Miniature Still-life Prints

Clinton Adams, 'September Still Life', lithograph, 1956, edition 20. A superb impression, on cream wove paper, with full margins (1 1/2 to 3 1/8 inches);...

Framed 24.50 x 21 in No. 366 in the Catalogue Raisonne of Chagall's lithographs Framed with museum-quality archival materials, including museum glass which filters out 99% of harmf...

Print is singed, dated and numered. It comes from limited edition of 50 copies JOANNA WISZNIEWSKA DOMAŃSKA (born in 1946) graduated from the Academy of Fine Arts, Faculty of Graphic...

Greetings card hand written in pencil, with a phototype print sgne "Chem 1953". Very good condition.

"Six-Day War" (FRAMED) Abstract Lithograph 10" x 13" in (1967) by Zaccaria Zeini Medium: lithograph Signed and dated Zaccaria El Zeini (1932 - 1993) was raised in the popular dist...

Dancer is an artwork realized by the Italian artist  Renato Guttuso  (Bagheria, 1911 – Rome, 1987) in 1954. Phototype print. Good condition. Italian title on the back "Ballerina"....

Antique 19th century fern colour woodblock by Benjamin Fawcett after AF Lydon. From Edward J. Lowe’s 'Ferns: British and Exotic', 1867. Accompanied by a sheet of descriptive text. ...

London: Scatcherd & Whitaker, 1784. Etching with hand coloring in watercolor on cream wove paper, 7 1/2 x 10 (190 x 255); sheet 16 1/4 x 22 (414 x 560 mm), full margins. In good cond...

This exquisite lithograph after Rene Magritte (1898–1967), titled Sans titre (Untitled), from the album Poems 1923-1958, Dix dessins de Rene Magritte (Ten Drawings by Rene Magritte),...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie S.A., var. 1 (Series S.A., Variation 1), from the album Henri Matisse, Dessins, Themes et Variations (Drawings...

Gary Hume Pinks 2002 Silkscreen 17 3/8 x 14 inches; 44 x 36 cm Edition of 45 Signed, titled, dated and numbered in graphite (lower recto) Frame available upon request Available fr...

This exquisite lithograph by Bernard Buffet (1928–1999), titled Les ombelles (The Umbels), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collab...

This exquisite offset lithograph with collage additions after Jasper Johns (born 1930), titled Target, from the album Technics and Creativity, Gemini G.E.L., 1971, originates from th...

This piece titled "Like a Pen VE 5/18" is a variable edition piece by Kate VanVliet and is made from hand-colored etching on Rives BFK with an artist-made frame. This piece is an edi...

Set of Nine Floral Colored Prints Each print is unframed and measures 14 x 11 inches. A range of floral bouquets and plants - ideal for many interior design projects. Condition:...

Mussard, Léopold Costume design for a 13th century Arbalétrier. Paris: 1836. Etching with hand coloring in watercolor on cream wove paper, 5 1/2 x 8 9/16 inches (138 x 216 mm), full...

This exquisite lithograph after Rene Magritte (1898–1967), titled Sans titre (Untitled), from the album Poems 1923-1958, Dix dessins de Rene Magritte (Ten Drawings by Rene Magritte),...

Created by Surrealist Fanny Brennan from 1992-96, Still Life with Pear is a lithograph in colors on wove paper. Hand-monogrammed in pencil and numbered from the edition of 250, the a...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie G, var. 3 (Series G, Variation 3), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

'Spotted Dead Nettle' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor o...

'Forced Shrubs' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.

La Bouteille is a lithograph after a graphic work first realized by Georges Braque in 1911. Good conditions. This print is from the portfolio Derrière Le Miroir No. 138 p.7. Edited...

Bernard BUFFET Small blue primrose Stone lithograph (printed in Mourlot workshop) Printed signature in the plate On Arches vellum c. 8 x 6" (20 x 15 cm) REFERENCE : Catalog raisonn...

