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Medium: Engraving
Great St Mary
s, University of Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
The Church of St Mary the Virgin, Cambridge (1690)
Engraving
38 x 47 cm
Loggan's view of Great St Mary's from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Oxford Christ Church and Carfax 18th century engraving by John Donowell
Located in London, GB
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Category
1750s Engraving Landscape Prints
Materials
Engraving
Don Quixote and apparition - Figurative Drypoint Print, Colorful, Polish Art
Located in Warsaw, PL
Subject for this artwork comes from Miguel de Cervantes' book.
CZESLAW TUMIELEWICZ (b. 1942)
In 1968, he studied at the Architecture faculty of Gdank, before continuing his course a...
Category
Early 2000s Contemporary Engraving Landscape Prints
Materials
Paper, Watercolor, Drypoint
Sandwich Islands Canoe (Hawaii): Framed 18th C. Engraving Captain Cook
s Journal
By John Webber
Located in Alamo, CA
"A Canoe of the Sandwich Islands, the Rowers Masked" is an engraving created by Charles Grignion, from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is Plate 65 in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admiralty sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell.
This famous image of ten Hawaiian rowers transporting a priest who is carrying a feather-covered image of Kukailimoku, the Hawaiian god of war. The priests and paddlers are all wearing gourd masks in their double-hulled canoe with an upright lateen woven sail. Each hull was shaped from a single large Koa log harvested from island rainforests, where they were carved before being transported to the coast.
This engraving is presented in a Koa wood frame and a white mat. There are occasional faint spots, but the print is otherwise in very good condition. Koa is the same wood as was used to make the canoe. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa. The frame measures 20.75" high, 26.75" wide and 0.88" deep.
There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and mat (LU117324682022, LU117324684052, LU117324684062). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included.
Hawaii was discovered by Captain Cook (1728-1779) during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
Category
1780s Engraving Landscape Prints
Materials
Engraving
William Williams engraving of Christ Church - College at Oxford c.1732
Located in London, GB
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William Williams...
Category
Early 18th Century Realist Engraving Landscape Prints
Materials
Engraving
The Bridge of Sighs, Venice, by Walter Henry Sweet
John Shapland
Located in Middletown, NY
Etching with engraving on cream laid paper with a partial watermark, 12 x 8 1/4 (305 x 210 mm); sheet 16 3/4 x 11 inches (425 x 280 mm), full margins. Signed by both Sweet and Shapla...
Category
Early 20th Century American Modern Engraving Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching, Engraving
David Loggan Brasenose College Oxford Collegium Aenei Nasi Print 1675 engraving
By David Loggan
Located in London, GB
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Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Porto Vecchio, Corsica
Located in Middletown, NY
Paris: Israël Henriet, c1680.
Etching with engraving on cream laid paper, laid down to a cream laid paper matrix, 3 1/8 x 7 1/8 inches (78 x 180 mm), the full sheet with thread marg...
Category
17th Century Old Masters Engraving Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching, Engraving
French Village with Church - Etching by Eugene Corneau - Mid-20th Century
Located in Roma, IT
French Village with Church is an artwork realized in the first half of the 20th century by Eugène Corneau.
Etching and drypoint on paper. Monogrammed in pencil by the artist on the ...
Category
Mid-20th Century Modern Engraving Landscape Prints
Materials
Drypoint, Etching
1804 Etching St George
s Chapel Windsor Castle Architectural Prince Harry Meghan
Located in London, GB
From a series of architectural prints of St George's Chapel; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller."
Frederick Nash (1782-1856) Drawn and etched
Engraved by F C Lewis
Arches and Columns
London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804
55x39cm
Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...
