Ifpda International Fine Print Dealers Association
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Hostellerie des Chiens du Guet
— British Impressionism
By Sybil Andrews
Located in Myrtle Beach, SC
Sybil Andrews, 'Hostellerie des Chiens du Guet', color monotype, c. 1925; edition 2, proof 1. Signed 'Sybil Andrews pinx et imp' and titled in pencil. A superb, painterly impression, with fresh colors, on heavy cream wove paper; the full sheet with margins (5/8 to 1 3/4 inches). Printed by the artist. The artist’s original archival mounting tape remains in the four sheet corners, recto (well away from the image), in excellent condition. Matted to museum standards, unframed. A unique impression.
Image size 8 15/16 x 11 15/16 inches (227 x 303 mm); sheet size 12 1/4 x 15 1/2 inches (311 x 394 mm).
ABOUT THIS WORK
In addition to her almost 80 celebrated modernist color linocuts, Sybil Andrews also worked in the monotype technique. She typically produced two or three impressions (or pulls) from each hand-painted plate, each proof unique in its qualities of color values and vibrancy.
In 1933, Sybil Andrews and Cyril Power had an exhibition of their color monotypes and linocuts at the Redfern Gallery. Most of Andrews' monotypes were destroyed by a fire in an Ottawa gallery in 1959, and they now rarely come to the market.
ABOUT THE IMAGE
The Hostellerie des Chiens du Guet is a small hotel at the edge of...
Category
1920s Post-Impressionist Ifpda International Fine Print Dealers Association
Materials
Monotype
$4,320 Sale Price
20% Off
Peintre et Modele
By Pablo Picasso
Located in Fairlawn, OH
Peintre et Modele
Etching and aquatint on Rives wove paper, 1966
Signature stamp lower right (see photo)
Annotated in pencil lower left: "epreuve avant acierage" (see photo)
One of t...
Category
1960s Modern Ifpda International Fine Print Dealers Association
Materials
Aquatint
Untitled Abstraction
By John von Wicht
Located in Fairlawn, OH
Untitled Abstrraction
Gouache, watercolor and pigments on paper, c. 1960
Signed lower right in pencil (see photo)
Image: 17 x 22 inches
Sheet: 25 1/4 x 29 3/4 inches
Frame: 25 1/4 x ...
Category
1960s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Watercolor
Body and Soul
— Mid-20th Century Surrealism
By Federico Castellon
Located in Myrtle Beach, SC
Federico Castellon, 'Body and Soul', 1938, lithograph, edition 30, Freundlich 3. Signed in pencil. Signed in the stone, lower left. A fine, richly-inked, atmospheric impression on cr...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association
Materials
Lithograph
Carp and Water Chestnut
— Showa lifetime impression
By Ohara Koson
Located in Myrtle Beach, SC
Ohara Koson (1877-1945), 'Carp and Water Chestnut', color woodblock print, 1926. A fine impression, with fresh colors, on cream Japan paper; the full sheet, in excellent condition.
Signed 'Koson' with the artist’s red seal 'Koson'. Published by Watanabe Shozaburo. With the Watanabe 'C' seal in the lower right margin, indicating a lifetime impression printed between 1929-1942.
Image size 13 1/2 x 7 1/4 inches (343 x 184 mm); sheet size 14 1/2 x 7 1/2 inches (368 x 191 mm). Archivally sleeved, unmatted.
Literature: 'Crows, Cranes, and Camellias: The Natural World of Ohara Koson', Newland, Amy R.: Jan Perree & Robert Schaap, Leiden: Hotei Publishing, 2001. S39.1, pl 169.
Collections: National Museum of Asian Art (Smithsonian), Smart Museum of Chicago (University of Chicago).
In Japanese art, the carp represents good luck and good fortune.
ABOUT THE ARTIST
Koson Ohara...
Category
1920s Showa Ifpda International Fine Print Dealers Association
Materials
Woodcut
Nashville at Sunrise
By Louis Oscar Griffith
Located in Fairlawn, OH
Nashville at Sunrise
Oil on canvas, mounted to archival resin board
Signed by the artist lower left
Provenance: Estate of the artist
By decent
A gorgeous Indiana Impressionist oil painting, done "plein air" (on location, outdoors)
Born in Greencastle, Indiana, Griffith grew up in Dallas, Texas where Texas artist and teacher Charles Franklin Reaugh recognized young “Griff’s” artistic talent. At age 18, Griffith moved to St. Louis where he attended the St. Louis School of Fine Arts.
In 1895, he moved to Chicago where he worked making color prints for the firm Barnes and Crosby. He attended the Art Institute of Chicago and during a brief stay in New York, the National Academy of Design. A successful commercial artist with a studio in the Chicago Loop, Griffith was a member and president of the Chicago Palette and Chisel Club.
He made his first trip to Brown County...
Category
1920s Ifpda International Fine Print Dealers Association
Materials
Oil
Zentsuji Temple in the Rain — from the series Collected Views of Japan II
By Kawase Hasui
Located in Myrtle Beach, SC
Kawase Hasui, 'Zentsuji Temple in the Rain' from the seres 'Collected Views of Japan II', color woodblock print, 1937. Signed Hasui in black ink, with the artist’s red seal Kawase, ...
