed reports on geography, people, government, commerce and art of this new world. The 350-ton corvette Uranie had a complement of 120 men and 23 officers including the artist Jacques Arago and a priest. Over the next three years Uranie visited Australia, East Timor...
Category

Early 19th Century Victorian Engraving Landscape Prints

Materials

Engraving

View of Fountain Court, Middle Temple, City of London
Located in Middletown, NY
An 18th century view of the first permanent water fountain in London. London: J.Boydell, 1753. Engraving with hand coloring in watercolor on white laid paper, laid down to a modern...
Category

Mid-18th Century English School Engraving Landscape Prints

Materials

Watercolor, Handmade Paper, Laid Paper, Engraving

Salvator Rosa et les Brigands; ..L Art adoucit même les plus féroces
Located in Middletown, NY
"Art softens even the most ferocious." Paris: Cadart & Luquet, 1865. Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid paper, 12 1/2 x 9 1/2 inc...
Category

Mid-19th Century French School Engraving Landscape Prints

Materials

Handmade Paper, Engraving, Etching

Trees and Snow II
Located in Palm Springs, CA
Medium: lift-ground etching and engraving Edition: 15 Year: 1961 Plate: zinc 9 x 15 inches (22.9 x 38.1 cm) Paper: Murillo, 16 x 21 inches (40.6 x 53.3 cm) Signed, titled and number...
Category

2010s Contemporary Engraving Landscape Prints

Materials

Engraving, Etching

New Zealand War Canoe: Original 18th C. Engraving from Captain Cook s 1st Voyage
Located in Alamo, CA
"War Canoe of New Zealand, with a View of the Gable End Foreland" is an engraving created by Thomas Prattent, from a drawing by Sydney Parkinson, who was the artist on Captain James ...
Category

1780s Engraving Landscape Prints

Materials

Engraving

Red Black Woodpeckers: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is an original 18th century hand-colored copperplate engraving of a pair of red and black woodpecker birds entitled "1. Pie Roux, de Cayenne 2. Petit Pie Noir, de Cayenne (Red a...
Category

1760s Naturalistic Engraving Landscape Prints

Materials

Engraving

Windy Night, Stockholm.
Located in Storrs, CT
Windy Night, Stockholm. 1935. Drypoint. Dodgson 457.x. 11 7/8 x 7 5/8 (sheet 15 1/2 x 10 7/8). Edition of 80 in this state (total 93 in 10 states). Illustrated: Guichard, British Etc...
Category

1930s Modern Engraving Landscape Prints

Materials

Drypoint, Etching

A North West View of St. Paul s Cathedral, London
Located in Middletown, NY
London: R.H Laurie, 1823 Engraving on buff wove paper, 10 x 15 3/4 inches (252 x 398 mm), full margins. Age and light tone, as well as areas of light yellow discoloration from the e...
Category

Early 19th Century English School Engraving Landscape Prints

Materials

Handmade Paper, Engraving

1.ere Vue d un passage du Mont St Gothard, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'1.ere Vue d'un passage du Mont St Gothard' French copper-line engraving by Nee after Claude Louis Chatelet (1753-1794). From 'The Scenery and Science of Switzerland illustrated', ...
Category

1780s Naturalistic Engraving Landscape Prints

Materials

Engraving

St James s House, London, engraving, Johannes Kip after Leonard Knyff, 1708
By Johannes Kip after Leonard Knyff
Located in Melbourne, Victoria
'St James's House - Le Palais Royal de St James' Engraving by Johannes Kip after Leonard Knyff. Kip was a Dutch engraver who moved to London circa 16...
Category

18th Century Naturalistic Engraving Landscape Prints

Materials

Engraving

Hermes Oak, Windsor Park, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Hermes Oak, Windsor Park' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who p...
Category

