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Ifpda International Fine Print Dealers Association

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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Easter Sunday — Mid-century American Surrealism
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Easter Sunday', color lithograph, 1946, edition 31. Signed, dated, titled and numbered '116' and '17/31' in pen. A fine impression, with fresh colors, on heavy, off-white wove paper; full margins (1 1/4 to 2 inches), in excellent condition. Image size 21 x 13 1/2 inches; sheet size 24 3/4 x 16 1/4 inches. Scarce. Matted to museum standards, unframed. ABOUT THE ARTIST Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan. Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller...
Category

1940s American Modern Ifpda International Fine Print Dealers Association

Materials

Lithograph

FOOTBALL STATUE THROUGH THE TREES - UC BERKELEY 1921 ORIGINAL YEARBOOK PASTEL
Located in Santa Monica, CA
PEDRO J. LEMOS (American, 1882-1954) FOOTBALL STATUE THROUGH THE TREES - UC BERKELEY 1921 - THE ORIGINAL YEARBOOK PASTEL Pastel drawing on colored paper 12 5/8 x 9 5/8 inches. Full signature in pastel, Pedro J Lemos. In good condition. A few bits of old tape at the corners, verso. THE 1921 UC BERKELEY YEARBOOK CONTAINED SEVERAL LEMOS PASTEL REPRODUCTIONS. Pedro de Lemos was an important proponent of the Arts and Crafts Movement. He produced some of the finest color woodcuts of the period as well as fine pastels, paintings and architecture. He was also an instructor and director of the Stanford University Art Department, From Wikipedia: Pedro Joseph de Lemos (25 May 1882 – 5 December 1954) was an American painter, printmaker, architect, illustrator, writer, lecturer, museum director and art educator in the San Francisco Bay Area. Prior to about 1930 he used the simpler name Pedro Lemos or Pedro J. Lemos; between 1931 and 1933 he changed the family name to de Lemos, believing that he was related to the Count de Lemos (1576–1622), patron of Miguel de Cervantes. Much of his work was influenced by traditional Japanese woodblock printing and the Arts and Crafts Movement. He became prominent in the field of art education, and he designed several unusual buildings in Palo Alto and Carmel-by-the-Sea, California..... In 1911 he began teaching decorative design at the San Francisco Institute of Art.[8] In late 1912 he was one of the founders the California Society of Etchers, and the following year he started offering the Institute's first classes in printmaking. Some of his students, such as William S. Rice and John W. Winkler (1894-1979), went on to achieve significant fame as printmakers. He helped organize the California print...
Category

1910s Tonalist Ifpda International Fine Print Dealers Association

Materials

Pastel

China Spring — Mid-Century Floral Abstraction
By Mary Van Blarcom
Located in Myrtle Beach, SC
Mary Van Blarcom, 'China Spring', color serigraph, c. 1945, edition not stated but small. Signed in pencil in the image, lower right. Titled in pencil, bottom left sheet edge. A rich, painterly impression, with fresh colors, on cream laid paper; with full margins (9/16 to 1 5/16 inches), in excellent condition. Matted to museum standards, unframed. Image size 10 3/4 x 10 3/4 inches; sheet size 11 15/16 x 12 5/8 inches. ABOUT THE ARTIST Painter, printmaker, and craftsperson, Mary Van Blarcom was born in Newark, New Jersey, and studied at Wellesley College. She was a member of the National Serigraph Society where she served on the board of trustees from 1945 through 1952 and was 1st vice-president from 1949-51. She was also a member of the National Association of Women Artists, the Artists Equity Association, the American Color Print Society, the New Jersey Artists Association (Director), and Artists of Today. Van Blarcom exhibited actively throughout the 1940s at many prominent art organizations including: Montclair Art Museum, 1941-45 and 1947-51 (prize, 1948); Society of Independent Artists, 1942-44; Artists of Today, 1942-46; Elisabeth Ney Museum, 1943; Northwest Printmakers, 1944, 1946-49; Laguna Beach Art Association, 1945-47, 1949; National Association of Women Artists, 1945-50, (prize, 1946); Library of Congress, 1946-47; Museum of Modern Art Traveling Exhibition, 1945-47; Carnegie Institute, 1947; Serigraph Gallery, 1946, 1951 (solo); American Color Print Society, 1947-52; Newark Museum, 1947-48, 1951; California State Library, 1947, 1949; National Serigraph Society, 1949 (prize), 1950 (prize); University of Chile, 1950; New Jersey State Museum, 1950; Philadelphia Art Alliance, 1951; and the Main Gallery, NY, 1952. Van Blarcom’s work is in the collections of the Newark Public Library, U.S. Library of Congress; the American Association of University Women; New York Public Library; Tel-Aviv Museum, Alabama Polytechnic Institute, Princeton Print Club...
Category