Category
1930s Showa Ifpda International Fine Print Dealers Association
Materials
Woodcut
Tree Peony and Blue and White Flycatcher — 19th century woodblock print
Located in Myrtle Beach, SC
Imao Keinen, 'Tree Peony and Blue and White Flycatcher' from the series 'Birds and Flowers of the Four Seasons', color woodblock Oban dipty...
Category
1880s Naturalistic Ifpda International Fine Print Dealers Association
Materials
Woodcut
$440 Sale Price
20% Off
Diptych
— Modernist Abstraction, Atelier 17
By Stanley William Hayter
Located in Myrtle Beach, SC
Stanley William Hayter, 'Diptych', color engraving and scorper, 1967, edition 50, Black & Moorhead 314. Signed, titled, dated, and numbered '10/50' in pencil. A superb, richly-inked impression, with fresh, vibrant colors on antique-white wove BFK Rives paper; the full sheet with margins (2 1/2 to 3 1/4 inches). Minor skinning and tape residue on the top and bottom sheet edges, verso, otherwise in excellent condition. Matted to museum standards, unframed.
Image size 13 7/8 x 19 1/2 inches (146 x 108 mm); sheet size 19 7/8 x 25 3/8 inches (394 x 292 mm).
Hayter created this work using engraving and scorper on 2 plates, printed side by side. He used alkali blue, printed intaglio, and a phthalo green with a hard roller on the surface. The proofing was in three states, the first with engraving (a single proof); the second adding further engraving and scorper (a single proof); the third added further engraving and editioned: color trial proofs, 5 artist's proofs, edition of 50. The edition was completed in three printings: 8 in 1967; then Hector Saunier printed numbers 9 through 18 in 1968, and numbers 19 through 50 in 1969. This impression is from the Saunier 1968 printing.
Note: the online image cannot accurately convey the vibrancy of the printed alkali blue/phthalo green.
An impression of this work is held in the collection of the National Gallery of Art.
ABOUT THE ARTIST
Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall.
The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated in this way included Samuel Beckett and Georges Hugnet.
Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen...
Category
1960s Modern Ifpda International Fine Print Dealers Association
Materials
Engraving
Connais-tu le Pays (Primavera) apres J. Rolshoven (Do you Know the Country)
By Theophile Narcisse Chauvel
Located in Fairlawn, OH
Connais-tu le Pays (Primavera) apres J. Rolshoven
(Do you Know the Country -Spring)
Etching, 1889
Signed "Julius Rolshoven" in pencil...
Category
1880s Barbizon School Ifpda International Fine Print Dealers Association
Materials
Etching
Bird Abstraction
— Mid-Century Modernism
Located in Myrtle Beach, SC
Stephen Harty, Untitled (Bird Abstraction), gouache, 1953. Signed and dated lower left. A fine, meticulously rendered, mid-century, modernist gouache painting, with fresh colors on 1...
Category
1950s American Modern Ifpda International Fine Print Dealers Association
Materials
Gouache
THE WAVE - MOONRISE
By Bror Julius Olsson Nordfeldt
Located in Santa Monica, CA
B. J. O. NORDFELDT (1878 - 1955)
THE WAVE, MOONRISE, 1906 (Donovan 19)
Woodcut printed in colors. Signed and dated faintly in sky upper left. Image 9 ¼ x 11 1/8”, sheet 9 5/8 x 11 ...
Category
Early 1900s Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
Mazeppa
— 19th-Century French Romanticism
By Jean Louis Andre Theodore Gericault
Located in Myrtle Beach, SC
Théodore Géricault and Eugène Lami, 'Mazeppa' from the series 'Oeuvres de Lord Byron', lithograph, 1823, 2nd state of 3, Delteil 94. Rendered by Thé...
Category
1820s Romantic Ifpda International Fine Print Dealers Association
Materials
Lithograph
EARLY MORNING (BROAD BROOK, CONN.)
By Asa Cheffetz
Located in Portland, ME
Cheffetz, Asa EARLY MORNING (BROAD BROOK, CONN.) Wood Engraving,1929. Springfield 15. Edition of 100, numbered 32/100, titled, signed, and inscribed "imp" all in pencil. 6 x 6 inches...
Category
1920s Ifpda International Fine Print Dealers Association
Materials
ABS, Woodcut
Lino Litho BR, Planche IX
By Pierre Alechinsky
Located in Fairlawn, OH
Lino Litho BR, Planche IX
Linocut and lithograph, 1970
Signed lower right of central image (see photo)
Edition: 99 (56/99) (see photo)
Published by London Arts Group, Detroit
Conditi...
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Linocut
Tiger Lily
By Nishimura Hodo
Located in Fairlawn, OH
Tiger Lily
Color woodcut, 1939
Unsigned (as usual)
Publisher: Takemura Hideo
(active Yokohama 1926-1940)
Condition: Excellent
Image/sheet size: 15 3/8 x 10 7/8 inches
Provenance: Robert O. Muller Estate
Biography
Hodo Nishimura...
