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Style: Feminist
"Femme à l enfant" figuratif acrylic on linen panel 60x73cm 1986
Located in Saint Pol de Léon, Bretagne
Invitée par le ministre ivoirien de la Culture Bernard Dadié à exposer son travail à Abidjan, Emmanuelle Vroelant a réalisé plusieurs peintures sur les femmes et les enfants
Category

Early 2000s Feminist Art

Materials

Acrylic

Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile Notation 418.020
Located in New York, NY
Linda Stein, Profile Notation 418.020 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Profile Notation 418.020 is from Linda Stein's Profiles ser...
Category

2010s Feminist Art

Materials

Paper, Ink, Color Pencil, Graphite

Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile Notation 418.025
Located in New York, NY
Linda Stein, Profile Notation 418.025 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Profile Notation 418.025 is from Linda Stein's Profiles ser...
Category

2010s Feminist Art

Materials

Paper, Ink, Color Pencil, Graphite

Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile Notation 418.026
Located in New York, NY
Linda Stein, Profile Notation 418.026 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Profile Notation 418.026 is from Linda Stein's Profiles ser...
Category

2010s Feminist Art

Materials

Paper, Ink, Color Pencil, Graphite

Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile Notation 418.028
Located in New York, NY
Linda Stein, Profile Notation - 418.028 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Profile Notation 418.028 is from Linda Stein's Profiles s...
Category

2010s Feminist Art

Materials

Paper, Ink, Color Pencil, Graphite

The Reticent Child (Ex Libris) -- Print, Text, Feminist Art by Louise Bourgeois
Located in London, GB
The Reticent Child (Ex Libris), 2005 Louise Bourgeois Lithograph with embossing in colours, on wove Signed and numbered from the edition of 300 Printed by Martin Kätelhön, Cologne P...
Category

Early 2000s Feminist Art

Materials

Lithograph

Mary Dwyer, Ida Tarbell, 2017, watercolor on paper, Suffragists and Journalists
Located in Darien, CT
The inspiration for Mary Dwyer's work revolves around storytelling, historic events, a love of political cartoons and early portraiture paintings. An integral part of this work is research. Spurred by an innate curiosity, she creates political, historical and personal paintings. In the last few years Dwyer has been researching and painting the American Suffrage movement. In this research she discovered that the people working as both Suffragists and Abolitionists also started their own newspapers and published their own pamphlets. They became journalists, as no one was covering their story. Dwyer's paintings are a celebration of both the voter’s rights activist and the visual pageantry of the Suffrage movement. The use of color in her Suffrage paintings speak to the vibrant pageantry and the visual marketing used during the movement. Sashes, button, banners, flags and ribbons were made by women and marketed for women. The significance of free press is paramount in a free and fair society. The importance of journalist has become a theme that has continued in her present work. Recently she has been working on a Memorial Paintings...
Category

2010s Feminist Art

Materials

Acrylic, Archival Paper

Deflowered Monograph with DVD hand signed by famed feminist artist Judy Chicago
Located in New York, NY
Judy Chicago Deflowered (Hand Signed Book), 2013 Hardback Monograph and DVD (Mixed media book set) Boldly signed by the artist in black marker on the first front end page. 12 1/4 × 12 1/4 x 2 1/2 inches Unframed This hand signed monograph makes a terrific gift! Judy Chicago signed...
Category

2010s Feminist Art

Materials

Mixed Media

Hand Woven Wool Tapestry Feminist Textile Art Wall Hanging Judy Chicago Homage
Located in Surfside, FL
This measures 41 inches in width and 75 inches in height to end of tassels without the tassels it is 57 inches in length This is a wool handmade weaving tapestry, The imagery seems i...
Category

1970s Feminist Art

Materials

Wool

Signed Feminist LGBTQ+ Ink Graphite on Paper Drawing - Profile Notation 418.013
Located in New York, NY
Linda Stein, Profile Notation 418.013 - Signed Feminist LGBTQ+ Ink and Graphite on Paper Drawing Profile Notation 418.013 is from Linda Stein's Profiles series--drawings, collages ...
Category

2010s Feminist Art

Materials

Paper, Ink, Graphite

Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile Notation 418.016
Located in New York, NY
Linda Stein, Profile Notation 418.016 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Profile Notation 418.016 is from Linda Stein's Profiles ser...
Category