1940s American Modern Ifpda International Fine Print Dealers Association

Materials

Screen

Chelsea Old Church, London
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching, Aquatint

Hungerford Bridge, London
By Kerr Eby
Located in Myrtle Beach, SC
Kerr Eby 'Hungerford Bridge, London', etching and sandpaper ground, 1929, edition 90, Giardina 144. Signed, titled, and annotated 'Ed 90' in pencil. Signed again in the bottom right sheet corner. A fine, atmospheric impression, with delicate plate tone, on cream wove paper; the full sheet with margins (1 1/2 to 1 5/8 inches), in excellent condition. Matted to museum standards, unframed. Hungerford Foot Bridge spans the River Thames in London, between Westminster Bridge and Waterloo Bridge. Eby visited Great Britain and France during 1924 and 1925. Impressions of this work are in the permanent collection of the following institutions: American Academy and Institute of Arts and Letters, Arizona State University, Boston Public Library, Davison Art Center (Wesleyan University), Herbert F, Johnson Museum of Art, Huntington Museum of Art, Hood Museum of Art (Dartmouth College), Metropolitan Museum of Art, Montgomery Museum of Fine Arts, National Museum of American Art, New York Public Library, Smithsonian Museum of American Art. ABOUT THE ARTIST Kerr Eby was born in 1890 in Tokyo, Japan, the son of Methodist missionaries from Canada. The family returned to Vancouver when Eby was only three, and he grew up studying art encouraged by his parents as his mother was from a family of prominent artists. By age twelve, he had lived in Vancouver, Kingston, Toronto and Bracebridge where he found work as a ‘printer’s devil’ on the local Bracebridge newspaper. After graduating from high school in 1907, Eby moved to New York City to study art, first at the Pratt Institute, and later at the Art Students League. He enrolled in art classes at Pratt Institute while working for a lithographic firm earning $4.00 a week. His pay barely covered his room and drawing supplies. Within a year, starving and feeling defeated, he returned to Canada and was employed by a surveying party in Northern Ontario. Eby gradually regained his dream of becoming an artist, and in his spare time, he began to draw the surrounding wilderness landscapes. By fall he had returned to New York to attend night classes at the Art Students League while working for another lithographic firm. He spent several more summers surveying in Northern Ontario before he was able to make a living as an illustrator. During this period he formed several friendships with influential artists including John Henry Twachtman and Childe Hassam and joined a summer artists' colony founded by them at Cos Cob, Connecticut. He supported himself by working as a magazine illustrator and at the American Lithographic Company. Through diligent study and practice, Eby refined both his drawing and printmaking techniques. In 1917, when the United States entered World War I, Eby joined the U.S. Army. Failing to obtain a commission as an artist, he was assigned first to ambulance duty and later as a sergeant in the 40th Engineers in France. He spent most of WWI on the front line as a camouflager of the field artillery ‘big guns”. On his time off duty, he would sketch everything he witnessed, from the explosive big guns and men in action to the dead soldiers in the field. He sent the drawings home each week, and upon his return from the war, they became the basis for his first successful group of etchings. He continued creating his war-related prints throughout the 1920s and '30s as his work became widely exhibited Frederick Keppel, the renowned print dealer and a relative of Eby, became the exclusive agent for many of his print editions. With another global conflict beginning in the mid-1930s, Eby wanted to show the world the true face of war...
Category

