Romantic Art

A unique pair of vintage herbarium / botanical displays collected and created by S. Lindwald in June 1946 in Sweden. These botanical specimen are preserved behind glass in a new cust...

A superb painting by Frégevize, the renowned enamel artist and painter, depicting a lively scene in the Geneva countryside. In the foreground, villagers in traditional attire dance, ...

This artwork titled "Children Flying Kites" 1963, is an oil painting on hardboard by noted Haitian artist Bourmont Byron, 1920-2004. It is signed and dated at the lower right corner ...

A moody mid century landscape painted in neutral, sepia tones featuring an abandoned building by Joseph Bodner (American, 1925-1982). Signed "Bodner" in ...

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

Large scale colourful figurative portrait of a fashionable lady in a blue hat by French artist Jean-Louis Dubuc. The painting is signed bottom right and titled to the rear cross stre...

JOAQUÍN DOMÍNGUEZ BÉCQUER Spanish, 1817 - 1879 DANCERS IN A COURTYARD signed, located & dated "Joaq. D. Becquer. Sevilla 1849." (lower right)...

The technique and subject matter work well together in this loosely but masterfully rendered World War 1 romantic illustration of a Soldier and a Parisian woman. Even though this wo...

Antique Horse Study "Legs and Rumps, 1838" Wouterus Verschuur l (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...

Lithograph realized after Lafitte in the early 19th Century. Very good condition.

An oil on panel view of a Christmas tree in a landscape heavy with snow by Boggio. The painting is signed bottom left. A charming view of a snow scene, a Christmas tree its branches...

Early 20th Century oil on canvas still life of oranges, hops and flowers signed E Pritchard and dated 1904 bottom left, presented in period gilt ...

Thomas Balfour Garrett, 'Search', monotype in colors, c. 1910, a unique impression. Signed and titled in pencil. A superb, painterly impression with fresh colors on off-white, wove p...

Josep María Draper was born in 1931 and received a great creative influence from the 1950s. Abstract Expressionism, a form of painting tha...

Antique Dog Portrait Lithograph in the Taste of Alfred De Dreux Greyhounds D France, circa 1870 Lithography 25 5/8 x 19 5/8 (28 x 20 frame) inc...

The romantic merges with the classic in Mitchell Funk's 1970s interpretation of the Brooklyn Bridge. With a long lens, Funk incorporates the emotionally joyful colors of out-of-focu...

The road to Heaste, Isle of Skye The road to Heaste on the Isle of Skye with a view of Beinn na Caillich and Blaven beyond. THE ROAD TO HEASTA, ISLE OF SKYE, 2012-2013 Fine Art Giclee Print (Archival Pigment Print from Wet plate collodion), in vintage frame saved from the Scottish castle... Image: 58 x 81 cm Frame: 85 x 110cm / 33.5 x 43.3 inches Series: The Dark Mountains (The Hebrides) / 'No Innocent Land' Signed on recto The series 'No Innocent Land' is a journey across the islands of Scotland using an antique process to document the dramatic landscapes of Scotland. Using a 100 year old camera, images have been made and developed by hand on mountain tops, in valleys, by the sides of lochs, and in some of Scotland's most beautiful landscapes. ALEX BOYD Alex Boyd's images represent a major addition to the tradition of modern landscape photography" - Robert Macfarlane, Author Alex Boyd is a landscape and documentary photographer, printmaker and writer. His work is primarily concerned with the Scottish landscape. As a photographer his work examines the role of early Scottish landscape photographers, often using antique processes such as the Victorian wet-plate collodion process using antique cameras in mountain environments. In 2019 he was awarded a Daiwa Foundation Scholarship to work and photograph the mountains of the Japan Alps centred on Mount Yari as well as shortlisted for the Hariban Award. He was the Mountain Photographer of the Year at the Kendal Mountain Festival in 2013, the UK's largest mountain festival. His work on the Cuillin mountains on the Isle of Skye as the Royal Scottish Academy's artist in Residence is in several National Collections. His work has been widely exhibited internationally with solo exhibitions at the Scottish Parliament, as well as group exhibitions at the Royal Academy, Royal Ulster Academy and the Royal Scottish Academy. His work is held in the collections of the National Galleries of Scotland, The Royal Photographic Society, the Royal Scottish Academy, the V&A in London and the Yale Centre for British Arts in the USA. His first book St Kilda - The Silent Islands was recently shortlisted for a Saltire Award. His second book The Isle of Rust, a collaboration with writer Jonathan Meades was, like his first book, named as a photography book of the year by The Scotsman. He is a Fellow of the National Library of Scotland, The Winston Churchill Memorial Trust, The Ballinglen Arts Foundation, and the Royal Society of Art. He is currently working on a PhD on Scottish Photography...

