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Medium: Engraving
Degas, Dans l
Omnibus, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 6.5 x 7 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the vol...
Category
1940s Impressionist Engraving Landscape Prints
Materials
Engraving
$956 Sale Price
20% Off
Degas, Femme sortant du bain, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 6.5 x 4.75 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the ...
Category
1940s Impressionist Engraving Landscape Prints
Materials
Engraving
$716 Sale Price
20% Off
Fall Der Engel - Vintage Héliogravure by Franz von Bayros - 1921 ca.
Located in Roma, IT
Fall Der Engel is a black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, as is remembered Franz Von Bayros (Agram, 1866 – Vienna, 1924).
From Mappe, ...
Category
1920s Symbolist Engraving Landscape Prints
Materials
Engraving
Map of Cambridge, c.1572 engraving by Braun
Hogenberg
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
16th Century Realist Engraving Landscape Prints
Materials
Engraving
Storm Wave III
By Art Werger
Located in Palm Springs, CA
Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to complete. His seascapes and ocean prints are from the California coastline. Sign...
Category
Early 2000s Contemporary Engraving Landscape Prints
Materials
Mezzotint
$600 Sale Price
33% Off
"In the Forest" Aquatint - Mid Century Engraving Landscape
Located in Soquel, CA
Charming vintage Aquatint/etching titled "In the Forest" from the Paris Etching Society by French artist Pierre Maulin (France, late 19th-early 20th Cent...
Category
1930s Impressionist Engraving Landscape Prints
Materials
Paper, Ink, Engraving, Aquatint
$199 Sale Price
20% Off
Andre Dignimont, Untitled, from Alternation, 1946
Located in Southampton, NY
This exquisite etching by Andre Dignimont (1891–1965), titled Sans titre (Untitled), from the album Alternance (Alternation), originates from the 1946 edition published by Le Gerbier...
Category
1940s Modern Engraving Landscape Prints
Materials
Engraving
$716 Sale Price
20% Off
Autumn Light
Located in Deddington, GB
This print of a tree uses litho printed kitakata chine collé to depict the warmth and colour of early autumnal sunlight. The depth of the blacks along with the layering, allude to th...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Drypoint
Degas, La Fete de la Patronne, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 6.625 x 7.375 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From t...
Category
1940s Impressionist Engraving Landscape Prints
Materials
Engraving
$1,036 Sale Price
20% Off
Salvador Dali, Le Cerf Malade Signed Etching Engraving, Color Lithograph Pochoir
Located in Surfside, FL
An original signed drypoint etching with color pochoir by Spanish artist Salvador Dali titled "La Cerf Malade", depicting a stag deer, from the Portfolio: Le Bestiaire de la Fontaine...
Category
1970s Surrealist Engraving Landscape Prints
Materials
Color, Drypoint, Etching
The Birth of Adonis; Plate 1 from The Story of Adonis
Located in Middletown, NY
Etching with engraving on thin laid paper with an early and large unidentified heraldic watermark with a windmill, and the collector's stamp of Count F. J. von Enzenberg (1802-1879),...
Category
Early 17th Century Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving, Etching
Little Devils Bridge over the Russ, above Alt Dorft Swiss
Located in Fairlawn, OH
Little Devils Bridge over the Russ, above Alt Dorft Swiss
From: Liber Studiorum
Etching and mezzotint, 1809
Signed in the plate by JMW Turner and Charles Turner who applied the mezz...
Category
Early 1800s Romantic Engraving Landscape Prints
Materials
Mezzotint
Degas, Nu debout, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 8.5 x 6.25 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the ...
Category
1940s Impressionist Engraving Landscape Prints
Materials
Engraving
$956 Sale Price
20% Off
Degas, Le Divan, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 6.5 x 4.75 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the ...
Category
1940s Impressionist Engraving Landscape Prints
Materials
Engraving
$956 Sale Price
20% Off
Degas, Au Salon, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 6.25 x 8.25 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the...
Category
1940s Impressionist Engraving Landscape Prints
Materials
Engraving
$796 Sale Price
20% Off
David Loggan: New College, Oxford 1690 engraving
By David Loggan
Located in London, GB
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David Loggan (1634-1692)
New College...
Category
1690s Realist Engraving Landscape Prints
Materials
Engraving
Degas, Petite Fete de la Patronne, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 4.875 x 6.625 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From t...
Category
1940s Impressionist Engraving Landscape Prints
Materials
Engraving
$716 Sale Price
20% Off
Degas, On attend les Clients, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 8.5 x 6.25 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the ...
