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19th century danish carved flame mahogany center table circa 1860. Beautifully shaped top surface with striking half matching veneer top.  Slightly over-sailing top sits on an apron...

An exceptional and large antique Middle Eastern regal gem set silver intaglio collectors seal ring dating from circa 1900. This large and heavy man’s ring is handcrafted with wonderf...

Charming late 18th Century English Thames Valley "hoop back" Windsor armchair in ash and elm, the hoop with 10 supporting spindles and the continuous arm with crook supports and fain...

Malloch Of Perth Black Japanned Fly Tin. A good, black japanned fly tin by Malloch of Perth. The two boards with four rows of plated fly clips, five hooks on each, a total of 40 flie...

Chinese Export Famille Rose porcelain bowl with Chinese "Antiques" & Scholar's items on Furniture, Qianlong Period, circa 1735-1740. The Chinese Export porcelain bowl is finely painted inside and out with famille rose enamels. On the front is a depiction of an unusual grouping of Chinese domestic...

Oil on canvas Canvas size: 24 x 28.5 inches Framed size: 33 x 38.5 inches Signed lower right

This is a beautifully produced book by Franco Maria Ricci, published in 1972 in a limited edition of only 2,000 copies. Hardback binding in the publishers beautiful black silk covers...

This is a rare shape jug or pitcher made by Mason's Ironstone pottery in the Bandana pattern and made for the 1851 Great Exhibition of London, as supported by the printed mark on the...

An elegant lowboy or side table in quarter sawn oak having three plank top with molded edge and rounded corners over three drawers with longer center drawer over two lower drawers al...

This is a very decorative Mason's Ironstone pottery small dish or platter produced by the Mason's factory at Lane Delph, Staffordshire, England, circa 1815. The dish or plate is re...

Original vintage travel poster for Capri Italia issued by the Italian tourist board ENIT / Ente Nazionale Italiano per il Turismo and Italian State Railways featuring scenic artwork ...

Early 20th century inlaid birch octagonal occasional table circa 1910. Fine quality side table, that would also function well in the hall or as a lamp table. Inlaid and strung bord...

19th century burr walnut secretaire chest of drawers circa 1870. Good quality 4 drawer chest of the drawers, with the top drawer pulling out to become a fitted secretaire writing su...

This is a beautiful oil on canvas painting of the view of the The Grand Canal in Venice by the renowned British artist Alfred Pollentine (1836-1890) and signed lower right, 'A Pollen...

Stig Lindberg (Swedish, 1916-82) was one of the greatest Scandinavian designers of the Twentieth Century. He was prolific in ceramics designing everything from tableware ranges to u...

This is a superb antique George III inlaid flame mahogany serpentine sideboard, circa 1790 in date. With wood banding and marquetry spandrels, the central frieze drawer flanked by deep drawers, the right side drawer with divisions for bottles. The drawers fitted with the original and beautiful ormolu lion's head ring handles. It is raised on elegant square tapering legs on spade feet and is complete with working locks and key. Add an elegant touch to a special place in your home with this superb antique serpentine shaped sideboard. The botanical name for the mahogany this item is made of is Swietenia macrophylla and this type of mahogany is not subject to CITES regulation. Provenance: Major Edward Croft-Murray, Perivale, Ryde, Isle of Wight. From the collection of Edward Croft-Murray CBE (1907-1980). THE BOTANICAL NAME FOR THE MAHOGANY THAT THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION AND DOES NOT CONTAIN ANY RESTRICTED MATERIALS. Condition: In excellent condition having been beautifully cleaned, polished and waxed in our workshops, please see photos for confirmation. Dimensions in cm: Height 93 x Width 183 x Depth 74 Dimensions in inches: Height 3 feet, 1 inch x Width 6 foot x Depth 2 foot, 5 inches Flame Mahogany Thomas Sheraton - 18th century Furniture designer, once characterized mahogany as "best suited to furniture where strength is demanded as well as a wood that works...

Original vintage poster for the 1935 Monaco Grand Prix car race held on 22 April featuring a striking Art Deco design by Geo Ham (Georges Hamel; 1900-1972) featuring a Mercedes W25, ...

This is a superb antique George III inlaid flame mahogany bowfront sideboard, circa 1780 in date. The top is banded in satinwood and...

Charles Augustus Henry Lutyens (1829-1915) Avontes, a bay stallion with a groom in a stable interior signed and dated 'C Lutyens 79' (lower right) Oil on canvas Canvas Size - 40 x 50...

An unusual early 20th century turquoise vase with splatter glaze in the manner of the Pierrefonds factory. Please note: Lampshade not included. Lamp photographed with a 16” diamete...

