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Miniature Still-life Prints

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Size: Miniature
Calder, Sans titre, Musée National d Art Moderne, Paris (after)
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 12.5 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Calder. Published and printed by Musée National d'A...
Category

1960s Modern Still-life Prints

Materials

Lithograph

Set of Six Fine Antique British Hand Coloured Botanical Prints, circa 1900 s
Located in Cirencester, Gloucestershire
Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...
Category

Early 19th Century Art Deco Still-life Prints

Materials

Color

Set of Six Fine Antique British Botanical Paintings, circa 1900 s
Located in Cirencester, Gloucestershire
Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inche...
Category

Early 19th Century Art Deco Still-life Prints

Materials

Color

Chris Keegan, Blue Gemstone, Limited Edition Print, Still Life Print, Happy Art
Located in Deddington, GB
Chris Keegan Blue Gemstone Limited Edition Silkscreen Print Edition of 50 Size: H 42cm x W 30cm x D 0.1cm Sold Unframed (Please note that in situ images are purely an indication of h...
Category

21st Century and Contemporary Abstract Expressionist Still-life Prints

Materials

Paper, Screen

Bouquet, Modern Lithograph by Bernard Buffet
Located in Long Island City, NY
Artist: Bernard Buffet, French (1928 - 1999) Title: Bouquet Year: circa 1968 Medium: Lithograph, signed in the plate Size: 13 in. x 9.5 in. (33.02 cm x 24.13 cm)
Category

1960s Modern Still-life Prints

Materials

Lithograph

Cultivated Pea Plants: An 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "a. Pisum Minus sine Putamine, b. Pisa Indicum". It is plate 819 in Weinma...
Category

Mid-18th Century Naturalistic Still-life Prints

Materials

Engraving, Mezzotint

Calcochortus luteus, antique botanical yellow flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic More Prints

Materials

Engraving

Pitch Weed (Madia Saliva, Mol), antique botanical plant lithograph
Located in Melbourne, Victoria
'Pitch Weed (Madia Saliva, Mol)' Colour lithograph, 1909.
Category

Early 20th Century Naturalistic More Prints

Materials

Lithograph

Alberto Magnelli, Pasted Paper, from XXe Siecle, 1956
Located in Southampton, NY
This exquisite lithograph and pochoir by Alberto Magnelli (1888–1971), titled Papel colle (Pasted Paper), from the album XXe Siecle, Nouvelle serie, No. 6 (double), Janvier 1956, ori...
Category

1950s Cubist Still-life Prints

Materials

Lithograph

Amsterdam V ed 12/50 black-white canal house facade aquatint etch print
Located in Doetinchem, NL
Amsterdam V is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade and is bo...
Category

1980s Contemporary Abstract Prints

Materials

Rag Paper, Etching, Aquatint

Snowberries, etching and aquatint by Dan McCleary
Located in Palm Springs, CA
Medium: Etching Year: 2010 Image Size: 16.5 x 11.5 inches Edition of 20, signed and titled by the artist McCleary was born in Santa Monica, California. He graduated from Loyola High...
Category

2010s Contemporary Still-life Prints

Materials

Etching

Newspapers on the Table - Still Life Etching on Heavy Paper
Located in Soquel, CA
Newspapers on the Table - Still Life Etching on Heavy Paper, #20/150 Black and white etching by Darien Payne (American, b. 1951). This piece is a meticulously detailed depiction of ...
Category

1990s Photorealist Still-life Prints

Materials

Archival Paper, Drypoint, Etching

Flowering Sweet William Plant: 18th C. Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "a. Caryophyllus Arborescens, b. Caryophyllus Barbatus". It is plate 327 i...
Category

Mid-18th Century Naturalistic Still-life Prints

Materials

Engraving, Mezzotint

Magritte, Composition, Les chants de Maldoror (after)
Located in Southampton, NY
Lithograph on vélin papier pur chiffon paper. Paper Size: 10 x 7.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Les chants de Maldoror, illustrat...
Category

1940s Surrealist Figurative Prints

Materials

Lithograph

Schizanthus Priestii, antique botanical white flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic More Prints

Materials

Engraving

Konrad Klapheck, Untitled, from Derriere le Miroir, 1982
Located in Southampton, NY
This exquisite lithograph by Konrad Klapheck (1935–2023), titled Sans titre (Untitled), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguer...
Category

1980s Modern Abstract Prints

Materials

Lithograph

Fistulina Hepatica, Leuba antique mushroom fungi chromolithograph print
Located in Melbourne, Victoria
'1-3 Fistulina Hepatica 4-6 Boletus Chrysentheron' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientif...
Category