Category
1930s Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
The Nativity of Christ
Located in Fairlawn, OH
Anonymous 15th Century Italian, Probably Milan area
The Nativity of Christ
Pigments, ink and gold leaf on vellum
Unsigned as is always the case with illuminated manuscripts
The Virgi...
Category
15th Century and Earlier Old Masters Ifpda International Fine Print Dealers Association
Materials
Pigment
The Ponte and Castel S. Angelo (Veduta del Ponte e Castello Sant
Angelo)
By Giovanni Battista Piranesi
Located in Fairlawn, OH
The Ponte and Castel S. Angelo
Veduta del Ponte e Castello Sant' Angelo
Etching, 1754
Signed in the plate lower right above the caption
From: Vedute di Roma
A proper Roman printing w...
Category
1750s Old Masters Ifpda International Fine Print Dealers Association
Materials
Etching
HERCULES FIGHTS ADRAGON center, ACHELOUS CARRYING OFF DEIANEIRA left
By Giulio Bonasone
Located in Santa Monica, CA
GIULIO BONASONE (Italian 1500/10-1574)
HERCULES FiGHTS ADRAGON center, ACHELOUS CARRYING OFF DEIANEIRA left 1531–76 (Bartsch XV.157.178; Massari 1983, no.230)
Engraving. Lettered in roundel held by putto at right: 'Iulio / Bonasone' Sheet 10 5/8 x 16 7/8 inches. Thread margins outside border line. A fair impression. Early annotations lower left verso, as well aa a collectors stamp: Lugt 2773 - A. Freiherr von...
Category
16th Century Old Masters Ifpda International Fine Print Dealers Association
Materials
Engraving
Still Life — Mid-century Modern
By Charles Quest
Located in Myrtle Beach, SC
Charles Quest, 'Still Life', 1947, wood engraving, edition 8. Signed, dated, and numbered '3/8' in pencil. Titled and annotated 'wood engraving' in the bottom left margin. A fine impression, on off-white wove paper, with full margins (1 to 2 inches), in excellent condition. Scarce. Matted to museum standards, unframed.
ABOUT THE ARTIST
Charles Quest, painter, printmaker, and fine art instructor, worked in various mediums, including mosaic, stained glass, mural painting, and sculpture. Quest grew up in St. Louis, his talent evident as a teenager when he began copying the works of masters such as Michelangelo on his bedroom walls. He studied at the Washington University School of Fine Arts, where he later taught from 1944 to 1971. He traveled to Europe after his graduation in 1929 and studied at La Grande Chaumière and Academie Colarossi, Paris, continuing to draw inspiration from the works of the Old Masters.
After returning to St. Louis, Quest received several commissions to paint murals in public buildings, schools, and churches, including one from Joseph Cardinal Ritter, to paint a replica of Velasquez's Crucifixion over the main altar of the Old Cathedral in St. Louis. Quest soon became interested in the woodcut medium, which he learned through his study of J. J. Lankes' A Woodcut Manual (1932) and Paul Landacre's articles in American Artist magazine ‘since no artists in St. Louis were working in wood’ at that time. Quest also revealed that for him, wood cutting and engraving were ‘more enjoyable than any other means of expression.’
In the late 1940s, his graphic works began attracting critical attention—several of his woodcuts won prizes and were acquired by major American and European museums. His wood engraving entitled ‘Lovers’ was included in the American Federation of Art's traveling print exhibition in 1947. Two years later, Quest's two prize-winning prints, ‘Still Life with Grindstone’ and ‘Break Forth into Singing’, were exhibited in major American museums in a traveling show organized by the Philadelphia Print Club. His work was included in the Chicago Art Institute's exhibition, ‘Woodcut Through Six Centuries’, and the print ‘Still Life with Vise’ was purchased by the Museum of Modern Art in New York.
In 1951 he was invited by artist-Curator Jacob Kainen to exhibit thirty wood engravings and color woodcuts in a one-person show at the Smithsonian's National Museum (now known as the American History Museum). Kainen's press release praised the ‘technical refinement’ of Quest's work: ‘He obtains a great variety of textural effects through the use of the graver, and these dense or transparent grays are set off against whites or blacks to achieve sparkling results. His work has the handsome qualities characteristic of the craftsman and designer.’
At the time of the Smithsonian exhibition, Quest's work was represented by three New York galleries in addition to one in his home town. He had won 38 prizes, and his prints were in the collections of the Library of Congress, the Chicago Art Institute, the Metropolitan Museum, and the Philadelphia Museum of Art. In cooperation with the Art in Embassies program, his color woodcuts were displayed at the American Embassy in Paris in 1951.
Recognition at home came in 1955 with his first solo exhibition in St. Louis. Press coverage of the show heralded the ‘growth of graphic arts toward rivaling painting and sculpture as a major independent medium’.