Late 18th Century Naturalistic Engraving Landscape Prints

Materials

Engraving, Etching, Aquatint

England and the British Isles: A Large 17th Century Hand-colored Map by de Wit
Located in Alamo, CA
This is a large hand-colored 17th century map of England and the British Isles by Frederick de Wit entitled "Accuratissima Angliæ Regni et Walliæ Principatus", published in Amsterdam in 1680. It is a highly detailed map of England, Scotland, the Scottish Isles...
Category

Late 17th Century Other Art Style Engraving Landscape Prints

Materials

Engraving

Turtledove: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a turtledove entitled "Tourterelle du Senegal (Turtledove of Senegal)" by Francois Nicolas Martinet, plate 160 from 'Histoire Naturelle des Oiseau...
Category

1760s Naturalistic Engraving Landscape Prints

Materials

Engraving

St. Paul s Cross
Located in Middletown, NY
London: Robert Wilkinson, c1620 Engraving on thin Japon paper,16 1/8 x 11 3/4 iches (408 x 297 mm), narrow margins. In good condition with some age-related toning and edge wear, including two small horizontal tears which appear at the right and left center sheet edges. There is a vertical edge tear on the the lower sheet edge which is expertly repaired with a tab of paper tape mounted to the verso, and a soft horizontal fold, as issued. Plate created circa 1620, however printed later, likely early 19th century. Dr. John King preaching at St. Paul's Cross for James I, his Queen, Charles Prince of Wales...
Category

17th Century English School Engraving Landscape Prints

Materials

Handmade Paper, Engraving

Citrus (Cedar Flower): An Early 18th C. Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of a Cedar Flower citrus fruit by Johann Christoph Volkhamer, entitled "Cedro di fiore e Sugo doppia (...
Category

Early 18th Century Naturalistic Engraving Landscape Prints

Materials

Engraving

Les Bergers Romains, landscape with Roman ruins, 18th century engraving
Located in Melbourne, Victoria
Les Bergers Romains Copper-line engraving by Jean Jacques Leveau (1729-1786) after Pierre Mettay (1728-1759). C1755. Proof, before lettering. Laid, watermarked paper. A landscap...
Category

18th Century French School Engraving Landscape Prints

Materials

Engraving

French pipe organ design, late 18th century engraving
Located in Melbourne, Victoria
'Elevation Geometralle d'Un Buffet D'Orgue d'Une Nouvelle Decoration' Copper-line engraving. C1770. 380mm by 420mm (platemark) 460mm by 560mm (sheet) From Roubo's 'L'Art du Menui...
Category

Late 18th Century Rococo Engraving Landscape Prints

Materials

Engraving

Bois Dormant
Located in New Orleans, LA
Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted with grasses and ferns that lie beneath. Christine Ravaux is a Belgian artist who uses nature in m...
Category

Late 20th Century Modern Engraving Landscape Prints

Materials

Mezzotint

Niagara
Located in New York, NY
NIAGARA Contemporary artist Frederick Mershimer created the mezzotint engraving entitled “Niagara” in 2021. This impression is signed, titled, dated, and inscribed “5/45”- the 5th ...
Category

21st Century and Contemporary American Realist Engraving Landscape Prints

Materials

Mezzotint

Lemons "Limon Peretto": An Early 18th Century Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of lemons by Johann Christoph Volkhamer, entitled "Limon Peretto" from his publication "Nurmbergische ...
Category

Early 18th Century Naturalistic Engraving Landscape Prints

Materials

Engraving

Brother Water, Lake District scenery C19th English aquatint
Located in Melbourne, Victoria
'Brother Water descending from Kirkstone' Aquatint by William Green, 1804 William Green of Ambleside was a Lake District draughtsman, soft ground etch...
Category

Early 19th Century Naturalistic Engraving Landscape Prints

Materials

Engraving, Aquatint

Flowering Cactus: A Framed 18th C. Hand-colored Engraving by Redoute
Located in Alamo, CA
This framed hand-colored stipple engraving entitled "Cactus Peruvianus Cierge du Pérou" by Pierre-Joseph Redouté, Plate 58 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. It depicts a branching limb of a cactus with a beautiful flower. There is a separate detail of the anatomy of a seed with early growth. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This engraving of a flowering cactus is presented in silver-colored ribbed wood frame and a double mat; cream-colored outer mat and heather green inner mat. The frame measures 21.25" high by 17.25" wide by 1.13" deep. The sheet measures 19.88" high by 14" wide. There are wide margins with a few short tears and chips along the the left, right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, with a few present in the image area. The print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326853392, which is framed and matted identically to this one. The pair would make an attractive display grouping. Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category