Large Antique Staunton Style Chess Figures. A large Staunton style chess set with Ebonised and Boxwood weighted chess pieces. The pieces with wide bases for added stability, underside of each chess piece being covered with felt allowing the pieces to slide more easily across the chess board. The chess set comprises of thirty-two pieces, four Knights featuring the head and neck of a horse. Two kings, being the tallest pieces at 11½ cm high, both with a crown topped with a cross whilst the two Queens feature a coronet topped with a tiny ball (10 cm high). The four Rooks are towers (castles) with a crenelation top and the four Bishops with mitres. The sixteen Pawns are the smallest pieces at 5½ cm high and are topped by a plain ball. All the pieces with a collar except the rooks and knights, with a single white Rook with a red crown painted onto the top. The antique mahogany box...

A superb Vintage set of twelve Hepplewhite Revival shield back dining chairs with upholstered backs, dating from the second half of the 20th Century. Beautifully hand crafted from s...

Signed by the artist in pencil "Marc Chagall" lower right and numbered 18/200 on the left, with the printed inscription "CH. SORLIER GRAV. LITH" Catalogue Raisonné: Sorlier CS 47 C...

From an extensive collection of studio pottery we are pleased to offer this fine abstract form studio pottery mug by Cornish based potter Paul Northmore...

This is a wonderful English antique William IV sterling silver tray, or salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1820 the makers mark of Paul Storr. It is typical of his work with the octafoil shape and the exquisitely detailed reeded rim, and it is raised on four delightful foliate and scroll feet. The centre is engraved with a shield shaped coat of arms which I have had researched. The Marital Arms of Knollis and Hallifax The armorial bearings as engraved upon this George IV Large English Sterling Silver Footed Salver by Paul Storr hallmarked London 1820 are those of the family of Knollis with Hallifax in pretence. These armorial bearings denote the marshalling of a marital coat showing the arms of the husband over the entire surface of the shield, whilst the arms of the wife (as an heraldic heiress) are placed on a small shield (known as an escutcheon of pretence) centrally on the husband’s arms. They may be blazoned as follows: Arms: Quarterly 1st and 4th Azure crusily of cross crosslets a cross moline voided or (for Knollys) 2nd and 3rd Gules on a chevron argent three roses of the field barbed proper (for Knollys) over all an escutcheon of pretence Or on a pile engrailed sable between two fountains barry wavy of six argent and azure three cross crosslets of the first (for Hallifax) Crest: An elephant argent [differenced with a mullet1 ] (for Knollys) Motto: In utrumque paratus [Prepared for either] (for Knollys) These armorial bearings undoubtedly commemorate the marriage of The Honourable and Reverend Francis Knollis2 (baptised 3rd January 1743 died 27th February 1826), 1 The cadency mark for a third son of a family. 2 Francis appears to have preferred this spelling of his family’s surname. It is spelt as it is to be pronounced. of Burford in the County of Oxfordshire and of Eastleach Martin in the County of Gloucestershire and Mary Hallifax (baptised 5th March 1753 buried 18th December 1830). Francis and Mary were married at the Parish Church of St Mary, Ewell in the County of Surrey on the 9th June 1772. Francis was the third son of Charles Knollys (the titular 5th Earl of Banbury) 3 and his wife, Martha Hughes, whilst Mary was the daughter of The Reverend James Hallifax, of Ewell aforesaid and his wife, Elizabeth Chardavoyn. 3 Francis’s father claimed to be the 5th Earl of Banbury. A claim that continued to be pursued by the family until William Knollys, the titular 8th Earl of Banbury (born 1763 died 1834) was forced to discontinue its use by a resolution of the House of Lords which rejected his claim to the earldom in 1813. The crest surmounts a detailed dedication: This piece of plate was presented to the Honourable Rev Knolls by the inhabitants of the town and immediate neighbourhood of Burford on his completing the fiftieth year of his incumbency as the vicar of Burford. In testimony of their high respect 11th April 1821 There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 3 x Width 36 x Depth 36 Weight 1.52 kg Dimensions in inches: Height 1 inch x Width 1 foot, 2 inches x Depth 1 foot, 2 inches Weight 49 troy oz Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

Mid century Scandinavian teak segmented wall mirror circa 1950. Good quality mirror in the manner of glas and tra. Rectangular arranged beveled...

Small 19th century original painted sarcophagus box circa 1870. Beautiful decorative box with original paint.   Sarcophagus shaped lidded box in original paint with traces of origin...

An early 19th century Scottish windsor chair in patinated elm with hoop back, saddle seat, turned front legs and adzed back legs joined by turned H-stretchers. Classic form and charm...

All the Year Round by James Whitcomb Riley with Woodcuts by Gustave Baumann. Published by Bobbs-Merrill, Indianapolis 1912. Nice copy including 12 lovely woodcuts by American painter...

A refined and elegant early 19th century Swedish chandelier having crystal swagged garlands on a gilt metal frame featuring gilt metal fern leaves. A topmost crown of fern leaves wi...

This is the Fourth Volume of New Furniture, the International Annual devoted to the field of furniture design. Like its predecessors, this selection should be considered a report, ra...