Category
1940s Impressionist Engraving Landscape Prints
Materials
Engraving
$956 Sale Price
20% Off
Robin Hood
s Bay - Engraving by Edward Frencis Finden - 1845
Located in Roma, IT
Robin Hood's Bay is an original etching realized in 1845 by E.Finden.
Signed in plate.
The artwork is realized in a well-balanced composition.
Category
1840s Modern Engraving Landscape Prints
Materials
Engraving
$185 Sale Price
35% Off
Degas, Devant la Cheminee, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 9.125 x 12.25 inches; image size: 6.5 x 9 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the vol...
Category
1940s Impressionist Engraving Landscape Prints
Materials
Engraving
$716 Sale Price
20% Off
John Speede, Map of the County of Surrey, described and divided into hundreds
By John Speed
Located in London, GB
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John Speed/Speede (1551/2-1629)
The County of Surrey Described and Divided into Hundreds
Engraving with later hand colouring and text to the reverse.
Dated to c.1650
36 x 49 cm
Probably the most famous early English mapmaker, John Speed's early life is somewhat of an enigma. He is believed to have trained as a rolling-press printer, but he was at heart an historian granted a sinecure in the Customs House by Queen Elizabeth to indulge his passion, later becoming a Fellow of the Society of Antiquaries. His first maps were historical, of the Holy Land 'Canaan as it was Possessed both in Abraham and Israels Dayes' and of England and Ireland recording 'all their Civill Warres since the Conquest'.
In 1611 he published his 'Hostory of Great Britaine' which he regarded as his magnum opus, but it was the companion atlas 'Theatre of the Empire of Great Britaine' that - as the first printed atlas of Great Britain - sealed his reputation. William Rogers engraved the first map, 'the County Palatine of Chester' in about 1600, but following his untimely death the task of engraving was passed to Jodocus Hondius of Amsterdam.
By 1612 the atlas was complete, the maps famed for their decorative elements. Many have town plans - Britain's first series of such plans - and descriptive text was printed to the reverse until the 1676 edition. Later printings (up until 1770) were issued without this text. By 1627 it has become a part of a world atlas 'Prospect of the Most Famous Parts of the World'. During the 17th century the plates passed through the hands of a series of publishers, the 1676 edition of Thomas Bassett and Richard Chiswell being regarded as its high point with the inclusion for the first time of a series of important maps. For the first half of the eighteenth century they were firmly established in the hands of the Overton family.
This particular edition originally featured in The Theatre Of The Empire Of Great Britaine. It features attractive inset views of the long-since destroyed Richmond...
Category
17th Century Realist Engraving Landscape Prints
Materials
Engraving
Johann Christian Reinhart (1761-1847) - 1807 Engraving, Balaam
s Donkey
Located in Corsham, GB
A fine early 19th Century engraving, showing the Biblical scene of Balaam's Donkey. The artist has inscribed their name and date in plate at the lower edge, along with an inscription...
Category
Early 19th Century Engraving Landscape Prints
Materials
Engraving
St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Floor plan of St Albans Cathedral
Engraving
61 x 95 cm
This engraving was originally published by the Society of Antiquaries of London, an organisation ...
Category
1810s Realist Engraving Landscape Prints
Materials
Engraving
Chute I (the fall of ethereal creatures wandering in a hellish landscape)
Located in New Orleans, LA
Maurice Pasternak has created a surreal landscape that includes several spirit-like creatures seeming to wander in an unknown landscape He moves images around on the paper to create ...
Category
Early 2000s Surrealist Engraving Landscape Prints
Materials
Mezzotint
Trinity College, Oxford David Loggan 1705 engraving
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Trinity College, Oxford (1705)
Engraving
32 x 41 cm
Loggan's view of Trinity from the second edition of the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
John Harris After Thomas Badeslade - 18th Century Engraving, Deane House
Located in Corsham, GB
A delightful bird's eye view of Deane House Kent, engraved by John Harris after an original drawing by British illustrator Thomas Badeslade. The engraving shows a detailed view of th...
Category
Early 18th Century Engraving Landscape Prints
Materials
Engraving
Leonard R. Squirrel (1893–1979) - Early 20th Century Mezzotint, Notre Dame
Located in Corsham, GB
This charming mezzotint depicts the façade of Notre Dame in Paris. Signed in graphite below the plate lines. On paper.
