Miniature Still-life Prints

This piece titled "Ancient Walls of Flowers" is a limited edition piece by Kate VanVliet and is made from intaglio with soft ground on Rives BFK, artist-made frame. This piece is an ...

monotype EV —edition variée 1/4 with heavy hand coloring in mixed media. Plate/image is 10 x 10 inches. Paper dimension is 18 x 18 inches. Pink, blue and white candy still life of B...

12 copper mezzotints printed on Hahnemulle paper in an edition of 12. This is impression #5 The 12 complementary mezzotints are included in boxed portfolio Graduated from the Natio...

"Triangle & Cross" (FRAMED) Lithograph 9" x 12" in (1972) by Zaccaria Zeini Medium: lithograph Signed and dated Zaccaria El Zeini (1932 - 1993) was raised in the popular district ...

"Candle Light" is a lithograph signed, dated, titled and editioned in pencil. It is #2 from an edition of 65 and was an exclusive publication of Stone and Press. Shadow and light are...

intaglio with a la poupée on Somerset paper, unframed, edition of 6 Please message us directly if you are interested in a framed print. Bio // Katie VanVliet is a sculptor and printmaker based in Philadelphia, PA. Found and collected objects are the main component of her work, as the drawn components of her prints and the physical components of her sculptures and installations. After studying at Moore College of Art & Design, she founded BYO Print as a collective studio with the mission to keep artists printing on their own time, within a reasonable budget. More than 30 printmakers have been involved with the shop over the years, with 15 current members. She studied with Shelley Thorstensen at Moore as well as at Printmakers' Open Forum in Oxford, PA. She occasionally teaches workshops about about using reclaimed objects effectively in an art practice. In her studio, she is interested in engaging her audience in narrative. Like many artists, she has always been a collector of things. Aside from unique curiosities, she collects leftovers of routines and rituals, and incorporates them into ongoing bodies of work, most notably, the pill project. "The Only Reason I'm Still on The Pill is for the Art Project" began in 2006, when classmates started giving her empty birth control...

This exquisite lithograph after Fernand Leger (1881–1955), titled Le deux figures (The Two Figures), from the folio Derriere le miroir, No. 79-81, originates from the 1955 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1955. This composition exemplifies Leger’s rhythmic balance of color, form, and movement, translating the mechanical vitality of modern life into a harmonious, humanized geometry. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Le deux figures (The Two Figures), from the folio Derriere le miroir, No. 79-81 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1955 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 79-81, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1955 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght's belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for 39,241,000 USD at Sotheby’s, New York, on May 7, 2008. After Fernand Leger Le deux figures 1955, Leger Derriere le miroir No. 79-81, Leger Mourlot...

A stylised woodcut by the collectable Australian artist John Hall Thorpe. Signed in pencil to the lower right. Mounted in a painted green frame with a green mount behind glass. On pa...

This piece titled "Like a Pen VE 10/18" is a variable edition piece by Kate VanVliet and is made from hand-colored etching on Rives BFK with an artist-made frame. This piece is an ed...

This exquisite lithograph by Jules Cavailles (1901–1977), titled Interieur a la Fenetre (Interior by the Window), from the folio Les Peintres mes amis (The Painters My Friends), orig...

This is a rare 17th century engraving of a plant entitled "Amolago" by the Dutch botanist Hendrik van Rheede tot Drakenstein, plate 16 from his 'Hortus Indicus Malabaricus' (Garden of Malabar), published in Amsterdam in 1686 by Johann van Someren. The engraving depicts the Amolago plant, a large leafed plant, possibly corresponding to the present day aglaonema plant. Rheede's 19th century publication featured illustrations of exotic plants and fruits labelled with script in the upper right corner in Latin, Malay, Arabic, and Sanskrit. Hortus Indicus Malabaricus is believed to be the earliest comprehensive published work on the flora of Asia and the tropics. The 17th century treatise featured important illustrations of 740 plants of the region, including Indian medicinal plants. The engraving is printed on 17th century laid, chain-linked paper. The sheet measures 14.75" high by 17.25" wide. There is a central fold, as issued. There are a few tiny spots and there is minimal irregularity of the left edge of the paper where the print was previously bound in the 17th century publication. The print is otherwise in very good condition. There are additional Rheede botanical engravings from his 'Hortus Indicus Malabaricus' publication that are listed on my 1stdibs storefront and online website. These would make for an impressive display grouping. A discount is available for purchase of two or more of the prints. Hendrik Adriaan van...

'Snowy Feverfew' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateu...

'Large-Leaved Saxifrage' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professo...

Silverprint photograph, 1973 (printed later). Signed by the artist in pencil, lower right. Titled and numbered 2/90 in pencil in lower left. Published in 1987 by Palm Press. Full...

Mezzotint print. Edition of 18, signed, titled and numbered by the artist. Caulfield has exhibited his prints, drawings, installations and artist’s books extensively throughout Cana...

This exquisite lithograph after Rene Magritte (1898–1967), titled Sans titre (Untitled), from the album Poems 1923-1958, Dix dessins de Rene Magritte (Ten Drawings by Rene Magritte),...

Artist: William Curtis (English, 1746-1799) Title: Set of Six Hand-Colored Engravings Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1803-1819 (Second series) M...

