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Medium: Engraving
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Southampton, NY
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$3,036 Sale Price
20% Off
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Southampton, NY
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$3,036 Sale Price
20% Off
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Southampton, NY
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$3,036 Sale Price
20% Off
Laurencin, Tête de jeune fille (Marchesseau 250), Du cubisme (after)
Located in Southampton, NY
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category
1940s Modern Engraving Landscape Prints
Materials
Drypoint
$1,436 Sale Price
20% Off
Autumn Pine
Located in Deddington, GB
This print of a pine tree uses kitakata chine collé to depict the warmth and colour of early autumnal light.
This body of work is based on the book by Suzanne Simard, Finding the Mo...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Drypoint
A. Schultz, Riders in Central Park (New York City)
Located in New York, NY
Such an innovative image on the classic 'Riders in the Park' theme! Further, the use of drypoint and the rather direct -- even aggressive -- drawing style, bring it into the German E...
Category
1930s American Modern Engraving Landscape Prints
Materials
Drypoint
Persiae, Armeniae, Natoliae et Arabiae Descriptio per Frederick deWit 1666 map
Located in Paonia, CO
Map of Persiae, Armeniae, Natoliae et Arabiae Descriptio per F de Wit 1688 engraving from: Atlas Contractus Orbis Terrarum Praecipuas ac Novissimas Complectens Tabulas. Amsterdam, N. Visscher, 1656-77. (Koeman III, Vis5-8) This highly decorative map of the Middle East is by the Dutch engraver, publisher, and map seller...
Category
1660s Realist Engraving Landscape Prints
Materials
Engraving
Black Water, mezzotint of the Maine coastline by James Groleau
Located in Palm Springs, CA
This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...
Category
21st Century and Contemporary Contemporary Engraving Landscape Prints
Materials
Mezzotint
“City Roofs” drypoint engraving by Peter Takal
By Peter Takal
Located in Berlin, MD
Peter Takal’s original drypoint engraving “City Roofs” is an accomplished work of art created in 1956. It is printed upon fine laid paper with full deckled margins as published in the limited edition of two hundred and fifty impressions. This engraving bears an embossed stamp “The Print Club of Chicago” on verso. This impression is signed by Takal in pencil. “City Roofs” is a fine example of the engraved art created by the 20th century Romanian / German / American artist, Peter Takal.
Peter Takal: Born in Romania in 1905, Peter Takal spent most of his youth in Berlin and was mainly self-taught. His first one-man exhibition took place in the Gurlitt Gallery, Berlin, in 1932. During the following seven years his art was frequently exhibited at galleries in Berlin, Munich, Paris and as well as Casablanca and Algiers. At the beginning of the Second World War (1939), Peter Takal came to the United States for an exhibition of his art at the Katherine Kuhe Gallery, Chicago. He decided to remain in the United States and became an American citizen in 1944.
Living in New York, Peter Takal quickly established himself as a leading printmaker and a modern master of both lithography and drypoint engraving. One-man exhibitions of his art took place in New York City (1942), Chicago (1939 & 1941), Washington (1959) and Los Angeles (1966). International exhibitions of his art were held at the Galeria de Arte Mexicano, Mexico City (1959), the Palazzo Strozzi, Florence, Italy (1960) and at the Kestner-Museum in Germany (1962). Museums to date that include Peter Takal's original prints in their collections are, the Chicago Art Institute, the Library of Congress, Washington, the Los Angeles County Museum of Art, the United States State Department, UCLA, the Berlin National Museum and the Bibliotheque Nationale, Paris. Over the years, the Museum of Modern Art in New York and the Arkansas Arts Center have acquired a very extensive collection of Peter Takal's lithographs and drypoints. The artist died in 1995.
The Print Club of Cleveland: Trees and Fields is an original lithograph commissioned by the Print Club of Cleveland in 1957 and published in a signed edition of 250 impressions. The Print Club of Cleveland is a non-profit adjunct organization and the country's first museum-affiliated print club devoted to the promotion of art and printmaking as a fine art for printmakers and collectors alike. With its creation in 1919, it has helped to support the growth of the department of prints and drawings at the Cleveland Museum of Fine Arts and has also been a source of great enrichment for collectors of fine prints. During the organizations long history, the club has annually commissioned one original etching engraving, lithograph, woodcut and or other form of original graphic art from such fine American artists as John Taylor Arms, Suzanne Anker, Luigi Lucioni, Will Barnet, Mark Tobey, Lyonel Feininger, Henry George Keller, Louis Lozowick, Karl Schrag, David Jansheski, Deborah Remington, and Peter Takal, as well as from leading international artists such as Henri Matisse, Edmund Blampied, Jean-Emile Laboureur, Salvador Dali, Michael di Cerbo, Phyliss Sloane, Paolo Boni, Juvenal Sanso...