Category
Early 20th Century Engraving Landscape Prints
Materials
Mezzotint
Dulcinea and Don Quixote - Figurative Drypoint Print, Colorful, Polish Art
Located in Warsaw, PL
Colorful figurative drypoint print by Polish artist Czeslaw Tumielewicz. Subject for this artwork comes from Miguel de Cervantes' book. The print is signed, it comes from edition lim...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Paper, Drypoint, Watercolor
Painter painting Don Quixote - Figurative Drypoint Print, Colorful, Polish Art
Located in Warsaw, PL
Colorful figurative drypoint print by Polish artist Czeslaw Tumielewicz. Subject for this artwork comes from Miguel de Cervantes' book. The print is signed, it comes from edition lim...
Category
Early 2000s Contemporary Engraving Landscape Prints
Materials
Paper, Drypoint, Watercolor
The West Prospect of the Cathedral of York /// "Britannia Illustrata" Engraving
By Johannes Kip
Located in Saint Augustine, FL
Artist: Johannes "Jan" Kip (Dutch, 1652/3-1722)
Title: "The West Prospect of the Cathedral of York" (Vol. 3, Plate 31)
Portfolio: Britannia Illustrata / Le Nouveau Théâtre de la Grande Bretagne
Year: 1715-1724 (Third edition)
Medium: Original Engraving and Etching on cream laid paper
Limited edition: Unknown
Printer: Joseph Smith, London, UK
Publisher: Joseph Smith, London, UK
Reference: "London Illustrated 1604-1850" - Adams No. 22; Crace No. 201; Brunet IV No. 114; Lowndes No. 1277; Lewine page 263-264
Sheet size: 19.25" x 24.19"
Image size: 16.75" x 22.5"
Condition: With centerfold as issued. Some light toning and foxing mainly in margins, and some light edgewear. Has been professionally stored away for decades. It is otherwise a strong impression in very good condition
Rare
Notes:
Provenance: private collection - Ross-on-Wye, UK. Engraved by Dutch artist Johannes "Jan" Kip (1652/3-1722) after a drawing by Dutch artist Leonard Knyff or Leendert Knijff (1650-1722). Comes from Kip's six volume (including Supplement and 'Atlas Anglois') "Britannia Illustrata" / Le Nouveau Théâtre de la Grande Bretagne", (1724-1728) (Third edition), which consists of 394 engravings and etchings. Printed in one color from one copper plate: black.
Biography:
Johannes "Jan" Kip (1652/53 in Amsterdam - 1722 in Westminster) was a Dutch draftsman, engraver and print dealer. Together with Leonard Knyff, he made a speciality of engraved views of English country houses.
Kip was a pupil of Bastiaen Stopendaal (1636–1707), from 1668 to 1670, before setting up on his own; his earliest dated engravings are from 1672. In April 1680, at the age of 27, he married Elisabeth Breda in Amsterdam. After producing works for the court of William of Orange in Amsterdam, Kip followed William and Mary to London and settled in St. John Street in Farringdon, where he conducted a thriving printselling business. He also worked for various London publishers producing engravings after such artists as Francis Barlow (c. 1626–1704) and Caius Gabriel Cibber (1630–1700), largely for book illustrations. He made several engraved plates for Awnsham & John Churchill's "A Collection of Voyages & Travels" (first published 1704). He signed the African scenes in volume V of the 1732 edition as "J. Kip".
His most important works were the large fold-out folio illustrations for "Britannia Illustrata", 1708; for the 65 folio plates he engraved for the antiquary Sir Robert Atkyns, "The Ancient and Present State of Glostershire", 1712 (1st edition); and for "Le Nouveau Théâtre de la Grande Bretagne ou description exacte des palais de la Reine, et des Maisons les plus considerables des des Seigneurs & des Gentilshommes de la Grande Bretagne", 1715, an extended reprint in collaboration with other artists.
The linked careers of Jan Kip and Leonard Knyff made a specialty of engraved views of English country houses, represented in detail from the bird's-eye view, a pictorial convention for topography. Their major work was "Britannia Illustrata: Or Views of Several of the Queens Palaces, as Also of the Principal seats of the Nobility and Gentry of Great Britain, Curiously Engraven on 80 Copper Plates", London (1707, published in the winter of 1708–9). The volume is among the most important English topographical publications of the 18th century. Architecture is rendered with care, and the settings of parterres and radiating avenues driven through woods or planted across fields, garden paths, gates and toolsheds are illustrated in detail. The images are staffed with figures and horses, coaches pulling into forecourts, water...
Category
1720s Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving, Etching, Intaglio
Cincinnati Union Terminal, Perspective From East
Located in Fairlawn, OH
Cincinnati Union Terminal, Perspective From East
Drypoint, 1930-1931
Signed in pencil lower right (see photo)
Initialed and dated the the plate above the pencil signature
From: Cincinnati Series (8 Plates), this No. 2
Edition: 155, completed May 4, 1931
Delivered to Fellheimer & Wagner, 1931
Louis Conrad Rosenberg
1890-1983
An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology...
