1970s Landscape Prints

This signed lithograph, Gables Waterway by Kenneth Nedorost, captures the tranquil elegance of a waterside scene in refined duo tones of grey and black. The composition’s calm surfac...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph VIII, from the album Joan Miro Lithographs, Volume I, originates from the 1972 edition published by Tudor Publis...

Artist: Salvador Dali (1904-1989) Title: Télévision liquide et gazeuse (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Liquid and carbonated television, Im...

Medium: Etching Edition of 120 Year: 1977 ImageSize: 2.5 x 4.5 inches Signed, titled and numbered etching from the edition of 90. A bemused ram stands by in the center, while God is...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph VI, from the album Joan Miro Lithographs, Volume I, originates from the 1972 edition published by Tudor Publishi...

This exquisite lithograph by Zao Wou-Ki (1920–2013), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, XXXIIIe Annee, No. 37, Decembre 1971, originates from th...

Original Amtrak Southwest Amtrak … Takes You Clear Across America vintage travel poster. Amtrack … Takes You Clear Across America tr...

This exquisite collotype after Max Ernst (1891–1976), titled Le Start du chataignier (The Chestnut Trees Take-Off), from the album Max Ernst, Histoire Naturelle (Natural History), or...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Paul Wunderlich created a series of 12 lithographs,Twilight together with his wife,...

Original Ireland Pictorial Map, archival linen-backed, Grade A, ready to frame. This poster has no restoration, vibrant colors, and numerous details. Browne and Nolan Limited printed...

Artist: James Rosenquist (1933-2017) Title: Rouge Pad, State II (Glenn 134-A) Year: 1978 Medium: Etching, aquatint, stencil on Pescia Italia paper Edition: 21/78 Size: 22.75 x 40 inc...

Original EXPO ’74 World’s Fair Spokane, USA calendar. Archival linen backed and in excellent condition, ready to frame. As a World’s Fair calendar, you would expect this item to be r...

Guy Charon, French (1927 - 2021) - View of Florence, Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Image Size: 18 x 22 inches, Size: 22 x 3...

The iconic Canadian image of a moose— ‘the Monarch of the North’ is captured in this early serigraph by Charles Pachter. The black outline of a moose is viewed plunging off a cliff i...

Original. SNCF Snowman Ski travel by French Railways poster. Archival linen backed and ready to frame. Je prefere le train SNCF For my snow vacations, I prefer the train, SNCF. T...

This exquisite lithograph after Fernand Leger (1881–1955), titled Le Port, Amerique (The Port, America), originates from the 1970 folio Fernand Leger mes voyages avec un poeme d'arag...

This exquisite lithograph by Joan Miro (1893–1983), titled Hommage a San Lazzaro (Homage to San Lazzaro), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe...

This exquisite lithograph by Marc Chagall (1887–1985), titled Devant St-Jeannet (Before St-Jeannet), from the album Les Ceramiques et Sculptures de Chagall (The Ceramics and Sculptur...

Urbain HUCHET Montmartre : Cabaret du Moulin Rouge, 1970 Original lithograph Handsigned in pencil Numbered / 295 copies Size 19 x 27 cm (c. 7,4 x 10,6 in) Excellent condition

This exquisite lithograph after Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Tapis De Tarragona, illustrations, Joan Miro (Tarragona Tapestry, Illustrations), ...

"2 Lovely Strangers" - Pop Art Multi-layer Screenprint Highly saturated multi-layer screenprint by Steve J. Pon (20th Century). Two figures stand in the middle of a coastal landscap...

Mati Klarwein, German (1932 - 2002) - Tennis Balls, Year: 1978, Medium: Lithograph, signed and numbered in pencil, Edition: H.C. 23, Image Size: 23 x 23 inches, Size: 25 x 25 i...

Paul Cezanne Trees and houses, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 53.5 x 41.5 cm (c. 21 x 16.5 in) INFORMATION...

Camille HILAIRE Torrent in the Woods Original lithograph Handsigned in pencil On Vellum 40 x 30 cm (c. 16 x 12 in) Excellent condition

Printer’s ink from rubber stamp on vélin Kilmurray paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Published b...