Late 18th Century Naturalistic Engraving Landscape Prints

Materials

Engraving

The Thames and the Tower of London
Located in Storrs, CT
The Thames and the Tower of London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 10 1/4 x 17 1/4). Mat line; otherwise fine condition. A rich impr...
Category

1920s Modern Engraving Landscape Prints

Materials

Drypoint, Etching

Colosseum (First State)
Located in Middletown, NY
Copper plate engraving on cream wove paper, 18 1/4 x 13 3/8 (462 x 338 mm), full margins. Signed in pencil, lower right. Edition of 20. First state (of 2). Minor uniform toning, and ...
Category

Mid-20th Century American Modern Engraving Landscape Prints

Materials

Handmade Paper, Engraving

Charing Cross - The Statue of Charles I.
Located in Storrs, CT
Charing Cross -- The Statue of Charles I. 1919. Etching with aquatint and drypoint. 3 5/8 x 4 7/8 (sheet 9 1/8 x 11 3/8). A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil. Charing Cross is located at the junction of the Strand, Whitehall, and Cockspur Street in Central London, England. The name originates from the Eleanor cross installed by King Edward I as a memorial to his wife, Eleanor of Castile at the former hamlet of Charing. Since 1675, the cross site has been occupied by a statue of King Charles I mounted on a horse. The pedestal is thought to be designed by Wren and carved by Grinling Gibbons. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category

Early 20th Century Modern Engraving Landscape Prints

Materials

Drypoint, Etching, Aquatint

Inside of the Duke s Theater in Lincoln s Inn Fields as it appeared...Charles II
Located in Middletown, NY
London: William Herbert & Robert Wilkinson, 1809 Engraving on buff wove paper, 12 1/4 x 8 1/4 inches (310 x 208 mm), full margins. In good condition with some scattered surface soiling, and edge wear along the top sheet edge, well outside of the image area. From a series of three views of the Duke's Theater. An impression of this work may be viewed in the permanant collection of the Royal Collection...
Category

Early 19th Century English School Engraving Landscape Prints

Materials

Engraving, Handmade Paper

Gloucester Harbor — Mid-Century Cape Ann Regionalism
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur, 'Gloucester Harbor', drypoint, 1940. Signed, dated, and titled in pencil. Signed in the plate, lower right. Annotated 'PERSONAL...
Category

1940s American Realist Engraving Landscape Prints

Materials

Drypoint

Map of Cheapside, as it Appeared in the Year 1585
Located in Middletown, NY
Bird's eye view of the old buildings in West Cheap (Cheapside) as they appeared in 1585, from Londina Illustrata. London: Robert Wilkinson, 1814 Engraving on buff wove paper, 11 ...
Category

Early 19th Century English School Engraving Landscape Prints

Materials

Handmade Paper, Engraving

Seventy Percent Chance
Located in Palm Springs, CA
Medium: Mezzotint Year: 2023 Edition: 50 Image Size: 11.75 x 17.5 inches Pedestrians sheltering from the rain under umbrellas in an urban downtown setting, Art Werger’s prints show...
Category

21st Century and Contemporary Contemporary Engraving Landscape Prints

Materials

Mezzotint

Haut Rhin, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. du Bas Rhin', steel engraving with original outline hand-colouring., 1856, from Levasseur's Atlas National Illustre. This mountainous area is part of the Alsace wine region ...
Category

19th Century Naturalistic Engraving Landscape Prints

Materials

Engraving

"Field in Darsham" Village in Suffolk - England
Located in Soquel, CA
"Field in Darsham" Village in Suffolk - England Darsham village etching by London artist Pip Carpenter (UK, 20th C.) Drypoint etching with hand coloring teal blue wash. The name of...
Category