1920s Impressionist Ifpda International Fine Print Dealers Association

Materials

Etching

Scattered Seed I
Located in Lyons, CO
Color lithograph, Ed. 30 In "Scattered Seed I" and "Scattered Seed II" her new lithographs, Liu has juxtaposed portraits of late 19th/early 20th century Chinese prostitutes - derived from photographs of the time - with images of dandelions rendered from close-up photographs she took at national parks and historic sites around the Western US, including Mount Rushmore...
Category

21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association

Materials

Lithograph

Magic Hour, Autumn
By John DePol
Located in Myrtle Beach, SC
John DePol, 'Magic Hour, Autumn', chiaroscuro wood engraving, 1981, edition 160 in 1983. Signed, dated and titled in pencil. Signed in the block, lower right. A superb impression, on...
Category

Mid-20th Century American Modern Ifpda International Fine Print Dealers Association

Materials

Woodcut

Phrosine and Mélidore
Located in Fairlawn, OH
Phrosine and Mélidore Etching, 1879 Signed in the polate lower left of image This etching is after the Dantan painting, a copy after the Pierre-Paul Prud’hom painting Published by Vv...
Category

1870s Romantic Ifpda International Fine Print Dealers Association

Materials

Etching

Aylesbury Estate
By Keith Coventry
Located in London, GB
Screenprint in colours, 2014, signed, edition of 50, 54 x 42 cm. (21¼ x 16½ in.) Keith Coventry was born in Burnley in 1958 and lives and works in London. He attended Brighton Polytechnic 1978– 81 and Chelsea School of Art London 1981– 82. He was featured in the seminal exhibition Sensation at the Royal Academy of Arts, London, in 1997 and in 2006, he received a mid-career retrospective at Glasgow's Tramway (Art Centre). He was also a co-founder and curator of City Racing, an influential not-for-profit gallery in Kennington, South London from 1988-98. His work has been exhibited widely in the UK and Europe and is included in collections worldwide, including the British Council; Tate Modern; Arts Council of England; Walker Art Center, Minneapolis;, and The Museum of Modern Art, New York. In 2010 Coventry was awarded the John Moores Painting...
Category

21st Century and Contemporary Abstract Geometric Ifpda International Fine Print Dealers Association

Materials

Screen

Allerheiligen- All Saints Day.
By Wassily Kandinsky
Located in New York, NY
KANDINSKY, Wassily. Allerheiligen- All Saints Day. Original three-color woodcut (red, yellow ochre, blue – with olive green). 1911. Signed with the monogram...
Category

1910s Blue Rider Ifpda International Fine Print Dealers Association

Materials

Woodcut

Architectura Curiosa Nova, Dragon Fish Garden Fountain
By Georg Andreas Böckler
Located in Myrtle Beach, SC
George Andreas Böckler, 'Dragon Fish Garden Fountain', antique copperplate engraving, 1664, from the book 'Architectura Curiosa Nova'. A fine, richly in...
Category

1660s Realist Ifpda International Fine Print Dealers Association

Materials

Engraving

MOON SECTOR
Located in Portland, ME
Gerardia, Helen (American, born Ukraine, 1903-1988). MOON SECTOR. Color lithograph, not dated. Edition of 20, numbered 10/20. Titled and signed in pencil,.14 1/4 x 18 1/8 inches (ima...
Category

Mid-20th Century Ifpda International Fine Print Dealers Association

Materials

Lithograph

Architectura Curiosa Nova, Chalice Garden Fountain
By Georg Andreas Böckler
Located in Myrtle Beach, SC
George Andreas Böckler, 'Chalice Garden Fountain', antique copperplate engraving, 1664, from the book 'Architectura Curiosa Nova'. A fine, richly inked ...
Category

1660s Realist Ifpda International Fine Print Dealers Association

Materials

Engraving

Cyclamen II
By Michael Mazur
Located in New York, NY
Mr. Mazur’s restless artistic temperament led him to explore a variety of styles and media, shuttling between realism and abstraction. He produced narrative paintings like “Incident ...
Category

