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Medium: Woodcut
One Hundred Fifty Feet Down
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, wrote about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses t...
Category
21st Century and Contemporary Contemporary Woodcut Landscape Prints
Materials
Woodcut
Colpire - Original Woodcut by Attilio Giuliani - Early 20th century
Located in Roma, IT
Colpire is an original woodcut print by Attilio Giuliani in the early 20th Century.
Good conditions.
The artwork is depicted through strong strokes in a well-balanced composition
Category
20th Century Modern Woodcut Landscape Prints
Materials
Woodcut
Three Turns - Surfing Art By Marc Zimmerman
Located in Carmel, CA
Three Turns - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourself i...
Category
2010s Contemporary Woodcut Landscape Prints
Materials
Woodcut
"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu
Located in Soquel, CA
"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu
Colorful and expressive court scne by Toyohara Chikanobu,"Yoshu" (Japanese, 1838-1912).
This is the r...
Category
1890s French School Woodcut Landscape Prints
Materials
Ink, Rice Paper, Woodcut
Orleans (New Orleans) - Original Woodcut - 1848
Located in Roma, IT
Image dimensions: 8.3 x 13.7 cm.
Orleans is a beautiful black and white xylograph on paper, realized in 1848 by Biyandt.
Signed on plate on the lower right margin. Title in German on plate, on lower margin at the center and in Gothic font.
With an excellent game of lights and shadows and a good final effects of tones, this original print representing a colonial building in the New Orleans city...
Category
1840s Modern Woodcut Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
"Mine Shaft", Soviet Union: An Early 20th C. Woodcut Engraving by Abramovitz
Located in Alamo, CA
This is a signed woodcut engraving entitled "Mine Shaft" created by Albert Abramovitz in 1935, after a trip to the Soviet Union. It depicts two Russian workers constructing a mine sh...
Category
1930s Woodcut Landscape Prints
Materials
Woodcut
THE RETURN
Located in Portland, ME
Pellew, Claughton (British, 1890-1966). THE RETURN. Ashmolean 17. Wood engraving, 1925. Edition of 25. Initialed in the block, and titled, signed, dated and...
Category
1920s Woodcut Landscape Prints
Materials
Woodcut
Gauguin, Offerings of Gratitude (Maruru), Gauguin (after)
By Paul Gauguin
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
$716 Sale Price
20% Off
Joseph Zirker, Playhouse
Located in New York, NY
In the 1950s woodcuts started to get bigger and bigger as they competed with paintings for a space on the wall. This California print by Joseph Zirke...
Category
1950s American Modern Woodcut Landscape Prints
Materials
Woodcut
$960 Sale Price
20% Off
"Subway Construction, Moscow": An Early 20th C. Woodcut Engraving by Abramovitz
Located in Alamo, CA
This is a signed woodcut engraving entitled "Subway Construction, Moscow" created by Albert Abramovitz in 1935, after a trip to the Soviet Union. It depicts many Russian workers acti...
Category
1930s Woodcut Landscape Prints
Materials
Woodcut
"Concrete Mixer, Moscow": Early 20th C. Woodcut Engraving by Albert Abramovitz
Located in Alamo, CA
This is a woodcut engraving entitled "Concrete Mixer, Moscow" by Albert Abramovitz created in 1935 after a visit to the Soviet Union. It depicts three Russian workers talking in front of a wooden structure housing a cement mixer...
Category
1930s Woodcut Landscape Prints
Materials
Woodcut
Landscape from Fugaku Hyakkei-Woodcut Print by Katsushika Hokusai-1878
Located in Roma, IT
Landscape from "Fugaku hyakkei" is an original modern artwork realized after Katsushika Hokusai (31 October 1760 – 10 May 1849).
Original Woodcut print from the series "Fugaku hyakkei" (100 views of Mount Fuji). From the second posthumous edition 1878.
Passepartout is included.
Publisher Eiraku Toshiro.
Sheet dimensions: 24 x 26 cm.
Good conditions. Signs of age and wear.
Hokusai created the monumental Thirty-Six Views of Mount Fuji both as a response to a domestic travel boom in Japan and as part of a personal obsession with Mount Fuji.
Landscape from "Fugaku hyakkei" is an original modern artwork realized by Katsushika Hokusai (31 October 1760 – 10 May 1849) in the Second half of the XIX Century. Katsushika Hokusai (31 October 1760 – 10 May 1849) known simply as Hokusai, was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. Hokusai is best known for the woodblock print series Thirty-Six Views of Mount Fuji which includes the internationally iconic print The Great Wave off Kanagawa...
Category
19th Century Modern Woodcut Landscape Prints
Materials
Woodcut
Serpent cubiste, Vingt fables de La fontaine, Jacques Villon
Located in Southampton, NY
Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...
