1970s Landscape Prints

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph II, from the album Joan Miro Lithographs, Volume III 1964–1969, originates from the 1977 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, April 15, 1977. Lithograph II reflects Miros poetic mastery of line, movement, and color, capturing his lifelong pursuit of visual rhythm and lyrical abstraction. Combining spontaneity and control, this composition embodies Miros signature balance of playful geometry and poetic energy—translating instinct and imagination into a harmonious field of motion and light. Executed as a lithograph on velin paper, this work measures 12.5 x 9.625 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship and technical mastery of Mourlot Freres, Paris, one of the foremost printmaking ateliers of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Lithograph II, from the album Joan Miro Lithographs, Volume III 1964–1969, 1977 Medium: Lithograph on velin paper Dimensions: 12.5 x 9.625 inches (31.8 x 24.4 cm) Inscription: Unsigned and unnumbered as issued Date: 1977 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne Des Livres Illustres. P. Cramer, 1989, illustration 230. Miro, Joan, and Patrick Cramer: Volume VI 1976–1981. Maeght, 1992, illustration 1114. Condition: Well preserved, consistent with age and medium Provenance: From the album Joan Miro Lithographs, Volume III 1964–1969, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, April 15, 1977 Notes: Excerpted from the album, Final printing in Paris on 15th April 1977 at Arte Adrien Maeght press. The wide margin lithographs as well as the supplementary lithographs were printed by the Mourlot press. V̅ examples of this English language edition, numbered I-V̅, have been printed. A deluxe edition of CL examples, numbered 1-CL, with II additional original lithographs signed by Joan Miro, and LXXX suites, numbered I-LXXX, containing the VIII original lithographs on velin with wide margins and with each lithograph signed by the artist, have also been printed. About the Publication: Joan Miro Lithographs, Volume III 1964–1969, published in 1977 by Maeght Editeur, Paris, represents the third installment in the definitive four-volume series documenting Miros original lithographic oeuvre. Printed by Mourlot Freres and completed on April 15, 1977, the album chronicles a pivotal decade in Miros artistic evolution—one marked by the synthesis of lyrical abstraction, calligraphic gesture, and radiant color that defined his mature style. The volume includes eight original lithographs, each printed under Miros supervision, demonstrating the technical excellence and chromatic brilliance characteristic of his late work. With essays, documentation, and scholarly commentary, the album stands as both a visual and historical testament to the collaboration between Miro, Maeght Editeur, and Mourlot Freres, whose joint contributions elevated fine art lithography to an unparalleled standard of creativity and craftsmanship. As part of the celebrated Maeght archive of artist albums, Volume III captures the enduring vitality of Miros vision and the timeless spirit of his contribution to modern art. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sotheby's, London, on June 19, 2012. Joan Miro Lithograph II...

Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...

Unknown Artist, in the style of Felix Vallotton - The Other Side, Year: 1974, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 16/80, Image Size: 15 x 21 inch...

OUT WEST is a hand drawn original lithograph by the artist Ari Gradus printed in 13 colors using traditional hand printmaking techniques on archival Arches paper 100% acid free. OUT ...

Artist: Peter Max (1937) Title: Angel Year: 1978 Edition: 234/250, plus proofs Medium: Silkscreen on Fabriano Rosapina paper Size: 22 x 30 inches Condition: Good Inscription: Signed ...

This exquisite lithograph by Wifredo Lam (1902–1982), titled Personnage (Figure), from the album XXe siecle, Nouvelle serie, XXXVIe Annee, No. 42, originat...

A North Carolina native, the African-American Romare Bearden spent most of his career in New York City. For several decades he was a social worker in Harlem. But of course he traveled widely, read and studied with great care, and created a phenomenal body of work. This 1971 lithograph is a good example of his oeuvre -- far reaching though it may be. It speaks to his skill and knowledge of contemporary printmaking while featuring a complex subject representative of his interests. A lush jungles is packed with flora and fauna. 'Green Snake' is part of the title and there is a particularly winsome reptile showing up so well on the sand-colored border between the dense forest and the aquamarine water. There are of course many other land and sea animals showing themselves -- even a curious ginger cat...