Egisto Sarri "Pompeian scene" Oil on canvas, measure: cm 30 x 48 with a filly carved gilt - wood frame cm 46 x 64 Signature in the lower left-hand corner: "E. Sarri Egisto Sarri (Figline val d'Arno 1837 - Florence 1901) Sarri studied at the Academy of Fine Arts in Florence under Giuseppe Bezzuoli and Enrico Pollastrini, and was one of Antonio Ciseri...

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

Rue de la Paix, Paris - Hand Colored Lithograph 1845-1860 Delicate hand-colored lithograph of Rue de la Paix Palace in Paris, France printed by Rose-Joseph Lemercier (French, 1803 - 1887). Published, Paris 1843 to 1867 by Hautecoeur Freres (Eugène and Alfred Hautecoeur (French). After Charles Riviere...

A mid 20th century watercolour on paper of carnations in a bowl by French artist J Savigny. The painting is signed bottom right and presented in a period patinated and gilt wood and ...

In "Nostalgia" a 21st -century Nigerian painter uses an impressionist technique the brushwork clearly visible —to evoke the haziness between wakefulne...

ink on paper signed OSC. LYCKE unframed 24 x 34 cm (9.4 x 13.4 in) framed 33.5 x 43.5 cm (13.2 x 17.1 in) Provenance: Acquired directly from Katarina Gunnarsson, who inherited the ...

French school of the first half of the 19th century Oil on canvas 45.5 x 60 cm (59.5 x 74 cm with frame) Beautiful 19th century carved and gilded wooden frame Good condition (a few r...

Alexis DALIGE de FONTENAY Paris, 1813 - Paris, 1892 Storm at Etretat Watercolor 24 x 32 cm (40 x 48 cm with frame) Signed lower right "Ais de Fontenay" Very good condition Alexis Da...

Jean-Charles GRANDJEAN Active between 1833 and 1857 Oil on canvas 33 x 41 cm (46 x 54 cm with frame) Signed and dated lower right “Grandjean / 1835” Beautiful Restoration period fram...

This artwork titled "Bridesmaids" 1995, is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 41/950 in pencil by the artist. Published by Masters Publishing INC, New York. The image size is 18 x 22.5 inches, sheet size is 23.25 x 26 inches. It is in excellent condition. About the artist: Pati Bannister was born in Highgate, England, overlooking London in 1929. Growing up, both of her parents were artists. Her mother painted watercolor landscapes, while her father painted portraits. To help further her natural talents, she took art lessons as a young girl and ultimately went to work for J. Arthur Rank, the movie maker, as an animator.​ At 22 years old, she came to the United States as a governess for a family in Connecticut. Later she became a flight attendant in Florida where she met her future husband, Glynn. Little did she know, he would become the strongest influence in her life as he inspired her to pursue and share her artistic abilities with the public. ​In 1958, Pati and Glynn moved to New Orleans and she started painting portraits in Jackson Square. Eventually, she opened two art galleries located in the French Quarter. In the late 1960's, they moved to the Mississippi Gulf Coast...

Désiré THOMASSIN (Attributed to) Vienna, 1858 – Munich, 1933 Oil on panel 32 x 50 cm (42 x 60 cm with frame) Inscription on the back “Thomassin / Braz...

Couple standing beside a tree Signed lower right Henry Patrick Raleigh was one of the most prolific of all our illustrators. In spite of this...

