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A stunning and quality pair German Rosenthal mid-century large porcelain doves designed by renowned sculptor Fritz Heidenreich (German, 1895-1966). The ...

This is a fantastic and highly decorative antique pair of French gilt bronze mounted Empire Revival fauteuil armchairs, circa 1870 in date. They have been crafted from fabulous sol...

These are a pair of Derby Porcelain "Mansion House" Dwarfs or "Grotesque Punches" both with incised model numbers and dating to the 19th century. Both figures, male and female are m...

A charming set of three boxed coin shaped medallions celebrating the silver jubilee of Queen Victoria in 1887. The medallions of rounded shape are each contained in a turned boxwood ...

This is a superb hardwood, Mid Georgian, Thomas Chippendale period Armchair of excellent wide proportions and superb colour, which we date to the mid 18th century, George 111rd period, circa 1760. The Arm Chair has many fine features: Excellent wide proportions. Fine Scroll Arms. Similar carved Scroll Ears to ends of cresting rails. Intersecting ribbon pierced splat with carved detail. Fluted side rails to back. The pegged and jointed legs are square with an inside chamfer on both back and front legs. It has a drop-in seat with a very light green plain fabric. This drop in seat allows for an easy change of fabric covering to one of choice, by reupholstering the seat. The proportion of this chair is excellent with very good width and a good rake to the back and rear legs. The hardwood, possibly Walnut, has developed a beautiful mellow colour and patina with age and polishing over the years. Overall a fine quality, English Georgian Arm Chair...

This is a superb large Vintage twin pedestal dining table in elegant George III style, crafted in mahogany with a set of twelve Federal dining Chairs...

A large 72cm high Victorinox Swiss army knife, shop counter display, Mid 20th century in date. The knife with opening and retracting blades, over a tapered square base with inscript...

A stylish Burmantofts Faience art pottery vase decorated in ox blood red glazes and dating from around 1890. The earthenware flask shaped vase stands on a wide round foot rim with a ...

This is a superb antique Late Victorian Flame mahogany string inlaid and satinwood crossbanded pedestal kneehole desk, circa 1880 in date. It is made from fabulous flame mahogany, t...

Piero Fornasetti "Pesci" Porcelain Plates, Set of Six Plates with Schools of Fish, Circa 1970s Each of the six different designs depicts a school of similar fish swimming across th...

A pair of 18th century English flintlock pistols by Ketland and Co. having proof-marked brass barrels, walnut stocks and engraved steel locks, both with original ramrods and both in ...

This is a highly decorative antique Victorian silver plated folding biscuit box, the base bearing the makers' mark of the renowned silversmiths Fenton Brothers of Sheffield, England, circa 1890 in date and bearing the Staniforth's Patent mark as well as the registration number 3549. It has a beautifully shaped body sitting in a cast frame with remarkably chased branch supports and the original interior features elegant hand-pierced dividers. It opens out into two halves and is held shut by gorgeous laurel wreath loose ring handles at the top. This wonderful container could house anything from sweets to biscuits or trinkets. Whatever you choose to store in this lovely item you are sure to do it in style. Condition: In excellent condition, please see photos for confirmation. Dimensions in cm: Height 25 x width 19 x depth 15 Dimensions in inches: Height 10 inches x width 7 inches x depth 6 inches Fenton Brothers Ltd Sheffield Firm established in 1875 at South Moor Works, East Street, Sheffield by John Frederick Fenton...

Piero Fornasetti Porcelain Hot Air Balloon Plate, Mongolfiere Pattern, Rosenthal, Motiv 1, 1980s The Piero Fornasetti porcelain plate was made by Rosenthal and depicts a scene of a...