Original American Airlines San Francisco vintage travel poster. Artist: Dong Kingman, 1970s linen-backed authentic travel poster, ready to frame. Grade A- condition. Size 20...

Unique screen print on paper. Hand signed and numbered on verso. Published by David Whitney, New York, with the ‘HOTEL MARQUETTE PRINTS’ ink stamp on the reverse. Feldman & Schellman...

Lloyd Lozes Goff, American (1918 - 1982) - Woodstock, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 19 x 23 inches, Size: ...

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

This exquisite lithograph by Alberto Magnelli (1888–1971), titled Musique (Music), from the album XXe Siecle, Nouvelle serie, XXXIIIe Annee, No. 37, Decembre 1971, originates from th...

Artist: Joan Miro (1893-1983) Title: Le Lézard Aux Plumes D'or: Plate I (Mourlot 803; Cramer 148) Year: 1971 Edition: H.C.; 195, plus proofs Inscription: Signed and inscribed ‘H.C.’ ...

Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...

Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...

This exquisite lithograph by Henry Moore (1898–1986), titled Reclining Figure, from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San Lazzaro and His Friends, Tribute to the Founder of the Journal XXe Siecle), originates from the 1975 edition published by XXe siecle, Paris, and printed by Curwen Studio, London, October 1975. Reclining Figure embodies Moore’s lifelong fascination with the human form in repose—a theme that became central to his sculptural and graphic work. Through elegant contours and balanced abstraction, the composition captures the harmony between body, landscape, and spirit that defined Moore’s artistic vision. Executed as a lithograph on velin d'Arches paper, this work measures 10.5 x 14 inches (26.67 x 35.56 cm). Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of the Curwen Studio in London, a distinguished atelier celebrated for its collaborations with the leading modern artists of the postwar period. Artwork Details: Artist: Henry Moore (1898–1986) Title: Reclining Figure, from San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle, 1975 Medium: Lithograph on velin d'Arches paper Dimensions: 10.5 x 14 inches (26.67 x 35.56 cm) Inscription: Unsigned and unnumbered as issued Date: 1975 Publisher: XXe siecle, Paris Printer: Curwen Studio, London Catalogue raisonne references: Moore, Henry, et al. Henry Moore, Catalogue of Graphic Work. Gerald Cramer, 1986, illustration 366. Condition: Well preserved, consistent with age and medium Provenance: From the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle, published by XXe siecle, Paris, October 1975 Notes: Excerpted from the folio (translated from French), Finished printing in Paris in October 1975. This album has been printed on velin d'Arches in DLXXV numbered examples. The LXXV original examples include a series of VIII original lithographs, signed and numbered by the artists. In addition, LV examples were printed for artists, authors, friends and collaborators of XXe siecle. The typography is from l'Imprimerie Union in Paris; the lithographs of Max Bill, Marc Chagall, Hans Hartung, Braque, Fontana, Magnelli, Picasso, Magritte and Poliakoff were printed by Fernand Mourlot in Paris; those of Alexander Calder and Joan Miro by l'imprimerie Arte in Paris; that of Max Ernst by Pierre Chave in Vence; that of Zao Wou-Ki by ateliers Bellin in Paris; and that of Henry Moore by the Curwen Studio in London. About the Publication: San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San Lazzaro and His Friends, Tribute to the Founder of the Journal XXe Siecle), published in 1975 by XXe siecle, Paris, represents one of the most significant collaborative tributes in modern art publishing. Created in honor of Gualtieri di San Lazzaro, the visionary editor and founder of the journal XXe Siecle, the folio unites original lithographs by the greatest modern masters—Picasso, Chagall, Miro, Calder, Hartung, Moore, and others. Printed by premier ateliers such as Mourlot, Arte, Bellin, and Curwen, the portfolio celebrates the spirit of artistic collaboration and innovation that defined mid-20th-century modernism. About the Artist: Henry Moore (1898–1986) was a British sculptor, draftsman, and modernist pioneer whose monumental bronzes and organic abstractions revolutionized 20th-century sculpture and made him one of the most influential artists of his time. Renowned for his reclining figures, mother-and-child compositions, and pierced biomorphic forms inspired by nature, Moore transformed traditional carving into a universal language of rhythm, balance, and humanity. Born in Castleford, Yorkshire, he studied at the Leeds School of Art and the Royal College of Art in London, absorbing the influences of classical sculpture, African and Pre-Columbian art, and the radical innovations of the European avant-garde. Inspired by Pablo Picasso’s Cubist fragmentation of form, Joan Miro’s lyrical biomorphism, Wassily Kandinsky’s spiritual abstraction, and Constantin Brancusi’s purity of shape, Moore developed a style rooted in the harmony between mass and void, structure and space. During the interwar years, he became part of an international circle that included Alexander Calder, Alberto Giacometti, Salvador Dali, Marcel Duchamp, and Man Ray—artists who, like Moore, expanded art’s boundaries through abstraction, surrealism, and conceptual experimentation. Like Calder, Moore explored balance and movement; like Giacometti, he sought the spiritual essence of humanity; and like Dali and Duchamp, he challenged perception and redefined modern form. His sculptures, carved in stone or cast in bronze, evoke both ancient and modern sensibilities—forms that appear to breathe with natural vitality while engaging directly with their surrounding landscapes. Moore’s “Shelter Drawings” (1940–41), created during the London Blitz, revealed his deep empathy for the human condition, marking a pivotal moment in his exploration of resilience and vulnerability. By the mid-20th century, Moore’s monumental bronzes had become landmarks around the world, from the Lincoln Center in New York to the UNESCO headquarters in Paris, embodying timeless symbols of endurance, renewal, and unity. His synthesis of organic abstraction and humanism influenced generations of sculptors including Barbara Hepworth, Isamu Noguchi, Eduardo Paolozzi, Antony Gormley, Anish Kapoor, and Rachel Whiteread. Like Kandinsky and Miro, he believed abstraction could transcend culture and time, while like Duchamp and Man Ray, he embraced experimentation as a pathway to new truths. Moore’s works, housed in major collections including the Museum of Modern Art in New York, the Tate in London, the Guggenheim Museum, and the Art Institute of Chicago, continue to define the landscape of modern sculpture for their elegance, power, and emotional depth. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Henry Moore remains a cornerstone of modern art—a sculptor whose vision united nature, form, and spirit into a universal language of beauty and meaning. His highest auction record was achieved by Reclining Figure: Festival (1951), which sold for $33.1 million USD at Christie’s, London, on June 30, 2016, reaffirming Henry Moore’s enduring legacy as one of the most visionary, influential, and collectible sculptors in the history of modern art. Henry Moore Reclining Figure...

Title: Die Zauberflöte (Mourlot CS. 38), The Metropolitan Opera Year: 1973 Medium: Lithograph on wove paper Size: 39.5 x 25.75 inches Notes: From the opening of Mozart's 'The Magic F...

Artist: Larry Zox (1937-2006) Title: Three Square Composition Year: 1978 Edition: VII/LX; 200 Arabic Numeral, 60 Roman Numeral, plus proofs Medium: Silkscreen on Arches paper Size: 2...

This exquisite collotype after Max Ernst (1891–1976), titled Eve la seule qui nous reste (Eve, the Only One Left to Us), from the album Max Ernst, Histoire Naturelle (Natural History...

Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...

NOTRE QUARTIER is a hand drawn original lithograph by the artist Ari Gradus printed in 13 colors using traditional hand printmaking techniques on archival Arches paper 100% acid free...

Alex Katz (b. 1927) has been dedicated to art-making since the 1950's - however, it wasn't until the 60's when he established his signature 'flat' figurative style. Over the succeedi...

