Feminist Art

Linda Stein, Profile Notation 418.005 - Signed Feminist LGBTQ+ Colorful Ink on Paper Drawing Profile Notation 418.005 is from Linda Stein's Profiles series--drawings, collages and ...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

bronze figurative sculpture numbered from 1 to 8 "Afghan" 19x9x7cm send in wood crate Emmanuelle Vroelant traveled to Afghanistan in the 1970s, she knew a proud and modern country th...

Beautiful original painting depicting the interior of the room. Lots of details. Stylish painting will be a great addition to your interior and art collection.

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Linda Stein, Profile Solid 383.045 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.045 is from Linda Stein's Profiles series--drawings, coll...

Linda Stein, Profile Solid 383.048 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.048 is from Linda Stein's Profiles series--drawings, coll...

Linda Stein, Profile Solid 383.049 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.049 is from Linda Stein's Profiles series--drawings, coll...

Linda Stein, Profile Solid 383.054 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.054 is from Linda Stein's Profiles series--drawings, coll...

Linda Stein, Profile Solid 383.056 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.056 is from Linda Stein's Profiles series--drawings, coll...

The Kelly Girls is a treasure trove of historical importance. First is the medium, color xerox printing. For anyone who worked in the alternative photography media, color xerox had a...

Suzanne Benton has been a working artist in a wide range of media for more than 60 years, with more than 150 solo exhibitions, 110 group shows, and two retrospectives of her multi-fa...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Carrie Chapman Catt, monoprint with Chine collé, 18 ¾ "x 12 15/16", 1992 (1859 – 1947) The women’s right to vote in the United States is owed largely to the efforts of Carrie Chapman Catt. Born in Wisconsin and educated at Iowa State, Catt left work as a high school principle and later as a newspaper editor to join the fight for women’s suffrage. Skilled as a lecturer, Catt rose rapidly to national leadership, succeeding Susan B. Anthony as president of the National/American Women’s Suffrage Association in 1900. Catt’s pressure on President Woodrow Wilson and her tireless work to secure state ratification, culminated in the Nineteenth Amendment’s adoption in 1920. Following suffrage work, Catt devoted herself to peace and disarmament issues, serving as chair of the Committee on the Cause and Cure of War. The Women’s Rights Historical Park exhibited the growing series in 1995 during the 75th anniversary of women’s suffrage. The Oberlin College...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Anna Julia Cooper, monoprint with Chine collé, 27 x 19 3/4 inches, 2020 1858-1964 An educator, administrator, and social reformer, Anna J. Haywood Cooper was born a slave in Raleigh, North Carolina, and spent fourteen years fighting to gain access to Latin and Greek classes reserved for men at St. Augustine's Normal School and Collegiate Institute, from which she graduated in 1877. She married the Reverend A. C. Cooper at St. Augustine's, where each taught, but after his death in 1881, she began the second phase of her education at Oberlin. That year she joined Mary Eliza Church (Terrell) and Ida A. Gibbs Hunt in the "gentleman's" collegiate course and graduated in 1884. One of the pioneer African-American women who earned a B.A., she returned to Oberlin for an M.A. in Mathematics, which she received in 1887. Continuing her trailblazing for race and gender issues, Cooper wrote the feminist manifesto, A Voice from the South, spoke at feminist and educational conferences, and achieved many honors such as membership in the American Negro Academy. She was a leader in the National Association of Colored Women. Aligned with DuBois's philosophy, she spoke at the 1900 Pan African Conference in London, arguing for self-determination for African-Americans and an end to colonialism in Africa and apartheid in South Africa. Anna Cooper received a Ph.D. at the Sorbonne in 1925 after a decade of study while she also maintained a full-time teaching load. Her thesis was on French policies during slavery. She had been shaping Frelinghuysen University in Washington, D.C., an interdenominational Bible college, and became its president in 1930, at the age of 72. She died in 1964 at the age of 105. In preparation for this ongoing series the artist received images from Legacy Magazine’s photo archive of 19th Century women writers, understanding that she’d obtain permission from each source to use the photos in her artworks. Permissions were received and she began the series in 1992. The Harvard/Radcliffe Schlesinger library then offered Suzanne access to relevant microfiche images that were employed in subsequent works. In addition, the library exhibited the in 1992. The collector Vivien Leone purchased and donated one to the library, and the library subsequently purchased two more. The Women’s Rights Historical Park in Seneca Falls, NY, exhibited the growing series in 1995 during the 75th anniversary of women’s suffrage. The Oberlin College...