Arthur William Devis. English ( b.1762 - d.1822 ). Portrait Of Charlotte Shore, Daughter Of The Governor General Of India, The 1st Lord Teignmouth. Oil On Canvas. Oval Image size 26.2 inches x 20.5 inches ( 66.5cm x 62cm ). Frame size 34.6 inches x 28.7 inches ( 88cm x 73cm ). Available for sale; this original oil painting is by Arthur William Devis and dates from around 1792 to 1795. This painting was created when the sitter and the artist were both in India, the sitter's father being the Governor General of India from 1793 to 1798. The painting is presented and supplied in a 19th century decorative frame. The painted surfaces and the frame have benefitted from some restoration, cleaning and conservation, which was performed on our instruction, supervision and approval. The canvas is lined. This antique painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. Provenance: By descent in the family of the sitter. Exhibited: Preston, Harris Museum and Art Gallery, 2000, Arthur William Devis, no.52. Charlotte was the eldest child of the first Baron Teignmouth, a title that was created in 1798 for Sir John Shore. The title became extinct in 1981 on the death of the seventh Baron. This portrait was almost certainly painted by Devis in India at a time when the sitter’s father was Governor General. As such, this is a historically significant piece. John Shore was an anti-slavery campaigner, born in London but brought up in Romford. In 1769 he went to work in Bengal where he was one of the first to learn a number of local languages. In 1785 he returned to England and on 14 February 1786 he married Charlotte, the only daughter of James Cornish, a medical practitioner at Teignmouth. The couple’s first child, Charlotte, the subject of this painting, was born the following year, on January 26, 1787. The family quickly returned to India, where John Shore served as Governor from 1793 to 1798. John and his wife had three sons and six daughters over the following fifteen years. Sir John Shore left Calcutta for the final time in March 1798, sailing back to England with his wife and young family. The family settled in Clapham and Sir John became the first president of the British and Foreign Bible Society. He was involved with the Clapham Sect and their anti-slavery campaign. This adorable original oil on canvas depicts Charlotte, the eldest child and first daughter of the first Lord Teignmouth, aged around five to seven years old. (On the basis that the family returned to England in 1798 when Charlotte would have been 11 years old, this painting was almost certainly created in India, during the time when her father was the Governor General of India. We also know that the artist was painting portraits in India the decade up to 1795, when he returned to England.) Charlotte is an attractive child, with thick dark brown curly hair framing her beautiful angelic features. She has fair skin, rosy cheeks and rosebud lips. Her dark eyes are wide and engaging. She has the sweetest expression on her face and we feel that she is kind and good natured. She is wearing a simple white gown, typical of the day, with a low neckline and three- quarter length sleeves and a pale blue sash around her waist. Arthur William Devis was one of the major English artists of the early nineteenth century, noted particularly for his portraits. His life was dynamic and engaging and he produced some of the definitive images of his generation. Devis was born in London on 10 August 1763, the nineteenth child of the artist Arthur Devis and his wife Elizabeth Faulkner. There were several artists in the family and Devis showed an early genius for art. He received some artistic training from his father and then studied at the Royal Academy Schools where he received a Silver Medal, and the good opinion of Sir Joshua Reynolds. Devis became extremely well-travelled, and even circumnavigated the world; when he was about twenty, he was appointed draughtsman on the British East India Company's ship Antelope in a voyage to the East Indies, under Captain Henry Wilson. The vessel was wrecked off the Pelew Islands, on which the crew took refuge. The island was uninhabited, but the sailors formed a friendly alliance with neighboroughing islanders and took part in the wars of the natives. The crew then built themselves a small vessel and sailed for Macao. During this voyage Devis received two wounds from arrows shot from the coast, one in his body, the other in his check, which caused a permanent injury to his jaw. Devis left the rest of the crew at Macao, spent a year in China, then proceeded to Bengal. He settled in India for ten years, establishing a modestly successful practice and receiving several lucrative commissions from British colonialists, of which this painting of young Charlotte is likely to be one. In 1795 he returned to England and worked with great zeal, earning himself a reputation as a serious artist. He painted a number of important historical pieces, including “The Conspiracy of Babington in the reign of Queen Elizabeth” and “Cardinal Langton and the Barons forcing King John to sign Magna”. He soon became established as one of the most talented British artists of his day. It is known that Devis created other portraits of the Shore family between 1797 and 1817. Devis is particularly noted for being involved in the creation of the posthumous cult of Horatio Nelson. After the battle of Trafalgar, he went out to meet the Victory, and painted the acclaimed piece ‘The Death of Vice-Admiral Lord Viscount Nelson, K.B., in the cockpit of H.M.S. Victory, 21 Oct. 1805.’ For this work Devis made various sketches on board HMS Victory, including of Nelson’s body during the autopsy by Dr. Beatty, the ship’s surgeon. The completed picture has become the definitive image of Nelson’s heroic end; it was engraved by W. Bromley (1812), and presented by the Right Hon. Lord Bexley to the gallery of Greenwich Hospital in 1825. At 8 feet 7 inches by 6 feet 4 inches it is of stunning proportions. Devis’ large oil sketch for the piece was purchased by Queen Victoria, December 1852 Devis was also commissioned by Dr. Beatty to produce a half-length painting of Nelson as Vice Admiral, which was lent to Emma Hamilton, who later lost it whilst travelling. Either the original or a copy of this portrait was exhibited at the Royal Academy two years after the Battle and many copies were made of it, including one in the National Maritime Museum. Devis exhibited a total of sixty-five pictures at the Royal Academy between 1779 and 1821. His equestrian portrait of ‘Alexander Sinclair Gordon, Esq.’, was engraved by Anthony Cardon in 1805; ‘The Battle of Waterloo,’ engraved by John Burnet in 1819; ‘An Indian Interior,’ by P. W. Tomkins in 1797; ‘The Little Mountaineer,’ by E. Scriven in 1809, who also engraved Devis's illustrations to J. J. Howard's translation of the ‘Metamorphoses of Ovid,’ London, 1807. Thus images of Devis’ work have become well known through the years. Today there is a portrait of Arra Kovger by Devis in the British Museum, and a portrait of Governor Herbert (painted in Calcutta in 1791) in the National Portrait Museum. Despite his artistic talent, Devis was seemingly completely incapable of managing his financial affairs. He therefore failed to maintain the status in society that his talent deserved. Where money was concerned, he was generous beyond his means and was sadly declared bankrupt in 1800. In 1804 he was imprisoned for debt. Between 1802 and 1810 he received continual assistance from John Biddulph of Ledbury, but these well-intentioned interventions did not produce the results hoped for, and Devis continued to be hopelessly unreliable. Towards the end of his career he at last began to receive Royal patronage, but it came too late. When he died suddenly from apoplexy in 1822 he left his second wife and young children penniless. He was buried in St. Giles’s churchyard. Works by Arthur Devis are now very much in demand; his depiction of Bengali weavers made an eyecatching £130,000 in a UK auction...