This exquisite lithograph by Wifredo Lam (1902–1982), titled Totem, from the album XXe siecle, Numero special, Wifredo Lam, Nouvelle serie, XLIe Annee, No. 52, originates from the 19...

This exquisite lithograph after Georges Braque (1882–1963), titled Oiseau sur fond de X (Bird on Background of X), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San Lazzaro and His Friends, Tribute to the Founder of the Journal XXe Siecle), originates from the 1975 edition published by XXe siecle, Paris, and printed by Mourlot Freres, Paris, October 1975. Oiseau sur fond de X exemplifies Braque’s late-career mastery of poetic symbolism and formal harmony. The composition’s abstracted bird—one of Braque’s most enduring motifs—emerges from an intricate background of interlocking shapes and textures, expressing his lifelong fascination with balance, serenity, and the unity between nature and form. Executed as a lithograph on velin d'Arches paper, this work measures 10.5 x 14 inches (26.67 x 35.56 cm). Unsigned and unnumbered as issued. The edition reflects the exceptional craftsmanship of Mourlot Freres, the legendary Parisian atelier known for its collaborations with Braque, Picasso, Chagall, and Matisse. Artwork Details: Artist: After Georges Braque (1882–1963) Title: Oiseau sur fond de X (Bird on Background of X), from San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle, 1975 Medium: Lithograph on velin d'Arches paper Dimensions: 10.5 x 14 inches (26.67 x 35.56 cm) Inscription: Unsigned and unnumbered as issued Date: 1975 Publisher: XXe siecle, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Vallier, Dora, et al. Braque, the Complete Graphics: Catalogue Raisonne. Translated by Robert Bononno, Gallery Books, 1988, illustration 122. Condition: Well preserved, consistent with age and medium Provenance: From the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle, published by XXe siecle, Paris, October 1975 Notes: Excerpted from the folio (translated from French), Finished printing in Paris in October 1975. This album has been printed on velin d'Arches in DLXXV numbered examples. The LXXV original examples include a series of VIII original lithographs, signed and numbered by the artists. In addition, LV examples were printed for artists, authors, friends and collaborators of XXe siecle. The typography is from l'Imprimerie Union in Paris; the lithographs of Max Bill, Marc Chagall, Hans Hartung, Braque, Fontana, Magnelli, Picasso, Magritte and Poliakoff were printed by Fernand Mourlot in Paris; those of Alexander Calder and Joan Miro by l'imprimerie Arte in Paris; that of Max Ernst by Pierre Chave in Vence; that of Zao Wou-Ki by ateliers Bellini in Paris; and that of Henry Moore by the Curwen Studio in London. About the Publication: San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San Lazzaro and His Friends, Tribute to the Founder of the Journal XXe Siecle), published in 1975 by XXe siecle, Paris, was conceived as a landmark tribute to Gualtieri di San Lazzaro, the visionary founder of the celebrated art journal XXe Siecle. The folio unites original lithographs by leading masters of modern art—Braque, Picasso, Chagall, Miro, Calder, Hartung, Moore, and others—printed by premier Parisian ateliers including Mourlot, Arte, Bellini, and Curwen. Representing the creative spirit and internationalism of postwar modernism, this edition stands as one of the great artistic collaborations of the 20th century. About the Artist: Georges Braque (1882–1963) was a French painter, printmaker, sculptor, and collagist whose visionary innovations and lifelong pursuit of balance, structure, and poetic form made him one of the most influential figures in 20th-century art. Born in Argenteuil-sur-Seine and raised in Le Havre, Braque began as a decorative painter before studying at the Ecole des Beaux-Arts and the Academie Humbert in Paris, where he absorbed the vibrant colorism of the Fauves and the structural logic of Paul Cezanne. His encounter with Pablo Picasso in 1907 led to one of the most groundbreaking collaborations in art history—the invention of Cubism—a movement that redefined visual perception by fragmenting form, rejecting single-point perspective, and reconstructing reality into a multidimensional experience. Between 1908 and 1914, Braque and Picasso revolutionized painting through Analytical Cubism, a style characterized by muted palettes, overlapping planes, and a focus on underlying structure rather than surface appearance. In 1912, Braque pioneered papier colle, the first use of collage in fine art, incorporating wallpaper and printed paper into his compositions and forever changing the relationship between art and the material world. After World War I, he returned to painting with renewed sensitivity, developing a lyrical and introspective form of Synthetic Cubism distinguished by harmony, rhythm, and a meditative sense of stillness. His still lifes, musical instruments, and interior scenes became metaphors for balance and contemplation, uniting intellect and emotion in perfect equilibrium. Immersed in the Parisian avant-garde, Braque worked alongside and exchanged ideas with Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom shared his passion for redefining the boundaries of modern art. His innovations in form, collage, and spatial construction deeply influenced later artists, including Jean Dubuffet, Nicolas de Stael, Henry Laurens, Ellsworth Kelly, Richard Diebenkorn, and Jasper Johns, shaping the course of postwar abstraction and modern design. In 1961, Braque became the first living artist to have a solo exhibition at the Louvre, a recognition of his monumental impact on modern aesthetics. His works are now housed in major museums worldwide, including the Museum of Modern Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris, and remain sought after for their intellectual depth and timeless serenity. His highest auction record was achieved by Paysage a la Ciotat, which sold for $15.8 million at Sotheby’s, New York, in 2013, reaffirming Georges Braque’s legacy as one of the founding architects of Cubism and a master whose art continues to define the modern age. Georges Braque Oiseau...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 12 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio...