This exquisite lithograph and pochoir after Henri Laurens (1885–1954), titled Nature morte (Still Life), from the album XXe Siecle, Nouvelle serie N°6 (double), Janvier 1956, origina...

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

A striking botanical woodcut by the well-listed artist Clare Leighton (1898-1989). Beautifully presented in a simple wooden frame with a cream mount. On paper. Image size: 18 x 12.5cm.

This exquisite lithograph after Alberto Giacometti (1901–1966), titled Fleurs (Flowers), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collabor...

Amsterdam I is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade and is bo...

'Hardy Phloxes' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.

Brad Davis's "Ohio River Spider" is an oil painting on wood panel, measuring 12 x 18 inches unframed and 14 x 20 inches framed. This striking depiction portrays an expansive, deeply ...

Amsterdam II is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade and is b...

Botanical lithograph with original hand-colouring , 1873, by Walter Hood Fitch (1817-1892). 145mm by 235mm (sheet) Walter Hood Fitch was a Scottish...

“Nature creates nothing without the purpose” - Aristotele #flower; still life, flora, conceptual, transparency, prime colours, anthurium, red, yellow, green, warm colours, golden, se...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, In Memory of My Feelings,...

This exquisite lithograph and pochoir after Albert Gleizes (1881–1953), titled Les Baigneuses (The Bathers), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (C...

An image that originally appeared in an astrological calendar for the year 1766. Tokyo: Shuei-Sha, 1766. Woodblock print in colors printed on laid mulberry paper, 10 3/4 x 7 7/8 in...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Nature morte aux pommes (Still Life with Apples), from the album Vlaminck, originates from the 1958 edition pu...

These works were printed in November 1967 by Fernand Mourlot, master lithographer in Paris.

Moka with Lemons by Kenny Harris archival giclee print of an original painting printed with archival pigment inks on cotton rag paper 11 x 14 inches signed & numbered edition of 50 ...

Moka with Stripes by Kenny Harris archival giclee print of an original painting printed with archival pigment inks on cotton rag paper 9 x 12 inches signed & numbered edition of 50 ...

Materials Hand pulled screen print in colors on Canson rag fine art paper, hand signed and numbered by the artist. Size 18 × 18 in 45.7 × 45.7 cm Rarity Limited edition Medium Pri...

This is one print from a series of 5 that comprised the CINQ JARDINS ,CINQ SENS (five gardens, five senses), with texts and poems by Federico Garcia Lorca. The image relates to soun...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 221, originates from the 1976 edition published by Mae...