This is a gorgeous antique silver plated cruet set bearing the makers mark of the renowned silversmith Wade, Wingfield Wilkins Co and circa 1860 in date. The set comprises a beautifully decorative silver plated cruet stand holding six exquisite cut glass condiment bottles traditionally for chilli, soy, cayenne, vinegar, oil and ketchup. The antique silver cruet features a central rectangular shaped handle and body on bun feet, the six cut glass cruet bottles feature three with glass stoppers and three with silver plated lids. This is truly a special item and will attract the maximum amount of attention, the quality and craftsmanship are undeniable. Condition: In excellent condition with no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 23 x Width 22 x Depth 16 Dimensions in inches: Height 9 inches x Width 9 inches x Depth 6 inches Wade Wingfield, ROWBOTHAM CO Sheffield The firm was established in 1751 (according to an undocumented source) and by 1816 was listed as Hoult, Rowbottam, Wingfield Wade in Tenter Street. In 1818, John Hoult withdrew and henceforth the firm was run by John Rowbottam, John Wingfield, and Richard Wade. The firm specialised in table cutlery. Succeeded in 1832 to Wade, Wingfield, Rowbotham, and Co. The partnership between Richard Wade, John Wingfield, John Rowbotham, Alfred Rowbotham and Henry Colley was dissolved in 1851. They were Merchants, Steel Converters, and Manufacturers of Table and Pocket Knives...

A fine quality large antique/vintage Russian hand-blown engraved cobalt blue glass egg attributed to Faberge and probably dating from the early 20th century. The egg is hollow hand b...

This is a beautiful oil on canvas painting of the view of the The Grand Canal in Venice by the renowned British artist Alfred Pollentine (1836-1890) and signed lower right 'A Pollentine, 19th century in date. This beautiful landscape captures a striking view of the Grand Canal, it features a busy canal scene with gondoliers in the foreground, in the distance the facades of Saint Mark's complete the painting. Housed in it's original and beautiful gilt gallery frame. Several examples of his work have sold at top auction...

This is a beautiful antique pair of Louis Revival French shabby chic cream painted fauteuils, or open armchairs, late 19th century in date. They each feature a flower carved cres...

This is a fine example of an English George III period, porcelain serving platter or large oval dish, made by Spode and hand painted in candlelight Pattern 967, during the early 19t...

The Société des artistes decorateurs, founded in 1901, was the first professional association of artists, artisans, designers and architects to emerge in France after the abolition o...

A stunning Czech art glass vase with a spiral twist design by Stanislav Libensky (1921-2002) for Beranek Skrdlovice Glassworks and dating from ar...

This is a fine and rare antique English mid Victorian, burr walnut, ebonised and fruitwood marquetry, centre table, in the manner of Edward Holmes Baldock and circa 1860 in date. The shaped segmentally veneered circular top is beautifully marquetry inlaid with assorted flowers within shaped cartouches and features a beautiful scrolled foliate carved edge. It sits on a cabochon and acanthus-wrapped baluster column with three cabochon-embedded, foliate-scrolled, rocaille-carved outswept legs, with clasped feet and recessed castors. It is extremely versatile and can be placed in your hallway, living room, dining room, or reception. Condition: In excellent condition having been beautifully cleaned, polished and waxed in our workshops, please see photos for confirmation. Dimensions in cm: Height 74 x Width 145 x Depth 145 Dimensions in inches: Height 2 foot, 5 inches x Width 4 foot, 9 inches x Depth 4 foot, 9 inches In 1805 Baldock's name first appears as the freehold owner of 7 Hanway Street, London. Over the years he expanded his premises. By 1840 his property in this street comprised nos 1 and 2, both with back premises, and in addition he owned a yard and no. 3, which he let. It was in 1 and 2 Hanway Street that he carried on business up to 1843 when he retired, selling his stock and moving to a fashionable residential address, Hyde Park Place. According to one 19th-century source, the business was taken over by Frederick Litchfield's father. He was buried in St Pancras Church, Euston, where he is commemorated by a marble memorial tablet on the north wall, dedicated jointly to him and Mary Frances Westoby. In 1805 he described himself as dealer in china and glass. By 1821 he was styled in the Post Office Directories as antique furniture and ornamental china dealer, and in 1826 he described his activities in a bill heading as ‘buying, selling, exchanging and valuing China, Cabinets, Screens, Bronzes etc.’. Though Baldock's business consisted primarily in dealing in antique porcelain and furniture — largely foreign — he repaired, remodelled and altered existing furniture. He also produced designs for new pieces and had them made. In 1836 Baldock sold French eighteenth-century furniture to Lady Stafford (Countess of Sutherland) for Dunrobin Castle, and in 1842 Scotland’s leading country house architect, William Burns, recommended to his patron O. Tyndall Bruce of Falkland House that ‘for Cabinets and China, do not omit going to Baldock’s Hanway Street, Oxford Street… which is the first place in London’. In 1841 the Duke of Buccleuch was sent drawings of bedroom furniture as well as working drawings of an octagonal table, a bookcase and three stalls. A design of a table in the Buccleuch papers which is annotated ‘No. 3 Amboyna wood ground with coloured flowers’ is almost certainly the preliminary sketch for a table which was later made. Robert Byng (1764-1847) and George Newport, 2nd Earl of Bradford were also customers of Baldock’s. In 1840 he supplied a two encoignures with slab tops to the latter (one illus. FHS Newsletter (February 2017, p. 5). A pair of china cabinets...