Picking Roses French School, late 19th century oil on canvas, unframed canvas: 22 x 18 inches provenance: private collection, France condition: good and sound condition

Hanger Books Signed lower right. Robert Berran has been a prolific romance and historical book cover illustrator since the 1970s.

A couple of young boy and girl, dressed in ethnographic costumes, probably Savoyard, ride a donkey. The scene takes place in the middle of the countryside with mountains in the back...

Les Tuileries, Paris - Hand Colored Lithograph Delicate hand-colored lithograph of Tuileries Palace in Paris, France printed by Rose-Joseph Lemercier (French, 1803 - 1887). Published, Paris 1843 to 1867 by Hautecoeur Freres (Eugène and Alfred Hautecoeur (French). After Charles Riviere...

Harry Aiken Vincent

 (American, 1864-1931) 
Title: The Entrance to the Bazaar 
Size: 13 ½ x 10 ½ inches 
Medium: Oil on canvas
 Markings: Signed lower right Harry Aiken Vincent was...

Tanvi Pathare Una Donna Sevillana (A Lady from Seville) Contemporary Florence Portrait painting 95 x 80 cm oil on linen (frame included in price) size with frame: 104 x 90 cm Tanvi...

KATARZYNA SZYDLOWSKA (born in 1969) Katarzyna Szydlowska studied at the European Academy of Arts under prof. Jerzy Duda Gracz, Antoni Fa?at and Franciszek S...