Late 19th Century Naturalistic Still-life Prints

Materials

Lithograph

Passiflora Kermesina, antique botanical pink flower passionflower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic More Prints

Materials

Engraving

Gesneria Cooperi, antique botanical red flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic More Prints

Materials

Engraving

Hibiscus Lindlei, antique botanical pink flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic More Prints

Materials

Engraving

Agaricus Azureus, Leuba antique mushroom fungi botanical chromolithograph print
Located in Melbourne, Victoria
'Agaricus Azureus' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name ...
Category

Late 19th Century Naturalistic Still-life Prints

Materials

Lithograph

Passiflora Cinnabarina, antique botanical Australian flower lithograph print
Located in Melbourne, Victoria
'Passiflora Cinnabarina' (Passionflower) Botanical lithograph of an Australian native plant with original hand-colouring , 1871, by Walter Hood Fitch (1817...
Category

Mid-19th Century Naturalistic Still-life Prints

Materials

Lithograph

Rio Osmarin (boats on the canal Rio de S. Provolo o de l Osmarin, Venice)
Located in New Orleans, LA
Rio Osmarin shows boats on the canal Rio de S. Provolo o de l'Osmarin in Venice) It was created in 2006 and this impression is #31 of 75 It is signed, titled, numbered and dated by...
Category

21st Century and Contemporary American Modern Still-life Prints

Materials

Mezzotint

Genip Tree Fruit: An 18th C. Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Geniculata Wieder Kraief, B. Genipa seu Ganipaba". It is plate 531 in...
Category

Mid-18th Century Naturalistic Still-life Prints

Materials

Engraving, Mezzotint

Lycoperdon Echinatum, Leuba antique mushroom fungi food chromolithograph print
Located in Melbourne, Victoria
'1-6 Lycoperdon Echinatum 7-11 Scleroderma Verrucosum' (Spiny puffball mushroom and Scaly earth ball) Antique Swiss mushroom / fungi chromolithograph, lith...
Category

Late 19th Century Naturalistic Still-life Prints

Materials

Lithograph

FLEURS #4 - Trompette de Jéricho, one of 4 flowers by Marjan Seyedin
Located in Palm Springs, CA
This FLEURS #4 - Trompette de Jéricho is one of a series of beautifully rendered flowers by Franco-Iranian artist Marjan Seyedin. Marjan has a conte...
Category

2010s Contemporary Still-life Prints

Materials

Etching

Juan Gris, The Pipe, from Au Soleil du Plafond, 1955 (after)
Located in Southampton, NY
This exquisite lithograph after Juan Gris (1887–1927), titled La Pipe (The Pipe), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), originates from the 1955 editi...
Category

1950s Cubist Abstract Prints

Materials

Lithograph

Banana Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 2. Mauze, Baradis-feigen", p...
Category

Mid-18th Century Naturalistic Still-life Prints

Materials

Engraving, Mezzotint

Antique Italian Copper Engraving - Roman Male Statue
Located in Houston, TX
Fine antique copper line engraving of roman style male statue seated and clutching a scroll, circa 1850. Original artwork on paper displayed on a white ma...
Category

19th Century Still-life Prints

Materials

Ink, Paper

untitled, still life fish, wine
Located in Belgrade, MT
This etching is from my private collection of 20th Century artists. It is original, signed and numbered. Edouard Righetti (1921-2001) was a French post impressionist artist who speci...
Category

Mid-20th Century Post-Impressionist Still-life Prints

Materials

Paint, ABS, Etching, Lithograph

Primula Verticillata Var. Sinensis, antique botanical flower lithograph print
Located in Melbourne, Victoria
Botanical lithograph with original hand-colouring , 1873, by Walter Hood Fitch (1817-1892). 235mm by 145mm (sheet) Walter Hood Fitch was a Scottish botan...
Category

Late 19th Century Naturalistic Still-life Prints

Materials

Lithograph

Champignons, French antique mushroom chromolithograph, 1910
Located in Melbourne, Victoria
'37 Tricholoma saponaceum 38 Tricholoma terreum' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et B...
Category

Early 20th Century Naturalistic Still-life Prints

Materials

Engraving, Lithograph

Calder, Sans titre, Musée National d Art Moderne, Paris (after)
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 12.5 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Calder. Published and printed by Musée National d'A...
Category

1960s Modern Still-life Prints

Materials

Lithograph

Le billard jaune, Une Aventure méthodique, Georges Braque
Located in Southampton, NY
Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Raoul Dufy, The Bouquet, from The Painters My Friends, 1965 (after)
Located in Southampton, NY
This exquisite lithograph after Raoul Dufy (1877–1953), titled Le Bouquet (The Bouquet), from the folio Les Peintres mes amis (The Painters My Friends), originates from the 1965 edit...
Category