1980s Realist Ifpda International Fine Print Dealers Association

Materials

Monotype

Allegorical Figure, Holding a Ball
By Giorgio Mantovano Ghisi
Located in Chicago, IL
Provenance: Edouard Schultze (Lugt 906) References: Bartsch 34 Boorsch & Lewis 38 Notes: A fine impression of this engraving. Boorsch and Lewis state that this work dates from “the mid-1560s” and suggest that it was after a work by Giulio Romano...
Category

16th Century Old Masters Ifpda International Fine Print Dealers Association

Materials

Engraving

Ostend Horse
By Edmund Blampied
Located in Storrs, CT
Ostend Horse. 1926-27. Drypoint. Appleby 125. 7 x 815/16 (sheet 9 1/8x 12 1/5). Proof B, apart from the edition 100. A rich impression with tonal wiping and drypoint burr, printed on...
Category

1920s Modern Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching

Netherton Chapel
By Frederick Landseer Griggs, R.A., R.E.
Located in Storrs, CT
Netherton Chapel. 1935. Etching. Comstock 53.v. 5 11/16 x 4 3/8 (sheet 8 15/16 x 6 1/2). Edition 85 in this state (total edition 88-89). Illustrated Fine Prints of the Year, 1936; Print Collector's Quarterly 26 (1939): 286. A fine impression on white laid paper with a partial crown watermark. Signed in pencil. Housed in a striking 11 1/2 x 10 7/8 wood and champagne gold frame. According to Comstock "The subject is a small memorial chapel, now much more ruinous than the etching shows, near Bredon Hill...
Category

Mid-20th Century Modern Ifpda International Fine Print Dealers Association

Materials

Etching

La Promenade
By Edgar Chahine
Located in Fairlawn, OH
La Promenade Etching, soft-ground, aquatint & drypoint, Signed in pencil lower left Published by Edmund Sagot, Paris Edition of 50 in black only, aside from the edition of 50 in co...
Category

Early 1900s Art Nouveau Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching, Aquatint

The Weight Lifter (L Homme aux halteres)
By Marcel Gromaire
Located in Chicago, IL
The work is signed on the lower right by Gromaire. One of Gromaire's favorite subjects were men "of the people,” whether they worked in the fields or at sea, were construction worke...
Category

1920s Modern Ifpda International Fine Print Dealers Association

Materials

Ink, Pen

Untitled (Standing man with umbrella behind)
By Charles Maurin
Located in Fairlawn, OH
Untitled (Standing man with umbrella behind) Graphite on paper, c. 1890's Unsigned Provenance: Estate of the Artist Lucien Goldschmidt (1912-1992), noted art ...
Category

1890s French School Ifpda International Fine Print Dealers Association

Materials

Graphite

Défaite de la cavalerie Turque (1st State)
By Jacques Callot
Located in Chicago, IL
Defeat of the Turkish Cavalry (1st State) From: The Life of Ferdinando de'Medici Engraving 224 x 300 mm.; 8 7/8 x 11 7/8 inches Reference: Lieure No. 154 Meaume No. 541 Ru...
Category

17th Century Baroque Ifpda International Fine Print Dealers Association

Materials

Engraving

PITCHING HAY - Created for the WPA / Federal Arts Project - (FAP)
By John Turner (b.1916)
Located in Santa Monica, CA
JOHN TURNER (1908 - 1939 per the FDR Presidential Library Collection) PITCHING HAY no 2, c. 1940 Etching and Carborundum. Signed and numbered 10/25 in pencil. 8 1/2 x 12 inches. Sheet 10 x 13 1/2. Annotated at lower sheet edge "Carbograph and etching". This print was done for the WPA / Federal Art Project. The editions for the WPA/FAP prints were generally 25 as in this example. It is illustrated in the Newark Museum WPA collection. Their copy has the Pennsylvania WPA label and with a stamped date of March 11. 1940. Also listed in the General Services Administration catalog of WPA prints...
Category

1940s American Realist Ifpda International Fine Print Dealers Association

Materials

Etching

LYAM 3D
By Kota Ezawa
Located in Berkeley, CA
Kota Ezawa recreates animated sequences from television, cinema, and art history. He uses basic digital drawing and animation software to create slide projections, light boxes, collages, and prints. In the vein of Warhol, his highly stylized facsimiles of familiar and often infamous images emphasize the distance between the viewer and the depicted figures that feature so prominently in America’s collective memory. His work is included in the permanent collections of the Museum of Modern Art, New York, The Metropolitan Museum of Art, New York and the San Francisco Museum of Art, California among others. The artist is represented by the Cheryl Haines Gallery...
Category