The inspiration for Mary Dwyer's work revolves around storytelling, historic events, a love of political cartoons and early portraiture paintings. An integral part of this work is research. Spurred by an innate curiosity, she creates political, historical and personal paintings. In the last few years Dwyer has been researching and painting the American Suffrage movement. In this research she discovered that the people working as both Suffragists and Abolitionists also started their own newspapers and published their own pamphlets. They became journalists, as no one was covering their story. Dwyer's paintings are a celebration of both the voter’s rights activist and the visual pageantry of the Suffrage movement. The use of color in her Suffrage paintings speak to the vibrant pageantry and the visual marketing used during the movement. Sashes, button, banners, flags and ribbons were made by women and marketed for women. The significance of free press is paramount in a free and fair society. The importance of journalist has become a theme that has continued in her present work. Recently she has been working on a Memorial Paintings...

Patricia Dahlman was born in Cincinnati, Ohio and studied art at Wright State University in Dayton, Ohio and Yale University Summer School of Art and Music in Norfolk, Connecticut. Dahlman has lived and worked as an artist in Seattle, San Francisco and the New York City area. She has received a New Jersey Printmaking Fellowship to the Brodsky Center, two Geraldine R. Dodge Foundation Fellowships to attend Vermont Studio Center and Virginia Center for Creative Arts, a Puffin Foundation Grant Award for The War and Peace Print Project, a Yaddo Residency, a Gallery Aferro Studio Residency and recently was an artist in residence at SLAK Atelier in Arnhem, Netherlands. Dahlman has exhibited her work all over the United States and has been included in exhibitions at George Adams Gallery...

The inspiration for Mary Dwyer's work revolves around storytelling, historic events, a love of political cartoons and early portraiture paintings. An integral part of this work is research. Spurred by an innate curiosity, she creates political, historical and personal paintings. In the last few years Dwyer has been researching and painting the American Suffrage movement. In this research she discovered that the people working as both Suffragists and Abolitionists also started their own newspapers and published their own pamphlets. They became journalists, as no one was covering their story. Dwyer's paintings are a celebration of both the voter’s rights activist and the visual pageantry of the Suffrage movement. The use of color in her Suffrage paintings speak to the vibrant pageantry and the visual marketing used during the movement. Sashes, button, banners, flags and ribbons were made by women and marketed for women. The significance of free press is paramount in a free and fair society. The importance of journalist has become a theme that has continued in her present work. Recently she has been working on a Memorial Paintings...

Fiber print.

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

The Kelly Girls is a treasure trove of historical importance. First is the medium, color xerox printing. For anyone who worked in the alternative photography media, color xerox had a...

Linda Stein, Profile Palette 426.003 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Drawing Profile Palette 426.003 is from Linda Stein's Profiles series--drawings, collages an...

Linda Stein, Profile Palette 426.009 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Drawing Profile Palette 426.009 is from Linda Stein's Profiles series--drawings, collages and...

Linda Stein, Profile Palette 426.007 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Drawing Profile Palette 426.007 is from Linda Stein's Profiles series--drawings, collages and...

Linda Stein, Profile Palette 426.010 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Drawing Profile Palette 426.010 is from Linda Stein's Profiles series--drawings, collages and...

Linda Stein, Profile Palette 426.011 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Drawing Profile Palette 426.011 is from Linda Stein's Profiles series--drawings, collages and...

Linda Stein, Profile Palette 426.024 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Drawing Profile Palette 426.024 is from Linda Stein's Profiles series--drawings, collages and...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Linda Stein, Profile Flying 446.155 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.155 is from Linda Stein's Profiles series--drawings, collages and paintin...

The red series are vermilion drawings with cotton/diya baati wicks used in prayer, the fruit of the artist's longstanding preoccupation with gender, religion and rituals. The interfe...

The red series are vermilion drawings with cotton/diya baati wicks used in prayer, the fruit of the artist's longstanding preoccupation with gender, religion and rituals. The interfe...