Category
Early 1800s Realist Engraving Landscape Prints
Materials
Engraving, Etching
David Loggan Cambridge View Frontispiece Cantabrigia engraving 1715
By David Loggan
Located in London, GB
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Category
1710s Realist Engraving Landscape Prints
Materials
Engraving
David Loggan: Great St Mary
s Church Cambridge University engraving 1690
By David Loggan
Located in London, GB
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Category
1690s Realist Engraving Landscape Prints
Materials
Engraving
David Loggan Bodleian Library Oxford Aerial view 1675 engraving Bibliotheca
By David Loggan
Located in London, GB
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Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Moths in Their Natural Landscape: Antique Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored engraving depicting the natural history of Pinkunderwing Moths, Cream Spotted Tyger Moths in their natural botanical environment, which is plate 4 from Moses H...
Category
Mid-19th Century Realist Engraving Landscape Prints
Materials
Engraving
Dulcinea and Don Quixote - Figurative Drypoint Print, Colorful, Polish Art
Located in Warsaw, PL
Colorful figurative drypoint print by Polish artist Czeslaw Tumielewicz. Subject for this artwork comes from Miguel de Cervantes' book. The print is signed, it comes from edition lim...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Paper, Drypoint, Watercolor
"Reverie"
Located in Astoria, NY
James Jacques Joseph Tissot (French, 1839-1906), "Reverie", Etching and Drypoint on Laid Paper, 1889, silvered wood frame. Image: 9" H x 4.5" W; frame: 14.75" H x 10" W. Provenance: ...
Category
1880s Engraving Landscape Prints
Materials
Laid Paper, Drypoint, Etching
QUARTER OF NINE - SATURDAY
S CHILDREN
By Martin Lewis
Located in Portland, ME
Lewis, Martin (American, born Australia, 1881-1962). QUARTER OF NINE, SATURDAY'S CHILDREN. McCarron 79. Drypoint, 1929. McCarron says the intended edition was 100 , but 107 were prin...
Category
1920s Engraving Landscape Prints
Materials
Drypoint
Sunset in Ireland
Located in Middletown, NY
Drypoint etching on watermarked cream wove paper, 5 7/16 x 8 7/16 inches (39 x 215 mm), wide (perhaps full) margins. A very desirable, bright and richly inked impression, with the da...
Category
Mid-19th Century Realist Engraving Landscape Prints
Materials
Drypoint, Etching
Le Moulin Abandonné
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Le Moulin Abandonne, etching and engraving, 1934, signed lower left and numbered and annotated “imp” in pencil lower right....
Category
1930s Mannerist Engraving Landscape Prints
Materials
Engraving, Etching
The beloved feeds among the lilies (Field 71-17J; M&L 477), Dalí
Located in Fairfield, CT
Title: The beloved feeds among the lilies (Field 71-17J; M&L 477), from the portfolio, The song of songs of King Solomon
Year: 1971
Medium: Etching printed in colours with gilding on...
Category
1970s Surrealist Engraving Landscape Prints
Materials
Engraving
$2,800 Sale Price
20% Off
AMERICAE - Sive Novi Orbis, Nova Descriptio
Located in Santa Monica, CA
ABRAHAM ORTELIUS (1527 - 1598)
AMERICAE SIVE NOVI ORBIS, NOVA DESCRIPTIO, 1587 (1603) (Van Den Broecke 11, Burden 64; Schwartz & Ehrenberg 69)
Engraving. A very good, well printed...
Category
16th Century Old Masters Engraving Landscape Prints
Materials
Engraving
Old Putney Bridge
Located in New York, NY
James Whistler (1834-1903), Old Putney Bridge, 1879, etching and drypoint, signed in pencil with a large, elaborate shaded butterfly, lower right and inscribed imp (also signed with the butterfly in the plate), printed in dark-brown/black ink on laid paper, watermark ProPatria, an impression in Glasgow’s seventh (final) state, published by The Fine Art Society, probably printed in 1881, 8x 11 3/4 inches, sheet 12 1/8 x 16 1/8 inches. Reference: Kennedy 178; Glasgow 185.
Provenance: Kraushaar Gallery, New York
A fine impression, with wide margins.