Artist: Ron Kleemann, American (1937 - ) Title: Gas Line from the CityScapes Portfolio Year: 1981 Medium: Serigraph on Somerset Paper, signed and number...

Lithograph on vélin de Rives paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: Published and printed by Bank Street Atelier, New York, 1973. I...

Artist: Alexander Calder (1898-1976) Title: Convection, Braniff International Airways Flying Colors Collection Year: 1975 Medium: Lithograph on vélin d’Arches paper Size: 20 x 26 inc...

Lloyd Lozes Goff, American (1918 - 1982) - French Road, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 24 x 16.5 inches, Size: 2...

AFTERNOON STROLL is a hand drawn original lithograph by the artist Ari Gradus printed in 13 colors using traditional hand printmaking techniques on archival Arches paper 100% acid fr...

This exquisite lithograph by Roberto Matta (1911–2002), titled Le Soleil Noir de la Melancolie (The Black Sun of Melancholy), from the album XXe siecle, Nouvelle serie, XXXVIIe Annee...

Flight Susan Hall, American (1943) Date: 1978 Aquatint Etching, signed and numbered in pencil Edition of 78 Image Size: 21.5 x 28 inches Size: 28 in. x 35 in. (71.12 cm x 88.9 cm)

Juan Genovés Candel (Spanish, 1930-) Painter, illustrator, and graphic printmaker engraver. He painted 'El abrazo' ('the embrace'), which became an emblematic poster during the Spanish political transition. He was born in Valencia in 1930. The son of Juan Genovés Cubells, an artisan whose family was close to the labor movement. His mother Maria Candel Muñoz came from a family of practicing Catholics. In 1946 Genovés studied at the Escuela de Bellas Artes de San Carlos in Valencia and then settled in Madrid. He set up the 'Los Siete' group together with other artists in 1949, and the following year he travelled to Madrid, where he was influenced by the works by Fra Angélico and Hieronymus Bosch in the Prado Museum. In 1957 he had his first solo exhibitions in the gallery Alfil, Madrid and in the Museo d'Arte Moderna, Havana. He is considered the most important representative of modern Spanish painting. His images, executed in a politically engaged, critical realism...

This exquisite lithograph after Rene Magritte (1898–1967), titled Les Bijoux indiscrets (The Indiscreet Jewels), from the album San Lazzaro et ses Amis, Hommage au fondateur de la re...