This is a very large Mason's Ironstone Hydra Jug or Pitcher in the Basket Japan pattern, made in England during the first half of the 19th Century...

This is a large French bronze sculpture of Vercingetorix with his son by Emile Laporte (1858 - 1901), circa 1890 in date. The standing figure of Vercingetorix wearing a winged hel...

A pair of Italian 1950s brass door handles with a textured hand hammered finish forming a v-shape.

Early 19th century hand painted swedish folk art coffer circa 1810. Good quality swedish blanket chest presented in original paint with hand painted floral wreath to the front, init...

An Extremely Attractive Early 19th Century French Sycamore Farmhouse Kitchen Dining Table, To Comfortably Seat 12 People, Having Well Figured Thick Plank Top Of Excellent Colour And ...

A stunning Czech Chribska art glass bowl in yellow and mauve cased glass bowl by Josef Hospodka dating from around 1960. The heavily blown glass bowl ...

Fine and large Qing dynasty cloisonne bowl on an antique custom hardwood stand.

A delightful Vintage set of twenty two  superb swag back dining chairs, dating from the second half  of the 20th Century. Masterfully crafted in beautiful solid mahogany throughout,...

Rustic 19th century painted glazed vitrine circa 1890. Good quality cabinet that would work well around the home or for retail display. Comprising of 2 sections, each fitted with 2...

A large and very unusual Austrian Royal Vienna Art Nouveau vase raised on three legs hand painted with autumnal fruiting stems made at the Alexandra Porcelain Works in Turn by Ernst ...

37-piece Gien Faience Corne D'Abondance dinnerware (Horn of Plenty or Abundance), circa 1950. French dinnerware decorated in French blue, burgundy, yellow...

A superb Anglo Indian teak planter's chair with extending arms, Circa 1890 in date. Handcrafted in teak with elegant form it has been reupholstered in dark brown leather with brass ...

A Late 18th century Georgian Period Mahogany Oblong tea caddy having very attractive inlaid decoration to front and hinged top enclosing double lidded interior with original paper foil landing. This particular caddy is relatively plain and simple in design, but is lifted significantly with the attractive inlaid decoration. It remains in relatively good condition and had clearly been well loved throughout its life. Tea was a precious commodity throughout the 18th and 19th centuries and the purpose of a tea caddy was not just to preserve the and extend the life of the precious tea leaves, but also to enable the owner to lock away those aforementioned valuable tea leaves, keeping them safe from the house staffs potential wandering hands. This 18th century tea caddy...

This is a fine and rare, large / very large ironstone pottery jug or pitcher in the Fenton shape made by Mason's Ironstone, of Lane Delph, Staffordshire, England, circa 1818. This i...

Modernist set of 8 mahogany dining chairs by Auguste Vallin upholstered in green leather, circa 1930.

A French-Canadian armoire in pine having two doors on a narrow case with an overhanging molded cornice, the doors each featuring rebated full door X-crosses in a rectangular surround...

Blue and white floral pottery covered pil and cover, Vera pottery, circa 1900-1930. The cylindrical pail with exterior knob handles has a reeded lowe...

Very good 19th Century northern Italian circular tilt top center table with profuse marquetry inlay in geometric patterns, the center with bird on flowering branch, with walnut, oliv...

An exceptional and well engraved WWI brass shell case with and Egyptian style scene set below script dating from around 1915. The large and heavily made shell case is of tall cylindr...

A stylish pair art deco column shaped glass candlesticks with patterned and frosted elements dating from around 1930. The molded candlesticks stand on a round raised and skirted base...

Renaissance revival carved oak two-door bookcase, the deep cornice above two large glazed doors enclosing shelved interior, flanked by pilasters carved with scrolls and figural masks...

A delightful German mid-century porcelain pin dish modelled as a tortoise by renowned makers Berlin and believed to date between 1945 and 1962. The dish is mo...

This is a beautiful antique gilded ormolu serpentine shaped jewellery casket, Circa 1870 in date. The top, front, sides and back are beautifully cast and tooled in gilt bronze. The ...

Art Deco early 1920s Lamp with original glass ball shade. Both shade and base are decorated with a floral relief.

Charles Towne (1763-1840) A greyhound in a landscape Signed with initials and dated 'CT 1805' lower right Oil on panel Painting size 10 1/2 x 8 1/4 in Framed size 16 x 14 in Provena...

An exceptional quality Art Nouveau miniature iridescent glass vase, possibly Loetz and dating from the early 20th century. This heavily made amethyst glass vase is exquisitely decora...

A pair of Italian 1960s wall mirrors with an undulating stylised cut out frieze to the top and bottom in stained cherrywood.

Very fine George IV period mahogany drum table, the beautifully patinated morocco leather top with tooled edge and mahogany banding over four drawers incorporated into shallow apron,...

This is a fine antique pair of French Grand Tour patinated-bronze sculptures of the Marly Horses, Circa 1850 in date and signed to one base. The original Marly Horses were commissi...