Category
Mid-20th Century Abstract Engraving Landscape Prints
Materials
Drypoint
"New York - Taken from the Northwest angle of Fort Columbus, Governor
s Island"
Located in New York, NY
New York - Taken from the north west angle of Fort Columbus Governor's Island, 1846
Engraved by Henry Papprill after a sketch by F. Catherwood, published by Henry J. Megarey
Hand-colored engraving on paper
Image 16 x 26 1/2 inches
Henry A. Papprill (1816–1903) was a British engraver. Noted as an aquatint engraver from 1840. His plates were published from 1840 till 1883 mainly by Ackermann of the Strand.
Papprill was born in Holborn, London. Lived for much of his life at Wharton Street, Lloyd Square, London. Papprill is thought to have been based in New York City for brief period in the mid-1840s. His work in the USA appears to classify him as an American engraver but he was based and gained his reputation and bulk of his work in England.
He produced a series of works for Ackermann & Co from 1840 beginning with four plates called "The Jolly Squire", with verses, after James Pollard.
In the following years Papprill engraved a number of military plates for Ackermann as well a series of engravings of New York (1846-9) for H.I.Megarey (published in New York). The most notable of these are: "The North West Angle of Fort Columbus, Governor's Island" (the Catherwood-Papprill view) and New York from the Steeple of St. Paul's Church, Looking East, South & West." (The Hill-Papprill view) listed in the American Historical Prints - Early Views of American Cities, etc: I.N.Phelps Stokes & Daniel C. Haskell. New York Public Library 1932.
Papprill also produced for Ackermann a series of sporting prints after G. H. Laporte between 1860 and 1865. These were entitled: Racing, Hunting and Coursing. He also produced a series of shipping prints...
Category
1840s Engraving Landscape Prints
Materials
Paper, Engraving, Aquatint
Lone Tree Schoodic Point, mezzotint print of Maine coastline
Located in Palm Springs, CA
This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...
Category
21st Century and Contemporary Contemporary Engraving Landscape Prints
Materials
Mezzotint
"Dialogue to the Wind" - Intaglio Print by Tomoya Uchida
Located in Soquel, CA
"Dialogue to the Wind" by Tomoya Uchida (American, 20th Century). Plant matter swirls in the air above a minimalist landscape. In the foreground, two bees have landed on a housekey. The sky is subtly textured, creating the impression of passing gusts of wind.
Titled "Dialogue to the Wind" along the bottom edge.
Signed and dated "T. Uchida - 89" in the lower right corner.
Presented in a new light grey mat with foamcore backing.
Mat size: 22"H x 17"W
Paper size: 19.75"H x 13"W
Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...
Category
1980s Contemporary Engraving Landscape Prints
Materials
Paper, Ink, Drypoint
Bernard Sanders, Sledding in Central Park, NYC
Located in New York, NY
Signed in pencil. This scene is a hundred years old but if we have snow this year it can easily be recreated.
Category
Early 20th Century American Modern Engraving Landscape Prints
Materials
Drypoint
Kaiser Wilhelm Memorial Church in Berlin - Drypoint Etching on Paper
Located in Soquel, CA
Kaiser Wilhelm Memorial Church in Berlin - Drypoint Etching on Paper
Detailed drypoint etching by Wolfgang Tritt (German, 1913-1983). The Kaiser Wilhel...
Category
Mid-20th Century Impressionist Engraving Landscape Prints
Materials
Paper, Ink, Drypoint
Edouard Goerg, Untitled, from Alternation, 1946
Located in Southampton, NY
This exquisite etching by Edouard Goerg (1893–1969), titled Sans titre (Untitled), from the album Alternance (Alternation), originates from the 1946 edition published by Le Gerbier, ...
Category
1940s Modern Engraving Landscape Prints
Materials
Engraving
$796 Sale Price
20% Off
Jean Emile Laboureur, Untitled, from Alternation, 1946 (after)
Located in Southampton, NY
This exquisite etching after Jean Emile Laboureur (1877–1943), titled Sans titre (Untitled), from the album Alternance (Alternation), originates from the 1946 edition published by Le...