The Fine Art Societys relationship with Whistler began with the new etchings of the Thames he made in 1879, following a visit from Ernest Brown who had joined the staff of the gallery. The plate is on a large scale and shows the change in the artists approach to the Thames since the etchings he had made in Wapping and the docks in the summer of 1859. The central motif is the old bridge, by this stage somewhat dilapidated. It was shortly to be demolished and replaced by the new bridge of Cornish granite...
Category
Late 19th Century Impressionist Engraving Landscape Prints
Materials
Drypoint, Etching
(after) John Constable mezzotint "East Bergholt"
By David Lucas
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London ...
Category
1850s Engraving Landscape Prints
Materials
Mezzotint
Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Plan of the Rood Loft in St George
s Chapel (1790), engraving by James Basire
Located in London, GB
James Basire & Henry Emlyn
Plan and Elevation of the Rood Loft in St George's Chapel at Windsor
Engraving
47 x 55 cm
This engraving was originally published by the Society of Ant...
Category
1790s Realist Engraving Landscape Prints
Materials
Engraving
Architectural Fragment of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural fragments of St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
1810s Realist Engraving Landscape Prints
Materials
Engraving
Laburnums and Battersea
Located in New York, NY
Theodore Roussel, Laburnums and Battersea, etching and drypoint, 1889/1890 and 1898; signed in the plate lower right, and signed in pencil on the tab, with the inscription IMP. Hausb...
Category
Late 19th Century Realist Engraving Landscape Prints
Materials
Drypoint, Etching
Her Majesty
s Stag Hounds on Ascot, A Colored 19th Century British Hunting Scene
Located in Alamo, CA
"The Meeting of Her Majesty's Stag Hounds on Ascot Heath" is a large colorful mezzotint engraving of an extensive British hunting scene. It was created by Sir Francis Grant...
Category
1830s Engraving Landscape Prints
Materials
Engraving, Mezzotint
The Pyramid of Caius Cestius
Located in Middletown, NY
London: c1820.
Etching with aquatint and engraving with hand coloring in watercolor, full margins. 12 1/2 x 16 inches (317 x 407 mm), the full sheet. In good condition with a small ...
Category
Mid-19th Century English School Engraving Landscape Prints
Materials
Handmade Paper, Engraving, Watercolor
Télévision liquide et gazeuse (Michler/Löpsinger 822-831; Field 75-13)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989)
Title: Télévision liquide et gazeuse (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Liquid and carbonated television, Im...
Category
1970s Surrealist Engraving Landscape Prints
Materials
Mixed Media, Drypoint, Lithograph, Screen
$4,400 Sale Price
20% Off
Vegetation I
By Peter Milton
Located in San Francisco, CA
This artwork titled "Vegetation I" 1962, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, dated and numbered 8/40 in pencil b...
Category
Mid-20th Century American Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Espace-temps en fusion (Michler/Löpsinger 822-831; Field 75-13)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989)
Title: Espace-temps en fusion (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Fusing space-time, Imaginations and Objects...
Category
1970s Surrealist Engraving Landscape Prints
Materials
Mixed Media, Drypoint, Lithograph, Screen
$19,600 Sale Price
20% Off
The Oxford Almanack 1744, engraving by Joseph Skelton after G Vertue
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1740s Engraving Landscape Prints
Materials
Engraving
Sidney Sussex College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
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Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
The original Whitney, Marcel Breuer Building (now Sotheby
s), Woodcut engraving
By Richard Haas
Located in New York, NY
Richard Haas
The Whitney (Marcel Breuer Building), 1979
Woodcut engraving
Signed, titled, dated and numbered by the artist on the back. This is a rare Artist Proof 9/10, aside from ...
Category
1970s Realist Engraving Landscape Prints
Materials
Engraving, Etching
La Promenade Sur Le Port
Located in New York, NY
Jean-Emile Laboureur (1877-1943), La Promenade Sur Le Port, 1933, engraving, signed in pencil lower left. Reference: Godefry 482, Sylvain Laboureur 482, second state (of 2); from the...
