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Medium: Engraving
Trees (Trees in Circle)
Located in Fairlawn, OH
Trees (Trees in Circle)
Etching & drypoint with monotype inking, 1953-1955
Signed in pencil
An unrecorded trial proof, printed on heavy wove proofing paper at Atelier 17, before the ...
Category
1950s Abstract Engraving Landscape Prints
Materials
Drypoint, Etching, Monotype
Reguliersracht during winter, Amsterdam
Located in Middletown, NY
Etching with drypoint on cream wove paper with a deckle edge, 6 7/8 x 4 7/8 inches (200 x 125 mm); sheet 15 x 11 inches (380 x 280 mm), full margins. In excellent condition with mino...
Category
Early 20th Century Dutch School Engraving Landscape Prints
Materials
Drypoint, Etching
David Loggan Wadham College Oxford Collegium Wadhamense 1675 engraving
By David Loggan
Located in London, GB
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David Loggan (1634-1692)
Wadham College Oxford
Engraving
1675
34x42cm
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (c. 1708). The contemporary artist Andrew Ingamells...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Christ
s College, Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Great St Mary
s, University of Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
The Church of St Mary the Virgin, Cambridge (1690)
Engraving
38 x 47 cm
Loggan's view of Great St Mary's from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Southwark Cathedral engraving c. 1753 for Stow
s Survey of London
Located in London, GB
To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...
Category
1750s Realist Engraving Landscape Prints
Materials
Engraving
The original Whitney, Marcel Breuer Building (now Sotheby
s), Woodcut engraving
By Richard Haas
Located in New York, NY
Richard Haas
The Whitney (Marcel Breuer Building), 1979
Woodcut engraving
Signed, titled, dated and numbered by the artist on the back. This is a rare Artist Proof 9/10, aside from ...
Category
1970s Realist Engraving Landscape Prints
Materials
Engraving, Etching
Magdalene College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Magdalene College, Cambridge (1690)
Engraving
38 x 43 cm
Loggan's view of Magdalene from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
St Catharine
s College, Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
St Catharine's College, Cambridge (1690)
Engraving
35 x 46 cm
Loggan's view of St Catharine's College, Cambridge from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Chute I (the fall of ethereal creatures wandering in a hellish landscape)
Located in New Orleans, LA
Maurice Pasternak has created a surreal landscape that includes several spirit-like creatures seeming to wander in an unknown landscape He moves images around on the paper to create ...
Category
Early 2000s Surrealist Engraving Landscape Prints
Materials
Mezzotint
Trees on the Shore of Grunewaldsee, from: Berlin Impressions - German Berlin
By Lesser Ury
Located in London, GB
This original etching and drypoint is hand signed in pencil by the artist "L. Ury" at the lower left margin.
It is numbered 20 from the standard edition of 100. There was also an edi...
Category
1920s Impressionist Engraving Landscape Prints
Materials
Drypoint, Etching
1804 Etching St George
s Chapel Windsor Castle Architectural Prince Harry Meghan
Located in London, GB
From a series of architectural prints of St George's Chapel; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller."
Frederick Nash (1782-1856) Drawn and etched
Engraved by F C Lewis
Arches and Columns
London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804
55x39cm
Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...
Category
Early 1800s Realist Engraving Landscape Prints
Materials
Engraving, Etching
David Loggan Brasenose College Oxford Collegium Aenei Nasi Print 1675 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Summer Landscape III
By Peter Milton
Located in San Francisco, CA
This artwork titled "Summer Landscape III" 1962, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, dated, titled and numbered ...
Category
Mid-20th Century American Modern Engraving Landscape Prints
Materials
Drypoint, Etching
David Loggan Bodleian Library Oxford Aerial view 1675 engraving Bibliotheca
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
David Loggan: Great St Mary
s Church Cambridge University engraving 1690
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1690s Realist Engraving Landscape Prints
Materials
Engraving
Laburnums and Battersea
Located in New York, NY
Theodore Roussel, Laburnums and Battersea, etching and drypoint, 1889/1890 and 1898; signed in the plate lower right, and signed in pencil on the tab, with the inscription IMP. Hausb...
Category
Late 19th Century Realist Engraving Landscape Prints
Materials
Drypoint, Etching
Degas, Famille Cardinal, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 8.5 x 6.25 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the ...