Théodore Géricault 'Cheval de Mecklembourg' (Mecklembourg Horse), lithograph, 1822, 2nd state of 4, Delteil 47. Signed in the matrix 'Gericault', lower left. Published by Godefroy En...

Country girl - Angelo Granati Italia 2011 - Oil on canvas cm. 90 x 70. This is his reinterpretation of painting "Young Shepherdess" by gratest old master William Adolphe Bouguereau. ...

Tanvi Pathare Luna Contemporary Florence Portrait painting Ø 80 cm oil on linen (frame included in price) size with frame: Ø 100 cm Tanvi Pathare from India attended the Florence A...

Interesante obra del prestigioso artista italiano y afincado en Barcelona Enrico Creci (1878-1935) Esta obra es de aproximadamente 1910 Como pueden ver en las fotografías, la obra ...

Dipen Bose - Durga Oil on Canvas 36 x 30 inches Signature in the bottom . ( third image shows the signature) (Rolled & Delivered) In this striking acrylic work, Dipen reimagines t...

Rizaldy Celi Jr. (American, Filipino-Vietnamese, born 1983) "Detriment of Romance" 2025 Oil Paint, Canvas, Stretcher Bars The artist signed the side and back of the painting. We ship...

Tanvi Pathare Memories of Seville Contemporary Florence still life painting 30 x 30 cm oil on linen (frame included in price) size with frame: 38 x 38 cm Tanvi Pathare from India a...

Henry Brittan Willis (1810–1884) was a British painter celebrated for his pastoral landscapes and depictions of rural life. Born in Bristol, Willis trained under his father, the mini...

Tanvi Pathare Within Contemporary Florence Portrait painting 105 x 115 cm oil on linen (frame included in price) size with frame: 110 x 120 cm Tanvi Pathare from India attended the...

Chester Cathedral - Drypoint Etching in Ink on Paper Dramatic drypoint etching by J. Alphege Brewer (British, 1881-1946). This composition shows the interior of Chester Cathedral in Brewer's characteristic style - highly detailed and with strong contrast. The scene encompasses the cathedral from floor to ceiling, capturing the immense size of the building. There are several people in the scene which contribute to the sense of scale. Signed by hand "J. Alphege Brewer" in the lower right corner. Titled "Chester Cathedral" in plate, lower left corner. Includes original card with artist's name. Presented in a new black mat with foamcore backing. Mat size: 16"H x 12"W Paper size: 10.75"H x 7.75"W James Alphege Brewer was well known in the early 20th century as a producer of color etchings of European cathedrals and other scenes of church, college, and community. He was born July 24, 1881, in the Kensington section of London, England, the son of Henry W. Brewer, noted artist of historical architecture and prominent convert to the Catholic Church, and the grandson of John Sherren Brewer, Jr., “the brilliant editor of the Calendar of Letters of Henry VIII.” His great uncle was E. Cobham Brewer, the polymath who compiled Brewer’s Dictionary of Phrase and Fable. Among his older siblings were the artist Henry C. Brewer and the organist and writer John Francis Brewer. Brewer attended the Westminster School of Art in London, where his brother Henry also trained. In 1910, he married Florence Emma Lucas, an accomplished painter in oil and watercolor, whose father was the noted landscape artist George Lucas and whose great uncle was David Lucas, the famous engraver for John Constable. Florence's brothers Edwin and George assisted Brewer in the printing of Brewer's etchings. Brewer exhibited at the Royal Academy (RA) and the Royal Institute of Painters in Watercolour (RI), at the Paris Salon of the Académie des Beaux-Arts, and in the shows of the Royal Cambrian Academy (RCA). He became an associate of the Royal Cambrian Academy in 1929 and a full member in the last two years of his life. He was also a member of the Hampstead Society of Artists, the Society of Graphic Art, and the Ealing Arts Club, where he was first Honorary Art Secretary and then Honorary Art Chairman. Most of Brewer's larger etchings were published by Alfred Bell...