Original North Coast Wine Country California vintage vineyard travel poster. The artist Earl Thollander. Size 24.25” x 30”. Archival linen backed in good condition. Grade A- A repaired tear along the bottom was restored during linen backing and is inconspicuous. Celebrate Your Passion for Wine: Show off your love for wine culture while honoring California's North Coast’s rich history as one of the world’s premier wine regions. This poster represents the artistry and heritage behind each glass of wine you enjoy. Capture the Essence of California Wine Culture in 1975 Transport yourself to the golden era of wine-making with this authentic vintage 1975 North Coast Wine Country poster, a must-have for those who love wine, history, and timeless art. Featuring a design that exudes classic California vineyard...

This exquisite collotype after Max Ernst (1891–1976), titled L’Evade (The Fugitive), from the album Max Ernst, Histoire Naturelle (Natural History), originates from the 1972 edition ...

Europe on bicycles vintage serigraph poster. Professionally linen-backed and ready to frame in mint condition. Images shown are of the exact poster you will receive. The 1972 Austria travel poster...

Henri ROUSSEAU (called Le Douanier ROUSSEAU) Paris : Seine River and Notre Dame Church Stone lithograph after a painting (Mourlot workshop) Printed signature in the plate Justified ...

This exquisite lithograph by Max Ernst (1891–1976), titled Apres-moi (After Me), from the album XXe siecle, numero special hors abonnement, Hommage a Max Ernst, originates from the 1...

Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish. [Milton 98]. Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...

Nicolas de Staël (after) Paris : Seine River with Eiffel Tower Stone lithograph after a painting Printed in Mourlot workshop On Arches vellum 50 x 65 cm (c. 20 x 26 inch) Excellent...

This exquisite collotype after Max Ernst (1891–1976), titled Petites tables autour de la terre (Little Tables Around the Earth), from the album Max Ernst, Histoire Naturelle (Natural...

This exquisite woodcut after Wassily Kandinsky (1866–1944), titled Planche, Folio 12 (Plate, Folio 12), from the album XXe Siecle Paris, Hommage a Wassily Kandinsky, originates from ...

This exquisite lithograph by Marc Chagall (1887–1985), titled La Ferme et le Ciel Bleu (The Farm and the Blue Sky), from the folio Derriere le miroir, No. 225, originates from the 19...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph IV, from the album Joan Miro Lithographs, Volume I, originates from the 1972 edition published by Tudor Publishi...

A classic Rosenquist pop art composition with gold, turquoise, purple, pink, blue, green and yellow. Characteristically surreal and graphic, Rainbow incorporates bold geometric forms with painterly washes of color and airbrush texture. Rosenquist's signature gleaming metallic chrome texture can be seen on an inverted fork behind the glass of a golden window. Paper 25.25 x 30.25 in. / 64 x 77 cm Image 17 x 21.5 in. / 43 x 54.5 cm Lithograph with screenprint on cream-coloured Hodgkinson handmade Wookey Hole paper. Edition of 75 with 8 color trial proofs: this impression 8/8. Signed and dated 1972 lower right in pencil; titled, numbered 8/8 and labeled Color Trial Proof lower left in pencil. This graphic, colorful scene is based on Rosenquist’s 1962 oil painting of the same name, collected in the Museum Ludwig in Cologne. The artist used real glass and wood to construct windows for the original painting – here, house siding is abstracted to bold, black horizontal lines, and the window glass is printed in dark gold ink. At the top of the composition, a window with shutters pushed open is colored in turquoise, with sharp black shadows. The left-hand window pane is shattered, and to the right, the outline of an oversized...

This exquisite lithograph by Marino Marini (1901–1980), titled Miracolo (Miracle), from the album XXe Siecle, Nouvelle serie, XXXII Annee No. 35, Decembre 1970, originates from the 1...

Colorful Lithograph of Horse Race – Jockey on Norse No. 6 by Serge Medjisky, original poster: Linen-backed printer's proof without text of the horse race. In the lower right are the ...