Category
1940s Impressionist Engraving Landscape Prints
Materials
Engraving
$956 Sale Price
20% Off
Greville Smyth Cedar
Located in Deddington, GB
This print considers how we view the contemporary sublime landscape and how easy it can be to experience when we take the time to look. We often don’t have to travel far: parks in ci...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Drypoint
The Bridge of Sighs, Venice, by Walter Henry Sweet
John Shapland
Located in Middletown, NY
Etching with engraving on cream laid paper with a partial watermark, 12 x 8 1/4 (305 x 210 mm); sheet 16 3/4 x 11 inches (425 x 280 mm), full margins. Signed by both Sweet and Shapla...
Category
Early 20th Century American Modern Engraving Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching, Engraving
Fonte Nuova, Siena
Located in Middletown, NY
Etching with drypoint on lightweight Japon paper, 9 3/4 x 9 7/8 inches ( 247 x 250 mm); sheet 14 x 12 3/4 inches (355 x 324 mm), full margins. Signed in pencil in the lower margin. I...
Category
Late 19th Century American Modern Engraving Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Vachère au Bord de l
Eau
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903)
VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii)
Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper
Very...
Category
1890s Impressionist Engraving Landscape Prints
Materials
Drypoint, Etching
$1,463 Sale Price
24% Off
Fauteuil à respirer pneumatique (Michler/Löpsinger 822-831; Field 75-13)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989)
Title: Fauteuil à respirer pneumatique (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Pneumatic breathing chair, Imagina...
Category
1970s Surrealist Engraving Landscape Prints
Materials
Mixed Media, Drypoint, Lithograph, Screen
$4,400 Sale Price
20% Off
View of Venice - Etching by Alcione Gubellini - mid-20th Century
Located in Roma, IT
Etching and drypoint realized by Alcione Gubellini in the mid-20th Century.
Edition of 16.
Hand signed and numbered in pencil.
Excellent condition.
Category
1930s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
The Last Supper, from The Passion of Christ
By Hendrick Goltzius
Located in Middletown, NY
Engraving on cream laid paper, 8 x 5 3/8 inches (203 x 137 mm), trimmed at the platemark. A fine impression with a Coat of Arms watermark. Second state, after the addition of the Frederick de Witt...
Category
16th Century Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving
17th century engraving black and white landscape ancient building scene
Located in Milwaukee, WI
In the mid-seventeenth century, views of historic landscapes and classical structures were increasingly popular among print collectors, and artists like the Frenchman Israel Sylvestre were eager to fill that demand. In this example, Sylvestre captures a view of the Arch of Constantine...
Category
Mid-17th Century Baroque Engraving Landscape Prints
Materials
Engraving
The Oxford Almanack 1744, engraving by Joseph Skelton after G Vertue
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1740s Engraving Landscape Prints
Materials
Engraving
Sidney Sussex College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Night Scene
Located in London, GB
Etching, aquatint and engraving in colours, 1980, on mould-made Lana paper, signed and dated in pencil, numbered from edition of 32 (there were also 12 artist's proofs), published by Tyler Graphics, Ltd., New York,with their blindstamp, 53 x 54.1 cm. (20 x 21 1/4 in.)
Catalogue Raisonne: Corlett 170; Tyler, 1987, cat no. 354:RL22
‘Night Scene’ is one of six intaglio prints Roy Lichtenstein...
Category
1980s Abstract Engraving Landscape Prints
Materials
Engraving, Etching, Aquatint
Vegetation III
By Peter Milton
Located in San Francisco, CA
This artwork titled "Vegetation III" 1963, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, titled, dated and numbered 14/50 ...
Category
Mid-20th Century American Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Samuel and Nathaniel Buck - 1730 Engraving, View of St. Osyth
s Priory
Located in Corsham, GB
A finely detailed engraving with hand colouring by Samuel (1696-1779) and Nathaniel Buck (c.1695-c.1775) depicting St. Osyth's Priory in Essex. Signed within the plate. On laid.
Category
Early 18th Century Engraving Landscape Prints
Materials
Engraving
"Lilium Persicum" Ehret 18th Century Hand Colored Botanical Engraving
By Georg Dionysius Ehret
Located in Alamo, CA
A beautiful and important 18th century hand colored copperplate engraving of lillies which was most likely designed by Georg Dionysius Ehret (1708-1770) and engraved by Johann Michae...