21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association

Materials

Etching

The Great Draughtsman Sitting (Self-Portrait)
By Jacques Villon
Located in Chicago, IL
This etching is signed and numbered by the artist and was printed in an edition of 50. The references for this work are: Auberty & Perussaux 266 and Ginestet & Pouillon E. 385 II/II...
Category

1930s Modern Ifpda International Fine Print Dealers Association

Materials

Etching

Frame Work
By William Wegman
Located in New York, NY
image size: 8 7/8 x 8 inches This listing is for William Wegman's photograph, "Frame Work", 2010. This is a limited edition photograph with an edition size of 12. This piece is num...
Category

2010s Contemporary Ifpda International Fine Print Dealers Association

Materials

Pigment

La Espera (The Wait -- Three Women by the sea)
By Francisco Dosamantes
Located in New Orleans, LA
The Wait. Three native Mexican women wait by the sea. This impression is #31/100. An impression of this lithograph is in the permanent collectio...
Category

Mid-20th Century Modern Ifpda International Fine Print Dealers Association

Materials

Lithograph

George Washington Bridge (Under Construction) — 1920s New York City
By Otto Kuhler
Located in Myrtle Beach, SC
Otto Kuhler, 'George Washington Bridge' (under construction) also titled 'The Cables That Hold it All', etching, 1928, edition unknown. An uns...
Category

1920s American Modern Ifpda International Fine Print Dealers Association

Materials

Etching

Untitled (Still Life)
Located in Fairlawn, OH
Untitled (Still Life) Etching, aquatint and soft ground, 2001 Signed in pencil (see photo) Edition: 260 Published by the Print Club of Cleveland, Publication 80, 2002 Printed by Felix Harlan at Harlan and Weaver, New York William Bailey, Modernist Figurative Painter, Dies at 89 He swathed his nudes and still lifes of eggs, vases, bottles and bowls in a breathless, deceptively serene atmosphere heavy with mystery. The painter William Bailey in 2009. He was never given a career survey in a major museum, but his influence, particulary on students at Yale, was deep.Credit...Ford Bailey By William Grimes for the New York Times April 18, 2020 William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. His muted ochres, grays and powdery blues conjured up a still, timeless world inhabited by Platonic forms, recognizable but uncanny, in part because he painted from imagination rather than “They are at once vividly real and objects in dream, and it is the poetry of this double life that elevates all this humble crockery to the realm of pictorial romance,” Hilton Kramer wrote in The New York Times in 1979. Mr. Bailey’s female figures, some clothed in a simple shift or robe and others partly or entirely nude, are disconcertingly impassive, implacable and unreadable, fleshly presences breathing an otherworldly air. The critic Mark Stevens, writing in Newsweek in 1982, credited Mr. Bailey with helping to “restore representational art to a position of consequence in modern painting.” But his version of representation was entirely idiosyncratic, seemingly traditional but in fact “a modernism so contrarian,” the artist Alexi Worth wrote in a catalog essay for the Betty Cuningham Gallery in 2010, “that it feels, despite its historical sophistication, almost like a brand of outsider art.” William Harrison Bailey...
Category

Early 2000s Contemporary Ifpda International Fine Print Dealers Association

Materials

Etching

Landscape with Roman Ruins
By (After) Peter Paul Rubens
Located in Chicago, IL
Engraving after Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), executed by Schelte Adams Bolswert (Bolsward c. 1586 -1659 Antwerp). Bolswert was one of the major printmakers in the ...
Category

17th Century Old Masters Ifpda International Fine Print Dealers Association

Materials

Engraving

FOREST IN THE SPRING
By Jacques Hnizdovsky
Located in Portland, ME
Hnizdovsky, Jacques. FOREST IN THE SPRING. T.31 Woodcut, 1960. Edition of 100. Signed, Titled, dated, numbered 10/100 and inscribed "Woodcut," all in pencil. 39 x 9 inches (sheet). I...
Category