Late 20th Century Impressionist Engraving Landscape Prints

Materials

Laid Paper, Drypoint, Etching

View of the village and Lake Brientz by Johann Ludwig Aberli - Engraving 30x42
Located in Geneva, CH
Work on paper
Category

Mid-18th Century Realist Engraving Landscape Prints

Materials

Engraving

Boissy Les-Perches
Located in Santa Monica, CA
MAURICE de VLAMINCK (1876 - 1958) BOISSY LES-PERCHES, 1951 (W148) Drypoint and etching. Unsigned but initialed in drypoint lower right in image, MV. 10 1/4 x 12 3/8 inches. Full sh...
Category

1950s Post-Impressionist Engraving Landscape Prints

Materials

Drypoint

Chertsey Bridge, Surrey, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Chertsey Bridge, Surrey' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of ...
Category

Late 18th Century Naturalistic Engraving Landscape Prints

Materials

Engraving, Etching, Aquatint

The Vraic Season (No 1).
Located in Storrs, CT
The Vraic Season (No 1). 1936. Etching. Appleby 181. 12 x 14 1/4 (sheet 15 1/4 x 20). Edition 125 for The American College Society of Print Collectors (alternatively titled Seaweed H...
Category

1930s Modern Engraving Landscape Prints

Materials

Drypoint, Etching

Rooftops (the harbor and skyline of NYC from Brooklyn rooftop)
Located in New Orleans, LA
Moody, mysterious, majestic – these are some of the ways to describe the mezzotints of Frederick Mershimer. His images travel through the serenity of a Brooklyn neighborhood on a sti...
Category

Early 20th Century American Modern Engraving Landscape Prints

Materials

Mezzotint, Aquatint

Theories of Planetary Orbits: A Framed 18th C. Celestial Map by Doppelmayr
Located in Alamo, CA
This 18th century hand-colored copperplate celestial map by Johann Doppelmayr entitled "Astronomia Comparativa in qua Planetarum Primaria Phaenomena" (Co...
Category

Early 18th Century Engraving Landscape Prints

Materials

Engraving

A Mill. Mezzotint by David Lucas after John Constable, 1855
Located in Melbourne, Victoria
'A Mill' Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836). From 'English Landscape Scenery', 1855. John Constable RA was an English Romantic landscape...
Category

Mid-19th Century Victorian Engraving Landscape Prints

Materials

Mezzotint

(after) John Constable mezzotint "Jacques and the Wounded Stag"
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape S...
Category

1850s Engraving Landscape Prints

Materials

Mezzotint

Swing (The swing of the bat from #27 a right handed hitter. Play Baseball!
Located in New Orleans, LA
Play Ball! No. 27 unleashes a mighty swing at the ball. Both umpire and catcher are in their huddled crouch. "Swing" is an exclusive publication of Stone and Press Gallery by Art We...
Category

Late 20th Century American Modern Engraving Landscape Prints

Materials

Mezzotint

Mont et Mervale (Mountains and Wonder)
Located in New Orleans, LA
Born in Charleroi, Belgium, Christine Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed the black hills that dot the landscape of the ...
Category

1990s Contemporary Engraving Landscape Prints

Materials

Mezzotint, Aquatint

View of Greenwich from Deptford Yard, Thames, London, C18th English aquatint
Located in Melbourne, Victoria
'View of Greenwich from Deptford Yard, Thames, London' Aquatint by JC Stadler after J Farmington. Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine St...
Category

Late 18th Century Naturalistic Engraving Landscape Prints

Materials

Engraving

Campi Phlegraei - View of a section of a part of the cone of Astruni, Italy
Located in Melbourne, Victoria
Campi Phlegraei - View of a section of a part of the cone of Astruni taken at the entrance of this volcano Copper-line engraving with gouache. 1776. ...
Category

