Feminist Art

Nan Goldin Supreme Skateboard Deck: 'Nan as a Dominatrix, Cambridge MA' (1978/2018): Published in 2018 by Supreme New York Features Nan Goldin printed signature on verso From a sold...

The red series are vermilion drawings with cotton/diya baati wicks used in prayer, the fruit of the artist's longstanding preoccupation with gender, religion and rituals. The interfe...

La Réparation: Spiral Woman, 2003 Louise Bourgeois Drypoint and engraving, with selective wiping On Hahnemuehle copperplate warm white wove Signed, dated and numbered 25 from the ed...

Fiber print, edition of 10.

Digital photograph, edition of 25.

Digital photograph, edition of 25.

Linda Stein, Practice Makes Perfect 120 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Practice Makes Perfect 120 is from Linda Stein's Missives series--a body of work...

Artist/Designer; Manufacturer: Karl Lagerfeld (German, 1933-2019) Marking(s); notes: marking(s) Materials: mixed media on paper Dimensions (H, W, D): 19"h, 14"w (work is not framed) ...

Linda Stein, Brush Swivel 64 - American Feminist Contemporary Chair Black Red Sculpture Linda Stein has been addressing the theme of Power/Vulnerability for more than five decades....

The image is 8 x 8 inches, and the paper it is printed on is 15 x 13.5 inches. This is a quirky and tender image of a naked man sitting on the floor holding a giant iguana on his la...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Knight of Tomorrow 630, Linda Stein - Contemporary Bronze Sculpture Linda Stein started her Knights of Protection series after she was forced to evacuate her New York downtown studi...

Behind Every Strong Woman… by Amy Gardner [2020] limited_edition Screen Print Edition number 40 Image size: H:118.9 cm x W:84.1 cm Sold Unframed Please n...

May Mott Smith (1879 - 1952) A Martinique Native in French Guiana, circa 1925 Watercolor on paper 24 x 20 inches Signed lower right; titled on the reverse “Martinique Native” is an ...

Louise Bourgeois (After) I had a flashback of something that never existed, 2020 Fine bone china 10 1/2 in diameter 26.7 cm diameter Edition of 175 Printed signature and edition de...

The Hour Is Devoted to Revenge, 1999 Louise Bourgeois Letterpress and lithograph in colours, on two sheets of smooth wove Arches Signed with initials, inscribed ‘AP' Numbered 15, on...

The red series are vermilion drawings with cotton/diya baati wicks used in prayer, the fruit of the artist's longstanding preoccupation with gender, religion and rituals. The interfe...

Linda Stein, Rolling Wave 127 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Rolling Wave 127 is from Linda Stein's Missives series--a body of work born from her earli...

Linda Stein, Voyage Beyond 122 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Voyage Beyond 122 is from Linda Stein's Missives series--a body of work born from her ear...

Artist/Designer: Karl Lagerfeld (1933-2019) Marking(s); notes: signed Materials: heavy card stock Dimensions: 21.75"h, 10.5"w, 1.25"d (frame) Additional Information: Fashion design s...

Three High-Fashion figures adorned in flowing gowns are lined up in a row, facing the viewer. They have an Avant-garde complex design reminiscent of Gustav Klimt. The work is constru...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

Drawing her inspiration from the grand masters of photography – Avedon, Lindbergh, Newton, or Toscani, amongst others – Cécile Plaisance uses lenticular printing to allow the viewer to dress or undress the models, real women, barbies, and idealized beauties that are everywhere around us. This time though, the models, whether human or doll, have an unapologetic way of looking right into the camera, as a way of reclaiming their right to display their charms, to seduce, to pleasure… in other words to live hedonistically, regardless of religion, the male gaze...

Nancy Spero Art Against Apartheid, 1984 Limited Edition Giclee Print 33 1/10 × 23 1/5 inches Edition of 30 Hand signed and dated on the front by Nancy Spero; unnumbered from the limi...

Linda Stein, Etched in My Mind 128 - Signed Feminist LGBTQ+ Colorful Acrylic Painting Etched in My Mind 128 is from Linda Stein's Missives series--a body of work born from her earl...

Linda Stein, Hot Rush 129 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Hot Rush 129 is from Linda Stein's Missives series--a body of work born from her earlier explo...

Linda Stein, Precipice 120 - Signed Feminist LGBTQ+ Acrylic on Paper Colorful Painting Precipice 130 is from Linda Stein's Missives series--a body of work born from her earlier exp...

Linda Stein, Across the Middle 132 - Signed Feminist LGBTQ+ Acrylic Colorful Painting Across the Middle 132 is from Linda Stein's Missives series--a body of work born from her earli...

Linda Stein, Missive 343.001 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Painting Missive 343.001 is from Linda Stein's Missives series--a body of work born from her earlier...