Category
1940s Modern Engraving Landscape Prints
Materials
Engraving
$716 Sale Price
20% Off
Blueberry Field Near Eggemoggin Beach
Located in Palm Springs, CA
This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement...
Category
21st Century and Contemporary Contemporary Engraving Landscape Prints
Materials
Mezzotint
Allé sous bois - Original Etching and Drypoint on Paper - 1980s
Located in Roma, IT
Image dimensions: 17 x 23 cm.
Allé sous bois is an original artwork realized by Paulette Humbert during the 1980s.
hand-signed on the lower right by Paulette Humbert.
Artist's pro...
Category
1980s Contemporary Engraving Landscape Prints
Materials
Drypoint, Etching
Evening II
Located in New York, NY
"Evening II" is a mezzotint engraving created by Robert Kipniss in 2008. Printed in an edition of 60, this impression is signed in pencil and inscribed “8/60.” The paper size is 12...
Category
21st Century and Contemporary Modern Engraving Landscape Prints
Materials
Mezzotint
Saint Louis en Ile, by JMM Mathieux-Marie
Located in Palm Springs, CA
Medium: drypoint on chine collé
Edition of 180
Image Size: 4.5 X 9 inches
Signed, titled and numbered, from the edition of 180.
A view of a bridge over the Seine River in Paris wit...
Category
1970s Contemporary Engraving Landscape Prints
Materials
Drypoint
Gleizes, Composition, Du cubisme (after)
Located in Southampton, NY
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category
1940s Modern Engraving Landscape Prints
Materials
Drypoint
$6,716 Sale Price
20% Off
Autumn Light, Limited edition print, Landscape, Tree, Nature art
Located in Deddington, GB
Drypoint print onto photolitho printed kitakata with subtle gold ink and mounted onto Hahnemule printmaking paper. This print of a tree uses litho printed kitakata chine collé to dep...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Drypoint, Etching
Armin Landeck, Tenement Walls
Located in New York, NY
The reference number on this work is Kraeft 88. It's from an edition of 100 and is signed, dated, and numbered, in pencil.
Always an intaglio printmaker, Landeck switched from a mor...
Category
Mid-20th Century American Modern Engraving Landscape Prints
Materials
Drypoint
Les Piler, by JMM Mathieux-Marie
Located in Palm Springs, CA
Signed, titled and numbered, from the edition of 180. The base and parapets of a bridge.
Mathieux-Marie was born in Paris in 1947 and has been honored throughout his career with awa...
Category
1970s Contemporary Engraving Landscape Prints
Materials
Drypoint
Slaines Castle - Near Peterhead - Engraving by Robert Brandard - 1845
Located in Roma, IT
Slaines Castle - Near Peterhead is an engraving realized in the 1845 by R.Brandard.
signed on plate.
The artwork is realized in a well-balanced composition.
Category
1840s Modern Engraving Landscape Prints
Materials
Engraving
Queen
s College, Cambridge, engraving by Richard Bankes Harraden
Located in London, GB
Richard Bankes Harraden
Queen's College, Cambridge
Engraving
40 x 54 cm
Inscribed to the bottom: 'Published June 16th 1798 by R. Harraden.'
A late eighteenth-century view of Queens'...
Category
1790s Engraving Landscape Prints
Materials
Engraving
Storm Cloud Over Sand Cove, mezzotint of coastal Maine by James Groleau
Located in Palm Springs, CA
Color mezzotints depicting the landscape of coastal Maine. This is one of eighteen (printed on chine collé) with intimations of the Arts and Crafts Movement from the early twentieth ...
Category
21st Century and Contemporary Contemporary Engraving Landscape Prints
Materials
Mezzotint
Cowdray Castle (with Geese)
Located in Roma, IT
Beautiful proof on vergé crème, signed by the artist in pencil.
Full margins. Ex-coll. H.H. Benedict (Lugt 1298).
Ref. Cat. Harrington 221; Schneiderman 208.
Category
1880s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
ROCKWELL KENT
S STUDIO
Located in Portland, ME
Calapai, Letterio. ROCKWELL KENT'S STUDIO. Wood engraving, 1980. Titled, numbered 7/75 and signed in pencil. 6 x 8 7/16 inches, 153 x 216 mm. In very good condition. Framed.