Medium: Etching Edition of 100 Year: 1971 ImageSize: 16 x 11.5 inches Signed, titled and numbered etching from the edition of 100. An humorous look at Adam and Eve surrounded by ani...

Carl Andre Handwritten Letter to the Artist's Parents, 1974 Letter handwritten with black marker on postmarked, stamped postcard (hand signed by Carl Andre) Boldly signed @ - the art...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...

Ed Ruscha Nine Swimming Pools and a Broken Glass (HAND SIGNED), 1976 Limited Edition Artist's Book Boldly signed by Ed Ruscha on the first front end page 7 × 5 1/2 inches This is the...

An original hand-signed print by the Greatest Of All Time, Muhammad Ali. Sting Like a Bee Muhammad Ali, American (1942–2016) Date: 1979 Screenprint, signed and numbered in pencil ...

Signed, titled and numbered by the artist, edition of 30. This Imaginary topiary and garden scene is the smallest that Houtin completed. . François Houtin was born in Craon en Maye...

This exquisite lithograph after Kees van Dongen (1877–1968), titled La Matchiche (La Matchiche), from the folio Fauves, VII (Fauves, VII), Collection Pierre Levy, 1972, originates fr...

Signed lower right, 'Hirano' for Yoshito Hirano (Japanese, born 1938) and created circa 1970; titled, verso, 'Mimosa Tree Restaurant'. Paper dimensions: 28 x 23 inches. A verticall...

Signed lower right, 'Georges Lambert' (French, 1919-1998) and inscribed lower left with number and limitation, '238/270'. Georges Lambert first studied in Paris at the Academie de l...

This exquisite lithograph after Andre Derain (1880–1954), titled Nature morte aux Poissons (Still Life with Fish), from the folio Andre Derain entre 1935 et 1949, V (Andre Derain bet...

Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...

Hans-Georg Rauch, German (1939 - 1993) - The Galleons Suite - Untitled #2, Year: 1977, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 27 in. x ...

This exquisite collotype after Max Ernst (1891–1976), titled Le Repas du mort (The Repast of Death), from the album Max Ernst, Histoire Naturelle (Natural History), originates from t...

SOUVENIRS is an original, hand drawn stone lithograph by the French artist Andrée Bordeaux Le Pecq(1910-1973) printed using hand lithography techniques on archival printmaking paper ...