2010s Feminist Art

Materials

Paper, Ink, Graphite, Color Pencil

Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile Notation 418.017
Located in New York, NY
Linda Stein, Profile Notation 418.017 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Profile Notation 418.017 is from Linda Stein's Profiles ser...
Category

2010s Feminist Art

Materials

Paper, Ink, Graphite, Color Pencil

Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile Notation 418.019
Located in New York, NY
Linda Stein, Profile Notation 418.019 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Profile Notation 418.019 is from Linda Stein's Profiles ser...
Category

2010s Feminist Art

Materials

Paper, Ink, Color Pencil, Graphite

The Amazons and the Hydra (woodcut print, figurative, mythical, feminism)
Located in Kansas City, MO
Susan Kiefer The Amazons and the Hydra Woodcut and chine collé on paper Year: 2018 Size: 22x27in Edition: 8 Signed by hand COA provided Ref.: 924802-1662 Framed woodcut print. A fan...
Category

2010s Feminist Art

Materials

Woodcut

"Cornette Couleur" by Cécile Plaisance, 27 x 22 in, 2024
Located in Paris, France
Drawing her inspiration from the grand masters of photography – Avedon, Lindbergh, Newton, or Toscani, amongst others – Cécile Plaisance uses lenticular printing to allow the viewer ...
Category

2010s Feminist Art

Materials

Lenticular

Colorful Signed Etching Limited Edition Fine Art Print - Protection 430
Located in New York, NY
Linda Stein, Protection 430 - Colorful Signed Etching Limited Edition Fine Art Print Linda Stein has been practicing art for the last six decades. This limited edition etching fro...
Category

1960s Feminist Art

Materials

Etching

Signed Feminist LGBTQ+ Colorful Ink on Board Drawing - Profile Contented 1175
Located in New York, NY
Linda Stein, Profile Contented 1175 - Signed Feminist LGBTQ+ Colorful Ink on Board Drawing In the 1960s and 1970s, Linda Stein started her Profiles series--drawings, collages and pa...
Category

2010s Feminist Art

Materials

Ink, Board

Signed Feminist LGBTQ+ Colorful Ink on Board Drawing - Linda Stein, Profile 1173
Located in New York, NY
Linda Stein, Profile 1173 - Signed Feminist LGBTQ+ Colorful Ink on Board Drawing In the 1960s and 1970s, Linda Stein started her Profiles series--drawings, collages and paintings of...
Category

2010s Feminist Art

Materials

Ink, Board

Signed Feminist LGBTQ+ Colorful Ink on Board Drawing - Profile Segments 1166
Located in New York, NY
Linda Stein, Profile Segments 1166 - Signed Feminist LGBTQ+ Colorful Ink on Board Drawing In the 1960s and 1970s, Linda Stein started her Profiles series--drawings, collages and pa...
Category

2010s Feminist Art

Materials

Ink, Board

Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile 1150
Located in New York, NY
Linda Stein, Profile 1150 - Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing In the 1960s and 1970s, Linda Stein started her Profiles series--drawings, collages and paintings o...
Category

2010s Feminist Art

Materials

Paper, Ink

Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile 1148
Located in New York, NY
Linda Stein, Profile 1148 - Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing In the 1960s and 1970s, Linda Stein started her Profiles series--drawings, collages and paintings o...
Category

2010s Feminist Art

Materials

Paper, Ink

Mid-Century Cigarette Ad Illustration
Located in Miami, FL
Disney Legend Mary Blair was also a commercial illustrator for national brands such as Maxwell House Coffee and Beatrice Foods, and two complete national campaigns for Pall Mall cigarettes. The present work was part of her Pall Mall cigarette campaign "'So friendly to your taste!'". We are unsure whether this work was a reproduced, or was only used in a test market , or for a client comp. Nonetheless, as a piece of commercial work-for-hire art, it rises to the realm of fine art. Even though the look of the work has a quick, loose and playful feel to it, each element is carefully placed to strike a perfect balance. In this campaign, the artist created the background, and the art director stripped in the product label. The cigarette to the left is also a cut-out and pasted into position to achieve the ideal look. Commercial art is, in almost all cases, a collaborative effort between the Art Director, the Artist, Account People, and the Client, yet in this case, the Mary Blair signature flat graphic and colorful style is dominant and the packaging is secondary. We have to assume the client, American Tobacco Company's brand Pall Mall was trying to sell the sizzle and not the steak. Nothing in advertising is done by chance. This Pall Mall campaign was acutely tested, and apparently, the Mary Blair style was the brand identity that the ad agency chose over other submissions. Blair's warm personal feel fits perfectly with the tag line "'So friendly to your taste!'" and connects with the audience. In the 1950s - 1960s, Mary Blair was one of the few women artists to design and execute a major mainstream advertising campaign that was not solely women-oriented subject matter: babies, women's clothes, and household products. Cigarette ads had some of the most significant budgets and visibility. Typically, they were a full page back or inside cover and pervasive billboards. The ad agencies could have called any artist in the world, and they would have jumped at the opportunity for such a sought-after, lucrative and prestigious job. In the commercial art field, Mary Blair was somewhat like Margaret Burke...
Category