Category
1980s American Realist Engraving Landscape Prints
Materials
Engraving, Woodcut
No U-Turn
By Art Werger
Located in Palm Springs, CA
Medium: Mezzotint
Year: 2023
Edition: 25
Image Size: 9.25 x 6.25 inches
Art Werger’s prints show a keen observation of quiet and normally unnoticed moments. Pedestrians passing each...
Category
2010s Engraving Landscape Prints
Materials
Mezzotint
Edmone A. Ades - Etching and Drypoint by Edmone A. Ades - Mid 20th Century
Located in Roma, IT
Image dimensions: 9.8 x 14.4 cm.
Les Quais de la Seine is a black and white print realized by Edmone A. Ades in the First Half 20th Century.
Etching and drypoint.
The artwork re...
Category
Mid-20th Century Engraving Landscape Prints
Materials
Drypoint, Etching
Léger, Composition, Du cubisme (after)
Located in Southampton, NY
Aquatint, Engraving on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compag...
Category
1940s Modern Engraving Landscape Prints
Materials
Engraving, Aquatint
$1,436 Sale Price
20% Off
"Coastal Ti Tree" Gums NSW Drypoint Etching in Ink on Paper No. 30/100
Located in Soquel, CA
"Coastal Ti Tree" Drypoint Etching in Ink on Paper No. 30/100
Detailed etching attributed to Ernest Edwin Abbot (British, 1888-1973). Several trees grow along the coast at the edge of the water at Ti Tree, Australia. In the far distance, a mountain range can be seen on the opposite shore.
Titled and numbered "Coastal Ti Tree 30-100" in the left corner.
Signed "G. Cope" in the right corner.
Presented in a new black mat with foamcore backing.
Mat size: 11"H x 14"W
Paper size: 5.5"H x 10.25"W
According to The Centre for Australian Art: Prints + Printmaking, Abbot often produced work under the pseudonym "G. Cope"
Ernest Edwin Abbott was born in 1889 and grew up in Bideford United Kingdom, With his younger siblings Violet, Reginald, Olive and his parents Charles and Sarah Abbott, His Farther worked as a upholsterer.
Abbott decided in 1911 to migrate to Western Australia on the ship Tainui, Settled in Western Australia he then married his wife Florence Radcliffe Olde in 1913 whom also came to Australia in 1912 from Bideford. They had two sons, Reginald Douglas Abbott and Kenneth John Abbott. They moved to South Australia where he taught art at Stott’s for four years. Later in 1920 the family moved to the suburb of Kew in Melbourne Victoria, where he took a studio in Oxford Chambers at 475 Bourke Street. He also built a studio later at his home in Black Rock. In about 1920 or 1930 he took up dry-point etching, and gave up his city studio to concentrate on printmaking at his home. Abbott made his own engraving tools...
Category
Early 20th Century Naturalistic Engraving Landscape Prints
Materials
Paper, Ink, Drypoint
Old Houses in Amsterdam
By T.F. Simon
Located in Fairlawn, OH
Old Houses in Amsterdam
Drypoint, 1909
Signed and dedicated in pencil lower right.
"A Mr. H. A. Webster, bien sympathiquement, T.F. Simon, Paris 26/10"
Simon...
Category
Early 1900s American Impressionist Engraving Landscape Prints
Materials
Drypoint
Newhaven Pier - Engraving by Robert Brandard - 1838
Located in Roma, IT
Newhaven Pier is an engraving on paper realized by R. Brandard in 1838.
The artwork is in good condition.
The artwork is depicted in a well-balanced composition.
Category
1830s Modern Engraving Landscape Prints
Materials
Engraving
$142 Sale Price
40% Off
Landscape - Etching by J. F. Raffaelli - Late 19th Century
Located in Roma, IT
Etching and drypoint. Hand signed.
Very good condition.
Category
Late 19th Century Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Newcastle - Upon - Tyne - Engraving by Edward Frencis Finden - 1845
Located in Roma, IT
Newcastle - Upon - Tyne is an engraving realized in 1845 by E. Finden.
Signed in plate.
The artwork is realized in a well-balanced composition.
Category
1840s Modern Engraving Landscape Prints
Materials
Engraving
Trees - Etching - 20th Century
Located in Roma, IT
Trees is an lithograph on paper realized by an unknown artist in the 20th Century.
The artwork is in good condition.