An exhibition of his prints at the Bethesda Art Gallery in 1983 attracted Curator Emeritus Joseph A. Haller, S.J., who began purchasing his work for Georgetown University's collection. In 1990 Georgetown University Library's Special Collections Division was the recipient of a large body of Quest's work, including prints, drawings, paintings, sculpture, stained glass, and his archive of correspondence and professional memorabilia. These extensive holdings, including some 260 of his fine prints, provide a rich opportunity for further study and appreciation of this versatile and not-to-be-forgotten mid-Western American artist...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
Claude Renoir, la Tete Baisee (Claude Renoir, Head Lowered)
By Pierre-Auguste Renoir
Located in Fairlawn, OH
Claude Renoir, la Tete Baisee
(Claude Renoir, Head Lowered)
Lithograph, 1904
Edition 1,000, this one of 950 on wove paper with the stamp signature (there were also 50 impressions pri...
Category
Early 1900s Impressionist Ifpda International Fine Print Dealers Association
Materials
Lithograph
A Fierce Bull
By James McBey
Located in Plano, TX
A Fierce Bull. 1911. Drypoint. Hardie 108. 5 3/8 x 8 (sheet 8 5/16 x 11 7/8). Edition 8. An exceptional impression with rich drypoint burr printed on antique laid paper. A proof of t...
Category
1910s Modern Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
$1,500 Sale Price
40% Off
The Draped Figure, Seated
By James Abbott McNeill Whistler
Located in Fairlawn, OH
The Draped Figure, Seated
Lithograph on fine japanese paper, 1893
Signed in pencil with the butterfly (see photo)
Signed in the stone with the butterfly on the sofa (see photo)
Numbered: "No. 20" in pencil
Printed by Thomas Way, London
A beautiful impression with tonal variations in the stump work (shading)
As published in: L'Estampe Originale, Paris, 1893, Album IV
Edition: 107 impressions, this No. 20
There were an additonal 24 impressions printed by Way for Whistler and 20 impressions printed for the Fine Art Society, London
Lacking the huge support sheet and embossed series stamp by Charpentier
With the letterpress lower left: "T. Way. Imp London"
The stone erased in 1904
The majority of the lifetime impressions are in public collections
Condition: Excellent condition
Hinges from original issuance of L'Estampe Originale verso at top as described in Spink
Three hinges residue along right edge of the sheet from a later matting of the print
Image size: 8 1/4 x 6 3/8 inches
Sheet size: 11 3/8 x 9 1/16 inches
Reference: Spink/Tadeschi 72, published edition
Levy 74
Way 46
A superb Neoclassical lithograph...
Category
1890s American Impressionist Ifpda International Fine Print Dealers Association
Materials
Lithograph
Theater
— 1920s German Expressionism
Located in Myrtle Beach, SC
A German Expressionist woodcut, with original hand-coloring in watercolor, depicting a parent and child watching a theatrical production; ...
Category
1920s Expressionist Ifpda International Fine Print Dealers Association
Materials
Woodcut
Symphony in White No. 2, The Little White Girl
By James Abbott McNeill Whistler
Located in Fairlawn, OH
Clifford James (active 1900-1930)
After James Abbott NcNeill Whistler (1834-1903)
Symphony in White No. 2, The Little White Girl
Color mezzotint, 1922
Signed in pencil by James (see ...
Category
1920s Pre-Raphaelite Ifpda International Fine Print Dealers Association
Materials
Mezzotint
Jonah
By Sadao Watanabe
Located in Santa Monica, CA
SADAO WATANABE (Japanese 1913-1996)
JONAH, 1959
Color stencil, signed, numbered and dated in white ink. Sheet, 25 5/8 x 22 5/8 inches. Edition: 44/50. Good color and generally good ...
Category
1950s Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut, Stencil
$1,200 Sale Price
20% Off
Nova Totius Terrarum Orbis Geographica Ac Hydrographica Tabula
Located in New York, NY
Copper-plate engraving, hand-colored, 1608 - c.1630 and published by Joannes Jansonius, Amsterdam. Image size 15.75 x 21.19 inches (40 x 53.9 cm).
A classic example of a world ma...
Category
17th Century Other Art Style Ifpda International Fine Print Dealers Association
Materials
Engraving
Peking - Paifang Gate
— Mid-Century Watanabe Color Woodcut
By Cyrus Le Roy Baldridge
Located in Myrtle Beach, SC
Cyrus Le Roy Baldridge, 'Peking '25', woodblock print, published 1926. Signed, titled, dated, and annotated 'No 124' in pencil. A fine impression, with fresh, undiminished colors; the full sheet, in excellent condition. Watanabe 6 mm seal, lower right, indicating an impression printed between 1945 and 1957. Archivally sleeved, unmatted.
Image size 9 5/8 x 14 5/16 inches; sheet size 10 7/16 x 15 3/8 inches.
ABOUT THE IMAGE
A 'paifang', also known as a 'pailou', is a traditional style of Chinese architectural arch or gateway structure. It has been theorized that the paifang gate architecture was influenced by Buddhist torana temple gates. Paifang are designed with traditional Chinese architectural motifs including multi-tiered roofs, prominent supporting posts, and gracefully arched openings.