This beautifully excecuted landscape with cattle in watercolor was made by Abraham Hendrik Winter (1800-1861). Winter was born in Utrecht (the Netherlands) in 1800 and was a teacher ...

Precious Watercolor attributed to James WARD (1769-1859) - England, 1830-1840. The Fisherman' S Family. Measurements : View : 20"x14.6" (51x37 cm), With frame : 26.6"x21.5" (67.5x54....

Nicolas Gato de LEMA Madrid, 1820 – 1883 Seaside Landscape Gouache, pencil, and watercolor 28 x 38 cm (51 x 60 cm with frame) Signed and dated lower left "Gato de Lema / 1852" Beauti...

➡️Winter scene⬅️ Watercolor from Johannes Franciscus HOPPENBROUWERS (1819-1866) (see wikipedia) ⭐Structural Analysis⭐ This painting depicts a winter scene in a rural village, possibly in the Netherlands or a similar European setting. The composition is well-balanced, featuring: A central building with a distinctive thatched roof covered in snow, creating a focal point. A frozen river or canal, with a person ice skating in the middle ground, adding movement and human presence. A windmill and houses in the background, reinforcing a Dutch setting. Figures engaged in daily life, such as the man near the building carrying a walking stick and a bag, adding a narrative element. The overall scene is tranquil yet lively, capturing a nostalgic winter atmosphere. ⭐Color and Light⭐ The palette consists of muted earth tones, including warm browns, ochres, and soft grays, giving a rustic and aged appearance. The sky has an orange-yellow hue, possibly representing a sunrise or sunset, casting a gentle glow over the cold landscape...

Antique Dog Portrait Lithograph in the Taste of Alfred De Dreux Bulldog and Frog France, circa 1870 Lithography 25 5/8 x 19 5/8 (28 x 20 frame) inches Six lithographs of dog portr...

Theodor Leopold Weller Mannheim 1802 - 1880 Pipe Smoker Oil on canvas Monogrammed lower right Size: 72.5 x 62.5 cm Frame: 83 x 75 cm Good original condition (slight age-related cr...

Carl Oscar Borg (1879-1947) Swedish/American Inscription Rock, New Mexico gouache on card signed CARL OSCAR BORG. unframed: 12 x 17.5 cm (4 3/4 x 6 7/8 in) framed: 22 x 27 cm (8 5/...

Author: Rosendo González Carbonell Title: Mother and Child Technique: Oil on canvas Style: Figurative with elements of Romanticism and Reali...

Théophile Clément BLANCHARD 1820 - 1849 Oil on canvas 27 x 40 cm (45 x 58 cm with the frame) Signed lower right "Blanchard" Very nice 19th century gilded wooden frame French painter, lithographer and illustrator, Théophile Clément Blanchard is part of of those painters of the romantic era who represented picturesque views of France like Alexis Daligé de Fontenay or Eugène Cicéri. These painters traveled a lot and sought out picturesque sites, particularly in Normandy, Brittany, Switzerland and the Pyrenees. Blanchard participated in the illustration of “Picturesque and Romantic Travels in the Old France”. But the works of this romantic painter are rare because Blanchard died very young at twenty-nine year old ! We still know of him, in particular, a view of Bugey (dated 1846) which is at the Louvre Museum and a “Delicious Landscape” (from the 1840s) at the Salies museum at Bagnères de Bigorre...

Franz Bergmann, Austrian (1861 -1936) - Slave Trader, Year: circa 1900, Medium: Bronze sculpture on wooden base, Size: 5.25 x 3 x 3 in. (13.34 x 7.62 x 7.62 cm), Description: "Re...

Aleksandra (Ola) Pawlikowska born 1988, Warsaw, student of the Faculty of Graphics at the Academy of Fine Arts in Warsaw. In the years 2007-2012 she studied Art History at the Univer...

A burst of energy and movement, “Kaleidoscope II” is an abstract celebration of color, rhythm, and emotion. Part of a two part series (see Kaleidoscope I), bold yet harmonious, it ca...

Petrus KREMER Antwerp, 1801 - Antwerp, 1888 Oil on wood panel 72 x 56.5 cm (85 x 72 cm with frame) Not signed Old stamp on the verso Beautiful carved an...