Late 18th Century Naturalistic Engraving Landscape Prints

Materials

Engraving

The Royal Exchange of London
Located in Middletown, NY
London: A. Churchill & J. Knapton, 1754 Engraving on fibrous laid paper with a "C" watermark, 9 3/4 x 11 3/4 inches (246 x 297 mm), full margins. Significant edge wear including mul...
Category

Mid-18th Century French School Engraving Landscape Prints

Materials

Handmade Paper, Engraving, Laid Paper

Villa di Castel Pulci del Signor Marchese Riccardi, Italy, engraving, 1744
Located in Melbourne, Victoria
Engraving with etching by Marco Antonio Corsi after a drawing by Giuseppe Zocchi (Italian, 1711/17–1767). From 'Vedute delle ville, e d'altri luoghi d...
Category

18th Century Naturalistic Engraving Landscape Prints

Materials

Engraving

Gresham College
Located in Middletown, NY
Etching with engraving on cream laid paper with a Garden of Holland or Maid of Dort Pro Patria watermark, 11 x 14 1/4 inches (278 x 361 mm), thread margins. Lettered with the title in a cartouche at the top-center sheet, continuing "a Latere Occidentali Prospeus AD MDCCXXXIX," with numbers over the image at right that correspond to a key 1 to 29, and with publication details: "Georgius Vertue Londini delineavit et Sculpsit anno MDCCXXXIX". Multiple expert repairs, notably a Y-shaped, expert paper tape repair on the verso. Handling creases, toning. All issues are consistent with age. An impression of this work may be viewed in the permanent collection of the British Museum, registration No. 1880,1113.3963. A bird's eye view of the college in Broad Street, London, showing the courtyard, adjoining stable yard to the right, and the buildings at the back. This work was included in Frederick Crace...
Category

Early 18th Century English School Engraving Landscape Prints

Materials

Handmade Paper, Engraving, Etching

Twickenham Church
Located in Middletown, NY
A luminous first state impression, Hamerton's "Portfolio" edition. Etching and drypoint on cream wove paper, 7 3/16 x 9 15/16 inches (135 x 213 mm), wide margins. First state (of 5)...
Category

Mid-19th Century Realist Engraving Landscape Prints

Materials

Drypoint, Etching

Temple of Fortuna Virilis
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive residue from a former mount at each edge on the recto. Light ghost impression in the area of the sky. Scattered minor areas of light brown discoloration, with a 3 3/4 inch horizontal edge loss along the lower left sheet edge, outside of the platemark. Colors remain fresh. Plate No. 3 from Wonders: Images of the Ancient World. Likely printed 1828. A view of the Temple of Hercules Victor...
Category

Early 19th Century English School Engraving Landscape Prints

Materials

Handmade Paper, Engraving, Etching, Aquatint

Meissen, Germany : A Large Framed 18th Century Map by Petrus Schenk
Located in Alamo, CA
This is a hand-colored 18th century map of the Meissen region of Germany, entitled "Geographischer Entwurff Derer Aemmter Meissen als Creys-Procuratur-Schul-und Stiffts-Ammt benebst ...
Category

Mid-18th Century Old Masters Engraving Landscape Prints

Materials

Engraving

Gardens of the Chateau Rueil, Paris, France, mid 17th century engraving
Located in Melbourne, Victoria
'Prosp. horti Auraicorum Pomorum a Ruel' Copper-line engraving by Matthaeus Merian. From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gard...
Category

Mid-18th Century Rococo Engraving Landscape Prints

Materials

Engraving

Eagle: A 16th/17th Century Hand-colored Engraving by Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored engraving of an eagle is plate K2 from Ulisse Aldrovandi’s 'Opera Omnia', published between 1599 an...
Category

Early 17th Century Naturalistic Engraving Landscape Prints

Materials

Engraving

Engraving landscape prints for sale on 1stDibs.

Find a wide variety of authentic Engraving landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include David Loggan, Adriaen Collaert, David Lucas, and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving landscape prints, so small editions measuring 0.01 inches across are also available

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