This exquisite lithograph by Max Ernst (1891–1976), titled Coelacanthe (Coelacanth), from the album XXe Siecle, Nouvelle serie, XXXVIe Annee, No. 42, Juin 1974, originates from the 1974 edition published by Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Pierre Chave, imprimeur, Vence, 1974. Coelacanthe reflects Ernsts poetic, textural, and dream-infused Surrealist language at a mature moment in his career. Executed as a lithograph on velin paper, this work measures 12.5 x 9.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Pierre Chave, imprimeur, Vence. Artwork Details: Artist: Max Ernst (1891–1976) Title: Coelacanthe (Coelacanth) Medium: Lithograph on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Unsigned and unnumbered as issued Date: 1974 Publisher: Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Pierre Chave, imprimeur, Vence Catalogue Raisonne Reference: Ernst, Max, et al. Max Ernst: Graphische Welten: Die Sammlung Schneppenheim. DuMont, 2003, illustration 252. Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, Nouvelle serie, XXXVIe Annee, No. 42, Juin 1974, published by Societe Internationale dArt XXe Siecle, Paris; printed by Pierre Chave, imprimeur, Vence, 1974 About the Publication: Gualtieri di San Lazzaros XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs and woodcuts printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. The 1960 issue, XXe Siecle, Nouvelle serie, No. 14, showcased Daphnis et Chloe, one of Chagalls most celebrated lithographic subjects, coinciding with his work on the monumental suite of lithographs inspired by the same pastoral tale, published by Teriade. Through this publication, San Lazzaro further cemented Chagalls reputation as the modern poet of color and love, uniting myth, nature, and emotion in visual form. Today, XXe Siecle remains an essential record of 20th century modernism, celebrated for its seamless integration of fine art, literature, and design. About the Artist: Max Ernst (1891–1976) was a German-French painter, sculptor, printmaker, and poet whose groundbreaking imagination and experimental techniques made him one of the most revolutionary figures of 20th century art, a founding member of both Dada and Surrealism who dismantled traditional notions of art through chance, dream imagery, and psychological exploration; born in Bruhl, Germany, he studied philosophy and psychology at the University of Bonn before rejecting academic convention to pursue art, inspired by the Symbolists, Cubists, and the early abstractions of Pablo Picasso and Wassily Kandinsky; the trauma of World War I propelled him toward the Dada movement in Cologne in 1919, where he began creating collages that fused scientific diagrams and Victorian engravings into surreal dreamscapes; by 1922 he had moved to Paris and joined an avant-garde circle that included Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Marcel Duchamp, Man Ray, and Andre Breton, each sharing his fascination with the irrational and the unseen; Ernsts invention of frottage (rubbing) and grattage (scraping) revolutionized modern painting by allowing chance to participate in creation, revealing hidden textures and subconscious imagery; his visionary paintings, such as The Elephant Celebes, Two Children Are Threatened by a Nightingale, and Europe After the Rain II, blend myth, science, and dream into symbolic landscapes that remain defining masterpieces of Surrealism; expanding into sculpture, he crafted enigmatic totemic forms such as Capricorne that bridge organic abstraction and surreal fantasy, echoing the equilibrium of Calders mobiles and the conceptual wit of Duchamp; fleeing Nazi-occupied France during World War II, he emigrated to the United States with the support of Peggy Guggenheim, influencing the emerging Abstract Expressionists, including Jackson Pollock, Robert Motherwell, and Willem de Kooning; returning to Europe after the war, he refined an alchemical, poetic approach to painting that inspired later artists such as Anselm Kiefer, Robert Rauschenberg, Cy Twombly, and Kiki Smith; represented in major museums including MoMA, the Tate, and the Centre Pompidou, Ernst remains a cornerstone of modern art whose limitless curiosity reshaped visual language. His highest auction record was achieved by Le roi jouant avec la reine (The King Playing with the Queen) (1944), which sold for approximately 24.4 million USD at Christies New York in November 2022. Max Ernst Coelacanthe XXe Siecle 1974, Max Ernst lithograph...

Robert Petersen The Clocktower Exhibition (Hand signed and inscribed), 1979 Offset lithograph poster (hand signed and warmly inscribed) Warmly signed and inscribed "For Marilyn Love ...

An original hand-signed print by the Greatest Of All Time, Muhammad Ali. Guiding Light Muhammad Ali, American (1942–2016) Date: 1979 Screenprint, signed and numbered in pencil Edi...

This exquisite lithograph by Paul Wunderlich (1927–2010), titled Frau mit Lorbeer (Woman with Laurel), from the album XXe Siecle, Nouvelle serie, XXXIXe Annee, No. 48, originates fro...

 Ponte S. Niccolò, Florence is an artwork realized in 1979, by the Italian Artist Michele Cascella. Colored lithograph on paper of the Portfolio "Landscape", 1979, with six original lithograph and the poems of Franco Simongini titled "Twenty Landscapes 1953-1960" Hand-signed on the lower right in pencil and numbered edition of 59/125 ex. Lower right blind stamp of the Printer Graphis Art, Livorno The state of preservation of the artwork is very good. Michele Cascella (Ortona, 7 September 1892 - Milan, 31 August 1989) was an Italian twilight painter and landscape painter. Over the course of his long artistic life which spanned almost eight decades of intense activity, Cascella has been able to maintain a unique, unmistakable style which is practically immune to the contamination of the pictorial currents and avant-gardes of the twentieth century. His works, including canvases, panels, pastels and drawings, are exhibited in numerous Italian and international museums, including the Victoria and Albert Museum[1] in London, the Galerie nationale du Jeu de Paume in Paris, the National Museum of History and Art in Luxembourg, the Musée d'Art Moderne in Brussels and the De Saisset Art Gallery of the University of Santa Clara in...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph VII, from the album Joan Miro Lithographs, Volume I, originates from the 1972 edition published by Tudor Publish...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...