This is an unusual ukiyo-e or 'floating world' woodcut published by Watanabe Shozaburo, Tokyo, in that the subject is of an early 20th-century scene in Peking, China.
ABOUT THE ARTIST
Cyrus Leroy Baldridge...
Category
1920s Showa Ifpda International Fine Print Dealers Association
Materials
Woodcut
VISAGE DE FEMME APPUYE SUR SA MAIN (FACE OF A WOMAN LEANING ON HER HAND)
By André Derain
Located in Portland, ME
Derain, Andre (French, 1880-1954). VISAGE DE FEMME APPUYE SUR SA MAIN (FACE OF A WOMAN LEANING ON HER HAND). Adhemar 71, BN-IFF 17. Lithograph, 1927. One of 25 copies numbered in Rom...
Category
1920s Ifpda International Fine Print Dealers Association
Materials
Lithograph
EVENING (SELF PORTRAIT with the Battenbergs)
By Max Beckmann
Located in Santa Monica, CA
MAX BECKMANN (German 1884 - 1950)
EVENING (Self-Portrait with the Battenbergs) 1916, (Hofmaier 90: Gallwitz 67)
Etching and drypoint, Plate 10 from the portfolio Gesichter (Faces)...
Category
1910s Expressionist Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
A Mirage
By James McBey
Located in Plano, TX
A Mirage. 1928. Etching. Hardie 238. 11 13/16 x 14 3/8 (sheet 12 3/16 x 18 3/4). Edition 76, #46. Illustrated: Fine Prints of the Year, 1928 and 1938; Holmes, Etchings of Today. A ri...
Category
1920s Modern Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
$1,750 Sale Price
30% Off
Amorous Couple
By Philibert-Louis Debucourt
Located in Fairlawn, OH
Amorous Couple
Watercolor on laid paper, c. 1810
Unsigned
Provenance: Emile Wolf (1899-1996)
The art collection of Emile Wolf was dispersed by Sotheby and Stair Galleries.
Condition: Excellent
22K gold leaf finishes corner frame (see photo)
“Mr. Wolf’s collection reflects a lifelong commitment to the arts. Although a mainstay of the Old Masters art scene in New York, Mr. Wolf’s collection spanned centuries and genres. He was an impassioned collector, and his Fifth Avenue apartment was filled with paintings and drawings that hung from floor to ceiling in every room. Space void of art was lined with an extensive library of art books that fueled his ardent collecting. Mr. Wolf took great joy in sharing this collection and his ideas with art historians, collectors, dealers and university students.
The Wolf collection included masterworks from every influential and groundbreaking Impressionist and modern artist of the late 19th and early 20th centuries, ranging from an outstanding grouping of works on paper by Picasso, Pissarro, and Cezanne to a Renoir oil...
Category
1810s Romantic Ifpda International Fine Print Dealers Association
Materials
Watercolor
Insomnia
s Green Ledge
By Terrell James
Located in Houston, TX
Terrell James
Insomnia's Green Ledge, 2022
Oil on canvas
66 x 66 in (167.6 x 167.6 cm)
Category
21st Century and Contemporary Abstract Ifpda International Fine Print Dealers Association
Materials
Canvas, Oil
Nets – Mid-Century Modernism, Atelier 17
By Sigismond Kolos-Vari
Located in Myrtle Beach, SC
Sigismond Kolos-Vari, 'Nets', color etching with soft-ground and aquatint, edition 200 (1 of 60 artist's proofs), 1952. Signed and dated in pencil. Numbered L/LX in pencil. A superb, richly-inked impression, on heavy, off-white, Arches wove paper; the full sheet with margins (1 3/8 to 3 1/2 inches), in excellent condition. Published by the Guide de la Gravure, Switzerland, with their blindstamp in the bottom left sheet corner. Matted to museum standards, unframed.
Image size 11 3/4 x 15 5/8 inches (298 x 397 mm); sheet size 15 x 22 1/4 inches (381 x 565 mm).
ABOUT THE ARTIST
Sigismund Kolos-Vari was born in Hungary and attended the School of Applied Arts in Budapest from 1915 to 1918 and then the School of Decorative Arts until 1925. The artist settled in Paris, and his first one-person show in 1928 at Galerie Miromesnil, which was highly successful, led to numerous subsequent exhibitions, including with the prestigious Galerie Bonaparte in 1929 and Galerie Povolosky in 1930.
Kolos-Vari’s early success was abruptly interrupted by the outbreak of WWII when he was arrested by the Gestapo and imprisoned in the Gurs internment camp. During this period, he created a sketchbook for a little girl, which is now preserved at the Centre de Documentation Juive Contemporaine at the Mémorial de la Shoah in Paris. He managed to escape after two years, crossing the border into Switzerland. After the war, he returned to Paris with a renewed dedication to his painting, producing increasingly powerful compositions. His work was highly acclaimed when shown at an important 1946 exhibition at the Musée National d’Art Moderne de Paris, organized by Jean Cassou. The artist was then approached by the eminent art dealer Jean Bucher, who gave Kolos-Vary a major one-person show at his gallery in 1948. During this post-war period, Kolos-Vary participated in the radical Salon de Mai, 1949-1958, the Salon des Réalités Nouvelles, 1956-1961, and the Salon des Comparaisons, 1960-1962.