This is an important antique Dutch walnut and marquetry bureau bookcase, circa 1780 in date. It has been made from the finest burr walnut w...

A 1950s triptych vanity magnifying mirror in nickel on a thick glass base by the French Company Brot known for quality and craftsmanship Brot revolutionized the industry with the int...

Mid 20th century Scandinavian birch inlaid open bookcase circa 1950. Good quality birch and kingwood low open bookcase with cupboard. Dark stained birch top and sides with kingwood ...

A chic French Art Deco low slipper chair, circa 1925. Of modernist design with two slanted cushion held in a cubist wood base to appear floating. Dimensions: H 53cm x D 53cm x W 4...

A Master of Design For almost half a century, the architect Paolo Buffa has occupied the furniture design scene with a well-recognizable style: a limpid art, skilful and exquisite in...

This is a beautiful Caithness glass paperweight named "Ascension", designed by Alastair Macintosh and dating to the last quarter of the 20th century. The paperweight has a cone, egg shaped form, having colours including blue swirl with orange net to the centre and medium bubble and smaller controlled bubbles, making a very distinctive design. The Caithness Glass Company began making paperweights circa 1962 Paul Ysart,Colin Terriss,Alistair Macintosh,Margot Thomson Inns Burn where some of Caithness makers designers of Caithness glass paperweights. The makers mark is etched to the base with CAITHNESS ASCENSION SCOTLAND and a scratched edition number alongside as per the images. This paperweight weighs about 500 gram. Caithness glass The company was founded in 1961 by Robin Sinclair and initially only made bowls, vases and drinking glasses. After Paul Ysart joined the company a year later, that paved the weigh for Paperweight production, with regular factory production starting in the late 1960s. In 1974 the first millefiori and lampwork paperweights...

A stunning large antique Chinese Zhangzhou (Swatow) blue and white shallow porcelain dish of rounded form decorated centrally with a standing phoenix bird set amidst flowering blooms...

A rare and unusual antique English Aesthetic Movement majolica ceramic Japanese design casket by renowned makers Joseph Holdcroft and dating from the 1870’s. At the time there was ...

This is a very decorative, Imperial Stone China (ironstone), large Dinner Plate by John Ridgway, dating to the William IVth period of the 19th cen...

A stunning mid-century French art pottery vase in distinctive black and yellow glazes attributed to renowned French artist Pol Chambost. One of the most iconic and desired colour com...

A Very Good Quality 19th Century Burr Walnut Wellington Chest, Having Superbly Figured Veneers Throughout, The Rectangular Top Over Seven Drawers With Mostly Original Turned Wooden K...

Harry Hall (1814-1882) Redan with jockey up signed and dated 'Harry Hall/ 1865:6' (lower right) Oil on canvas Canvas Size 28 x 36 in Framed Size 35 x 43 in Harry Hall (c. 1814–1882...

This is a beautiful vintage Venetian style two-tier crystal chandelier with 12 lights and beautiful clear crystal drops, dating from the second half of the 20th century. There are...

A beautiful hardback book which is in very good condition, with its dust jacket. Linke is considered by many to have been the greatest Parisian cabinet maker of his day when the worl...