Category
1960s Modern Woodcut Landscape Prints
Materials
Woodcut
$716 Sale Price
20% Off
The Old Trees (Art Deco) - Original wooodcut, Handsigned
Located in Paris, IDF
Charles Picart le Doux
The Old Trees (Art Deco), 1925
Original woodcut
Handsigned in pencil
Numbered /160
On vellum 32.5 x 25.5 cm (c. 13 x 10 in)
Bears the blind stamp of the edito...
Category
1920s Art Deco Woodcut Landscape Prints
Materials
Woodcut
Frank Taylor - Framed Mid 20th Century Woodcut, Conistone, Wharfedale
Located in Corsham, GB
Frank Taylor- original woodcut. Inscribed, signed and dated (1940) to the lower margin. Presented in a fine black frame with a crisp white mount. On paper.
Category
20th Century Woodcut Landscape Prints
Materials
Woodcut
$251 Sale Price
20% Off
Autumn Trees Close Up - Woodblock Print on Paper #12/15
Located in Soquel, CA
Autumn Trees Close Up - Woodblock Print on Paper #12/15
Abstracted landscape detail woodblock by Janet Wheeler (American, 1922-2001). This piece shows abstracted details of trees in autumn. There are branches cutting across the scene, which is full of vibrant yellow and orange.
Numbered "12/15" in the lower left corner.
Signed "Janet P Wheeler...
Category
Late 20th Century American Impressionist Woodcut Landscape Prints
Materials
Paper, Ink, Woodcut
Gauguin, Be in Love and You will be Happy, Gauguin (after)
By Paul Gauguin
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
$716 Sale Price
20% Off
Still Life with a Pipe and a Pichet - Original wooodcut, Handsigned
Located in Paris, IDF
Demetrios Galanis
Still Life with a Pipe and a Pichet, 1926
Original woodcut
Handsigned in pencil
Numbered /160
On vellum 32.5 x 25.5 cm (c. 13 x 10 in)
Bears the blind stamp of the...
Category
1920s Modern Woodcut Landscape Prints
Materials
Woodcut
The Pilgrimage Procession to Kinryuzan Temple at Asakusa in the Eastern Capital
By Kuniyasu
Located in Soquel, CA
Japanese Parade - Woodblock Print
Japanese woodblock print by Utagawa Kuniyasu (歌川 国安) (Japan, 1794–1832). Japanese women, dressed in blue and red kimonos, are the focal point. A vi...
Category
Mid-19th Century Edo Woodcut Landscape Prints
Materials
Paper, Ink, Woodcut
Tsukuda Sumiyoshi no Yashiro - Woodcut by Hiroshige II - 1853
Located in Roma, IT
Tsukuda Sumiyoshi no yashiro (Sumiyoshi Shrine on Tsukuda Island) is the original title of this superb ten colour woodblock print on paper, by the Japanese master, Utagawa Hiroshige ...
Category
1850s Woodcut Landscape Prints
Materials
Woodcut, Paper
Sailing by Moonlight
Located in Palm Springs, CA
Pencil signed and numbered from the edition of 102. This traditional color woodcut of a sailing boat on a brightly lit moonlight night off the California coast shows Schwaberow great...
Category
2010s Contemporary Woodcut Landscape Prints
Materials
Woodcut
Héron au bord de la riviè, Vingt fables de La fontaine, Henri de Waroquier
Located in Southampton, NY
Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...
Category
1960s Modern Woodcut Landscape Prints
Materials
Woodcut
Meishoe - Woodcut by Utagawa Hiroshige II - 1860s
Located in Roma, IT
Meishoe is an artwork realized in the 1865 by Utagawa Hiroshige II (Ni-daime Utagawa Hiroshige, 1826 – 17 September 1869).
Woodcut Print Oban Format.
From the series "Suehiro gojus...
Category
1860s Modern Woodcut Landscape Prints
Materials
Woodcut
Les deux maitresses, Vingt fables de La fontaine, Léonor Fini
By Leonor Fini
Located in Southampton, NY
Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...
Category
1960s Modern Woodcut Landscape Prints
Materials
Woodcut
$796 Sale Price
20% Off
Sumiyoshi: Dengaku dance performed during an Onda ceremony - Woodblock Print
Located in Soquel, CA
Sumiyoshi: Dengaku dance performed during an Onda ceremony - Woodblock Print
Bright woodblock print by Utagawa Hiroshige (Japanese, 1797-1858). In this scene, two dancers with swords and fans are facing each other, in the center of a courtyard. There are spectators surrounding them, including nobles in black clothing on a balcony.
Presented in a new off-white mat with foamcore backing.