Supported by his association with Stanley William Hayter and the landmark printmaking workshop Atelier 17...
Category
Mid-20th Century Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Etching, Aquatint
At Once I Knew I Was Not Magnificent - In Celebration of Pride Month
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
Murnaghan was well known for his striking underwater photography, capturing his sub...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Inkjet
$1,500 Sale Price
25% Off
Untitled (Young woman seen from the back)
By Paul César Helleu
Located in Fairlawn, OH
Untitled (Young woman seen from the back)
Sanguine crayon, charcola and watercolor on paper, c. 1910
Signed with the estate stamp, Lugt 5169 lower left corner
Provenance:
Estate of ...
Category
Early 1900s Impressionist Ifpda International Fine Print Dealers Association
Materials
Charcoal
Flower Vase, Red Camellia, white plum, white daffodils and orchids
Located in Fairlawn, OH
Flower Vase, Red Camellia, white plum, white daffodils and orchids
Color woodcut, c. 1950
Signed "B. Ohno" (see photo)
Seal: Bakufu (see photo)
Series: Flowers of the Four Seasons
Ca...
Category
1950s Other Art Style Ifpda International Fine Print Dealers Association
Materials
Woodcut
A black and white cat play with a mouse, from Le Chat Noir
By Théophile Alexandre Steinlen
Located in Fairlawn, OH
A black and white cat play with a mouse, from Le Chat Noir
Gillotage chromotype, 1898
Signed in the image lower right (see photo)
An impression of this image is in the collection of ...
Category
1890s Impressionist Ifpda International Fine Print Dealers Association
Materials
Other Medium
Beauty Otami - Kabuki
By Utagawa Kunisada (Toyokuni III)
Located in Fairlawn, OH
Beauty Otami - Kabuki
Note: Kabuki actor Nakamura Matsue is in the role of courtesan otami. She is standing in front of a small tea shop in a garden.
Color woodblock, c. 1800-1810
Si...
Category
Early 1800s Ifpda International Fine Print Dealers Association
Materials
Woodcut
SAN GIMINIANO
By Ben Nicholson
Located in Portland, ME
Nicholson, Ben. San Gimignano. Lafranca 38. Etching, 1966. Edition of 50, signed in pencil and dated "66," and numbered "1/50." With the chop of the printer Lafranca embiossed lowe...
Category
1960s Ifpda International Fine Print Dealers Association
Materials
Etching
A. M.
By Janet Fish
Located in Portland, ME
Fish, Janet (American, born 1938). A. M. Color Screenprint, 1994. Edition of 60, printed and published by Stewart & Stewart. Signed in pencil and numbered 16/60. 24 x 36 inches (ima...
Category
1990s Ifpda International Fine Print Dealers Association
Materials
Screen
$4,800
GRASS FIRE. - Very Scarce Early signed Impression
By Paul Landacre
Located in Santa Monica, CA
PAUL LANDACRE (1883 – 1963)
GRASSS FIRE, 1928 (Wien 53)
Wood engraving on tissue thin Japanese paper, signed in pencil and titled with full margins. Thee are only 20 signed, titled,...
Category
1920s Ifpda International Fine Print Dealers Association
Materials
Woodcut
Cahiers d
art, Surrealist Composition 1
By Joan Miró
Located in Fairlawn, OH
Cahiers d'art, Surrealist Composition 1
Pochoir, 1934
Unsigned as issued in Cahier's edition
Published in Cahier's d'art, 1934
Unsigned Edition of 1200
There was also a pencil signed...
Category
1930s Surrealist Ifpda International Fine Print Dealers Association
Materials
Stencil
Untitled 6 - Animals in the Light
Located in New Orleans, LA
Self taught outsider art by African American artist from New Orleans with work in major museum and private collections. White created a bold c...
Category
1990s Outsider Art Ifpda International Fine Print Dealers Association
Materials
Foam Board, Felt Pen
GAEU AWA
By Marguerite Kirmse
Located in Santa Monica, CA
MARGUERITE KIRMSE (American, 1885-1954) "
GAEU AWA c. 1940
Etching, signed and titled depicting a Scottie dog on a dock, plate 6-5/8" x 9-5/8" plate. Sheet 11 ½ x 13 ½”.Generally ...
Category
1940s Modern Ifpda International Fine Print Dealers Association
Materials
Etching
Butterfly and Heart
By Damien Hirst
Located in Fairlawn, OH
Butterfly and Heart
Drawing in black felt pen over color screenprint 'spot' composition
Signed in full (bottom edge) and dedicated (top edge)
Dedicated by the artist
Annotated in fe...