Category
Late 18th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
$1,740 Sale Price
20% Off
J.H. Woods’ Fruit Shop, Chelsea
Located in New York, NY
James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches.
A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions.
watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.)
This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate.
According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...
Category
1880s Impressionist Engraving Landscape Prints
Materials
Drypoint, Etching
1776 Navigational chart/map of the Delaware bay and river including Philadelphia
Located in Philadelphia, PA
JOSHUA FISHER
(AMERICAN, EIGHTEENTH CENTURY)
A Chart of Delaware Bay and River, 1776
Printed for John Bennet and Robert Sayer, London
Engraving on pape...
Category
1770s Realist Engraving Landscape Prints
Materials
Paper, Engraving
La Promenade Sur Le Port
Located in New York, NY
Jean-Emile Laboureur (1877-1943), La Promenade Sur Le Port, 1933, engraving, signed in pencil lower left. Reference: Godefry 482, Sylvain Laboureur 482, second state (of 2); from the...
Category
1930s Modern Engraving Landscape Prints
Materials
Engraving
Trees and Snow II, by Peter Milton
By Peter Milton
Located in Palm Springs, CA
Medium: lift-ground etching and engraving
Edition: 15
Year: 1961
Plate: zinc 9 x 15 inches (22.9 x 38.1 cm)
Paper: Murillo, 16 x 21 inches (40.6 x 53.3 cm)
Peter Milton is internati...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Engraving, Etching
Paysage au Buttes-Chaumont (2nd Planche), 1920-21
Located in New York, NY
Jean-Emile Laboureur (1877-1943) etching and engraving Paysage au Buttes-Chaumont (2nd Planche), 1920-21, signed and numbered ( 38/55) in pencil. Reference: Sylvain Laboureur 205. In very good condition with wide margins (remains of old hinging on margin verso, some showing through not near image). On white wove paper, 7 7/8 x 9 1/4, the sheet 10 x 13 1/2 inches, archival matting.
A fine, fresh and clear impression of this important cubist-influenced scene.
Jean-Emile Laboureur was born in Nantes in 1877. He traveled to Paris in 1895 intending to study law at the Sorbonne, but found himself drawn to the nearby famed Academie Julian, and although he never officially matriculated there, he became immersed in the Parisian art scene. Laboureur then traveled widely, staying for periods in the US and London, and studying classic art and printmaking in Italy and Germany. Although he had moved back to Paris by 1910, a time when analytical cubism was emerging in the work of Picasso and Braque, he continued working in an abstract, modernist mode, waiting until about 1913 or shortly thereafter to invent a cubist idiom all his own.
Cubism remained an important theme for Laboureur, a theme he varied, sometimes using it as a strong design or compositional component, sometimes only as a subtle background element. In Paysage aux Buttes...
Category
1920s Cubist Engraving Landscape Prints
Materials
Engraving, Etching
Picasso, Pour Roby, Noir (Bloch 680; Cramer 57), L
Âge de Soleil (after)
Located in Southampton, NY
Engraving on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, L'Âge de Soleil, 1950. Published by Robert J. Godet, Paris; rendered by ...
Category
1950s Modern Engraving Landscape Prints
Materials
Engraving
$1,436 Sale Price
20% Off
Persia
Afghanistan: A Framed Hand-colored 17th Century Map by John Cary
By John Cary
Located in Alamo, CA
This colorful and detailed early 18th century copperplate map by John Cary entitled "A New Map of Persia from the Latest Authorities" was published in London in 1801. It depicts Persia, the region of modern day Afghanistan, the Caspian Sea, the Sea of Aral, the Persian Gulf...
Category
Early 19th Century Old Masters Engraving Landscape Prints
Materials
Engraving
$940 Sale Price
20% Off
A Gale at Port Errol
By James McBey
Located in Storrs, CT
A Gale at Port Errol. 1923. Etching. Hardie 215, #46. 13 x 8 3/4 (sheet 16 7 /8 x 11 1/2). Edition 76. #46. Illustrated: Fine Prints of the Year, 1923. A rich...
Category
1930s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$1,250 Sale Price
37% Off
The beloved feeds among the lilies (Field 71-17J; M&L 477), Dalí
Located in Fairfield, CT
Title: The beloved feeds among the lilies (Field 71-17J; M&L 477), from the portfolio, The song of songs of King Solomon
Year: 1971
Medium: Etching printed in colours with gilding on...