Category
20th Century Modern Engraving Landscape Prints
Materials
Engraving
$128 Sale Price
40% Off
Demolition in the Plaza del Toro
Located in Palm Springs, CA
From the artists series of sketches in Mexico, showing a Cathedral and dramatic cloudscape in the background, and a destroyed plaza in the foreground.
In 1944 he received a Guggenh...
Category
1940s American Realist Engraving Landscape Prints
Materials
Mezzotint
Autumn Pine, Limited edition print, Landscape, Tree, Nature art
Located in Deddington, GB
This print of a pine tree uses kitakata Japanese tissue chine collé to depict the warmth and colour of early autumnal light. It is then backed onto Hahnemule printmaking paper. The subject matter is from Ashton Court Estate in Bristol. This body of work is based on the book by Suzanne Simard, 'Finding the Mother Tree'. Trees communicate via mycorrhizal fungi to trade water and other nutrients. Ancient and mature trees nurture their offspring via these networks, as well as trading nutrients between other species. Botanist Simard has spent years working on this theory as part of a wider body of work, discovering what it means for forests, the climate and the wider Anthropocene. My work explores the ecological sublime and an appreciation of the majesty of nature. I use detailed intaglio etching, drypoint, lithography and chine collé to draw the viewer into an ethereal landscape that has an impact on our sense of place in relation to the natural world. I use primarily black and white with natural tones of chine collé and sometimes layers of lithographic texture to introduce warmth to the stark palette and to invoke a sublime emotional connection. I work from sketches, photographs, notes and memory to create my prints.
ADDITIONAL INFORMATION:
Black & White, Chine Collé, Drypoint, Drypoint print, Etching, Etching print on Paper
Edition of 20
44 H x 32 W x 1 D cm (17.32 x 12.60 x 0.39 in)
Sold unframed
Image size:
Height: 30cm (11.81 in)
Width: 20cm (7.87 in)
Complete size of sheet
Height: 44cm (17.32 in)
Width: 32cm (12.60 in)
Depth: 1cm (0.39 in)
ARTIST BIOGRAPHY:
Fiona Hamilton is a printmaker based in Bristol. Interested in process she uses a combination of mediums, both traditional and contemporary, to produce unique imagery, often as one off pieces or in small limited editions. She currently works in silkscreen, cyanotype and foil.
Fiona’s artwork draws on a lot of natural themes such as plants, leaves, trees and creatures including lots of birds. She mostly works directly from nature or from photographs she has taken. She regularly lugs a heavy telephoto lens about to get photos of birds...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Drypoint, Etching
Bamborough - Engraving by Edward Frencis Finden - 1845
Located in Roma, IT
Bamborough is an original etching realized in 1845 by W.Finden.
Signed in plate.
The artwork is realized in a well-balanced composition.
Category
1840s Modern Engraving Landscape Prints
Materials
Engraving
$154 Sale Price
35% Off
Pembroke College, Oxford 1705 engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Pembroke College, Oxford (1705)
Engraving
31 x 44 cm
Loggan's view of Pembroke from the second edition of the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Die Zisterne - Vintage Héliogravure by Franz von Bayros - 1921 ca.
Located in Roma, IT
Die Zisterne is a black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924).
From Mappe, a port...
Category
1920s Symbolist Engraving Landscape Prints
Materials
Engraving
Prospect of Oxford 18th century engraving by William Williams
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Early 18th Century Realist Engraving Landscape Prints
Materials
Engraving
Erfüllung - Vintage Héliogravure by Franz von Bayros - 1921 ca.
Located in Roma, IT
Erfüllung is a black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924).
From Mappe, a portfol...
Category
1920s Symbolist Engraving Landscape Prints
Materials
Engraving
Body by Jake, Mark Kostabi
By Mark Kostabi
Located in Fairfield, CT
Artist: Mark Kostabi (1960)
Title: Body by Jake
Year: 1989
Edition: 27/56, plus proofs.
Medium: Mezzotint on Rives BFK paper
Size: 21.25 x 15 inches
Condition: Good
Inscription: Sign...
Category
1980s Pop Art Engraving Landscape Prints
Materials
Mezzotint
$1,800 Sale Price
20% Off
The Nursing - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Nursing is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Good conditions with foxing.
The artwork is realized through s...
Category
Late 19th Century Modern Engraving Landscape Prints
Materials
Engraving, Etching
La Pont de la Tournelle, by JMM Mathieux-Marie
Located in Palm Springs, CA
Medium: drypoint on chine collé
Edition of 180
Image Size: 4.5 X 9 inches
The Pont de la Tournelle links the Ile St-Louis to the Left Bank and is adorned with a giant statue of Sain...