Category
2010s Abstract Ifpda International Fine Print Dealers Association
Materials
Ink
Sundown, Stonington, Maine
— Artist-printed Exhibition Proof
By Lawrence Wilbur
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur (1897-1988), 'Sundown, Stonington, Maine', wood engraving, artist's proof, edition not stated but small, 1969. Signed and titled in pencil. Signed in the block...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
The Spire -- New York
By Lawrence Wilbur
Located in Plano, TX
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
$350 Sale Price
58% Off
Soaring New York
— 1930s American Modernism, New York City
By Howard Norton Cook
Located in Myrtle Beach, SC
Howard Cook, 'Soaring New York', aquatint, soft-ground etching, roulette, 1931-32, edition 25, Duffy 165. Signed, dated, and annotated 'imp' in pencil. A superb, richly-inked, atmosp...
Category
1930s American Modern Ifpda International Fine Print Dealers Association
Materials
Etching, Aquatint
Piazza Navona allagata solito farsi nelle Feste di Agosto
By Giuseppe Vasi
Located in Fairlawn, OH
Piazza Navona allagata solito farsi nelle Feste di Agosto
Etching, 1752
Signed in the plate lower right (see photo)
From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761)
Volume II, The Main Squares and Obelisks, columns and other ornaments, 1752, Plate No. 26
Della Magnificenze di Roma Antica e Moderna_ (1747-61), a collection of 238 plates that was published in ten volumes. Vasi recorded all types of architecture and organized these images of contemporary Rome by subject, with each volume representing a different category of architecture. This comprehensive project provides one of the most complete views of eighteenth-century Rome
Condition: Excellent
Image/Plate size: 8 .25 x 12.63 inches
Sheet size: 11 x 15 7/8 inches
Vasi was Giovanni Battista Piranesi’s teacher. Piranesi (1720-1778) entered Vasi’s studio as an apprentice at age 20 c. 1740. Piranesi left Vasi’s employment after stabbing Vasi over the perception that Vasi was withholding secrets of the etching process.
Giuseppe Vasi was an Italian engraver and painter born and trained in Sicily. He received a classical education in his hometown of Corleone and trained as a printmaker in nearby Palermo, perhaps under the tutelage of the etchers Antonino Bova and Francesco Cichè. He moved to Rome in 1736, already an established printmaker, and spent most of his career documenting the urban landscape of the city in engravings. Through his patron, the politically and culturally influential Cardinal Troiano Acquaviva d’Aragona, Vasi met other artists working in Rome, such as Sebastiano Conca, Ferdinando Fuga, and Luigi Vanvitelli. He was also influenced by his predecessors, including Giovanni Paolo Panini, Giovanni Battista Falda...
Category
1750s Old Masters Ifpda International Fine Print Dealers Association
Materials
Etching
Barns in the Helderberg, New York (rural 1930s American scene with vintage car)
By Martin Lewis
Located in New Orleans, LA
"Barns in the Helderberg, New York" by Martin Lewis shows neighbors (one in a Model T car) visiting outside a series of barns with a tree in the background...
Category
1930s American Modern Ifpda International Fine Print Dealers Association
Materials
Chalk, Charcoal
New York (from Ports of America)
By Louis Orr
Located in Myrtle Beach, SC
Louis Orr, 'New York' (from the portfolio 'Ports of America', published by Yale University Press, 1928), etching, 1925, edition not stated. Signed and titled in pencil. Signed in the...
Category
1920s Realist Ifpda International Fine Print Dealers Association
Materials
Etching
The Basque Boy also called Boy with Beret and Fabian.
By Gerald Leslie Brockhurst
Located in Plano, TX
The Basque Boy also called Boy with Beret and Fabian. 1944. Lithograph. Fletcher Lithographs 3.ii. zinc plate. 13 x 10 1/4 (sheet 7 1/8 x 13 7/8). Edition 10. Printed on countermarke...
Category
Mid-20th Century Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
$550 Sale Price
38% Off
untitled (Maine Landscape near Mt. Desert Island)
By Greta Allen
Located in Fairlawn, OH
untitled (Maine Landscape near Mt. Desert Island)
Watercolor on paper, c. 1945-1955
Signed by the artist lower left (see photo)
Provenance: Estate of the artist
Condition: Excellent
...
Category
1940s American Impressionist Ifpda International Fine Print Dealers Association
Materials
Watercolor
Lot Cleaning, Los Angeles
— 1930s Modernism
By Paul Landacre
Located in Myrtle Beach, SC
'Lot Cleaning, Los Angeles', wood engraving, edition 60, Zeitlin & Ver Brugge 69. Signed, titled and numbered '51/60' in pencil. A brilliant, black impression, on Kitakata Japan pape...
Category
1930s American Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
Seraphina II
By Robert Kushner
Located in New York, NY
Robert Kushner is an American contemporary painter who is known especially for his involvement in Pattern and Decoration and has been called "a founder" of that artistic movement. In addition to painting, Kushner creates installations in a variety of mediums, from large-scale public mosaics to delicate paintings on antique book pages.
Kushner draws from a unique range of influences, including Islamic and European textiles, Henri Matisse, Georgia O'Keeffe, Charles Demuth, Pierre Bonnard, Tawaraya Sotatsu, Ito Jakuchu, Qi Baishi...