1960s Ifpda International Fine Print Dealers Association

Materials

Woodcut

Bearded Man with Shadowed Face, Wearing a Scarf and a Plumed Hat, (3rd state)
By Giovanni Benedetto Castiglione
Located in Chicago, IL
Bearded Man with Shadowed Face, Wearing a Scarf and a Plumed Hat, (3rd state), 1645-50 Etching on laid paper 152 x 184 mm.; 6 x 7 1/4 inches References: Bellini 45 Bartsch 52 Note...
Category

17th Century Old Masters Ifpda International Fine Print Dealers Association

Materials

Laid Paper, Etching

Singer I (Distorted perspective with shadows of an old Singer typewriter)
By Carol Wax
Located in New Orleans, LA
Carol Wax's mezzotint, "Singer I", shows a distorted view of an old Singer sewing machine. The artist created a convincing illusion of real mass, space and depth. Issued in an edit...
Category

1980s Contemporary Ifpda International Fine Print Dealers Association

Materials

Mezzotint

The Shadowed Valley.
By Sir Frank Short
Located in Storrs, CT
Sir Frank Short, R.A., P.R.E. 1857-1945. The Shadowed Valley. 1927. Mezzotint. Hardie 128. 14 3/8 x 19 3/8 (sheet 19 x 24). A rich, glowing impression p...
Category

1920s Modern Ifpda International Fine Print Dealers Association

Materials

Mezzotint

MORTE D ARTHUR
By Aubrey Vincent Beardsley
Located in Portland, ME
Malory, Thomas. MORTE D'ARTHUR. J. M. Dent, London, 1893. First Edition thus. Edition of 300 printed on Dutch handmade paper, this copy Numbered "72." (There was a "regular" editi...
Category

1890s Ifpda International Fine Print Dealers Association

Materials

Woodcut

After a Poem (Original Etching that includes a personalized note by kd lang)
By Francesco Clemente
Located in Burbank, CA
Original, limited edition color etching, new to market. Making contact with a textured green ground, a larger pair of feet supports a smaller pair that are perched atop of them. We s...
Category

Early 2000s Neo-Expressionist Ifpda International Fine Print Dealers Association

Materials

Paper, Etching

Woman s Head - Woman s Head in Profile (left) (Havard)
By Elie Nadelman
Located in Fairlawn, OH
Woman's Head - Woman's Head in Profile (left) (Havard) Drypoint, 1920 Unsigned (as issued) From: The Drypoints of Elie Nadelman, 21 unpublished prints by the sculptor, proof from th...
Category

1920s American Modern Ifpda International Fine Print Dealers Association

Materials

Drypoint

TUBE STAIRCASE - Unique Trial Proof
By Cyril Power
Located in Santa Monica, CA
CYRIL POWER (1874 - 1951) THE TUBE STAIRCASE, 1929 (Coypel CEP 11) Linocut, a likely unique proof impression of the key block in reverse, suggesting a counterproof. Unsigned. 17 ½” x 10”, sheet 20 x 14 ¾”. On a sheet of brown wove paper similar to newsprint. A few repaired tears in the margins. Provenance: Redfern Gallery, 2014 with label and inventory no. Redfern Gallery has represented the Grosvenor School...
Category

1920s Modern Ifpda International Fine Print Dealers Association

Materials

Linocut

Model Contemplating Sculpture
By Pablo Picasso
Located in New York, NY
Pablo Picasso, Model Contemplating Sculpture, etching, signed in pencil, 1933, a fine impression, published by Vollard, from the Vollard Suite, edition of 310, Bloch 175, Geiser 328...
Category

1930s Cubist Ifpda International Fine Print Dealers Association

Materials

Etching

WOODED LANDSCAPE AT DUSK
By Ryohei Tanaka
Located in Portland, ME
Ryohei, Tanaka (Japanese, 1933- 2019). WOODED LANDSCAPE WITH TREES AT DUSK. Etching and aquatint, 1986. Signed and numbered 76/150 in pencil, 5 ½ x 9 ...
Category