Category
1930s American Modern Engraving Landscape Prints
Materials
Drypoint
St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an organisation dedicated to ...
Category
1810s Realist Engraving Landscape Prints
Materials
Engraving
New York Stock Exchange (Symbolic icon of Wall St.
s vast power and wealth)
Located in New Orleans, LA
This color intaglio of the "New York Stock Exchange" was issued in a limited edition of 100. This impression is one of the Artist Proofs from the edition. The Stock Exchange is seen from Federal Hall...
Category
21st Century and Contemporary Contemporary Engraving Landscape Prints
Materials
Aquatint, Mezzotint
St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
John Basire & John Carter
St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an organisation dedicated to st...
Category
1810s Realist Engraving Landscape Prints
Materials
Engraving
L’Hiver a Paris ou La Neige a Paris
Located in New York, NY
Felix Buhot (1847-1898), L’Hiver a Paris ou La Neige a Paris, 1879, etching, aquatint, drypoint, roulette. [signed and dated in the plate Felix Buhot Par...
Category
1870s Realist Engraving Landscape Prints
Materials
Drypoint, Etching, Aquatint
"Cockersand Abbey" from "Buck
s Antiquities" /// British Old Master Engraving
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Cockersand Abbey" (Plate 148)
Portfolio: Buck's Antiquities or Venerable Remains of Above 400 Castles...
Category
1720s Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
Street Booth, Tokyo, New Year
s Eve
By Martin Lewis
Located in Middletown, NY
A superb impression of Martin Lewis's consummate image of Japan.
Etching with drypoint on fine cream laid paper, 13 7/8 x 10 3/8 inches (352 x 265 mm); sheet 17 3/4 x 14 1/4 inches ...
Category
Mid-20th Century American Modern Engraving Landscape Prints
Materials
Handmade Paper, Laid Paper, Drypoint, Etching
Hôtel De Sens, Paris
Located in Middletown, NY
London: Charles Hullmandel, c1839.
Stipple point lithograph with hand coloring in watercolor on cream wove paper, 21 1/4 x 14 1/4 inches (540 x 362 mm), the full sheet. In fair cond...
Category
Late 19th Century English School Engraving Landscape Prints
Materials
Watercolor, Engraving
Jesus College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
1690s Realist Engraving Landscape Prints
Materials
Engraving
Hommage a Picasso (Cannes) (Cote d
Azur) /// Surrealism Salvador Dali Surrealist
Located in Saint Augustine, FL
Artist: Salvador Dali (Spanish, 1904-1989)
Title: "Hommage a Picasso (Cannes) (Cote d'Azur)"
*Signed by Dali in pencil lower right
Year: 1973
Medium: Original Drypoint Etching on Riv...
Category
1970s Surrealist Engraving Landscape Prints
Materials
Drypoint, Etching, Intaglio
Thorsby House in the County of Nottingham /// "Vitruvius Britannicus" Engraving
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729)
Title: "Thorsby House in the County of Nottingham" (Vol. 1, Plate 91)
Portfolio: Vitruvius Britannicus; or The British Architect, Contain...
Category
1710s Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving, Etching, Intaglio
Lux Aeterna I (Eternal Light -The Requiem/ copters hover over fearful refugees)
By Ana Maria Pacheco
Located in New Orleans, LA
Ana Maria Pacheco portrays the fear and feelings of the displacement of refugees cowering beneath helicopters overhead. The title of the work refers ...
Category
1990s Contemporary Engraving Landscape Prints
Materials
Drypoint
Souvenir de Bretagne
By Louis Gabriel Eugene Isabey
Located in Middletown, NY
Lithograph with engraving on cream wove paper, 13 1/2 x 18 1/8 inches ( 343 x 461 mm), the full sheet. In good condition with significant age and mat tone, as well as scattered light...
Category
Early 19th Century French School Engraving Landscape Prints
Materials
Engraving, Lithograph
Don Quixote and apparition - Figurative Drypoint Print, Colorful, Polish Art
Located in Warsaw, PL
Subject for this artwork comes from Miguel de Cervantes' book.
CZESLAW TUMIELEWICZ (b. 1942)
In 1968, he studied at the Architecture faculty of Gdank, before continuing his course a...
Category
Early 2000s Contemporary Engraving Landscape Prints
Materials
Paper, Watercolor, Drypoint
Great cordiality - Figurative Drypoint Print, Colorful, Polish Art
Located in Warsaw, PL
The print comes from edition limited to 10.