Category
Late 20th Century American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
Interlinear K50
— Mid-Century Geometric Abstraction
By Josef Albers
Located in Myrtle Beach, SC
Josef Albers, 'Interlinear K50', zinc plate lithograph offset to stone printing, 1962, edition 20, Danilowitz 151. Signed, titled, dated, and numbered '14/20' in pencil. A superb, ri...
Category
1960s Abstract Geometric Ifpda International Fine Print Dealers Association
Materials
Lithograph
$9,000 Sale Price
25% Off
Chrysanthemums
Located in Fairlawn, OH
Chrysanthemums
Color woodcut, c. 1950's
Signed lower right (see photo)
Publisher: Uchida (see photo of red seal)
Note: Chrysanthemums, a symbol of the sun, the Japanese consider the ...
Category
1950s Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
Whiteout
Located in Plano, TX
"Whiteout" is a part of Christopher Kennedy's "Trees Revered" series.
"This particular tree is deep in a huge field in Pennsylvania and so seldom seen by anyone but the wildlife. I...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association
Materials
Archival Paper
$880 Sale Price
20% Off
Standing Female Nude
By Frederick Carl Frieseke
Located in Fairlawn, OH
Standing Female Nude
Drypoint, c. 1910
Unsigned
Estate authentication on verso (see photo)
Estate authentication verso by Frances Frieseke Kilmer (Mrs. Kenton Kilmer, 1914-1998) (see photo)
Probably depicts the artist's wife, the artist's favorite model
Extremely rare original drypoint by Frieseke
Printed with selective inking to highlight the figure
Condition: excellent
Image/Plate size: 10 x 6 5/8 inches
Frame size: 19 1/4 x 15 3/4 inches
Provenance: Estate of the Artist
By descent to his daughter Frances
Hirschl & Adler Gallery, Stock No. APG 1106.3D-B (see photo)
Biography
Frederick Carl Frieseke was born on April 7, 1874, in Owosso, Michigan. After studying for a short while at the Art Institute of Chicago and the Art Students League in New York, Frieseke left for France in 1898, and almost all of his career was spent as an expatriate, with ties to the United States maintained through his New York dealer, William MacBeth, and by occasional visits to America. Following the pattern of innumerable young Americans, he enrolled at the Academie Julian where he studied with Benjamin Constant (1845-1902) and Jean-Paul Laurens (1838-1921). He appears to have had at least brief contact with and to have been influenced by James McNeill Whistler, who had recently opened his Academie Carmen in Paris.
By 1900 Frieseke was spending summers in the town of Giverny, made famous by the residence of Monet and subsequently by other artists, among them many Americans. In 1906, the year after his marriage to Sarah O'Bryan, he leased a house once occupied by the American Impressionist Theodore Robinson. Although the property was adjacent to Monet's, Frieseke had only limited contact with the French master. Instead he apparently found Pierre Auguste Renoir the most influential of all the Impressionists. Frieseke's Giverny house and garden, as settings for a series of female models, provided nearly all of his subject matter for the next thirty years, although in 1930 he made a series of watercolors of Florida scenes remembered from his childhood and painted some Swiss landscapes. After World War I, the artist and his family settled in Normandy.
Frieseke's career falls roughly into three stages. In the first, figures most clearly show his academic training and draughtsmanship. Gradually these evolve into the most common images of the next decade, comprised of loosely-applied blotches of bright color. The vast majority of these show their subjects in the garden, standing among the flowers, taking tea, or just basking in the sun. Others include models in colorful, light-filled interiors. In Frieseke's latest paintings, the figures very often appear indoors, their forms are given greater solidity, and the brushwork is less broken.
At the height of his career, in the 1910s and early 1920s, Frieseke was perhaps the most popular of all living American artists. He received numerous awards and medals and saw his work purchased by private collectors and major museums. Decades after the initial introduction of Impressionism by Monet and his contemporaries, Frieseke assumed this style for his work, choosing to ignore the newer artistic movements of the early twentieth century. Nevertheless, his paintings were acclaimed in both the United States and in Europe. In 1904 he won a silver medal at the St. Louis Universal Exposition and a gold medal at Munich. He was elected a member of the Société National des Beaux Arts in 1908 and the National Academy of Design in 1912. Seventeen of his canvases were featured at the Venice Biennale in 1909 and he won the Grand Prize at the Panama-Pacific International Exposition in 1915. He was commissioned to execute several murals, including one for the New York store of John Wanamaker, one of his most loyal patrons.
He died on August 28, 1939, at his home in Normandy, in the town of Le Mesnil sur Blangy. In the decades following his death, however, after artistic tastes had changed considerably, his work was nearly forgotten until it received renewed attention as interest in American Impressionism grew in the 1960s Courtesy National Gallery of Art, Washington
Etchings by Frederick Carl Frieseke include The Balcony and Standing Female Nude. Frieseke was an American Impressionist painter who was popular in the 1910s and 1920s.
Etchings by Frederick Carl Frieseke:
The Balcony: An etching by Frieseke from 1904
Standing Female Nude
Other paintings by Frederick Carl Frieseke:
The Garden Parasol...
Category
1910s American Impressionist Ifpda International Fine Print Dealers Association
Materials
Drypoint