1960s Ifpda International Fine Print Dealers Association

Materials

Etching

Derriere le Miroir-Double Page (Behind the Looking Glass Double Page)
By Marc Chagall
Located in Fairlawn, OH
Derriere le Miroir-Double Page (Behind the Looking Glass Double Page) Original color llithogragp created by the artist for this ublication, 1964 Unsigned as issued From: Derriere le ...
Category

1960s French School Ifpda International Fine Print Dealers Association

Materials

Lithograph

Peace
By Anton Refregier
Located in Fairlawn, OH
Peace Woodcut printed in orange red ink on japanese paper Signed and titled in pencil lower right (see photo) Titled lower left (see photo) Created along with an illustrated book project Song of Peace, 1950-1959. Condition: Excellent Image: 10 1/2 x 4 7/8" Sheet: 16 1/8 x 7"; Anton Refregier (March 20, 1905 – October 10, 1979) was a painter and muralist active in Works Progress Administration Federal Art Project commissions, and in teaching art. He was a Russian immigrant to the United States. Among his best-known works is his mural series The History of San Francisco, located in the Rincon Center in downtown San Francisco, California. It depicts the city's history across twenty seven panels that he painted from 1940 to 1948. Life and early career Refregier was born in Moscow and emigrated to the United States in 1920. After working various odd jobs in New York City, he earned a scholarship to the Rhode Island School of Design in 1921. After finishing school, Refregier moved back to New York in 1925. To earn a living, Refregier worked for interior decorators, creating replicas of François Boucher and Jean-Honoré Fragonard paintings...
Category

1950s American Modern Ifpda International Fine Print Dealers Association

Materials

Woodcut

SNOWBOUND
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869-1958) SNOWBOUND c.1928 Color block print, Signed and titled in pencil. 11 x 6 ½” sheet c. 14 x 9” Laid down on backing board. The usual slight browning a...
Category

1920s American Impressionist Ifpda International Fine Print Dealers Association

Materials

Color, Linocut, Woodcut

Untitled
By Louisa Chase
Located in New York, NY
Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Yal...
Category

Late 20th Century Abstract Ifpda International Fine Print Dealers Association

Materials

Lithograph

Prelude de Lohengrin (2e planche) (The Appearance of the Holy Grail)
By Henri Fantin-Latour
Located in Fairlawn, OH
Prelude de Lohengrin (2e planche) (The appearance of the Holy Grail) Lithograph, 1898 Signed and dated in the stone lower left (see photo) Printed on chine collee paper Condition...
Category

1890s Romantic Ifpda International Fine Print Dealers Association

Materials

Lithograph

Hammock
By William Wegman
Located in New York, NY
image size: 9 3/8 x 11 1/2 inches 2011, pigment print photograph, Edition of 12. Signed and numbered on reverse by the artist. William Wegman is a renowned photographer famous fo...
Category

2010s Contemporary Ifpda International Fine Print Dealers Association

Materials

Pigment

Life s a Beach
By Eric Holch
Located in Fairlawn, OH
Life's a Beach Screen print, 1980's Signed lower right (see photo) Mr. Holch’s formal art training began at Trinity-Pawling School where he won their first annual art award. He conti...
Category

1980s Contemporary Ifpda International Fine Print Dealers Association

Materials

Screen

Vue d un Village (View of a Village)
By Marcel Gromaire
Located in Chicago, IL
Provenance: Directly from the atelier of the artist Notes: This is an excellent example of a depiction of a French countryside village, with an emphasis in simplicity.
Category

20th Century Expressionist Ifpda International Fine Print Dealers Association

Materials

Paper, Ink

Untitled Fabric Design
By Arthur Litt
Located in Fairlawn, OH
Untitled Fabric Design Gouache on paper, 1920-1930 Signed with the Atelier Stamp verso (see photo) Numbered with the Atelier Litt Archive number verso (see photo) Condition: E...
Category

1920s Abstract Ifpda International Fine Print Dealers Association

Materials

Gouache

THE KNAVE OF HEARTS
By Maxfield Parrish
Located in Portland, ME
Parrish, Maxfield. THE KNAVE OF HEARTS. 1925. 14 full page and many smaller color plates. A Fine copy of Parrish's most elaborate book. A highlight among American children's books, b...
Category