Category
1990s Contemporary Engraving Landscape Prints
Materials
Drypoint
Personal Space
By Art Werger
Located in Palm Springs, CA
Medium: Mezzotint
Year: 2004
Edition: 100
Image Size: 15.5 x 11 inches
Art Werger’s prints show a keen observation of quiet and normally unnoticed moments. Pedestrians passing each ...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Mezzotint
Garden with Henry
By Peter Milton
Located in New York, NY
Peter Milton created this etching and engraving entitled “GARDEN WITH HENRY” in 1993. It is signed, titled, dated, and inscribed “153/250” in pencil under the image. The printed image size is 9.5 x 12 inches and the paper size is 15.5 x 18 inches. The inspiration for this piece came from the Henry James novella “The Aspern Papers” and clearly depicts the Venetian setting. The American-British author Henry James (1843-1916) wrote “The Aspern Papers” first published in 1888.
Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...
Category
1990s Realist Engraving Landscape Prints
Materials
Engraving, Etching
Rainy Day, Queens
By Martin Lewis
Located in New York, NY
Martin Lewis (1881-1962), Rainy Day, Queens, drypoint, 1931, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 94, only state, from the edition...
Category
1930s American Realist Engraving Landscape Prints
Materials
Drypoint
The Quay, Yarmouth - Engraving by Edward Frencis Finden - 1845
Located in Roma, IT
The Quay, Yarmouth is an etching realized in the Early-20th Century by J.Sands.
Signed in plate.
The artwork is realized in a well-balanced composition.
Category
1840s Modern Engraving Landscape Prints
Materials
Engraving
Gene Kloss Original Pencil Signed Etching. Navajo Canyon Cliffs
By Gene Kloss
Located in Phoenix, AZ
Etching and drypoint on paper by famous Taos Artist Gene Kloss (1903-1996).
Title: Navajo Canyon Cliffs. Unframed and un-matted. Kloss #563
Pencil titled lower left. Pencil signed lo...
Category
Late 20th Century Engraving Landscape Prints
Materials
Drypoint
Degas, Conversation, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 6.625 x 5 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the v...
Category
1940s Impressionist Engraving Landscape Prints
Materials
Engraving
$716 Sale Price
20% Off
Fishermen - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Fishermen is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Good conditions with foxing.
The artwork is realize...
Category
Late 19th Century Modern Engraving Landscape Prints
Materials
Engraving, Etching
Scarborough - Etching by Edward Francis Finden - 1845
Located in Roma, IT
Scarborough is an etching realized in 1845 by Edward Francis Finden.
Signed on the plate.
Titled on the lower center, from the series of "Ports of Great Britain"
Good conditions ...
Category
1840s Modern Engraving Landscape Prints
Materials
Engraving, Etching
$142 Sale Price
40% Off
Triumph der Salome - Vintage Héliogravure by Franz von Bayros - 1921 ca.
Located in Roma, IT
Triumph der Salome is a black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924).
From Mappe, ...
Category
1920s Symbolist Engraving Landscape Prints
Materials
Engraving
Cromer - Etching by Edward Francis Finden - 1838
Located in Roma, IT
Cromer is an engraving on paper realized by F.Finden in 1838.
The artwork is in good condition.
The artwork is depicted in a well-balanced composition.
Category
1830s Modern Engraving Landscape Prints
Materials
Engraving
$166 Sale Price
30% Off
Aberdeen - Engraving by Samuel Bradshaw - 1838
Located in Roma, IT
Aberdeen is an Etching on paper realized by S. Bradshaw in 1838.
The artwork is in good condition.
The artwork is depicted in a well-balanced composition.
Category
1830s Modern Engraving Landscape Prints
Materials
Engraving
$142 Sale Price
40% Off
Castle of Holy Island - Engraving by E.Finden - 1845
Located in Roma, IT
Dunstanborough Castle is an Engraving realized in 1845 by E. Finden.
Signed in plate.
The artwork is realized in a well-balanced composition.
Category
1840s Modern Engraving Landscape Prints
Materials
Engraving
$166 Sale Price
30% Off
Engraving landscape prints for sale on 1stDibs.
Find a wide variety of authentic Engraving landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include David Loggan, Adriaen Collaert, David Lucas, and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving landscape prints, so small editions measuring 0.01 inches across are also available