1950s Feminist Art

Materials

Gouache, Illustration Board, Pencil

Nude Dancer, classic female figure, boyish face, neutral tones
Located in Brooklyn, NY
Created in mixed media, this work has a spontaneity, typical of the artist’s observational life drawings, made entirely with her non-dominant left hand. There is the impression of a ...
Category

2010s Feminist Art

Materials

Pastel, Archival Paper, Charcoal, Acrylic

I wanna chilling on the beach
Located in Zofingen, AG
This work is a celebration of the beauty and peculiarity of every woman, regardless of age and figure. The brightly painted woman's body brings a joyful mood to the painting.
Category

2010s Feminist Art

Materials

Gesso, Canvas, Linen, Varnish, Acrylic

Signed Feminist LGBTQ+ Acrylic Gouache on Paper Drawing - Profile Solid 383.006
Located in New York, NY
Linda Stein, Profile Solid 383.006 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.006 is from Linda Stein's Profiles series--drawings, coll...
Category

1970s Feminist Art

Materials

Paper, Acrylic, Gouache

Signed Feminist LGBTQ+ Acrylic Gouache on Paper Drawing - Profile Solid 383.026
Located in New York, NY
Linda Stein, Profile Solid 383.026 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.026 is from Linda Stein's Profiles series--drawings, coll...
Category

1970s Feminist Art

Materials

Paper, Acrylic, Gouache

Signed Feminist LGBTQ+ Acrylic Gouache on Paper Drawing - Profile Solid 383.027
Located in New York, NY
Linda Stein, Profile Solid 383.027 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.027 is from Linda Stein's Profiles series--drawings, coll...
Category

1970s Feminist Art

Materials

Paper, Acrylic, Gouache

Signed Feminist LGBTQ+ Acrylic Gouache on Paper Drawing - Profile Solid 383.028
Located in New York, NY
Linda Stein, Profile Solid 383.028 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.028 is from Linda Stein's Profiles series--drawings, coll...
Category

1970s Feminist Art

Materials

Paper, Acrylic, Gouache

Signed Feminist LGBTQ+ Acrylic Gouache on Paper Drawing - Profile Solid 383.029
Located in New York, NY
Linda Stein, Profile Solid 383.029 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.029 is from Linda Stein's Profiles series--drawings, coll...
Category

1970s Feminist Art

Materials

Paper, Acrylic, Gouache

Signed Feminist LGBTQ+ Acrylic Gouache on Paper Drawing - Profile Solid 383.031
Located in New York, NY
Linda Stein, Profile Solid 383.031 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.031 is from Linda Stein's Profiles series--drawings, coll...
Category

1970s Feminist Art

Materials

Paper, Acrylic, Gouache

Signed Feminist LGBTQ+ Acrylic Gouache on Paper Drawing - Profile Solid 383.034
Located in New York, NY
Linda Stein, Profile Solid 383.034 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.034 is from Linda Stein's Profiles series--drawings, coll...
Category

1970s Feminist Art

Materials

Paper, Acrylic, Gouache

Ann Chernow, Shadow of a Doubt, Triptych, 2019, pencil, whiteout, sandpaper
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category

2010s Feminist Art

Materials

Rag Paper, Vinyl, Pencil

Ann Chernow, Trouble, Rag Paper, Etching
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category

