Woodcut Landscape Prints

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

This is a unique woodcut print of a waterfall in a forest in light mint blue against a dark cobalt background. The monotype brings to mind the tradition of Japanese printing...

Kyoka-Tokaido is an original modern artwork realized after Utagawa Hiroshige (1797 – 12 October 1858) in 1925. Woodcut Print Chuban Yokoe Format. Repri...

This exquisite woodcut after Wassily Kandinsky (1866–1944), titled Schwarze Fahne (Black Flag), from the album XXe Siecle, Decembre 1966, originates from the 1966 edition published b...

Black ink on buff Japanese rice paper. This image came from watching the sea birds on Kauai, Hawaii. Soaring along the bluffs on the north shore and diving for fish in the sea. Fish...

Asagiri is a woodcut print realized by Utagawa Hiroshige in 1832.  It is part of the suite "The Fifty-three Stations of Tokaido". Very good condition.

A colorful and attractive hand-colored 19th century woodcut engraving entitled "A Game of Lacrosse" after a drawing by W. H. Hall. It was published in New York in Harper's Weekly on May 10, 1884. It depicts a scene from an intense lacrosse game. This hand-colored woodcut engraving is presented in a red mat that measures 16" high x 20.63" wide. The sheet measures 10.63" high x 15.88" wide. There is a central fold, as issued. The print is in excellent condition. Lacrosse is the oldest sport in North America, possibly originating as far back as the 1400's. The sport was first invented by Native Americans, who originally played it as a means to toughen braves for war or to settle tribal disputes. It was played by between 100 and 1,000 participants at a time. There were no strict boundaries and the game could cover miles and take days to complete. It was very violent with many injuries, which were sometimes fatal. The game was unknown to whites until the 17th century when a Jesuit priest observed Heron Indians playing it. He thought the stick and netting resembled the "crosier" carried by bishops during religious ceremonies, This led to the name "la crosse". A Canadian dentist standardized the rules of the game in 1867 and the 1st college team was created at New York University in 1877. The game gained national attention and popularity in 1956 when the Hall-of-Fame football player Jim Brown...

Woodcut print realized by Hokusai in 1834. From the Series "One Hundred Views of Mount Fuji". Good condition and little signs of aging.

Woodcut on hand made laid paper with the publisher's watermark designed by the artist, full margins. From the special suite of 53 woodcut illustrations which were laid in loose to t...

A Buffalo, New York native, Kevin O'Callahan studied at the Carnegie Institute and worked on the WPA. He is known for his Arts and Crafts period woodcuts and his later industrial sce...

A delightful wood engraving by the artist Sarah Van Niekerk (b.1934) depicting the ruins of Clun Castle and surrounding Welsh countryside. To the lower left fluffy sheep rest in the ...

Blossom Time in Tokyo Color woodcut, 1914 Signed by the artist in pencil on the image (see photo) Signed in the block with the artist red stamp and her initials (see photo) Condition...

Tokyo: Yokoyama Ryohachi, 1892 Woodcut in ink with embossing and hand-coloring in watercolor on handmade mulberry paper, 14 1/2 x 9 7/8 inches (368 x 251 mm), ōban tate-e, the full ...

Woodcut engraving on Vergé Bouffant paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Feu de Joie, 1920. Published and printed by Au Sans Pareil, édi...

In image of the Tokugawa family paying homage to Tosho-gu Shrine in Nikko. Tokyo: Matsuki Heikichi, 1896 Woodcut in ink with embossing and hand-coloring in watercolor on handmade m...

Pierre GUSMAN (1862-1942) Mountain Landscape in Switzerland, 1924 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25 cm (c. 12,7 x 9,5 in) Edited for the 'Imag...

A delightful Japanese woodblock depicting the pagoda of Ninnaji Temple situated in Western Kyoto, Japan. Ninnaji is a big temple of the Shingon Sect. The five-storey pagoda in the gr...

This is a framed hand-colored woodcut engraving entitled "California Gold Diggers - A Scene From Actual Life At The Mines" created by John Andrew and publi...

Camille BELTRAND (1877-1951) Mythological Hunting, 1920 Original woodcut Handsigned in pencil Numbered /105 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the edi...

René Quillivic Brittany : Boats at the Harbour, 1923 Original woodcut Handsigned in pencil Numbered /154 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears...

Herbert LESPINASSE (1884-1972) Seascape : Castel and Sailboats, 1924 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25 cm (c. 12,7 x 9,5 in) Edited for the 'I...