Category
1930s Modern Engraving Landscape Prints
Materials
Engraving
Market Square, Rothenburg, Germany
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. In good condition with minor mat t...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
The Birth of Adonis; Plate 1 from The Story of Adonis
Located in Middletown, NY
Etching with engraving on thin laid paper with an early and large unidentified heraldic watermark with a windmill, and the collector's stamp of Count F. J. von Enzenberg (1802-1879),...
Category
Early 17th Century Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving, Etching
Temple of Bacchus
Located in Middletown, NY
London: J. Taylor, 1820.
Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 10 x 12 inches (254 x 306 mm), the full sheet. ...
Category
Mid-19th Century English School Engraving Landscape Prints
Materials
Handmade Paper, Engraving, Etching, Aquatint
Sandy Shore with Foam, Nautical Cyanotype Print on Watercolor Paper, Beach Coast
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype of a Sandy Shore with Foam.
Details:
+ Title: Sandy Shore with Foam
+ Edition Size: 100
+ Stamped and Certificate of Aut...
Category
2010s Realist Engraving Landscape Prints
Materials
Marble
Salvador Dali, Le Cerf Malade Signed Etching Engraving, Color Lithograph Pochoir
Located in Surfside, FL
An original signed drypoint etching with color pochoir by Spanish artist Salvador Dali titled "La Cerf Malade", depicting a stag deer, from the Portfolio: Le Bestiaire de la Fontaine...
Category
1970s Surrealist Engraving Landscape Prints
Materials
Color, Drypoint, Etching
Great cordiality - Figurative Drypoint Print, Colorful, Polish Art
Located in Warsaw, PL
The print comes from edition limited to 10.
CZESLAW TUMIELEWICZ (b. 1942)
In 1968, he studied at the Architecture faculty of Gdank, before continuing his course at the Technical Uni...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Paper, Watercolor, Drypoint
Une rue de Rouen
Located in Middletown, NY
Copper plate etching with drypoint on cream laid paper with a partial heraldic watermark, 11 x 8 inches (280 x 204 mm), full margins. Toning and some discoloration along the left mar...
Category
Late 19th Century French School Engraving Landscape Prints
Materials
Laid Paper, Etching, Drypoint
Italian Boat at Sunrise
Located in Middletown, NY
A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era.
Etching with drypoint on laid watercolor paper, 9 7/8 x 11 3/4 inches, (251 x 229 mm), full...
Category
Early 20th Century English School Engraving Landscape Prints
Materials
Handmade Paper, Etching, Drypoint
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Dulcinea - Figurative Drypoint Print, Colorful, Polish Art
Located in Warsaw, PL
Subject for this artwork comes from Miguel de Cervantes' book. The print comes from edition limited to 5.
CZESLAW TUMIELEWICZ (b. 1942)
In 1968, he studied at the Architecture facul...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Paper, Drypoint, Watercolor
John Knox House in Edinburgh
Located in Middletown, NY
London: Fine Art Trade Guild, c1900.
Etching with drypoint on cream laid paper with a deckle edge 11 1/2 x 8 1/4 inches (290 x 208 mm); sheet 15 x 11 5/8 inches (380 x 294 mm), full...
Category
Early 20th Century English School Engraving Landscape Prints
Materials
Laid Paper, Drypoint, Etching
Coentes Slip, NY
Located in Middletown, NY
Etching with drypoint on hand made laid Japan paper with a deckle edge, 8 9/16 x 11 5/8 inches (220 x 296 mm), full margins. Signed, dated and titled in pencil in the margin, recto. ...
Category
Late 19th Century Victorian Engraving Landscape Prints
Materials
Handmade Paper, Laid Paper, Drypoint, Etching
Hôtel De Sens, Paris
Located in Middletown, NY
London: Charles Hullmandel, c1839.
Stipple point lithograph with hand coloring in watercolor on cream wove paper, 21 1/4 x 14 1/4 inches (540 x 362 mm), the full sheet. In fair cond...