A Delightful Mid 19th Century Camphor Wood Military Campaign Trunk, Of Rare Small Proportions, Having Well Figured Lift Up Lid Enclosing Storage Space, Original Brass Bound Decoration And Original Brass Handles. Its widely accepted that trunks like this were normally purposed for army use, often given into the ownership of high ranking officers to use for their travels around the various battlegrounds and territories of the empire around the world, hence the carrying handles and the brass banded decoration, which also serves the functional purpose of protecting the item from bumps and bashes during the numerous times it would have been transported. In modern day living this trunk would make a perfect coffee table boasting signifcant storage, or could also be used as a storage chest in many locations around the home including the hallway, living room or bedroom. The trunk is also a little smaller than a large amount which yuou will find on the market, which of course allows for it to be used in an even wider variety of spaces. The trunk has also been inspected in our workshops by our expert antique...

More Is More, the exquisite second volume about Tony Duquette, delves into the creative process and personal life of this great American designer renowned for his fantastical artwork...

This is a beautiful set of six English antique oil on board paintings of "river landscapes" attributed to Walter Williams (1834-1906), circa 1880 in date. The river landscape paint...

This is a wonderful English antique William IV sterling silver tray, or salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1820 the makers mark of Paul Storr. It is typical of his work with the octafoil shape and the exquisitely detailed reeded rim, and it is raised on four delightful foliate and scroll feet. The centre is engraved with a shield shaped coat of arms which I have had researched. The Marital Arms of Knollis and Hallifax The armorial bearings as engraved upon this George IV Large English Sterling Silver Footed Salver by Paul Storr hallmarked London 1820 are those of the family of Knollis with Hallifax in pretence. These armorial bearings denote the marshalling of a marital coat showing the arms of the husband over the entire surface of the shield, whilst the arms of the wife (as an heraldic heiress) are placed on a small shield (known as an escutcheon of pretence) centrally on the husband’s arms. They may be blazoned as follows: Arms: Quarterly 1st and 4th Azure crusily of cross crosslets a cross moline voided or (for Knollys) 2nd and 3rd Gules on a chevron argent three roses of the field barbed proper (for Knollys) over all an escutcheon of pretence Or on a pile engrailed sable between two fountains barry wavy of six argent and azure three cross crosslets of the first (for Hallifax) Crest: An elephant argent [differenced with a mullet1 ] (for Knollys) Motto: In utrumque paratus [Prepared for either] (for Knollys) These armorial bearings undoubtedly commemorate the marriage of The Honourable and Reverend Francis Knollis2 (baptised 3rd January 1743 died 27th February 1826), 1 The cadency mark for a third son of a family. 2 Francis appears to have preferred this spelling of his family’s surname. It is spelt as it is to be pronounced. of Burford in the County of Oxfordshire and of Eastleach Martin in the County of Gloucestershire and Mary Hallifax (baptised 5th March 1753 buried 18th December 1830). Francis and Mary were married at the Parish Church of St Mary, Ewell in the County of Surrey on the 9th June 1772. Francis was the third son of Charles Knollys (the titular 5th Earl of Banbury) 3 and his wife, Martha Hughes, whilst Mary was the daughter of The Reverend James Hallifax, of Ewell aforesaid and his wife, Elizabeth Chardavoyn. 3 Francis’s father claimed to be the 5th Earl of Banbury. A claim that continued to be pursued by the family until William Knollys, the titular 8th Earl of Banbury (born 1763 died 1834) was forced to discontinue its use by a resolution of the House of Lords which rejected his claim to the earldom in 1813. The crest surmounts a detailed dedication: This piece of plate was presented to the Honourable Rev Knolls by the inhabitants of the town and immediate neighbourhood of Burford on his completing the fiftieth year of his incumbency as the vicar of Burford. In testimony of their high respect 11th April 1821 There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 3 x Width 36 x Depth 36 Weight 1.52 kg Dimensions in inches: Height 1 inch x Width 1 foot, 2 inches x Depth 1 foot, 2 inches Weight 49 troy oz Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

Nice old bronze Grand Tour figure of the ancient Greek discus thrower. This version with the head facing forward, probably based on the Roman marble copy in the British Museum. Circa...