Mat size: 16"H x 20"W
Paper size: 9.63"H x 14.5W"
Utagawa Hiroshige (1797-1858, sometimes called Ando Hiroshige) was the second of the two great masters of the Japanese landscape woodblock print...
Category
1830s Edo Woodcut Landscape Prints
Materials
Ink, Rice Paper, Woodcut
Iris at Dusk
Located in San Francisco, CA
This artwork titled "Iris at Dusk" 1980 is an original color woodblock print with embossing by American artist Daniel Joshua Goldstein, b.1950....
Category
Late 20th Century American Realist Woodcut Landscape Prints
Materials
Woodcut
Open Gate
Located in San Francisco, CA
This artwork titled "Open Gate" c.1925 is an original color woodcut by renown Australian/British artist John Hall Thorpe, 1874-1947 It is hand signed ...
Category
Early 20th Century Impressionist Woodcut Landscape Prints
Materials
Woodcut
Eduardo Chillida, Untitled, from Derriere le Miroir, 1968
Located in Southampton, NY
This exquisite woodcut by Eduardo Chillida (1924–2002), titled Sans titre (Untitled), originates from the historic 1968 folio Derriere le Miroir, No. 174. Published by Maeght Editeur...
Category
1960s Modern Woodcut Landscape Prints
Materials
Woodcut
$716 Sale Price
20% Off
Gauguin, The Creation of the Universe (L
Univers est créé), Gauguin (after)
By Paul Gauguin
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
$716 Sale Price
20% Off
‘Corvids Watching’
By Sasa Markinkov
Located in Bournemouth, Dorset
‘Corvids Watching’ 2020
Image 49.5 x 44.5 cm
woodcut
(available from edition of 40. 35 prints
Artist’s statement
My preferred method of making images is through relief printmaking. I like exploring this expressive language in a dialogue between positive and negative, representation and abstraction, control and accident. I use lino...
Category
2010s Naturalistic Woodcut Landscape Prints
Materials
Woodcut
$424 Sale Price
20% Off
Gauguin, The Long Night (Te Po), Gauguin (after)
By Paul Gauguin
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
$716 Sale Price
20% Off
L
Hirondelle et les petits oiseaux, Vingt fables de La fontaine, Lila de Nobili
Located in Southampton, NY
Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...
Category
1960s Modern Woodcut Landscape Prints
Materials
Woodcut
Apartment 12
By Julian Opie
Located in Washington, DC
Artist: Julian Opie
Title: Apartment 12
Portfolio: 2021 Apartments
Medium: Woodcut on Somerset Velvet 300gsm
Date: 2021
Edition: 8/20
Sheet Size: 10 3/4" x 28 3/4"
Signature: Hand si...
Category
2010s Contemporary Woodcut Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
Le vieillard et les trois jeunes, Vingt fables de La fontaine, Maurice Brianchon
Located in Southampton, NY
Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...
Category
1960s Modern Woodcut Landscape Prints
Materials
Woodcut
Phebus et Borée, Vingt fables de La fontaine, Roger Chapelain-Midy
Located in Southampton, NY
Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...
Category
1960s Modern Woodcut Landscape Prints
Materials
Woodcut
Le lion et le moucheron, Vingt fables de La fontaine, Hugues Christian Caillard
Located in Southampton, NY
Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...
Category
1960s Modern Woodcut Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
View of Mount Fuji - Woodcut after K. Hokusai - 1878
Located in Roma, IT
View of Mount Fuji is a modern artwork realized after Katsushika Hokusai (31 October 1760 – 10 May 1849).
Woodcut print from the series "Fugaku hyakkei" (100 views of Mount Fuji). ...
Category
1870s Modern Woodcut Landscape Prints
Materials
Woodcut
$338 Sale Price
25% Off
Lungotevere in Rome - Woodcut by A. Rossini - Early 20th Century
Located in Roma, IT
"Landscape" is an original xilograph on ivory-colored paper, realized by Angelo Rossini.
The state of preservation of the artwork is very good.
The signature of the Artist, on the ...
Category
Early 20th Century Woodcut Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
Eduardo Chillida, Untitled, from Derriere le Miroir, 1968
Located in Southampton, NY
This exquisite woodcut by Eduardo Chillida (1924–2002), titled Sans titre (Untitled), originates from the historic 1968 folio Derriere le Miroir, No. 174. Published by Maeght Editeur...
Category
1960s Modern Woodcut Landscape Prints
Materials
Woodcut
$716 Sale Price
20% Off
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Woodcut Landscape Prints
Materials
Woodcut
Woodcut landscape prints for sale on 1stDibs.
Find a wide variety of authentic Woodcut landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, yellow, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Marc Zimmerman, Eve Stockton, Carol Summers, and Utagawa Hiroshige. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Woodcut landscape prints, so small editions measuring 0.01 inches across are also available