Category
1970s Surrealist Engraving Landscape Prints
Materials
Engraving
$2,800 Sale Price
20% Off
Sunset in Ireland
Located in Middletown, NY
Drypoint etching on watermarked cream wove paper, 5 7/16 x 8 7/16 inches (39 x 215 mm), wide (perhaps full) margins. A very desirable, bright and richly inked impression, with the da...
Category
Mid-19th Century Realist Engraving Landscape Prints
Materials
Drypoint, Etching
"Reverie"
Located in Astoria, NY
James Jacques Joseph Tissot (French, 1839-1906), "Reverie", Etching and Drypoint on Laid Paper, 1889, silvered wood frame. Image: 9" H x 4.5" W; frame: 14.75" H x 10" W. Provenance: ...
Category
1880s Engraving Landscape Prints
Materials
Laid Paper, Drypoint, Etching
Pacific Ocean Currents, Handmade Cyanotype Seascape in Blue, Waves Landscape
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
"Pacific Ocean Currents" is a handmade cyanotype print of rough water texture resembling Pacific Ocean swell.
Details:
+ ...
Category
2010s Realist Engraving Landscape Prints
Materials
Paper, Emulsion, Engraving, Etching
Interiors VII: The Train from Munich, by Peter Milton
By Peter Milton
Located in Palm Springs, CA
The Train from Munich is a print for Milton's wife, Edith, referencing her escape from Germany in 1939. The image started with a photograph by Eugène Atget of a girl looking out of a...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Engraving, Etching
Citamerdu (Amrita) Plant: 17th Century Botanical Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a rare 17th century engraving of a plant entitled "Citamerdu" by the Dutch botanist Hendrik van Rheede tot Drakenstein, plate 21 from his 'Hortus Indicus Malabaricus' (Garden of Malabar), published in Amsterdam in 1686 by Johann van Someren. The engraving depicts the Citamerdu plant, also known as Tinospora cordifolia plant or Amrita and Guduchi. It is a deciduous plant with heart-shaped leaves, greenish flowers, and pea-shaped fruits. Rheede's 19th century publication featured illustrations of exotic plants and fruits labelled with script in the upper right corner in Latin, Malay, Arabic, and Sanskrit. Hortus Indicus Malabaricus is believed to be the earliest comprehensive published work on the flora of Asia and the tropics. The 17th century treatise featured important illustrations of 740 plants of the region, including Indian medicinal plants.
The engraving is printed on 17th century laid, chain-linked paper, watermarked with an elaborate crown design. The sheet measures 15.75" high by 18.75" wide. There is a central fold, as issued. There are a few small spots, but the print is otherwise in excellent condition.
There are additional Rheede botanical engravings from his 'Hortus Indicus Malabaricus' publication that are listed on my 1stdibs storefront and online website. These would make for an impressive display grouping. A discount is available for purchase of two or more of the prints.
Hendrik Adriaan van...
Category
Late 17th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
Stone Bridge Landscape, Mid Century Hand Colored Lithograph
Located in Soquel, CA
Detailed hand colored landscape lithograph of a stone bridge in the countryside by French artist Albert Aristide Seguin.
Signed illegibly in the lower right corner, matches other e...
Category
Mid-20th Century Impressionist Engraving Landscape Prints
Materials
Paper, Color Pencil, Drypoint, Lithograph
Cherry Street
Located in Middletown, NY
A view of lower Manhattan's Cherry Street as it appeared at the turn of the 20th century. One of only 5 proof impressions.
New York: 1904.
Drypoint with aquatint on watermarked, cr...
Category
Early 20th Century American Modern Engraving Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
North America: A Framed Hand-colored 19th Century German Map by Adolph Stieler
By Adolf Stieler
Located in Alamo, CA
This framed early 19th century map of North America entitled "Nord-Amerika" is plate No. LIV (No. 46) from Adolph Stieler's Hand-Atlas, published in Gotha, Germany by Justus Perthes ...