Category
Late 19th Century English School Engraving Landscape Prints
Materials
Watercolor, Engraving
Plantes tropicales [Tropical Plants]
Located in Middletown, NY
Paris: Cadart & Luquet, 1865
Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid paper 14 1/2 x 10 5/8 inches (367 x 268 mm), full margins. In very...
Category
Mid-19th Century French School Engraving Landscape Prints
Materials
Handmade Paper, Engraving
![Plantes tropicales [Tropical Plants]](https://a.1stdibscdn.com/jules-ferdinand-jacquemart-2-prints-works-on-paper-plantes-tropicales-tropical-plants-for-sale/a_19792/a_138073821705694714828/957_1_master.jpg?width=240 "Jules-Ferdinand Jacquemart - Plantes tropicales [Tropical Plants]")
Fallscape
By Peter Milton
Located in San Francisco, CA
This artwork titled "Fallscape" 1961, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, dated and numbered 15/40 in pencil by ...
Category
Mid-20th Century American Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Remains of Henry II
s Palace, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...
Category
Late 18th Century Naturalistic Engraving Landscape Prints
Materials
Engraving, Etching, Aquatint
Spring Night, Greenwich Village
By Martin Lewis
Located in Plano, TX
Spring Night, Greenwich Village. 1930. Drypoint and sand ground. McCarron 85. 10 x 12 3/8 (sheet 13 1/4 x 15 5/8)). Edition 92. A rich, tonal impress...
Category
1930s American Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$24,000 Sale Price
20% Off
A Sunset in Ireland.
Located in Plano, TX
A Sunset in Ireland. 1863. Etching and drypoint. Schneiderman catalog number 47 state vii/xiv. 5 1/2 x 8 1/2 (sheet 6 7/8 x 9 1/2). An extremely rich impression with drypoint burr, p...
Category
19th Century Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$1,600 Sale Price
20% Off
Admirable Butterflies, Magpie Moths: A Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the Admirable Butterfly and the Small Magpie Moth, which is plate 6 from Moses Harris' publication "The Aure...
Category
Mid-19th Century Realist Engraving Landscape Prints
Materials
Engraving
Rue De Toiles, Bourges
Located in Middletown, NY
Etching with drypoint in blackish brown ink on antique cream laid paper with a large crown and crescent moon watermark, 8 1/2 x 4 3/4 inches (215 x 119 mm); sheet 14 1/2 x 10 3/4 inc...
Category
Mid-19th Century French School Engraving Landscape Prints
Materials
Laid Paper, Drypoint, Etching
Colossus of Rhodes, Optic View from the Seven Wonders Series, Probst, 18th cent
By Georg Balthasar Probst
Located in Firenze, IT
The Colossus of Rhodes - Vue d'optique day/night, Seven Wonders series, Probst, 1770
Technique and materials: hand-colored etching, punch-perforated, with collage work and colored p...
Category
Mid-18th Century Old Masters Engraving Landscape Prints
Materials
Paper, Handmade Paper, Engraving
Windy Night, Stockholm.
Located in Plano, TX
Windy Night, Stockholm. 1935. Drypoint. Dodgson 457.x. 11 7/8 x 7 5/8 (sheet 15 1/2 x 10 7/8). Edition of 80 in this state (total 93 in 10 states). Illustrated: Guichard, British Etc...
Category
1930s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$1,600 Sale Price
20% Off
Christ Crowned with Thorns, from The Passion of Christ
By Hendrick Goltzius
Located in Middletown, NY
Engraving on cream wove paper, 8 x 5 3/8 inches (203 x 137 mm), narrow to thread margins. First state (of 2). A fine impression with archival paper adhered at left top and bottom cor...
Category
Early 17th Century Old Masters Engraving Landscape Prints
Materials
Engraving
Magdalene College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Magdalene College, Cambridge (1690)
Engraving
38 x 43 cm
Loggan's view of Magdalene from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Engraving landscape prints for sale on 1stDibs.
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