Printed signature, upper right, '池田瑞月' for Ikeda Zuigetsu (Japanese, 1877-1944). Framed dimensions: 14.75 x 20 inches. Born in Kanazawa, Zuigetsu Ikeda was a naturalist and horticu...

Shadow of Her Former Self Photograph of Found Objects Printed in Cyanotype Panel is 10 x 8 inches, 12 x 10 inches framed Wire backing, ready to hang Signed, verso (lower right) Sok...

AIRPLANE is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arches ...

This piece titled "(Love's) Ring of Fire" is a limited edition piece by Kate VanVliet and is made from intaglio with aquatint, soft ground, and drypoint on Rives BFK. This piece is a...

This exquisite lithograph after Georges Braque (1882–1963), titled Le Bouquet (The Bouquet), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, originates from ...

A Buffalo, New York native, Kevin O'Callahan studied at the Carnegie Institute and worked on the WPA. He is known for his Arts and Crafts period woodcuts and his later industrial sce...

'Acarna Theophrasti' and 'Acer Campestre minus' Mezzotint printed in colours. Circa 1740. From Johann W Weinmann's Phytanthoza Iconographia, published in Regensburg 1737-45. The fi...

Hand signed and numbered. Edition of 125 prints. Ref.: Catalogue D.Vallier pag.284 Passepartout included : 69 x 49 cm Very good conditions. Georges Braque (Argenteuil, 1882 – Paris...

'Auge des Menschen' (Human Eye) German wood-engraving, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

Peaches, Copper-line engraving with later hand-colouring, from Duhamel du Monceau’s 'Traité des Arbres Fruitiers', circa 1770. Duhamel du Monceau (1700-1782) was one of outstanding ...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

This exquisite lithograph after Georges Braque (1882–1963), titled Feuillage noir (Black Foliage), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, originates...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Vicki McKenna’s “Hydrangea/Remembrance” is a 8 x 10 inches (image size), 14 x 16 inches (matted size), handcrafted, platinum/palladium, photographic print. The contemporary black an...

Cosmic Flowers is an original hand drawn lithograph by Peter Max printed using traditional hand lithography techniques on archival Arches paper, 100% aci...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 115, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...

Pamela Bianco, 'Fruit Piece', lithograph, c. 1925. Signed and titled in pencil. Signed in the stone, lower left. Annotated 'No. 8' in pencil, upper right...

Moise KISLING Table of Summer Fruits Original Lithograph On Arches vellum 28 x 38 cm (c. 11 x 15 inches) Very good condition

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

This exquisite lithograph after Henri Matisse (1869–1954), titled La Palme (The Palm), from the folio Les Peintres mes amis (The Painters My Friends), originates from the 1965 editio...

Flowerpot is anartwork realized by Giuseppe Margutti in the mid-20th Century. Oil on canvas cardboard, cm 24,5x20 Sign at the bottom to the left. Framed. Good conditions! G...

Lithograph on vélin paper. Paper Size: 12 x 9 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, View, Surrealism in Belgium, vol. VII, n°2, D...

'Cymbidium Eburneum – The Ivory Cymbidium' Orchid lithograph with original hand-colouring , 1859, by Walter Hood Fitch (1817-1892). 25cm by 15.5cm (sheet...

This exquisite lithograph after Georges Braque (1882–1963), titled Cafe-Bar, originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute ...

Still life is a vintage offset print, realized in 1929 reproducing the original watercolor by Giorgio Morandi. Very Good conditions.

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Les Reines-Marguerites (The Daisies), from the album Vlaminck, originates from the 1958 edition published by A...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...

This Art Print on recycled paper features a soccer image for the one's who love the game. The contemporary and timeless aesthetic makes it perfect for a child's room or sports room. ...

KATSUNORI HAMANISHI (b.1949) SITUATION X (S. 32) Mezzotint Signed, titled and numbered 6/90 in pencil. 13 1/4 x 11 5/8 inches, sheet 18 1/4 x 14 1/2 inches. Excellent condition. She...

'262. Helvella pityophila 263. Helvella crispa 264. Helvella elastica' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique,"...

Max Oppenheimer, After, Austrian (1885 - 1954) - Stilleben mit Obstschale, Year: circa 1925, Medium: Screenprint, Edition: Test Print, Image Size: 8 x 11.25 inches, Size: 12.75 ...

Mary Frank Rosh Hashanah 5741, 1980 Lithograph on arches paper with deckled edges Hand signed and numbered 9 from the limited edition of 71 by the artist on the front 15 × 18 inches ...

This piece titled "Like a Pen VE 6/18" is a variable edition piece by Kate VanVliet and is made from hand-colored etching on Rives BFK with an artist-made frame. This piece is an edi...

Lithograph on vélin paper. Paper Size: 12.5 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Calder. Published and printed by Musée National d'A...

This striking hand-colored botanical mezzotint and line engraving is entitled "Gnaphalium, Gossypium (Cotton Plant)". It is plate 551 in Johann Weinmann's monumental publication "Phy...

This is an early 18th century hand-colored copperplate engraving of the anatomy of a Cedar Flower citrus fruit by Johann Christoph Volkhamer, entitled "Cedro di fiore e Sugo doppia (...

These works were printed in November 1967 by Fernand Mourlot, master lithographer in Paris.

This piece titled "La Mer VE 3/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...