This exquisite woodcut after Wassily Kandinsky (1866–1944), titled Klange (Sounds), from the album XXe Siecle, Decembre 1966, originates from the 1966 edition published by Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1966. Klange reflects Kandinsky’s revolutionary synthesis of sound, color, and emotion, merging visual rhythm and spiritual resonance in a poetic abstraction that embodies the birth of modern non-objective art. Executed as a woodcut on velin paper, this work measures 12.5 x 9.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Wassily Kandinsky (1866–1944) Title: Klange (Sounds), from the album XXe Siecle, Decembre 1966 Medium: Woodcut on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Unsigned and unnumbered as issued Date: 1966 Publisher: Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, Decembre 1966, published by Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris; printed by Mourlot Freres, Paris, 1966 About the Publication: Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs and woodcuts printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. Through XXe Siecle, San Lazzaro preserved the creative spirit of the avant-garde during and after World War II, championing freedom of expression and the evolution of abstraction, surrealism, and modern thought. Over nearly four decades, the journal shaped international taste and defined the intellectual landscape of postwar art publishing. Today, XXe Siecle remains celebrated for its extraordinary synthesis of art, literature, and design, an enduring testament to Gualtieri di San Lazzaro's belief that the visual arts are the soul of the modern age. About the Artist: Wassily Kandinsky (1866–1944) was a visionary Russian-born, later French, painter, printmaker, and pioneering theorist whose quest to translate music and spirituality into pure visual form helped birth abstract art and irrevocably transform the modern aesthetic. Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-based Der Blaue Reiter and later teaching at the prestigious Bauhaus school—fusing his deep interests in Russian icon painting, folk ornament, theosophy, color theory, and the experimental energy of early 20th-century artistic innovation. Influenced by predecessors such as Cezanne, Matisse, and the non-European masks and forms he encountered, Kandinsky worked alongside and in dialogue with contemporaries including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Marcel Duchamp, and Man Ray—artists united by a fearless rejection of conventional representation and a shared impulse toward radical visual invention. His compositions of floating geometric forms, vibrant chromatic symphonies, and lyrical abstractions not only charted new territory for the avant-garde in his own time but also inspired innumerable later artists—from the Abstract Expressionists like Jackson Pollock and Mark Rothko, to the Color Field painters, post-war neo-expressionists, and contemporary abstractionists who continue to echo his bold experimentations with color, line, and composition. Kandinsky’s works remain cornerstone acquisitions for major museums worldwide and prime offerings in the global collector market. His auction record stands with Murnau with Church II (1910), which sold for £37,196,800 (≈$44.9 million) at Sotheby’s, London, on March 1, 2023. Wassily Kandinsky Klange...

Paul BAUDIER (1881-1962) Harvest in the Fields : the Haystacks, 1921 Original woodcut Handsigned in pencil Numbered /125 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind sta...

Signed lower right, 'Charles Surendorf' for Charles Frederick Surendorf (American, 1906-1979), titled lower left, 'State Street, Columbia' and created circa 1960. (Framed Size: 18 x ...

Theo SCHMIED (1900-1985) Paris : Art Inspiration on the City, 1928 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp...

Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print Woodblock print of a procession by Keisai Eisen (Japanese, 1790–1848). Terrific triptych of a procession of...

Amsterdam is an artwork realized by Frans Masereel, 1933. Woodcut print representing Amsterdam. 75 x 55 with frame; 17h x 12 cm each work. Good conditions.

HERMANN-PAUL (1864-1940) Maternity: Hug After a Mistake, 1927 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of t...

Pierre Eugène VIBERT (1847-1902) Wild Dancing in the Forest, 1923 Original woodcut Handsigned in pencil Numbered /105 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp ...

"Covered Bridge Near Columbia" - Woodblock Landscape on Tissue Paper Bold woodblock print by Charles Surendorf (American, 1906-1979). A covered br...

Jean LEBEDEFF (1884-1972) Paris, Old Street in Latin Quarter, 1924 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25 cm (c. 12,7 x 9,5 in) Edited for the 'Ima...

Camille BELTRAND (1877-1951) Peaceful Landscape in Normandy, 1924 Original woodcut Handsigned in pencil Numbered /105 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp ...

Paul BAUDIER (1881-1962) The Old House, 1923 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the editor 'Imagie...

An original woodcut print by the Swiss contemporary artist Maja Zürcher (1945-1997). Signed and dated in pencil to the lower margin. Editioned 3/125. Presented float mounted in a con...

Camille BELTRAND (1877-1951) Wild Forest, 1923 Original woodcut Handsigned in pencil Numbered /105 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the editor 'Imag...

Jean Baptiste VETTINER (1871-1935) Worker in a Landscape with Pine Trees, 1922 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the...

Louis SOULAS (1905-1954) Roman Church near Bordeaux, 1928 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the e...

Maurice ROLLET (1902-1960) Peaceful Cruise on the Canal, 1927 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of t...

LILIAN MILLER (1895 - 1943) LANTERN ON A HILL - NKKO - AUTUMN, 1934 (Brown 104) Color woodcut, signed and dated in ink in the image. Titled in pencil by the artist at lower sheet edge. Circular, 10 inches in diameter. Beautiful fresh impression In very good condition with full margins, sheet 10 5/8 x 10 1/2 inches. Miller carried on a tradition started by woman, Americans Helen Hyde, Berta Lum and Englishwoman Elizabeth Keith, who learned and used Japanese color woodcut making techniques in the first part of the 20th century. Illustrated in "Between Two Worlds - The Life and Art of Lilian May Miller...

Jean Baptiste VETTINER (1871-1935) The Philosophers : Quiet Walk near the Sea, 1928 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bear...