1960s Modern Landscape Prints

Materials

Lithograph

CHATEAU Signed Mini Lithograph, French Countryside, Open Book, Surreal Landscape
Located in Union City, NJ
CHATEAU is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arches p...
Category

1990s Surrealist Landscape Prints

Materials

Lithograph

Juan Gris, The Pipe, from Au Soleil du Plafond, 1955 (after)
Located in Southampton, NY
This exquisite lithograph after Juan Gris (1887–1927), titled La Pipe (The Pipe), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), originates from the 1955 editi...
Category

1950s Cubist Abstract Prints

Materials

Lithograph

Salvador Dali - The Winged Demon - Original Stamp-Signed Etching
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - The Winged Demon - Original Stamp-Signed Etching Stamp signed by Dali Edition of 294 copies. Paper : Arches vellum. Dimensions : 16x12"....
Category

1960s Surrealist Figurative Prints

Materials

Etching

Magritte, Composition, Les chants de Maldoror (after)
Located in Southampton, NY
Lithograph on vélin papier pur chiffon paper. Paper Size: 10 x 7.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Les chants de Maldoror, illustrat...
Category

1940s Surrealist Figurative Prints

Materials

Lithograph

Between Photography Art Print Limited Edition
Located in Slovak Republic, SK
Limited edition of 15, art print. Signed by the author. Picture taken in public transportation.
Category

21st Century and Contemporary Abstract Abstract Prints

Materials

Photographic Paper, Archival Pigment

Pinks
Located in New York, NY
Gary Hume Pinks 2002 Silkscreen 17 3/8 x 14 inches; 44 x 36 cm Edition of 45 Signed, titled, dated and numbered in graphite (lower recto) Frame available upon request Available fr...
Category

Early 2000s Contemporary Abstract Prints

Materials

Screen

Georges Braque, The Sunflower, from Carnets intimes, 1955 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Le Tournesol (The Sunflower), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, originates f...
Category

1950s Modern Landscape Prints

Materials

Lithograph

Juan Gris, The Coffee Grinder I, from Au Soleil du Plafond, 1955 (after)
Located in Southampton, NY
This exquisite lithograph after Juan Gris (1887–1927), titled Le Moulin a Cafe I (The Coffee Grinder I), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), origina...
Category

1950s Cubist Abstract Prints

Materials

Lithograph

Arp, Composition, Arp: On My Way (after)
Located in Southampton, NY
Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, The Documents of Modern Art. Arp: On My Way, Poetry And Essays 1912 - 1...
Category

1940s Modern Abstract Prints

Materials

Woodcut

Sunburst original serigraph by Robert Daughters
Located in Paonia, CO
Sunburst by American artist Robert Daughters is a close up of a group of wild sunflowers in yellows and greens. A limited edition print number 62...
Category

Mid-20th Century American Impressionist Landscape Prints

Materials

Screen

Seasons 1981 Photo Color Copier Print Photograph Museum Collected Art Xerography
Located in Surfside, FL
SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Sony Walkman Radio. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...
Category

1980s Contemporary Color Photography

Materials

Color

Snail in a Bowl (Artist Proof inscribed to Fritz Eichenberg)
Located in New Orleans, LA
Leonard Merchant's mezzotint, "Snail in Cup" is inscribed for fellow artist, Fritz Eichenberg. While a student at the Central School for Arts and Crafts in London, a young Leonard Marchant found an engraving rocker in a cupboard and proceeded to turn himself into a master of the painstaking art of mezzotinting. Marchant, who has died in Shrewsbury aged 70, grew up in Simonstown, the Royal Navy's enclave in South Africa. Though his first job was as a parliamentary messenger, he taught himself to paint and, aged 19, was given a one-man show in Cape Town. Fired by this success, he left for England to study painting and, he claimed, to escape the stifling home atmosphere created by his Catholic mother and aunts. (His father was killed in the second world war.) Without contacts in London, he phoned Jacob Epstein, whose recommendation resulted in a grant to study briefly at the Central School. It was later, when studying full-time at the Central, that he saw the mezzotints of the Japanese master, Yozo Hamaguchi, in a London gallery. He was hooked. Creating a mezzotint is tedious in the extreme. The copper plate must first be prepared with a "rocker" which roughens the surface. A plate may be "rocked" 30 or 40 times. The rough texture is then reduced with a burnisher and a scraper, allowing the print a range of tones from velvety black through the greys to white. Marchant's plates could be months in the making. But the technical demands were the least of his worries. In its 18th- and 19th-century heyday, mezzotint was solely a reproductive medium, for copying masters such as Reynolds and Turner. The development of photography rendered it unfashionable, and by the 1960s the technique, known as la manière anglaise, was a bygone medium. Marchant, by now a teacher in printmaking at the Central, began to create original mezzotints with a colleague, Radavan Kraguly. A perfectionist, he seemed to revel in the straitjacket procedure. Perhaps it was the metaphor of bringing darkness out of light that appealed to this straight-talking, sometimes sombre, man, who would suddenly relax and light up like a gleaming hue on one of his prints. His work was of squares and triangles with the occasional cat, black and ominous, and carefully arranged still lifes, featuring plants, a seed pod, a pot he might have bought at auction to celebrate the sale of a print. There were one-man shows, notably at the Bankside Gallery. He sold well at the Royal Academy summer exhibition, was a Florence Biennale prizewinner, spent a fellowship year at the British School in Rome, and was elected a Fellow of the Royal Society of Painter-Printmakers. But making mezzotints was not a paying job. Marchant and his South African wife...
Category