This is a beautiful antique Victorian flame mahogany and satinwood crossbanded pedestal partners desk, circa 1860 in date. The rectanglular top is satinwood crosbanded and inset with a stunning gold tooled green leather writing surface. One side of the desk is fitted with nine drawers, three drawers in the frieze and three drawers in each pedestal. The other side of the desk has three drawers in the frieze with a cupboard to each pedestal, each cupbpard is fitted with a central shelf. The drawers are all fitted withbeautiful brass drop handles, the desk is complete with the original brass locks and key, and is raised on plinth bases. Instill the elegance of a bygone era to a special place in your home with this fabulous antique partners pedestal desk. THE BOTANICAL NAME FOR THE MAHOGANY THAT THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION AND DOES NOT CONTAIN ANY RESTRICTED MATERIALS. Condition: In excellent condition having been beautifully cleaned, polished waxed and releathered in our workshops, please see photos for confirmation. Dimensions in cm: Height 79.5 x Width 166 x Depth 105 Dimensions in inches: Height 2 foot, 7 inches x Width 5 foot, 5 inches x Depth 3 foot, 5 inches Flame Mahogany Thomas Sheraton - 18th century furniture designer, once characterized mahogany as "best suited to furniture where strength is demanded as well as a wood that works...

Stylish Bohemian Silberiris Candia iridescent glass vase with brown handles by Johann Loetz Witwe and dating from around 1900. The simply shaped vase ref PN 85/5151 in the Loetz cata...

This is a superb antique Victorian coromandel, ormolu mounted and cased three decanter tantalus and games compendium, circa 1870 in date. It was skilfully crafted in rare coromandel with a satinwood interior and ormolu mounts. The three cut crystal glass decanters with stoppers, a mirrored back and compartmens containing four cut glass drinking glasses...

Small 19th century Swedish empire birch sofa circa 1860 Good quality Swedish empire period birch sofa upholstered in kalim woven fabric. Small sofa or a very comfortable single cha...

Piero Fornasetti Ceramic Coasters, Musicalia Pattern, Set of Six Early 1950s-60s Each coaster with a different historical neoclassic musical instrument entwined in ribbons, outlined...

This is a magnificent antique French Louis Revival giltwood overmantle mirror, circa 1860 in date. The bevelled rectangular mirror plate is framed with marginal side plates. It has ...

This is a large French bronze sculpture of Vercingetorix with his son by Emile Laporte (1858 - 1901), circa 1890 in date. The standing figure of Vercingetorix wearing a winged hel...

A pair of Italian 1950s Brass and gilt door handles with futurist horizontal ribbing in the form of modernist wings.

Modernist set of 8 mahogany dining chairs by Auguste Vallin upholstered in green leather, circa 1930.

This is a very beautiful hand painted dinner plate, produced by the Spode factory in the late Georgian period, Circa 1820. This is pattern number 2283, the chinoiserie decoration ...

Pair of 19th century carved walnut armchairs circa 1890. Good quality pair of carved french armchairs, made in walnut.  Profusely carved on all surfaces in the solid. Open frame des...

Piero Fornasetti Magazine rack with wooden frame and silk-screened “Bassorilievo” decoration. Prod. Fornasetti, Italy, circa 1950 (minor losses, crazing to the paint and oxidisati...

A comprehensive collection of Italian Grand Tour intaglios of various sizes, Circa 1820 in date. The collection comprises of 79 plaster intaglios or impronte miniature impressions i...

This is a beautiful antique Victorian oak open breakfront bookcase, Circa 1870 in date. The breakfront top above a frieze, the solid oak superbly c...

A Pair of Cream Painted Geo III Side Chairs With Gilt Carved 'Prince of Wales' Three Feather Backs, c1790. Prince of Wales refers to the heraldic badge of the Prince of Wales, which...

David Morier (c.1705–1770 London) An equestrian portrait of Field Marshal Sir John Ligonier, 1st Earl of Ligonier (1680–1770) Oil on canvas Canvas size - 40 x 50 in Framed size - 48 ...

From an extensive collection of studio pottery we are pleased to offer this fine abstract form studio pottery mug by Cornish based potter Paul Northmore...

This is a beautiful antique late 18th Century Dutch walnut and marquetry inlaid display cabinet  dating from circa 1780. The cabinet is superbly inlaid all over with the most wonder...

A very beautiful, fine quality, inlaid Tea Caddy from the English Georgian, Sheraton Period, Circa 1780. The Tea Caddy is all handmade with very fine quality features; * Beautifully...

A superb antique bronze and marble sculputure group titled "The Betrothal" by Carl Kauba (1865-1922), circa 1890 in date. The bronze features a classical youth placing a ring on the...