1920s Ifpda International Fine Print Dealers Association

Materials

Offset

Destinations (Flatiron Bidg, 5th Avenue and Broadway at 23rd Street)
By Frederick Mershimer
Located in New Orleans, LA
In "Destinations", Frederick Mershimer creates an image of taxis rushing by the Fuller Building, better known as Flatiron Building. The building is only six feet wide at its rounded...
Category

1990s Contemporary Ifpda International Fine Print Dealers Association

Materials

Mezzotint, Aquatint

Untitled (Joe and Patsy LoGuidice at the Casa Luna)
By Larry Rivers
Located in Fairlawn, OH
Untitled (Joe and Patsy LoGuidice at the Casa Luna) Pastel, charcoal and colored pencil on paper, 1970-1975 Signed lower right in pencil: Larry Rivers Inscribed on the rabbit of the ...
Category

1970s Contemporary Ifpda International Fine Print Dealers Association

Materials

Pastel

The Triumph of Constantine the Great
Located in Chicago, IL
Inscribed on the verso: EE 27/10
Category

16th Century Old Masters Ifpda International Fine Print Dealers Association

Materials

Chalk, Ink, Pen

Delta (River delta in front of mountains in volcanic landscape, Iceland)
By Udo Claassen
Located in New Orleans, LA
Delta was first brought to attention as one of the dramatic images illustrated in Carol Wax's book, The Mezzotint, History and Technique. It was also exhibited at the New Orleans Mu...
Category

Late 20th Century Contemporary Ifpda International Fine Print Dealers Association

Materials

Mezzotint

Untitled (Woman Removing Her Stockings)
By Everett Shinn
Located in Fairlawn, OH
Untitled (Woman Removing Her Stockings) Conte crayon on paper. c. 1905 Signed lower right: E Shinn Provenance: James Graham & Sons, New York (labels) Ronald C. Sloter, Columbus Colum...
Category

Early 1900s Ashcan School Ifpda International Fine Print Dealers Association

Materials

Conté

La Terrazza
By Jeanette Pasin-Sloan
Located in Fairlawn, OH
La Terrazza Lithograph, 1987 Signed, titled and numbered in pencil (see photos) Published by Kandfall Press, Chicago (their stamp verso) Landfall drystamp recto lower left Edition 12...
Category

1980s Photorealist Ifpda International Fine Print Dealers Association

Materials

Lithograph

The Nodding Renealmia from Temple of Flora
By Dr. Robert John Thornton
Located in New York, NY
"The Queen Flower" by Dr. Robert Thornton from the quarto edition of "Temple of Flora." London, 1812. Mixed media engraving (aquatint, mezzotint, color...
Category

1810s Ifpda International Fine Print Dealers Association

Materials

Paper

OASIS OF SEVEN PALMS CALIFORNIA
By George Elbert Burr
Located in Portland, ME
Burr, George Elbert. OASIS OF SEVEN PALMS CALIFORNIA. Gouache on paper, not dated, but before 1921. Titled in pencil, lower left, and signed in pencil, lower right, and with the numb...
Category

Early 20th Century Ifpda International Fine Print Dealers Association

Materials

Gouache

The Lake
By Udo Claassen
Located in New Orleans, LA
German artist Udo Claassen created a dramatic landscape of this Icelandic scene in 1985 in an edition of 40. This is #33. Claassen was born in Itzehoe in the state of Schleswig-Hol...
Category

Late 20th Century Contemporary Ifpda International Fine Print Dealers Association

Materials

Mezzotint

The Lake
The Lake
$637 Sale Price
25% Off
One Can t Tell Why - Proof from the Disasters of War
By Francisco Goya
Located in New York, NY
Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...
Category

1810s Old Masters Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching, Aquatint

NIGHT WORK
By Antonio Frasconi
Located in Portland, ME
Frasconi,Antonio. NIGHT WORK. Color woodcut, 1952. Edition size not stated. Signed, titled, dated, and inscribed P/P (printer's proof) in pencil. 29 x 42 inches (sheet). The print is...
Category

1950s Ifpda International Fine Print Dealers Association

Materials

Woodcut

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