Linda Stein, Profile Solid 383.065 - Signed Feminist LGBTQ+ Acrylic and Goauche on Paper Drawing Profile Solid 383.065 is from Linda Stein's Profiles series--drawings, collages an...

Linda Stein, Profile Solid 383.063 - Signed Feminist LGBTQ+ Acrylic and Goauche on Paper Drawing Profile Solid 383.063 is from Linda Stein's Profiles series--drawings, collages an...

Linda Stein, Profile Solid 383.066 - Signed Feminist LGBTQ+ Acrylic and Goauche on Paper Drawing Profile Solid 383.066 is from Linda Stein's Profiles series--drawings, collages an...

Linda Stein, Profile Solid 383.070 - Signed Feminist LGBTQ+ Acrylic and Goauche on Paper Drawing Profile Solid 383.070 is from Linda Stein's Profiles series--drawings, collages an...

Linda Stein, Profile Solid 383.071 - Signed Feminist LGBTQ+ Acrylic and Goauche on Paper Drawing Profile Solid 383.071 is from Linda Stein's Profiles series--drawings, collages an...

Linda Stein, Profile Solid 383.077 - Signed Feminist LGBTQ+ Acrylic and Goauche on Paper Drawing Profile Solid 383.077 is from Linda Stein's Profiles series--drawings, collages an...

Linda Stein, Profile Landscape 438.048 - Signed Feminist LGBTQ+ Acrylic on Canvas Painting Profile Landscape 438.048 is from Linda Stein's Profiles series--drawings, collages and p...

Linda Stein, Profile Landscape 438.049 - Signed Feminist LGBTQ+ Acrylic on Canvas Painting Profile Landscape 438.049 is from Linda Stein's Profiles series--drawings, collages and p...

Linda Stein, Profile Landscape 438.053 - Signed Feminist LGBTQ+ Acrylic on Canvas Painting Profile Landscape 438.053 is from Linda Stein's Profiles series--drawings, collages and pa...

Linda Stein, Profile Landscape 438.052 - Signed Feminist LGBTQ+ Acrylic on Canvas Paintings Diptych Profile Landscape 438.052 is from Linda Stein's Profiles series--drawings, collag...

Linda Stein, Profile Landscape 438.019 - Signed Feminist LGBTQ+ Acrylic on Board Painting Profile Landscape 438.019 is from Linda Stein's Profiles series--drawings, collages and pai...

Watercolor

Linda Stein, Profile Landscape 438.045 - Signed Feminist LGBTQ+ Acrylic on Canvas Painting Profile Landscape 438.045 is from Linda Stein's Profiles series--drawings, collages and p...

Profile Preliminary 427.019 - Signed Feminist LGBTQ+ Acrylic on Canvas Painting Profile Preliminary 427.019 is from Linda Stein's Profiles series--drawings, collages and paintings ...

Linda Stein, Profile Landscape 438.044 - Signed Feminist LGBTQ+ Acrylic on Canvas Painting Profile Landscape 438.044 is from Linda Stein's Profiles series--drawings, collages and p...

Linda Stein, Profile Preliminary 427.010 - Signed Feminist LGBTQ+ Acrylic on Canvas Painting Profile Preliminary 427.010 is from Linda Stein's Profiles series--drawings, collages a...

Linda Stein, Profile Preliminary 427.009 - Signed Feminist LGBTQ+ Acrylic on Canvas Painting Profile Preliminary 427.009 is from Linda Stein's Profiles series--drawings, collages a...

Linda Stein, Profile Compartmentalized 415.032 - Signed Feminist LGBTQ+ Acrylic on Canvas Painting Profile Compartmentalized 415.032 is from Linda Stein's Profiles series--drawings...

Linda Stein, Brave Spirits Merged 807 - Feminist Mixed Media Fabric Black Sculptural Tapestry Stein began to produce sculptural tapestries in 2011, in which she combines images from...

Linda Stein, Wonder Woman Escapes 892 - Feminist Mixed Media Fabric Black Sculptural Tapestry Stein began to produce sculptural tapestries in 2011, in which she combines images from...

Linda Stein, Growing Up Female: Jewelry, Guns, Landmines 929 - Feminist Contemporary Sculptural Tapestry Growing Up Female: Jewelry, Guns, Landmines 929 is from Linda Stein's Sexis...