Linda Stein, Missive 343.001 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Painting Missive 343.001 is from Linda Stein's Missives series--a body of work born from her earlier...

Linda Stein, Missive 343.001 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Painting Missive 343.001 is from Linda Stein's Missives series--a body of work born from her earlier...

Linda Stein, Missive 343.001 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Painting Missive 343.001 is from Linda Stein's Missives series--a body of work born from her earlier...

Linda Stein, Missive 343.001 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Painting Missive 343.001 is from Linda Stein's Missives series--a body of work born from her earlier...

Linda Stein, Safe Landing 131 - Signed Feminist LGBTQ+ Acrylic on Paper Colorful Painting Safe Landing 131 is from Linda Stein's Missives series--a body of work born from her earli...

Soft pastel on toned sanded pastel paper richly worked. Part of an ongoing series on mirrors and fame figures. Signed at bottom

Linda Stein, Skeletal Format 67 - American Feminist Contemporary Chair Black Tan Sculpture Linda Stein has been addressing the theme of Power/Vulnerability for more than five deca...

Linda Stein, Bowed Pole 66 - American Feminist Contemporary Chair Black Purple Grey Sculpture Linda Stein has been addressing the theme of Power/Vulnerability for more than five de...

Psychological Space is comprised of a photograph, acrylic paint and resin. The base materials for the work include a wooden paneled canvas that supports the adhesion of a rolled fin...

Antonia is a limited edition lithograph, based on a black pastel drawing, by Charlie Mackesy. The edition is limited to 150 and have been signed by Mac...

Linda Stein, Profile Landscape 438.077 - Signed Feminist LGBTQ+ Acrylic on Canvas Painting Profile Landscape 438.077 is from Linda Stein's Profiles series--drawings, collages and pa...

Linda Stein, Twelve Nudes 360.056 - Contemporary Limited Edition Fine Art Screen Print Linda Stein has been practicing art for the last six decades. This limited edition screen pr...

Children's Coloring Book Cover Art - Merrill Company - Female Illustrator Board 20 x 14.75, Publisher's Stamp lr recto, publication instruction recto verso Betty Anne Gartrell inscr...

Unique alchemical fusion of materials and processes. The artwork combines the intricate detailing of contemporary digital image design and creation with traditional printmaking techn...

Linda Stein, Twelve Nudes 360.056 - Contemporary Limited Edition Fine Art Screen Print Linda Stein has been practicing art for the last six decades. This limited edition screen pr...

Linda Stein, Etude Op. 10 No. 418.032 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Etude Op. 10 No. 418.032 is from Linda Stein's Profiles No...

Linda Stein, La Joyeuse 418.033 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing La Joyeuse 418.033 is from Linda Stein's Profiles Notation serie...

Linda Stein, High Wind 126 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting High Wind 126 is from Linda Stein's Missives series--a body of work born from her earlier exp...

Linda Stein, Alive Again 250 - Acrylic on paper, impressionist, colorful, yellows, reds In the 1990s Linda Stein began to work on a series called Blades, sculptural works that inc...

Linda Stein, Letter to an Archeologist 20 - Mixed media, acrylic and shells on board, sculptural painting Letter to an Archeologist 20 is from Linda Stein's Missives series. The mi...

Linda Stein, Profile Solid 383.060 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.060 is from Linda Stein's Profiles series--drawings, coll...

Linda Stein, Profile Solid 383.025 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.025 is from Linda Stein's Profiles series--drawings, coll...

Hatay is a visual artist, a healer and a former Rock and Roll photojournalist. Born in Scotland of a Hungarian physicist/inventor and an English art dealer, she grew up in an intern...

Linda Stein, Profile Flying 446.075 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.075 is from Linda Stein's Profiles series--drawings, collages and paintin...

Linda Stein, Profile 1165 - Signed Feminist LGBTQ+ Colorful Ink on Board Drawing In the 1960s and 1970s, Linda Stein started her Profiles series--drawings, collages and paintings o...

Linda Stein, Profile Flying 446.101 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.101 is from Linda Stein's Profiles series--drawings, collages and paintin...

An elegantly rendered mid-century Parisian model with a stylish hat is masterfully rendered by American female illustrator Ruth Sigrid Grafstrom ...

Linda Stein, Fantasia 418.029 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Fantasia 418.029 is from Linda Stein's Profiles Notation series--d...

Includes a Certificate of Authenticity

The red series are vermilion drawings with cotton/diya baati wicks used in prayer, the fruit of the artist's longstanding preoccupation with gender, religion and rituals. The interfe...

Susan Kiefer Yin Yang Woodcut on paper Year: 1990 Size: 33x23x0.35in Signed, dated and inscribed by hand COA provided Ref.: 924802-1661 Framed artist proof woodcut print of male and...