This exquisite lithograph after Henri Matisse (1869–1954), titled La Religieuse Portugaise (The Portuguese Nun), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collaboration with Leon Amiel, editeurs, New York, and printed by Mourlot Freres, Paris, April 5, 1972. This serene and balanced composition captures Matisse’s mastery of line, harmony, and emotional resonance. La Religieuse Portugaise reflects the artist’s lifelong exploration of purity and rhythm through simplified form and luminous balance, revealing his belief that true beauty lies in the unity of contour, and spirit. The lithograph exemplifies Matisse’s ability to transform spiritual themes into modern expressions of grace and contemplation. Executed as a lithograph on velin d’Arches paper, this work measures 12.81 x 9.81 inches (32.54 x 24.92 cm). Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of the Mourlot Freres atelier, renowned for its collaboration with leading modern artists of the 20th century. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: La Religieuse Portugaise (The Portuguese Nun), 1972 Medium: Lithograph on velin d’Arches paper Dimensions: 12.81 x 9.81 inches (32.54 x 24.92 cm) Inscription: Unsigned and unnumbered as issued Date: 1972 Publisher: Editions A. C. Mazo et Cie., Paris, in collaboration with Leon Amiel, editeurs, New York Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the edition published by Editions A. C. Mazo et Cie., Paris, in collaboration with Leon Amiel, editeurs, New York, 1972 Notes: Excerpted from the album (translated from French), This album is the album of friendship, and I want to thank all the artists who wanted to participate. Some lithographs presented here, and whose authors have left us for too long, were made at my request for an album "Adieu a la rue de Chabrol" that I intended to publish ten years ago. So it was at this time that I was able to get the lithos of Braque, Cocteau, Derain, Giacometti and Villon. Mrs. Duthuit-Matisse and her brothers authorized me to print the composition of Henri Matisse, an unused original lithograph of the album by Teriade "La Religieuse portugaise". I am happy to have brought together so many works by contemporary artists, it is a great honor for me and I am infinitely grateful to them. Finished printing in Paris on April 5, 1972, this album was printed on velin d’Arches, in DCCC numbered examples. In addition, a number of copies were printed for artists, friends and collaborators of this album. The original lithographs were printed by Mourlot, and the typography is from Fequet and Baudier. Alain A.C. Mazo, Paris, and Leon Amiel, New York, publishers. About the Publication: Souvenirs et Portraits d'Artistes (Memories and Portraits of Artists), published in 1972 by Editions A. C. Mazo et Cie., Paris, and Leon Amiel, New York, stands as one of the most distinguished collaborative albums of the postwar era. Bringing together original lithographs by some of the foremost artists of the 20th century, the portfolio celebrates artistic friendship, collaboration, and the enduring spirit of creative dialogue. La Religieuse Portugaise (The Portuguese Nun) after Henri Matisse exemplifies this spirit, blending spiritual serenity with the refined formal language that made Matisse one of the most influential artists in modern art. Printed at the renowned Atelier Mourlot, the work embodies the clarity, rhythm, and elegance that characterize Matisse’s timeless aesthetic. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisse’s influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately $80.8 million USD, achieved in 2018 at Christie's New York for Odalisque couchee aux magnolias (1923). Henri Matisse La Religieuse Portugaise, Matisse Mourlot...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

This exquisite lithograph by Alberto Magnelli (1888–1971), titled Papel colle (Pasted Paper), from the album XXe Siecle, Nouvelle serie, No. 9 (double), Juin 1957, originates from th...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Manuscrit (Manuscript), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collabor...

Salvador Dali - The Torso - Original Stamp-Signed Etching Stamp signed by Dali Edition of 294 copies. Paper : Arches vellum. Dimensions : 16x12". Catalogue Raisonné : Field 68-6 (...

This exquisite lithograph after Georges Braque (1882–1963), titled Le Portugais (The Portuguese), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Geo...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 11.937 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the fo...

Carol Wax deconstructs a Singer sewing machine in this mezzotint created in an edition of 75. The image gives equal weight to the steel of the machine and the silk of the fabric. It...

Brad Davis’s "Bob’s Used Auto Parts" is an oil painting on wood panel measuring 18 x 14 inches, presented in a contemporary frame with overall dimensions of 20 x 16 inches. Framed an...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

This early 19th century hand-colored stipple engraving by Augusta Innes Withers entitled "The Brabant Bellefleur Apple" was plate 10 published in London in the 'Transactions of the H...

La Tasse et la Pomme (The Cup and the Apple) Wash drawing and gouache transferred to lithograph stone, 1947 One of four unsigned proofs Edition: a proof outside the edition of 50 pri...

'Primula Sinensis' Antique English flower botanical chromolithograph.

Salvador DALI (1904-1969) Casanova : A Pear for Thirst, 1967 Original etching Printed signature in the plate On vellum Rives 38 x 28 cm (c. 14.9 x 11 inch) REFERENCES : - Catalog r...

This impression is signed and numbered in an edition of 50 Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa) in ...

Georges BRAQUE Bouquet of flowers, 1961 Original lithograph in six colors (Mourlot workshop) Printed signature in the plate On vellum 34 x 26 cm (c. 13 x 10 inch) REFERENCE : Catal...