Category
1830s Engraving Landscape Prints
Materials
Engraving
Adrian Collaert Martin de Vos 17th Century Engraving Flight into Egypt print
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
17th Century Realist Engraving Landscape Prints
Materials
Engraving
Views of London: A Pair of Framed 19th Century Engravings by Havell and Allom
Located in Alamo, CA
This is a pair of framed hand-colored prints, both utilizing engraving and etching techniques, depicting two London architectural landmarks: "The National Gallery, Charing Cross" and "Covent Garden Market" from the Stationers' Almanac, published in London by J. Robins & Sons in the early 19th century. Both of these prints show vibrant London street scenes with markets, carriages, common people as well as the wealthy in the foreground of "Covent Garden Market" and wealthy well dressed people, carriages, a begger, street merchants, as well as uniformed military on horseback in the foreground of "The National Gallery". "The National Gallery, Charing Cross" was created by James Sands from a painting by Thomas Allom (1804-1872), published in 1836. "Covent Garden Market" was created by Frederick James Havell (1801–1840/41) after a painting by William Havell...
Category
Mid-19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving, Etching
Vue du Chateau de Frasne, Franche Comté
Located in Middletown, NY
Paris: Charles Hullmandel, circa 1850.
Lithograph with engraving on white wove paper, 9 7/8 x 7 1/2 inches (250 x 190 mm), the full sheet. In good condition with some minor scattere...
Category
Mid-19th Century French School Engraving Landscape Prints
Materials
Handmade Paper, Engraving, Lithograph
Télévision liquide et gazeuse (Michler/Löpsinger 822-831; Field 75-13)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989)
Title: Télévision liquide et gazeuse (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Liquid and carbonated television, Im...
Category
1970s Surrealist Engraving Landscape Prints
Materials
Mixed Media, Drypoint, Lithograph, Screen
$4,400 Sale Price
20% Off
“Skogskanten” (Winter Landscape with Spruce Trees)
Located in Stockholm, SE
Oskar Bergman (Stockholm 1879–1963 Saltsjöbaden)
“Skogskanten” (Winter Landscape with Spruce Trees)
signed "Oskar Bergman" in pencil
drypoint etching
image size: 19.5 x 29.5 cm (7 ...
Category
1910s Naturalistic Engraving Landscape Prints
Materials
Paper, Drypoint, Etching
Départ Pour La Pêche (Maison de Campagne des Environs de Naples) /// Old Masters
Located in Saint Augustine, FL
Artist: Jean Daullé (French, 1703-1763)
Title: "Départ Pour La Pêche (Maison de Campagne des Environs de Naples)"
Circa: 1740
Medium: Original Engraving on watermarked laid paper
Lim...
Category
1740s Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving
Flight over the manor house - Figurative Drypoint Print, Colorful, Polish Art
Located in Warsaw, PL
Colorful figurative drypoint print by Polish artist Czeslaw Tumielewicz. The print is signed, it comes from edition limited to 10.
CZESLAW TUMIELEWICZ (b. 1942)
In 1968, he studied ...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Paper, Drypoint, Watercolor
John Knox House in Edinburgh
Located in Middletown, NY
London: Fine Art Trade Guild, c1900.
Etching with drypoint on cream laid paper with a deckle edge 11 1/2 x 8 1/4 inches (290 x 208 mm); sheet 15 x 11 5/8 inches (380 x 294 mm), full...
Category
Early 20th Century English School Engraving Landscape Prints
Materials
Laid Paper, Drypoint, Etching
University College, Oxford David Loggan 1675 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
University College, Oxford (1675)
Engraving
29 x 40 cm
Loggan's view of Univ from the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Woolworth Building, New York
Located in Middletown, NY
A rich and tonal image of an icon of Manhattan architecture.
Etching with drypoint, 11 7/8 x 7 3/8 inches (300 x 186 mm), full margins. Edition of 100. Signed in pencil, lower right...
Category
Early 20th Century Realist Engraving Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Attraction 5 (Six men gaze rightward. 1 points upwards in landscape in turmoil)
Located in New Orleans, LA
Maurice Pasternak created "Attraction 5", a mezzotint in an edition of 80 that depicts 6 men clearly attracted to something that appears outside the plane of the image. The men seem...
Category
1990s Contemporary Engraving Landscape Prints
Materials
Mezzotint
Engraving landscape prints for sale on 1stDibs.
Find a wide variety of authentic Engraving landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include David Loggan, Adriaen Collaert, David Lucas, and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving landscape prints, so small editions measuring 0.01 inches across are also available