2010s Feminist Art

Materials

Rag Paper, Etching

Mickalene Thomas - Din, Une Très Belle Négresse 2 - Skateboard
Located in London, GB
Mickalen Thomas - Din, Une Très Belle Négresse 2 - Skateboard Size: 80 x 20 cm / 31 x 8 inches Material: 7 ply Grade A Canadian Maple wood Includes 1 Easyfix wall mount per deck Tho...
Category

2010s Feminist Art

Materials

Maple, Wood

Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category

2010s Feminist Art

Materials

Fabric, Thread, Plaster, Dye, Found Objects

Airborne, Silkscreen with collage additions on Somerset velvet paper Signed/N
Located in New York, NY
Nancy Spero Airborne, 1998 Mixed Media: Silkscreen with collage additions on Somerset velvet paper 30 × 22 inches Edition of 50 Signed, dated and numbered from the limited edition of only 50 on the front Unframed Very poignant imagery: an airborne angel grabs the hand of a nude female; underneath are figures that recall the four horsemen of the apocalypse...
Category

1990s Feminist Art

Materials

Mixed Media, Screen

Anonymous title, original watercolor, framed
Located in Chesterfield, MI
An original impressionalistic watercolor painting of a female portrait.
Category

Early 2000s Feminist Art

Materials

Watercolor

Baby s House Kitchen Interior - Woman Illustrator Mid-Century
Located in Miami, FL
Famed Disney artist Mary Blair was also an illustrator for assignments outside Disney. The present work appears to be for a Gelolo Mchugh children's book called Baby's House. There i...
Category

1950s Feminist Art

Materials

Gouache, Illustration Board

Benton_Mary Church Terrell Life Cycle_monoprint, collage, Oberlin College Women
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Mary Church Terrell Life Cycle, monoprint with Chine collé, 27 x 20 inches, 2018 (1863 – 1954) Born in Memphis, Tennessee, Mary Church Terrell was a well-known author and activist for equal rights. Terrell’s parents were freed slaves who grew to become financially successful. A part of a rising African-American upper middle class, Terrell used her position to campaign for racial equality and women’s suffrage. I In 1884, she graduated from Oberlin College...
Category

2010s Feminist Art

Materials

Laid Paper, Monoprint

Overture 2 BY CLARE GROSSMAN, Limited Edition Figurative Nude Print, Affordable
Located in Deddington, GB
Clare Grossman Overture 2 Limited edition of 70. A solar plate etching on Somerset 300gsm paper. Image Size: H 12.5 x W 17.5cm Sold Unframed Please note that insitu images are purely...
Category

21st Century and Contemporary Feminist Art

Materials

Paper, Etching

Signed Feminist LGBTQ+ Acrylic on Board Painting - Profile Landscape 438.006
Located in New York, NY
Linda Stein, Profile Landscape 438.006 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Profile Landscape 438.006 is from Linda Stein's Profiles series--drawings, collag...
Category

1970s Feminist Art

Materials

Acrylic, Board

Signed Feminist LGBTQ+ Acrylic on Board Painting - Profile Landscape 438.017
Located in New York, NY
Linda Stein, Profile Landscape 438.017 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Profile Landscape 438.017 is from Linda Stein's Profiles series--drawings, collag...
Category

1970s Feminist Art

Materials

Acrylic, Board

Signed Feminist LGBTQ+ Acrylic on Board Painting - Profile Landscape 438.039
Located in New York, NY
Linda Stein, Profile Landscape 438.039 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Profile Landscape 438.039 is from Linda Stein's Profiles series--drawings, collag...
Category

1970s Feminist Art

Materials

Acrylic, Board

Signed Feminist LGBTQ+ Acrylic on Board Painting - Profile Landscape 438.021
Located in New York, NY
Linda Stein, Profile Landscape 438.021 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Profile Landscape 438.021 is from Linda Stein's Profiles series--drawings, collag...
Category

1970s Feminist Art

Materials

Acrylic, Board

Woman IV - XXI Century Contemporary Oil Tempera on Canvas Painting, Portrait
Located in Warsaw, PL
Joanna Rusinek (1979) Polish contemporary painter. Diploma at the Academy of Fine Arts in Gdańsk in 2007 at the Graphics Studio under the supervision of prof. Jadwiga Okrassa. Annex...
Category