CZESLAW TUMIELEWICZ (b. 1942)
In 1968, he studied at the Architecture faculty of Gdank, before continuing his course at the Technical Uni...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Paper, Watercolor, Drypoint
Powis House in Ormond Street London /// "Vitruvius Britannicus" Engraving
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729)
Title: "Powis House in Ormond Street London" (Vol. 1, Plate 42)
Portfolio: Vitruvius Britannicus; or The British Architect, Containing th...
Category
1710s Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving, Etching, Intaglio
Christ Church, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
David Loggan: All Souls College, Oxford 1675 engraving
By David Loggan
Located in London, GB
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David Loggan (1634-1692)
All Souls College...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Corpus Christi College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
St John
s College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Christ Church, Oxford 1675 hand-coloured engraving by David Loggan
By David Loggan
Located in London, GB
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Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Wadham College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Wadham College, Oxford (1675)
Engraving
32 x 41 cm
Loggan's view of Wadham from the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Un Debarquement en Angleterre (A Disembarking in England)
Located in Fairlawn, OH
Un Debarquement en Angleterre
(A Disembarking in England)
etching, drypoint, aquatint, roulette and spirit ground, 1879
Signed with the artist’s red owl stamp, Lugt 977 (see photo)
...
Category
1870s Impressionist Engraving Landscape Prints
Materials
Drypoint
Royal Hospital att Greenwich to the River /// "Vitruvius Britannicus" Engraving
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729)
Title: "Royal Hospital att Greenwich to the River" (Vol. 1, Plates 86, 87)
Portfolio: Vitruvius Britannicus; or The British Architect, Co...
Category
1710s Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving, Intaglio, Etching
Trinity College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Trinity College, Cambridge (1690)
Engraving
80 x 50 cm
Loggan's marvellous and large view of Trinity from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
1690s Realist Engraving Landscape Prints
Materials
Engraving
Porto Vecchio, Corsica
Located in Middletown, NY
Paris: Israël Henriet, c1680.
Etching with engraving on cream laid paper, laid down to a cream laid paper matrix, 3 1/8 x 7 1/8 inches (78 x 180 mm), the full sheet with thread marg...
Category
17th Century Old Masters Engraving Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching, Engraving
Vegetation I
By Peter Milton
Located in San Francisco, CA
This artwork titled "Vegetation I" 1962, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, dated and numbered 8/40 in pencil b...
Category
Mid-20th Century American Modern Engraving Landscape Prints
Materials
Drypoint, Etching
The Pyramid of Caius Cestius
Located in Middletown, NY
London: c1850.
Engraving with hand coloring in watercolor, full margins. 12 1/2 x 16 inches (317 x 407 mm), the full sheet. In good condition with a small edge loss at the lower-rig...
Category
Mid-19th Century English School Engraving Landscape Prints
Materials
Handmade Paper, Engraving, Watercolor
Trees (Trees in Circle)
Located in Fairlawn, OH
Trees (Trees in Circle)
Etching & drypoint with monotype inking, 1953-1955
Signed in pencil
An unrecorded trial proof, printed on heavy wove proofing paper at Atelier 17, before the ...
Category
1950s Abstract Engraving Landscape Prints
Materials
Drypoint, Etching, Monotype
Old Putney Bridge
Located in New York, NY
James Whistler (1834-1903), Old Putney Bridge, 1879, etching and drypoint, signed in pencil with a large, elaborate shaded butterfly, lower right and inscribed imp (also signed with the butterfly in the plate), printed in dark-brown/black ink on laid paper, watermark ProPatria, an impression in Glasgow’s seventh (final) state, published by The Fine Art Society, probably printed in 1881, 8x 11 3/4 inches, sheet 12 1/8 x 16 1/8 inches. Reference: Kennedy 178; Glasgow 185.
Provenance: Kraushaar Gallery, New York
A fine impression, with wide margins.
The Fine Art Societys relationship with Whistler began with the new etchings of the Thames he made in 1879, following a visit from Ernest Brown who had joined the staff of the gallery. The plate is on a large scale and shows the change in the artists approach to the Thames since the etchings he had made in Wapping and the docks in the summer of 1859. The central motif is the old bridge, by this stage somewhat dilapidated. It was shortly to be demolished and replaced by the new bridge of Cornish granite...
Category
Late 19th Century Impressionist Engraving Landscape Prints
Materials
Drypoint, Etching
Engraving landscape prints for sale on 1stDibs.
Find a wide variety of authentic Engraving landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include David Loggan, Adriaen Collaert, David Lucas, and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving landscape prints, so small editions measuring 0.01 inches across are also available