Alexis Kcho Leiva (Cuba, 1970) 'Untitled (Triptych)', 2019 woodcut on paper Velin Arches 300 g. 44.7 x 93.4 in. (113.5 x 237 cm.) Edition of 30 ID: KCH-118 Unframed

Biagio Civale, Italian/American (1936 - ) - Along the Siene River (30), Medium: Woodcut, Signed and Numbered in Pencil, Edition: 5/35, Size: 14 x 16.5 in. (35.56 x 41.91 cm)

SEBASTIAN MUNSTER (1488-1552) FLORENCZ - -- FIGUR UND GELEGENHEIT DER EDLEN UND HOCH BERHÜMPTEN STATT FLORENTZ. . c 1550 (Fauser, #3925.) Woodcut f...

Skadi Engeln, a Berlin- and France-based artist, studied sculpture at FH Ottersberg with Robert van de Laar and painting with Michael Kohr and Hermanus Westendorp. Her work has been exhibited in numerous solo and group shows in cities like Berlin, Düsseldorf, Paris, New York, and more, and is part of international collections. Engeln explores landscape as a dynamic, ever-changing entity dissolving into light, water, and weather, only to reassemble itself. Like painting, landscapes blur the line between the visible and the hidden, revealing deeper truths in their transitions. The horizon plays a central role in her work, both separating and connecting what lies above and below, the seen and the concealed. Rather than decoding these layers, she preserves their mystery and beauty. Since 2001, she has focused on abstract landscape painting. Her recent works depict landscapes veiled by lines, stripes, and distortions, creating a sense of distance, like reflections in a train window...

In The Flow - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman Limited Edition 01/04 This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Immerse yourself i...

New York City native Oscar Weissbuch (1904-1948), attended the Yale University School of Fine Arts and the Art Students League, NY. He participated in the NYC-WPA printmaking project...

Original woodcut of Central Park, dated 1993.

This woodcut print on paper evokes the peacefulness of looking across a stream towards a thicket of trees in a forest in shades of violet, from lilac to dark eggplant purple. The mon...

This large, horizontal diptych of two woodcut prints on paper evokes the peacefulness of ocean waves depicted in shades of blue, bright royal blue offset by soft, pale blue tones. Th...

This exquisite woodcut by Wassily Kandinsky (1866–1944), titled Reiterweg (Rider’s Path), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazz...

Surf Elements - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman Limited Edition 01/04 This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Immerse yourself...

MARY TRAVIS (Active 1935 - 40) LOTUS FLOWER ROEDING PARK. c.1935-40 White line color woodcut. Signed and titled in pencil. Small edition. 10” x 8”. Full sheet. tears in upper margin. Travis worked in Berkeley, California and was probably a follower of William S...

Diptych. This two sheet color woodcut was created by Antonio Frasconi in 1951. Edition 8. Each image size 19 7/16 x 16 7/16" (49.4 x 418 cm) plus margins. Signed and titled in p...

Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...

Surf Play- Surfing Art - Figurative - Woodcut Print By Marc Zimmerman Limited Edition 01/04 This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Immerse yourself in t...

Cheffetz, Asa EARLY MORNING (BROAD BROOK, CONN.) Wood Engraving,1929. Springfield 15. Edition of 100, numbered 32/100, titled, signed, and inscribed "imp" all in pencil. 6 x 6 inches...

This Winslow Homer woodcut engraving entitled "Skating on the Ladies' Skating-Pond in Central Park, New York", was published in Harper's Weekly in the January 28, 1860 edition. It depicts a large number of men, women and children skating on a recently opened pond in Central Park. At the time of publication of this engraving, Central Park was in the early stages of construction. This engraving documents the very early appearance of Frederick Law Olmstead and Calvert Vaux's masterpiece of landscape design. According to Olmsted, the park was "of great importance as the first real Park made in this century – a democratic development of the highest significance". The people of New York were very proud of the plans for their park. It was stated at the time: "Our Park, which is progressing very satisfactorily under the management of the Commissioners, will undoubtedly be, one of these days, one of the finest place of the kind in the world...Those who saw the Park before the engineers went to work on it are amazed at the beautiful sites which have been contrived with such unpromising materials; all fair persons believe that the enterprise is managed with honesty and good taste." Skating was rapidly rising in national popularity in part due to the opening of Central Park’s lake to skaters on a Sunday in December 1858 with 300 participants. The following Sunday it attracted ten thousand skaters. By Christmas Day, a reported 50,000 people came to the park, most of them to skate. There were rules governing who could use the skating pond. “The Ladies’ Pond...

David Everett was born in Beaumont, Texas, and received both his B.F.A. and M.F.A. from The University of Texas in Austin. In 1978, Everett was awarded a Faculty Travel Grant from So...

Shono is an original modern artwork realized after Utagawa Hiroshige (1797 – 12 October 1858) in the 20th Century. Woodcut Print Oban Yokoe Format. Rep...

Woodcut on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Émile Bernard, 1962. Published by Editions d'Art Ma...