21st Century and Contemporary Feminist Art

Materials

Canvas, Oil, Tempera

"On house arrest" nude painting china ink on canson paper framed 92x72cm 2009
Located in Saint Pol de Léon, Bretagne
"On house arrest" nude painting china ink on canson paper framed 92x72cm the enclosed beauty that can no longer give the measure of its potential
Category

21st Century and Contemporary Feminist Art

Materials

Ink, Acrylic

Patricia Miranda, Pearls Before Swine 2020, cochineal dyes, pages, sewn pearls
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category

2010s Feminist Art

Materials

Thread, Dye, Found Objects

Rei’s Force ~ Secret Location
Located in Santa Monica, CA
Fiber print, edition of 10.
Category

Early 2000s Feminist Art

Materials

Black and White

Benton, Mabel Loomis Todd, monoprint with Chine collé, Pioneer Activist
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...
Category

1990s Feminist Art

Materials

Gold Leaf

Signed Feminist LGBTQ+ Ink Graphite on Paper Drawing - Profile Notation 418.009
Located in New York, NY
Linda Stein, Profile Notation 418.009 - Signed Feminist LGBTQ+ Ink and Graphite on Paper Drawing Profile Notation 418.009 is from Linda Stein's Profiles series--drawings, collages ...
Category

2010s Feminist Art

Materials

Paper, Ink, Graphite

Signed Feminist LGBTQ+ Ink Graphite on Paper Drawing - Profile Notation 418.010
Located in New York, NY
Linda Stein, Profile Notation 418.010 - Signed Feminist LGBTQ+ Ink and Graphite on Paper Drawing Profile Notation 418.010 is from Linda Stein's Profiles series--drawings, collages ...
Category

2010s Feminist Art

Materials

Paper, Ink, Graphite

Signed Feminist LGBTQ+ Ink Graphite on Paper Drawing - Profile Notation 418.012
Located in New York, NY
Linda Stein, Profile Notation 418.012 - Signed Feminist LGBTQ+ Ink and Graphite on Paper Drawing Profile Notation 418.012 is from Linda Stein's Profiles series--drawings, collages ...
Category

2010s Feminist Art

Materials

Paper, Ink, Graphite

Ann Chernow, Bad Girls Folio of Eight Etchings, 2015, Rag Paper, Etching
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category

2010s Feminist Art

Materials

Rag Paper, Etching

Incredible photo of three king penguins standing against a snowy backdrop
Located in US
"""Polar Guardians"" Incredible photo of three king penguins standing against a snowy backdrop Five king penguins stand in a perfectly arranged triangular formation looking at some...
Category

2010s Feminist Art

Materials

Archival Pigment

Patricia Miranda, Sentinella, 2020, Battinger lace, synthetic dyes, cast plaster
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category

2010s Feminist Art

Materials

Fabric, Dye, Plastic

Patricia Miranda, Lamentations for Rebecca; 2020, lace, cochineal dye, thread
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category

2010s Feminist Art

Materials

Ceramic, Fabric, Thread, Dye, Found Objects

Flores de Femicidio
Located in Red Bank, NJ
Each flower is made using the photographic process called cyanotype. Using watercolor paper, each petal was drawn, cut and coated by hand. Each flower is made using between 12-30 pet...
Category

20th Century Feminist Art

Materials

Archival Pigment

Benton, Catherine Marya Sedgewick, monoprint with Chine collé, PioneerActivist
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...
Category

2010s Feminist Art

Materials

Gold Leaf

Signed Feminist LGBTQ+ Acrylic on Board Painting - Profile Landscape 438.016
Located in New York, NY
Linda Stein, Profile Landscape 438.016 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Profile Landscape 438.016 is from Linda Stein's Profiles series--drawings, collag...
Category

1970s Feminist Art

Materials

Acrylic, Board

Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing - Profile Notation 418.005
Located in New York, NY
Linda Stein, Profile Notation 418.005 - Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing Profile Notation 418.005 is from Linda Stein's Profiles series--drawings, collages and ...
Category

2010s Feminist Art

Materials

Paper, Ink

Feminist art for sale on 1stDibs.

Find a wide variety of authentic Feminist art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, pink, red, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Cécile Plaisance, Lida Pshenichka, Suzanne Benton, and Ann Chernow. Frequently made by artists working with Fabric, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Feminist art, so small editions measuring 2.76 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $90 and tops out at $45,000, while the average work sells for $2,769.

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