1980s Modern Animal Prints

Materials

Mezzotint

Raoul Dufy, Wildflowers, from Esprit de la fleur et du fruit, 1954 (after)
Located in Southampton, NY
This exquisite lithograph after Raoul Dufy (1877–1953), titled Fleurs des champs (Wildflowers), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, Essence of the Fl...
Category

1950s Modern Landscape Prints

Materials

Lithograph, Stencil

Cosmos
Located in Fairlawn, OH
Cosmos Color woodcut with gauffage (embossing), January 1940 Unsigned (as usual) Publisher: Takemura Hideo (active Yokohama 1926-1940) Condition: excellent Image size: 14 3/8 x 9 5/8 inches Provenance: Robert O. Muller Estate Biography Hodo Nishimura...
Category

1940s Modern Still-life Prints

Materials

Woodcut

Poppy 10
Located in Deddington, GB
Mary Knowland. Poppy 10- this is a poppy print in acrylic paint made in 2014 as part of a series of works It is a unique mono print Signed bottom right Mary Knowland 2014 This work i...
Category

2010s Abstract Expressionist Still-life Prints

Materials

Paper, Monoprint

Bouquet
Located in New York, NY
Created by the artist in 2024, Ross Bleckner's, Bouquet is an archival pigment print with acrylic paint. Hand-signed in pencil and numbered from the edition of 60, the artwork measur...
Category

21st Century and Contemporary Still-life Prints

Materials

Acrylic, Archival Pigment

Maison Romaine, by Francois Houtin
Located in Palm Springs, CA
Signed, titled and numbered by the artist, edition of 30. This Imaginary building shows the move toward more elaborate landscape images Houtin started doing in the early 1980's. Fr...
Category

1980s Contemporary Landscape Prints

Materials

Etching

Magritte, Composition, Les chants de Maldoror (after)
Located in Southampton, NY
Lithograph on vélin papier pur chiffon paper. Paper Size: 10 x 7.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Les chants de Maldoror, illustrat...
Category

1940s Surrealist Figurative Prints

Materials

Lithograph

Singer II (Woodgrain, incised metal plate of a Singer typewriter casts shadows)
Located in New Orleans, LA
Carol Wax's mezzotint, Singer II looking at the end of the typewriter portrays the incised metal and the wood grain of the machine. It was issued as an edition of 75. This image is i...
Category

1980s Contemporary Portrait Prints

Materials

Mezzotint

Set of Six Hand-Colored Engravings from Curtis s Botanical Magazine /// Botany
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799) Title: Set of Six Hand-Colored Engravings Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1794-1812 (First-second ser...
Category

1790s Victorian Still-life Prints

Materials

Watercolor, Engraving, Intaglio

Calder, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 195, 1971. Published by Aimé Maeght, Éditeur, Paris; pr...
Category

1970s Modern Still-life Prints

Materials

Lithograph

Calder, Sans titre, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 190, published by Aimé Maeght, Éditeur, Paris; printed ...
Category

1970s Modern Still-life Prints

Materials

Lithograph

Steinberg, Illustration, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...
Category

1960s Post-War Abstract Prints

Materials

Lithograph

Louis Marcoussis, Still Life with Guitar, 1929 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Louis Marcoussis (1878–1941), titled Nature morte avec guitare (Still Life with Guitar), from the album L'Art Cubiste, Theories et Realisa...
Category

1920s Cubist Still-life Prints

Materials

Lithograph, Stencil

Grenade et Pipe from the Espace Portfolio
Located in Kansas City, MO
Georges Braque (after) Title: Grenade et Pipe from the Espace Portfolio Year: 1957 Year of Original: 1932 Medium: Pochoir (pigment print) on Richard de Bas, signed in the plate Edit...
Category

1950s Fauvist Prints and Multiples

Materials

Pigment