This exquisite collotype after Max Ernst (1891–1976), titled Systeme de monnaie solaire (System of Solar Currency), from the album Max Ernst, Histoire Naturelle (Natural History), or...

Artist: John Chamberlain (1927-2011) Title: Flashback VI Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 151/175, plus proofs Size: 28 x 20 inches Inscription: Signed ...

Artist: Earnie Barnes (1938-2009) Title: Destination Unknown Year: 1979 Medium: Lithograph on archival paper Size: 25 x 19.5 inches Edition: 120/300, plus proofs Condition: Good Insc...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

Original Rick Griffin Canablis vintage psychedelic European Limited Edition, numbered and in excellent condition. The first printing done in the US was about 14” x 20” in size, but you get the full impact of this in the larger European size format. Printed in 1967, Rick Griffin’s plate signature is in the lower right corner. The edition number is in the lower left-hand corner. Bold, playful, and unmistakably psychedelic, this limited European edition of Rick Griffin’s “Canablis — Pipe & Cigarette Tobacco” bursts with high-contrast color, hand-tooled lettering, and a lush still life framed by swaying palms. Griffin’s eye-popping typography and layered iconography channel the late-60s poster...

Lloyd Lozes Goff, American (1918 - 1982) - French Gothic, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 24 x 18 inches, Size: 2...

Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...

Landscape is an original lithograph on cardboard, realized by Mario Sportelli. The state of preservation is very good. Hand-signed on the lower right Artist's proof. Sheet dimens...

Artist: James Rosenquist (1933-2017) Title: Gravity Feed, State II (Glenn 147-A) Year: 1978 Medium: Etching, aquatint, stencil on Pescia Italia paper Edition: 12/78 Size: 22.75 x 40 ...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1970 folio Derriere le Miroir, No. 180, published by Maeght Editeur, Paris...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1970 folio Derriere le Miroir, No. 180, published by Maeght Editeur, Paris...

Camille HILAIRE Mountain torrent Original lithograph Handsigned in pencil On Vellum 40 x 30 cm (c. 16 x 12 in) Excellent condition

Artist: Romare Bearden (1911-1988) Title: Brass Section (Gelburd/Rosenberg 70-77) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 110/175, plus proofs Size: Paper Size...

Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...

Muhammad Ali, American (1942 - 2016) - Under the Sun, Year: 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 500, Image Size: 18 x 24 inches, Size: 22 in. x 27...

Etching realized by Giuseppe Malandrino in the early 1970s. Hand-signed by the artist in pencil on the lower right corner. Edition of 199 Excellent condition.  This artwork repre...

ANDRÉ BRASILIER (1908-1992) AUTOMNE FINLANDAIS, 1977 Lithograph on wove paper Annotated "épreuve d'artiste" low left Singed low right Image 46 x 64 cm Frame 76 x 92 x3 cm Y. Le Pi...

Leopard Silhouette Caroline Schultz, American (1936–2004) Date: 1979 Lithograph, signed and numbered in pencil Edition of AP 50 Image Size: 18 x 24 inches Size: 23 in. x 28 in. (58.4...

Salvador Dalí Whoever Takes Carmen Away Must Pay with His Life 1970 (from Carmen): Lithograph in colors on Arches paper. 25.5 x 19.8 inches (64.8 x 50.5 cm). Good overall vintage ...

This exquisite lithograph by Max Ernst (1891–1976), titled Hommage a San Lazzaro (Homage to San Lazzaro), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe...

This poster by James McMullan provides a detailed look into the wildlife of a seemingly barren grassland, revealing the hidden diversity of species that thrive within this unique eco...

Antonio Peticov, Brazilian (1946 - ) - Mitocondria, Year: 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 150, Image Size: 22 x 26.5 inches, Size: 23.5 x 27.5...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller." Taos New Mexico Vintage...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph XI, from the album Joan Miro Lithographs, Volume I, originates from the 1972 edition published by Tudor Publishi...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...

Artist: Salvador Dali (1904-1989) Title: Jardin biologique (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Organic garden, Imaginations and Objects of the ...